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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #894561 it is the complementary color #76BA9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #894561. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #894561 shade: #8E455C, #9F576F, #B06982, #C17B95 and #D28DA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #894561. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #894561 shade: #894561, #78334E, #67213B, #560F28 and #450015

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #894561 shade: #884460, #88444E and #884444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #894561 shade: #884460, #884472, #884484, #794488 and #674488

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #894561 shade matches the following richer shades: #884460, #98345D, #A9235A, #B91357 and #CA0254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #894561 shade: #884460, #775563, #676566, #567669 and #46866C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #894561 shade: #884484, #884472, #884460, #88444E and #884C44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #894561 shade: #512939, #6C374D, #884460, #A35273 and #B46A89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #894561 shade: #894561, #887944 and #447B88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #894561 shade: #894561, #608844 and #446088

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #894561 shade: #894561, #887944, #44886C and #445388

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #894561 shade: #894561, #828844, #44886C and #4A4488

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 29 / 46

HEX #894561

RGB 137 69 97

HSL 335.29, 0.33%, 0.4%

LAB 38.62, 32.38, -3.18

 

Complementary color

CMYK 37 / 0 / 15 / 27

HEX #76BA9E

RGB 118 186 158

HSL 155.29, 0.33%, 0.6%

LAB 70.48, -27.85, 7.43

 

CMYK 0 / 51 / 35 / 44

HEX #8E455C

RGB 142 69 92

HSL 341.1, 0.35%, 0.41%

LAB 39.21, 33.53, 0.91

 

CMYK 0 / 45 / 30 / 38

HEX #9F576F

RGB 159 87 111

HSL 340, 0.29%, 0.48%

LAB 46.09, 32.59, -0.46

 

CMYK 0 / 40 / 26 / 31

HEX #B06982

RGB 176 105 130

HSL 338.87, 0.31%, 0.55%

LAB 52.89, 31.69, -1.6

 

CMYK 0 / 36 / 23 / 24

HEX #C17B95

RGB 193 123 149

HSL 337.71, 0.36%, 0.62%

LAB 59.59, 30.84, -2.58

 

CMYK 0 / 33 / 20 / 18

HEX #D28DA8

RGB 210 141 168

HSL 336.52, 0.43%, 0.69%

LAB 66.2, 30.05, -3.45

 

CMYK 0 / 50 / 29 / 46

HEX #894561

RGB 137 69 97

HSL 335.29, 0.33%, 0.4%

LAB 38.62, 32.38, -3.18

 

CMYK 0 / 58 / 35 / 53

HEX #78334E

RGB 120 51 78

HSL 336.52, 0.4%, 0.34%

LAB 31.6, 33.23, -1.69

 

CMYK 0 / 68 / 43 / 60

HEX #67213B

RGB 103 33 59

HSL 337.71, 0.51%, 0.27%

LAB 24.6, 33.86, 0.34

 

CMYK 0 / 83 / 53 / 66

HEX #560F28

RGB 86 15 40

HSL 338.87, 0.7%, 0.2%

LAB 17.8, 33.74, 3.36

 

CMYK 0 / 100 / 70 / 73

HEX #450015

RGB 69 0 21

HSL 341.74, 1%, 0.14%

LAB 11.41, 32.31, 7.83

 

CMYK 0 / 50 / 29 / 47

HEX #884460

RGB 136 68 96

HSL 335.29, 0.33%, 0.4%

LAB 38.22, 32.41, -3.15

 

CMYK 0 / 50 / 43 / 47

HEX #88444E

RGB 136 68 78

HSL 351.18, 0.33%, 0.4%

LAB 37.7, 30.04, 7.42

 

CMYK 0 / 50 / 50 / 47

HEX #884444

RGB 136 68 68

HSL 0, 0.33%, 0.4%

LAB 37.46, 28.94, 13.37

 

CMYK 0 / 50 / 29 / 47

HEX #884460

RGB 136 68 96

HSL 335.29, 0.33%, 0.4%

LAB 38.22, 32.41, -3.15

 

CMYK 0 / 50 / 16 / 47

HEX #884472

RGB 136 68 114

HSL 319.41, 0.33%, 0.4%

LAB 38.87, 35.23, -13.42

 

CMYK 0 / 50 / 3 / 47

HEX #884484

RGB 136 68 132

HSL 303.53, 0.33%, 0.4%

LAB 39.64, 38.46, -23.35

 

CMYK 11 / 50 / 0 / 47

HEX #794488

RGB 121 68 136

HSL 286.76, 0.33%, 0.4%

LAB 37.8, 34.63, -28.82

 

CMYK 24 / 50 / 0 / 47

HEX #674488

RGB 103 68 136

HSL 270.88, 0.33%, 0.4%

LAB 35.59, 29.2, -32.46

 

CMYK 0 / 50 / 29 / 47

HEX #884460

RGB 136 68 96

HSL 335.29, 0.33%, 0.4%

LAB 38.22, 32.41, -3.15

 

CMYK 0 / 66 / 39 / 40

HEX #98345D

RGB 152 52 93

HSL 335.4, 0.49%, 0.4%

LAB 37.7, 45.48, -1.73

 

CMYK 0 / 79 / 47 / 34

HEX #A9235A

RGB 169 35 90

HSL 335.37, 0.66%, 0.4%

LAB 38.51, 56.42, 1.73

 

CMYK 0 / 90 / 53 / 27

HEX #B91357

RGB 185 19 87

HSL 335.42, 0.81%, 0.4%

LAB 40.36, 63.89, 6.71

 

CMYK 0 / 99 / 58 / 21

HEX #CA0254

RGB 202 2 84

HSL 335.4, 0.98%, 0.4%

LAB 43.12, 69.65, 13

 

