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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #894FBB it is the complementary color #76B044. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #894FBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #894FBB shade: #8E4FB6, #9F61C9, #B073DC, #C185EF and #D297FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #894FBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #894FBB shade: #894FBB, #783DA8, #672B95, #561982 and #45076F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #894FBB shade: #894FBA, #A64FBA, #BA4FB2, #BA4F95 and #BA4F78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #894FBB shade: #894FBA, #6C4FBA and #4F4FBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #894FBB shade matches the following richer shades: #894FBA, #8A3BCE, #8C27E2 and #8D13F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #894FBB shade: #894FBA, #8763A7, #867693, #848A7F and #839E6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #894FBB shade: #4F4FBA, #6B4FBA, #884FBA, #A54FBA and #BA4FB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #894FBB shade: #5E3384, #743FA1, #894FBA, #9D6CC6 and #B18AD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #894FBB shade: #894FBB, #BA4F6B and #4FBA5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #894FBB shade: #894FBB, #BA884F and #4FBA88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #894FBB shade: #894FBB, #BA4F6B, #81BA4F and #4FBA9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #894FBB shade: #894FBB, #BA524F, #81BA4F and #4FB7BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 58 / 0 / 27

HEX #894FBB

RGB 137 79 187

HSL 272.22, 0.44%, 0.52%

LAB 44.94, 44.71, -47.83

 

Complementary color

CMYK 33 / 0 / 61 / 31

HEX #76B044

RGB 118 176 68

HSL 92.22, 0.44%, 0.48%

LAB 66, -37.23, 48.17

 

CMYK 22 / 57 / 0 / 29

HEX #8E4FB6

RGB 142 79 182

HSL 276.7, 0.41%, 0.51%

LAB 45.25, 44.82, -44.38

 

CMYK 21 / 52 / 0 / 21

HEX #9F61C9

RGB 159 97 201

HSL 275.77, 0.49%, 0.58%

LAB 51.99, 43.98, -44.53

 

CMYK 20 / 48 / 0 / 14

HEX #B073DC

RGB 176 115 220

HSL 274.86, 0.6%, 0.66%

LAB 58.66, 43.13, -44.64

 

CMYK 19 / 44 / 0 / 6

HEX #C185EF

RGB 193 133 239

HSL 273.96, 0.77%, 0.73%

LAB 65.24, 42.3, -44.72

 

CMYK 18 / 41 / 0 / 0

HEX #D297FF

RGB 210 151 255

HSL 274.04, 1%, 0.8%

LAB 71.59, 40.85, -43.37

 

CMYK 27 / 58 / 0 / 27

HEX #894FBB

RGB 137 79 187

HSL 272.22, 0.44%, 0.52%

LAB 44.94, 44.71, -47.83

 

CMYK 29 / 64 / 0 / 34

HEX #783DA8

RGB 120 61 168

HSL 273.08, 0.47%, 0.45%

LAB 38.12, 45.53, -47.66

 

CMYK 31 / 71 / 0 / 42

HEX #672B95

RGB 103 43 149

HSL 273.96, 0.55%, 0.38%

LAB 31.3, 46.11, -47.29

 

CMYK 34 / 81 / 0 / 49

HEX #561982

RGB 86 25 130

HSL 274.86, 0.68%, 0.3%

LAB 24.59, 46.09, -46.5

 

CMYK 38 / 94 / 0 / 56

HEX #45076F

RGB 69 7 111

HSL 275.77, 0.88%, 0.23%

LAB 18.21, 44.75, -44.88

 

CMYK 26 / 58 / 0 / 27

HEX #894FBA

RGB 137 79 186

HSL 272.52, 0.44%, 0.52%

LAB 44.88, 44.47, -47.34

 

CMYK 11 / 58 / 0 / 27

HEX #A64FBA

RGB 166 79 186

HSL 288.79, 0.44%, 0.52%

LAB 48.57, 51.94, -41.25

 

