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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #895B57 it is the complementary color #76A4A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #895B57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #895B57 shade: #8E5B52, #9F6D65, #B07F78, #C1918B and #D2A39E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #895B57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #895B57 shade: #895B57, #784944, #673731, #56251E and #45130B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #895B57 shade: #895B58 and #895858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #895B57 shade: #895B58, #896958, #897658, #898358 and #818958

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #895B57 shade matches the following richer shades: #895B58, #9B4C45, #AD3D33, #BF2E21 and #D11E0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #895B57 shade: #895B58, #776B6A, #657A7C, #52898E and #4098A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #895B57 shade: #89586F, #895861, #895B58, #896858 and #897558

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #895B57 shade: #573A37, #704B47, #895B58, #A06E6A and #B08783

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #895B57 shade: #895B57, #7C8958 and #586889

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #895B57 shade: #895B57, #58895B and #5B5889

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #895B57 shade: #895B57, #7C8958, #588689 and #655889

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #895B57 shade: #895B57, #6D8958, #588689 and #735889

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 36 / 46

HEX #895B57

RGB 137 91 87

HSL 4.8, 0.22%, 0.44%

LAB 43.49, 18.37, 10.02

 

Complementary color

CMYK 30 / 2 / 0 / 34

HEX #76A4A8

RGB 118 164 168

HSL 184.8, 0.22%, 0.56%

LAB 64.35, -14.36, -7.05

 

CMYK 0 / 36 / 42 / 44

HEX #8E5B52

RGB 142 91 82

HSL 9, 0.27%, 0.44%

LAB 44.01, 19.82, 13.86

 

CMYK 0 / 31 / 36 / 38

HEX #9F6D65

RGB 159 109 101

HSL 8.28, 0.23%, 0.51%

LAB 50.98, 18.84, 12.5

 

CMYK 0 / 28 / 32 / 31

HEX #B07F78

RGB 176 127 120

HSL 7.5, 0.26%, 0.58%

LAB 57.81, 18, 11.31

 

CMYK 0 / 25 / 28 / 24

HEX #C1918B

RGB 193 145 139

HSL 6.67, 0.3%, 0.65%

LAB 64.53, 17.26, 10.24

 

CMYK 0 / 22 / 25 / 18

HEX #D2A39E

RGB 210 163 158

HSL 5.77, 0.37%, 0.72%

LAB 71.12, 16.6, 9.26

 

CMYK 0 / 34 / 36 / 46

HEX #895B57

RGB 137 91 87

HSL 4.8, 0.22%, 0.44%

LAB 43.49, 18.37, 10.02

 

CMYK 0 / 39 / 43 / 53

HEX #784944

RGB 120 73 68

HSL 5.77, 0.28%, 0.37%

LAB 36.32, 19.41, 11.44

 

CMYK 0 / 47 / 52 / 60

HEX #673731

RGB 103 55 49

HSL 6.67, 0.36%, 0.3%

LAB 29, 20.63, 13.18

 

CMYK 0 / 57 / 65 / 66

HEX #56251E

RGB 86 37 30

HSL 7.5, 0.48%, 0.23%

LAB 21.56, 22.05, 15.43

 

CMYK 0 / 72 / 84 / 73

HEX #45130B

RGB 69 19 11

HSL 8.28, 0.73%, 0.16%

LAB 14.15, 23.51, 17.09

 

CMYK 0 / 34 / 36 / 46

HEX #895B58

RGB 137 91 88

HSL 3.67, 0.22%, 0.44%

LAB 43.51, 18.5, 9.45

 

CMYK 0 / 36 / 36 / 46

HEX #895858

RGB 137 88 88

HSL 0, 0.22%, 0.44%

LAB 42.77, 20.26, 8.4

 

CMYK 0 / 34 / 36 / 46

HEX #895B58

RGB 137 91 88

HSL 3.67, 0.22%, 0.44%

LAB 43.51, 18.5, 9.45

 

CMYK 0 / 23 / 36 / 46

HEX #896958

RGB 137 105 88

HSL 20.82, 0.22%, 0.44%

LAB 47.14, 10.27, 14.48

 

CMYK 0 / 14 / 36 / 46

HEX #897658

RGB 137 118 88

HSL 36.73, 0.22%, 0.44%

LAB 50.66, 2.72, 19.27

 

CMYK 0 / 4 / 36 / 46

HEX #898358

RGB 137 131 88

HSL 52.65, 0.22%, 0.44%

LAB 54.3, -4.65, 24.09

 

CMYK 6 / 0 / 36 / 46

HEX #818958

RGB 129 137 88

HSL 69.8, 0.22%, 0.44%

LAB 55.34, -11.31, 25.33

 

CMYK 0 / 34 / 36 / 46

HEX #895B58

RGB 137 91 88

HSL 3.67, 0.22%, 0.44%

LAB 43.51, 18.5, 9.45

 

CMYK 0 / 51 / 55 / 39

HEX #9B4C45

RGB 155 76 69

HSL 4.88, 0.38%, 0.44%

LAB 42.1, 32.24, 19.49

 

CMYK 0 / 65 / 71 / 32

HEX #AD3D33

RGB 173 61 51

HSL 4.92, 0.54%, 0.44%

LAB 41.94, 45.16, 30.7

 

CMYK 0 / 76 / 83 / 25

HEX #BF2E21

RGB 191 46 33

HSL 4.94, 0.71%, 0.44%

LAB 42.97, 56.19, 42.81

 

CMYK 0 / 86 / 93 / 18

HEX #D11E0F

RGB 209 30 15

HSL 4.64, 0.87%, 0.44%

LAB 44.97, 65.26, 53.8

 

