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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #894D20 it is the complementary color #76B2DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #894D20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #894D20 shade: #8E4D1B, #9F5F2E, #B07141, #C18354 and #D29567

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #894D20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #894D20 shade: #894D20, #783B0D, #672900, #561700 and #450500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #894D20 shade: #884D20, #883120 and #882020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #894D20 shade: #884D20, #886920, #888520, #708820 and #538820

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #894D20 shade matches the following richer shades: #884D20, #964B12 and #A44905

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #894D20 shade: #884D20, #7B4F2E, #6D513B, #5F5349 and #525456

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #894D20 shade: #88202C, #883020, #884B20, #886720 and #888320

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #894D20 shade: #452710, #673A18, #884D20, #AA5F28 and #CB7230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #894D20 shade: #894D20, #488820 and #222088

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #894D20 shade: #894D20, #20884B and #4B2088

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #894D20 shade: #894D20, #488820, #205D88 and #602088

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #894D20 shade: #894D20, #298820, #205D88 and #802088

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 77 / 46

HEX #894D20

RGB 137 77 32

HSL 25.71, 0.62%, 0.33%

LAB 39.12, 21.54, 36.43

 

Complementary color

CMYK 47 / 20 / 0 / 13

HEX #76B2DF

RGB 118 178 223

HSL 205.71, 0.62%, 0.67%

LAB 70.19, -7.38, -28.65

 

CMYK 0 / 46 / 81 / 44

HEX #8E4D1B

RGB 142 77 27

HSL 26.09, 0.68%, 0.33%

LAB 39.81, 23.54, 39.78

 

CMYK 0 / 40 / 71 / 38

HEX #9F5F2E

RGB 159 95 46

HSL 26.02, 0.55%, 0.4%

LAB 46.65, 21.72, 38.21

 

CMYK 0 / 36 / 63 / 31

HEX #B07141

RGB 176 113 65

HSL 25.95, 0.46%, 0.47%

LAB 53.41, 20.17, 36.5

 

CMYK 0 / 32 / 56 / 24

HEX #C18354

RGB 193 131 84

HSL 25.87, 0.47%, 0.54%

LAB 60.08, 18.85, 34.85

 

CMYK 0 / 29 / 51 / 18

HEX #D29567

RGB 210 149 103

HSL 25.79, 0.54%, 0.61%

LAB 66.65, 17.72, 33.32

 

CMYK 0 / 44 / 77 / 46

HEX #894D20

RGB 137 77 32

HSL 25.71, 0.62%, 0.33%

LAB 39.12, 21.54, 36.43

 

CMYK 0 / 51 / 89 / 53

HEX #783B0D

RGB 120 59 13

HSL 25.79, 0.8%, 0.26%

LAB 32.15, 23.55, 37.7

 

CMYK 0 / 60 / 100 / 60

HEX #672900

RGB 103 41 0

HSL 23.88, 1%, 0.2%

LAB 25.17, 25.83, 35.87

 

CMYK 0 / 73 / 100 / 66

HEX #561700

RGB 86 23 0

HSL 16.05, 1%, 0.17%

LAB 18.33, 28.02, 27.57

 

CMYK 0 / 93 / 100 / 73

HEX #450500

RGB 69 5 0

HSL 4.35, 1%, 0.14%

LAB 11.78, 29.12, 18.41

 

CMYK 0 / 43 / 76 / 47

HEX #884D20

RGB 136 77 32

HSL 25.96, 0.62%, 0.33%

LAB 38.98, 21.09, 36.23

 

CMYK 0 / 64 / 76 / 47

HEX #883120

RGB 136 49 32

HSL 9.81, 0.62%, 0.33%

LAB 33, 36.2, 29.88

 

CMYK 0 / 76 / 76 / 47

HEX #882020

RGB 136 32 32

HSL 0, 0.62%, 0.33%

LAB 30.33, 43.45, 26.93

 

CMYK 0 / 43 / 76 / 47

HEX #884D20

RGB 136 77 32

HSL 25.96, 0.62%, 0.33%

LAB 38.98, 21.09, 36.23

 

CMYK 0 / 23 / 76 / 47

HEX #886920

RGB 136 105 32

HSL 42.12, 0.62%, 0.33%

LAB 46.23, 4.72, 43.51

 

CMYK 0 / 2 / 76 / 47

HEX #888520

RGB 136 133 32

HSL 58.27, 0.62%, 0.33%

LAB 54.15, -11.03, 51.07

 

CMYK 18 / 0 / 76 / 47

HEX #708820

RGB 112 136 32

HSL 73.85, 0.62%, 0.33%

LAB 53.12, -23.32, 49.42

 

CMYK 39 / 0 / 76 / 47

HEX #538820

RGB 83 136 32

HSL 90.58, 0.62%, 0.33%

LAB 51.33, -35.04, 47.06

 

CMYK 0 / 43 / 76 / 47

HEX #884D20

RGB 136 77 32

HSL 25.96, 0.62%, 0.33%

LAB 38.98, 21.09, 36.23

 

CMYK 0 / 50 / 88 / 41

HEX #964B12

RGB 150 75 18

HSL 25.91, 0.79%, 0.33%

LAB 40.51, 27.85, 44.64

 

CMYK 0 / 55 / 97 / 36

HEX #A44905

RGB 164 73 5

HSL 25.66, 0.94%, 0.33%

LAB 42.26, 34.52, 50.91

 

CMYK 0 / 43 / 76 / 47

HEX #884D20

RGB 136 77 32

HSL 25.96, 0.62%, 0.33%

LAB 38.98, 21.09, 36.23

 