CMYK 0 / 58 / 4 / 27

HEX #BA4FB2

RGB 186 79 178

HSL 304.49, 0.44%, 0.52%

LAB 50.97, 55.8, -32.61

 

CMYK 0 / 58 / 20 / 27

HEX #BA4F95

RGB 186 79 149

HSL 320.75, 0.44%, 0.52%

LAB 49.74, 51.19, -17.44

 

CMYK 0 / 58 / 35 / 27

HEX #BA4F78

RGB 186 79 120

HSL 337.01, 0.44%, 0.52%

LAB 48.74, 47.31, -1.55

 

CMYK 26 / 58 / 0 / 27

HEX #894FBA

RGB 137 79 186

HSL 272.52, 0.44%, 0.52%

LAB 44.88, 44.47, -47.34

 

CMYK 42 / 58 / 0 / 27

HEX #6C4FBA

RGB 108 79 186

HSL 256.26, 0.44%, 0.52%

LAB 41.73, 37.47, -52.57

 

CMYK 58 / 58 / 0 / 27

HEX #4F4FBA

RGB 79 79 186

HSL 240, 0.44%, 0.52%

LAB 39.24, 31.39, -56.71

 

CMYK 26 / 58 / 0 / 27

HEX #894FBA

RGB 137 79 186

HSL 272.52, 0.44%, 0.52%

LAB 44.88, 44.47, -47.34

 

CMYK 33 / 71 / 0 / 19

HEX #8A3BCE

RGB 138 59 206

HSL 272.24, 0.6%, 0.52%

LAB 42.74, 59.21, -62.39

 

CMYK 38 / 83 / 0 / 11

HEX #8C27E2

RGB 140 39 226

HSL 272.41, 0.76%, 0.52%

LAB 42.03, 71.38, -75.03

 

CMYK 43 / 92 / 0 / 4

HEX #8D13F6

RGB 141 19 246

HSL 272.25, 0.93%, 0.52%

LAB 42.43, 80.24, -85.68

 

CMYK 26 / 58 / 0 / 27

HEX #894FBA

RGB 137 79 186

HSL 272.52, 0.44%, 0.52%

LAB 44.88, 44.47, -47.34

 

CMYK 19 / 41 / 0 / 35

HEX #8763A7

RGB 135 99 167

HSL 271.76, 0.28%, 0.52%

LAB 48.09, 28.07, -31.15

 

CMYK 9 / 20 / 0 / 42

HEX #867693

RGB 134 118 147

HSL 273.1, 0.12%, 0.52%

LAB 51.99, 11.97, -13.43

 

CMYK 4 / 0 / 8 / 46

HEX #848A7F

RGB 132 138 127

HSL 92.73, 0.04%, 0.52%

LAB 56.7, -4.35, 5.12

 

CMYK 17 / 0 / 32 / 38

HEX #839E6B

RGB 131 158 107

HSL 91.76, 0.21%, 0.52%

LAB 61.95, -18.9, 23.64

 

CMYK 58 / 58 / 0 / 27

HEX #4F4FBA

RGB 79 79 186

HSL 240, 0.44%, 0.52%

LAB 39.24, 31.39, -56.71

 

CMYK 42 / 58 / 0 / 27

HEX #6B4FBA

RGB 107 79 186

HSL 255.7, 0.44%, 0.52%

LAB 41.63, 37.24, -52.73

 

CMYK 27 / 58 / 0 / 27

HEX #884FBA

RGB 136 79 186

HSL 271.96, 0.44%, 0.52%

LAB 44.76, 44.22, -47.54

 

CMYK 11 / 58 / 0 / 27

HEX #A54FBA

RGB 165 79 186

HSL 288.22, 0.44%, 0.52%

LAB 48.43, 51.67, -41.47

 

CMYK 0 / 58 / 4 / 27

HEX #BA4FB3

RGB 186 79 179

HSL 303.93, 0.44%, 0.52%

LAB 51.02, 55.97, -33.12

 

