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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #893CA7 it is the complementary color #76C358. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #893CA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #893CA7 shade: #8E3CA2, #9F4EB5, #B060C8, #C172DB and #D284EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #893CA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #893CA7 shade: #893CA7, #782A94, #671881, #56066E and #45005B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #893CA7 shade: #8A3DA9, #A83DA9, #A93D8D, #A93D70 and #A93D53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #893CA7 shade: #8A3DA9, #6D3DA9, #503DA9 and #3D3DA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #893CA7 shade matches the following richer shades: #8A3DA9, #932ABB, #9B18CE and #A305E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #893CA7 shade: #8A3DA9, #824F96, #7A6284, #727571 and #6A875E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #893CA7 shade: #513DA9, #6D3DA9, #8A3DA9, #A73DA9 and #A93D8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #893CA7 shade: #59276C, #72328A, #8A3DA9, #A04FC0 and #B06DCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #893CA7 shade: #893CA7, #A93D46 and #3DA95F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #893CA7 shade: #893CA7, #A98A3D and #3DA98A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #893CA7 shade: #893CA7, #A93D46, #5BA93D and #3DA9A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #893CA7 shade: #893CA7, #A9543D, #5BA93D and #3D91A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 64 / 0 / 35

HEX #893CA7

RGB 137 60 167

HSL 283.18, 0.47%, 0.45%

LAB 40.15, 49.86, -43.7

 

Complementary color

CMYK 39 / 0 / 55 / 24

HEX #76C358

RGB 118 195 88

HSL 103.18, 0.47%, 0.55%

LAB 71.95, -43.47, 45.81

 

CMYK 12 / 63 / 0 / 36

HEX #8E3CA2

RGB 142 60 162

HSL 288.24, 0.46%, 0.44%

LAB 40.56, 50.06, -40.01

 

CMYK 12 / 57 / 0 / 29

HEX #9F4EB5

RGB 159 78 181

HSL 287.18, 0.41%, 0.51%

LAB 47.18, 49.58, -40.59

 

CMYK 12 / 52 / 0 / 22

HEX #B060C8

RGB 176 96 200

HSL 286.15, 0.49%, 0.58%

LAB 53.78, 48.92, -41.01

 

CMYK 12 / 48 / 0 / 14

HEX #C172DB

RGB 193 114 219

HSL 285.14, 0.59%, 0.65%

LAB 60.33, 48.17, -41.32

 

CMYK 12 / 45 / 0 / 7

HEX #D284EE

RGB 210 132 238

HSL 284.15, 0.76%, 0.73%

LAB 66.81, 47.4, -41.57

 

CMYK 18 / 64 / 0 / 35

HEX #893CA7

RGB 137 60 167

HSL 283.18, 0.47%, 0.45%

LAB 40.15, 49.86, -43.7

 

CMYK 19 / 72 / 0 / 42

HEX #782A94

RGB 120 42 148

HSL 284.15, 0.56%, 0.37%

LAB 33.54, 50.03, -42.96

 

CMYK 20 / 81 / 0 / 49

HEX #671881

RGB 103 24 129

HSL 285.14, 0.69%, 0.3%

LAB 27.08, 49.43, -41.71

 

CMYK 22 / 95 / 0 / 57

HEX #56066E

RGB 86 6 110

HSL 286.15, 0.9%, 0.23%

LAB 20.96, 47.42, -39.62

 

CMYK 24 / 100 / 0 / 64

HEX #45005B

RGB 69 0 91

HSL 285.49, 1%, 0.18%

LAB 15.59, 42.56, -35.94

 

CMYK 18 / 64 / 0 / 34

HEX #8A3DA9

RGB 138 61 169

HSL 282.78, 0.47%, 0.45%

LAB 40.58, 50.05, -44.19

 

CMYK 1 / 64 / 0 / 34

HEX #A83DA9

RGB 168 61 169

HSL 299.44, 0.47%, 0.45%

LAB 44.98, 57.43, -36.93

 

CMYK 0 / 64 / 17 / 34

HEX #A93D8D

RGB 169 61 141

HSL 315.56, 0.47%, 0.45%

LAB 43.79, 53.12, -22

 

CMYK 0 / 64 / 34 / 34

HEX #A93D70

RGB 169 61 112

HSL 331.67, 0.47%, 0.45%

LAB 42.68, 49.14, -5.94

 

CMYK 0 / 64 / 51 / 34

HEX #A93D53

RGB 169 61 83

HSL 347.78, 0.47%, 0.45%

LAB 41.84, 46.05, 10.88

 

CMYK 18 / 64 / 0 / 34

HEX #8A3DA9

RGB 138 61 169

HSL 282.78, 0.47%, 0.45%

LAB 40.58, 50.05, -44.19

 

CMYK 36 / 64 / 0 / 34

HEX #6D3DA9

RGB 109 61 169

HSL 266.67, 0.47%, 0.45%

LAB 36.84, 43.25, -50.4

 

CMYK 53 / 64 / 0 / 34

HEX #503DA9

RGB 80 61 169

HSL 250.56, 0.47%, 0.45%

LAB 33.79, 37.18, -55.49

 

CMYK 64 / 64 / 0 / 34

HEX #3D3DA9

RGB 61 61 169

HSL 240, 0.47%, 0.45%

LAB 32.24, 33.88, -58.07

 

CMYK 18 / 64 / 0 / 34

HEX #8A3DA9

RGB 138 61 169

HSL 282.78, 0.47%, 0.45%

LAB 40.58, 50.05, -44.19

 

CMYK 21 / 78 / 0 / 27

HEX #932ABB

RGB 147 42 187

HSL 283.45, 0.63%, 0.45%

LAB 40.32, 63.43, -55.18

 