CMYK 0 / 34 / 36 / 46

HEX #895B58

RGB 137 91 88

HSL 3.67, 0.22%, 0.44%

LAB 43.51, 18.5, 9.45

 

CMYK 0 / 10 / 11 / 53

HEX #776B6A

RGB 119 107 106

HSL 4.62, 0.06%, 0.44%

LAB 46.28, 4.52, 2.27

 

CMYK 19 / 2 / 0 / 51

HEX #657A7C

RGB 101 122 124

HSL 185.22, 0.1%, 0.44%

LAB 49.67, -7.17, -3.66

 

CMYK 42 / 4 / 0 / 44

HEX #52898E

RGB 82 137 142

HSL 185, 0.27%, 0.44%

LAB 53.64, -16.77, -8.39

 

CMYK 60 / 5 / 0 / 37

HEX #4098A0

RGB 64 152 160

HSL 185, 0.43%, 0.44%

LAB 58.12, -23.63, -12.1

 

CMYK 0 / 36 / 19 / 46

HEX #89586F

RGB 137 88 111

HSL 331.84, 0.22%, 0.44%

LAB 43.43, 23.76, -4.71

 

CMYK 0 / 36 / 29 / 46

HEX #895861

RGB 137 88 97

HSL 348.98, 0.22%, 0.44%

LAB 43, 21.54, 3.23

 

CMYK 0 / 34 / 36 / 46

HEX #895B58

RGB 137 91 88

HSL 3.67, 0.22%, 0.44%

LAB 43.51, 18.5, 9.45

 

CMYK 0 / 24 / 36 / 46

HEX #896858

RGB 137 104 88

HSL 19.59, 0.22%, 0.44%

LAB 46.87, 10.86, 14.12

 

CMYK 0 / 15 / 36 / 46

HEX #897558

RGB 137 117 88

HSL 35.51, 0.22%, 0.44%

LAB 50.39, 3.29, 18.9

 

CMYK 0 / 33 / 37 / 66

HEX #573A37

RGB 87 58 55

HSL 5.62, 0.23%, 0.28%

LAB 27.65, 12.4, 7.05

 

CMYK 0 / 33 / 37 / 56

HEX #704B47

RGB 112 75 71

HSL 5.85, 0.22%, 0.36%

LAB 35.85, 15.15, 8.75

 

CMYK 0 / 34 / 36 / 46

HEX #895B58

RGB 137 91 88

HSL 3.67, 0.22%, 0.44%

LAB 43.51, 18.5, 9.45

 

CMYK 0 / 31 / 34 / 37

HEX #A06E6A

RGB 160 110 106

HSL 4.44, 0.22%, 0.52%

LAB 51.46, 19.34, 10.25

 

CMYK 0 / 23 / 26 / 31

HEX #B08783

RGB 176 135 131

HSL 5.33, 0.22%, 0.6%

LAB 60.07, 15.06, 8.19

 

CMYK 0 / 34 / 36 / 46

HEX #895B57

RGB 137 91 87

HSL 4.8, 0.22%, 0.44%

LAB 43.49, 18.37, 10.02

 

CMYK 9 / 0 / 36 / 46

HEX #7C8958

RGB 124 137 88

HSL 75.92, 0.22%, 0.44%

LAB 54.95, -13.36, 24.75

 

CMYK 36 / 24 / 0 / 46

HEX #586889

RGB 88 104 137

HSL 220.41, 0.22%, 0.44%

LAB 43.92, 2.55, -20.16

 

CMYK 0 / 34 / 36 / 46

HEX #895B57

RGB 137 91 87

HSL 4.8, 0.22%, 0.44%

LAB 43.49, 18.37, 10.02

 

CMYK 36 / 0 / 34 / 46

HEX #58895B

RGB 88 137 91

HSL 123.67, 0.22%, 0.44%

LAB 52.64, -26.53, 19.58

 

CMYK 34 / 36 / 0 / 46

HEX #5B5889

RGB 91 88 137

HSL 243.67, 0.22%, 0.44%

LAB 39.6, 13.4, -26.84

 

CMYK 0 / 34 / 36 / 46

HEX #895B57

RGB 137 91 87

HSL 4.8, 0.22%, 0.44%

LAB 43.49, 18.37, 10.02

 

CMYK 9 / 0 / 36 / 46

HEX #7C8958

RGB 124 137 88

HSL 75.92, 0.22%, 0.44%

LAB 54.95, -13.36, 24.75

 

CMYK 36 / 2 / 0 / 46

HEX #588689

RGB 88 134 137

HSL 183.67, 0.22%, 0.44%

LAB 52.87, -14.8, -6.6

 

CMYK 26 / 36 / 0 / 46

HEX #655889

RGB 101 88 137

HSL 255.92, 0.22%, 0.44%

LAB 40.5, 16.53, -25.37

 

CMYK 0 / 34 / 36 / 46

HEX #895B57

RGB 137 91 87

HSL 4.8, 0.22%, 0.44%

LAB 43.49, 18.37, 10.02

 

CMYK 20 / 0 / 36 / 46

HEX #6D8958

RGB 109 137 88

HSL 94.29, 0.22%, 0.44%

LAB 53.86, -19.35, 23.12

 

CMYK 36 / 2 / 0 / 46

HEX #588689

RGB 88 134 137

HSL 183.67, 0.22%, 0.44%

LAB 52.87, -14.8, -6.6

 

CMYK 16 / 36 / 0 / 46

HEX #735889

RGB 115 88 137

HSL 273.06, 0.22%, 0.44%

LAB 41.89, 21.12, -23.1

 

Description

Color code: HEX #895B57 | qconv.com Color code: HEX #895B57 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 91 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 91 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 36 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 36% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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