CMYK 0 / 50 / 29 / 47

HEX #884460

RGB 136 68 96

HSL 335.29, 0.33%, 0.4%

LAB 38.22, 32.41, -3.15

 

CMYK 0 / 29 / 17 / 53

HEX #775563

RGB 119 85 99

HSL 335.29, 0.17%, 0.4%

LAB 40.11, 16.46, -2.48

 

CMYK 0 / 2 / 1 / 60

HEX #676566

RGB 103 101 102

HSL 330, 0.01%, 0.4%

LAB 42.99, 0.99, -0.29

 

CMYK 27 / 0 / 11 / 54

HEX #567669

RGB 86 118 105

HSL 155.63, 0.16%, 0.4%

LAB 46.92, -14.46, 3.45

 

CMYK 48 / 0 / 19 / 47

HEX #46866C

RGB 70 134 108

HSL 155.63, 0.31%, 0.4%

LAB 51.19, -27.1, 7.71

 

CMYK 0 / 50 / 3 / 47

HEX #884484

RGB 136 68 132

HSL 303.53, 0.33%, 0.4%

LAB 39.64, 38.46, -23.35

 

CMYK 0 / 50 / 16 / 47

HEX #884472

RGB 136 68 114

HSL 319.41, 0.33%, 0.4%

LAB 38.87, 35.23, -13.42

 

CMYK 0 / 50 / 29 / 47

HEX #884460

RGB 136 68 96

HSL 335.29, 0.33%, 0.4%

LAB 38.22, 32.41, -3.15

 

CMYK 0 / 50 / 43 / 47

HEX #88444E

RGB 136 68 78

HSL 351.18, 0.33%, 0.4%

LAB 37.7, 30.04, 7.42

 

CMYK 0 / 44 / 50 / 47

HEX #884C44

RGB 136 76 68

HSL 7.06, 0.33%, 0.4%

LAB 39.28, 24.41, 15.83

 

CMYK 0 / 49 / 30 / 68

HEX #512939

RGB 81 41 57

HSL 336, 0.33%, 0.24%

LAB 22.41, 20.84, -1.95

 

CMYK 0 / 49 / 29 / 58

HEX #6C374D

RGB 108 55 77

HSL 335.09, 0.33%, 0.32%

LAB 30.54, 26.38, -2.82

 

CMYK 0 / 50 / 29 / 47

HEX #884460

RGB 136 68 96

HSL 335.29, 0.33%, 0.4%

LAB 38.22, 32.41, -3.15

 

CMYK 0 / 50 / 29 / 36

HEX #A35273

RGB 163 82 115

HSL 335.56, 0.33%, 0.48%

LAB 45.71, 37.29, -3.38

 

CMYK 0 / 41 / 24 / 29

HEX #B46A89

RGB 180 106 137

HSL 334.86, 0.33%, 0.56%

LAB 53.83, 33.63, -4.27

 

CMYK 0 / 50 / 29 / 46

HEX #894561

RGB 137 69 97

HSL 335.29, 0.33%, 0.4%

LAB 38.62, 32.38, -3.18

 

CMYK 0 / 11 / 50 / 47

HEX #887944

RGB 136 121 68

HSL 46.76, 0.33%, 0.4%

LAB 51.07, -1.77, 31.01

 

CMYK 50 / 10 / 0 / 47

HEX #447B88

RGB 68 123 136

HSL 191.47, 0.33%, 0.4%

LAB 48.48, -14.42, -12.71

 

CMYK 0 / 50 / 29 / 46

HEX #894561

RGB 137 69 97

HSL 335.29, 0.33%, 0.4%

LAB 38.62, 32.38, -3.18

 

CMYK 29 / 0 / 50 / 47

HEX #608844

RGB 96 136 68

HSL 95.29, 0.33%, 0.4%

LAB 52.41, -26.66, 31.96

 

CMYK 50 / 29 / 0 / 47

HEX #446088

RGB 68 96 136

HSL 215.29, 0.33%, 0.4%

LAB 40.2, 1.5, -25.42

 

CMYK 0 / 50 / 29 / 46

HEX #894561

RGB 137 69 97

HSL 335.29, 0.33%, 0.4%

LAB 38.62, 32.38, -3.18

 

CMYK 0 / 11 / 50 / 47

HEX #887944

RGB 136 121 68

HSL 46.76, 0.33%, 0.4%

LAB 51.07, -1.77, 31.01

 

CMYK 50 / 0 / 21 / 47

HEX #44886C

RGB 68 136 108

HSL 155.29, 0.33%, 0.4%

LAB 51.75, -28.62, 8.48

 

CMYK 50 / 39 / 0 / 47

HEX #445388

RGB 68 83 136

HSL 226.76, 0.33%, 0.4%

LAB 36.35, 9.76, -31.45

 

CMYK 0 / 50 / 29 / 46

HEX #894561

RGB 137 69 97

HSL 335.29, 0.33%, 0.4%

LAB 38.62, 32.38, -3.18

 

CMYK 4 / 0 / 50 / 47

HEX #828844

RGB 130 136 68

HSL 65.29, 0.33%, 0.4%

LAB 54.84, -12.7, 35.46

 

CMYK 50 / 0 / 21 / 47

HEX #44886C

RGB 68 136 108

HSL 155.29, 0.33%, 0.4%

LAB 51.75, -28.62, 8.48

 

CMYK 46 / 50 / 0 / 47

HEX #4A4488

RGB 74 68 136

HSL 245.29, 0.33%, 0.4%

LAB 32.63, 21.08, -37.34

 

Description

Color code: HEX #894561 | qconv.com Color code: HEX #894561 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 69 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 69 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 29 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 29% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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