CMYK 0 / 36 / 63 / 52

HEX #7B4F2E

RGB 123 79 46

HSL 25.71, 0.46%, 0.33%

LAB 37.84, 14.91, 26.84

 

CMYK 0 / 26 / 46 / 57

HEX #6D513B

RGB 109 81 59

HSL 26.4, 0.3%, 0.33%

LAB 36.84, 8.59, 17.47

 

CMYK 0 / 13 / 23 / 63

HEX #5F5349

RGB 95 83 73

HSL 27.27, 0.13%, 0.33%

LAB 36.18, 3.12, 7.67

 

CMYK 5 / 2 / 0 / 66

HEX #525456

RGB 82 84 86

HSL 210, 0.02%, 0.33%

LAB 35.61, -0.36, -1.45

 

CMYK 0 / 76 / 68 / 47

HEX #88202C

RGB 136 32 44

HSL 353.08, 0.62%, 0.33%

LAB 30.52, 44.07, 19.52

 

CMYK 0 / 65 / 76 / 47

HEX #883020

RGB 136 48 32

HSL 9.23, 0.62%, 0.33%

LAB 32.82, 36.68, 29.69

 

CMYK 0 / 45 / 76 / 47

HEX #884B20

RGB 136 75 32

HSL 24.81, 0.62%, 0.33%

LAB 38.5, 22.24, 35.74

 

CMYK 0 / 24 / 76 / 47

HEX #886720

RGB 136 103 32

HSL 40.96, 0.62%, 0.33%

LAB 45.69, 5.88, 42.98

 

CMYK 0 / 4 / 76 / 47

HEX #888320

RGB 136 131 32

HSL 57.12, 0.62%, 0.33%

LAB 53.57, -9.94, 50.53

 

CMYK 0 / 43 / 77 / 73

HEX #452710

RGB 69 39 16

HSL 26.04, 0.62%, 0.17%

LAB 19.03, 11.69, 20.66

 

CMYK 0 / 44 / 77 / 60

HEX #673A18

RGB 103 58 24

HSL 25.82, 0.62%, 0.25%

LAB 29.35, 16.78, 28.86

 

CMYK 0 / 43 / 76 / 47

HEX #884D20

RGB 136 77 32

HSL 25.96, 0.62%, 0.33%

LAB 38.98, 21.09, 36.23

 

CMYK 0 / 44 / 76 / 33

HEX #AA5F28

RGB 170 95 40

HSL 25.38, 0.62%, 0.41%

LAB 48.11, 26.17, 43.2

 

CMYK 0 / 44 / 76 / 20

HEX #CB7230

RGB 203 114 48

HSL 25.55, 0.62%, 0.49%

LAB 57.02, 30.09, 49.93

 

CMYK 0 / 44 / 77 / 46

HEX #894D20

RGB 137 77 32

HSL 25.71, 0.62%, 0.33%

LAB 39.12, 21.54, 36.43

 

CMYK 47 / 0 / 76 / 47

HEX #488820

RGB 72 136 32

HSL 96.92, 0.62%, 0.33%

LAB 50.79, -38.91, 46.36

 

CMYK 75 / 76 / 0 / 47

HEX #222088

RGB 34 32 136

HSL 241.15, 0.62%, 0.33%

LAB 20.64, 36.87, -56.98

 

CMYK 0 / 44 / 77 / 46

HEX #894D20

RGB 137 77 32

HSL 25.71, 0.62%, 0.33%

LAB 39.12, 21.54, 36.43

 

CMYK 76 / 0 / 45 / 47

HEX #20884B

RGB 32 136 75

HSL 144.81, 0.62%, 0.33%

LAB 50.01, -43.31, 24.63

 

CMYK 45 / 76 / 0 / 47

HEX #4B2088

RGB 75 32 136

HSL 264.81, 0.62%, 0.33%

LAB 24.66, 42.6, -50.22

 

CMYK 0 / 44 / 77 / 46

HEX #894D20

RGB 137 77 32

HSL 25.71, 0.62%, 0.33%

LAB 39.12, 21.54, 36.43

 

CMYK 47 / 0 / 76 / 47

HEX #488820

RGB 72 136 32

HSL 96.92, 0.62%, 0.33%

LAB 50.79, -38.91, 46.36

 

CMYK 76 / 32 / 0 / 47

HEX #205D88

RGB 32 93 136

HSL 204.81, 0.62%, 0.33%

LAB 37.69, -3.9, -29.47

 

CMYK 29 / 76 / 0 / 47

HEX #602088

RGB 96 32 136

HSL 276.92, 0.62%, 0.33%

LAB 27.57, 46.55, -45.36

 

CMYK 0 / 44 / 77 / 46

HEX #894D20

RGB 137 77 32

HSL 25.71, 0.62%, 0.33%

LAB 39.12, 21.54, 36.43

 

CMYK 70 / 0 / 76 / 47

HEX #298820

RGB 41 136 32

HSL 114.81, 0.62%, 0.33%

LAB 49.72, -47.39, 44.93

 

CMYK 76 / 32 / 0 / 47

HEX #205D88

RGB 32 93 136

HSL 204.81, 0.62%, 0.33%

LAB 37.69, -3.9, -29.47

 

CMYK 6 / 76 / 0 / 47

HEX #802088

RGB 128 32 136

HSL 295.38, 0.62%, 0.33%

LAB 32.7, 53.28, -36.83

 

Description

Color code: HEX #894D20 | qconv.com Color code: HEX #894D20 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 77 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 77 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 77 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 77% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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