CMYK 29 / 61 / 0 / 48

HEX #5E3384

RGB 94 51 132

HSL 271.85, 0.44%, 0.36%

LAB 30.43, 35.63, -38.26

 

CMYK 28 / 61 / 0 / 37

HEX #743FA1

RGB 116 63 161

HSL 272.45, 0.44%, 0.44%

LAB 37.56, 41.81, -44.41

 

CMYK 26 / 58 / 0 / 27

HEX #894FBA

RGB 137 79 186

HSL 272.52, 0.44%, 0.52%

LAB 44.88, 44.47, -47.34

 

CMYK 21 / 45 / 0 / 22

HEX #9D6CC6

RGB 157 108 198

HSL 272.67, 0.44%, 0.6%

LAB 54, 36.67, -39.67

 

CMYK 16 / 34 / 0 / 18

HEX #B18AD2

RGB 177 138 210

HSL 272.5, 0.44%, 0.68%

LAB 63.49, 28.45, -31.47

 

CMYK 27 / 58 / 0 / 27

HEX #894FBB

RGB 137 79 187

HSL 272.22, 0.44%, 0.52%

LAB 44.94, 44.71, -47.83

 

CMYK 0 / 58 / 42 / 27

HEX #BA4F6B

RGB 186 79 107

HSL 344.3, 0.44%, 0.52%

LAB 48.38, 45.83, 5.77

 

CMYK 58 / 0 / 50 / 27

HEX #4FBA5D

RGB 79 186 93

HSL 127.85, 0.44%, 0.52%

LAB 67.7, -50.3, 37.89

 

CMYK 27 / 58 / 0 / 27

HEX #894FBB

RGB 137 79 187

HSL 272.22, 0.44%, 0.52%

LAB 44.94, 44.71, -47.83

 

CMYK 0 / 27 / 58 / 27

HEX #BA884F

RGB 186 136 79

HSL 31.96, 0.44%, 0.52%

LAB 60.44, 12.71, 37.76

 

CMYK 58 / 0 / 27 / 27

HEX #4FBA88

RGB 79 186 136

HSL 151.96, 0.44%, 0.52%

LAB 68.43, -42.59, 16.29

 

CMYK 27 / 58 / 0 / 27

HEX #894FBB

RGB 137 79 187

HSL 272.22, 0.44%, 0.52%

LAB 44.94, 44.71, -47.83

 

CMYK 0 / 58 / 42 / 27

HEX #BA4F6B

RGB 186 79 107

HSL 344.3, 0.44%, 0.52%

LAB 48.38, 45.83, 5.77

 

CMYK 31 / 0 / 58 / 27

HEX #81BA4F

RGB 129 186 79

HSL 91.96, 0.44%, 0.52%

LAB 69.72, -36.69, 47.55

 

CMYK 58 / 0 / 15 / 27

HEX #4FBA9E

RGB 79 186 158

HSL 164.3, 0.44%, 0.52%

LAB 68.93, -37.58, 5

 

CMYK 27 / 58 / 0 / 27

HEX #894FBB

RGB 137 79 187

HSL 272.22, 0.44%, 0.52%

LAB 44.94, 44.71, -47.83

 

CMYK 0 / 56 / 58 / 27

HEX #BA524F

RGB 186 82 79

HSL 1.68, 0.44%, 0.52%

LAB 48.31, 41.79, 22.53

 

CMYK 31 / 0 / 58 / 27

HEX #81BA4F

RGB 129 186 79

HSL 91.96, 0.44%, 0.52%

LAB 69.72, -36.69, 47.55

 

CMYK 58 / 2 / 0 / 27

HEX #4FB7BA

RGB 79 183 186

HSL 181.68, 0.44%, 0.52%

LAB 68.81, -28.85, -10.58

 

Description

Color code: HEX #894FBB | qconv.com Color code: HEX #894FBB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 79 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 79 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 58 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 58% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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