CMYK 25 / 88 / 0 / 19

HEX #9B18CE

RGB 155 24 206

HSL 283.19, 0.79%, 0.45%

LAB 41.34, 73.14, -64.56

 

CMYK 27 / 98 / 0 / 12

HEX #A305E0

RGB 163 5 224

HSL 283.29, 0.96%, 0.45%

LAB 43.18, 80.03, -71.87

 

CMYK 18 / 64 / 0 / 34

HEX #8A3DA9

RGB 138 61 169

HSL 282.78, 0.47%, 0.45%

LAB 40.58, 50.05, -44.19

 

CMYK 13 / 47 / 0 / 41

HEX #824F96

RGB 130 79 150

HSL 283.1, 0.31%, 0.45%

LAB 42.06, 34.22, -30.54

 

CMYK 8 / 26 / 0 / 48

HEX #7A6284

RGB 122 98 132

HSL 282.35, 0.15%, 0.45%

LAB 45, 16.34, -15.25

 

CMYK 3 / 0 / 3 / 54

HEX #727571

RGB 114 117 113

HSL 105, 0.02%, 0.45%

LAB 48.87, -1.94, 1.8

 

CMYK 21 / 0 / 30 / 47

HEX #6A875E

RGB 106 135 94

HSL 102.44, 0.18%, 0.45%

LAB 53.17, -18.49, 18.78

 

CMYK 52 / 64 / 0 / 34

HEX #513DA9

RGB 81 61 169

HSL 251.11, 0.47%, 0.45%

LAB 33.88, 37.37, -55.33

 

CMYK 36 / 64 / 0 / 34

HEX #6D3DA9

RGB 109 61 169

HSL 266.67, 0.47%, 0.45%

LAB 36.84, 43.25, -50.4

 

CMYK 18 / 64 / 0 / 34

HEX #8A3DA9

RGB 138 61 169

HSL 282.78, 0.47%, 0.45%

LAB 40.58, 50.05, -44.19

 

CMYK 1 / 64 / 0 / 34

HEX #A73DA9

RGB 167 61 169

HSL 298.89, 0.47%, 0.45%

LAB 44.83, 57.18, -37.18

 

CMYK 0 / 64 / 16 / 34

HEX #A93D8E

RGB 169 61 142

HSL 315, 0.47%, 0.45%

LAB 43.84, 53.27, -22.53

 

CMYK 18 / 64 / 0 / 58

HEX #59276C

RGB 89 39 108

HSL 283.48, 0.47%, 0.29%

LAB 25.74, 35.06, -30.61

 

CMYK 17 / 64 / 0 / 46

HEX #72328A

RGB 114 50 138

HSL 283.64, 0.47%, 0.37%

LAB 33.34, 42.74, -37.18

 

CMYK 18 / 64 / 0 / 34

HEX #8A3DA9

RGB 138 61 169

HSL 282.78, 0.47%, 0.45%

LAB 40.58, 50.05, -44.19

 

CMYK 17 / 59 / 0 / 25

HEX #A04FC0

RGB 160 79 192

HSL 283.01, 0.47%, 0.53%

LAB 48.1, 51.62, -45.53

 

CMYK 13 / 46 / 0 / 20

HEX #B06DCB

RGB 176 109 203

HSL 282.77, 0.47%, 0.61%

LAB 56.56, 42.69, -38.33

 

CMYK 18 / 64 / 0 / 35

HEX #893CA7

RGB 137 60 167

HSL 283.18, 0.47%, 0.45%

LAB 40.15, 49.86, -43.7

 

CMYK 0 / 64 / 59 / 34

HEX #A93D46

RGB 169 61 70

HSL 355, 0.47%, 0.45%

LAB 41.56, 44.97, 18.57

 

CMYK 64 / 0 / 44 / 34

HEX #3DA95F

RGB 61 169 95

HSL 138.89, 0.47%, 0.45%

LAB 61.82, -47.36, 29.31

 

CMYK 18 / 64 / 0 / 35

HEX #893CA7

RGB 137 60 167

HSL 283.18, 0.47%, 0.45%

LAB 40.15, 49.86, -43.7

 

CMYK 0 / 18 / 64 / 34

HEX #A98A3D

RGB 169 138 61

HSL 42.78, 0.47%, 0.45%

LAB 58.93, 2.83, 44.62

 

CMYK 64 / 0 / 18 / 34

HEX #3DA98A

RGB 61 169 138

HSL 162.78, 0.47%, 0.45%

LAB 62.68, -38.31, 7.01

 

CMYK 18 / 64 / 0 / 35

HEX #893CA7

RGB 137 60 167

HSL 283.18, 0.47%, 0.45%

LAB 40.15, 49.86, -43.7

 

CMYK 0 / 64 / 59 / 34

HEX #A93D46

RGB 169 61 70

HSL 355, 0.47%, 0.45%

LAB 41.56, 44.97, 18.57

 

CMYK 46 / 0 / 64 / 34

HEX #5BA93D

RGB 91 169 61

HSL 103.33, 0.47%, 0.45%

LAB 62.45, -44.05, 46.98

 

CMYK 64 / 0 / 5 / 34

HEX #3DA9A0

RGB 61 169 160

HSL 175, 0.47%, 0.45%

LAB 63.27, -32.55, -4.43

 

CMYK 18 / 64 / 0 / 35

HEX #893CA7

RGB 137 60 167

HSL 283.18, 0.47%, 0.45%

LAB 40.15, 49.86, -43.7

 

CMYK 0 / 50 / 64 / 34

HEX #A9543D

RGB 169 84 61

HSL 12.78, 0.47%, 0.45%

LAB 45.79, 32.91, 29.35

 

CMYK 46 / 0 / 64 / 34

HEX #5BA93D

RGB 91 169 61

HSL 103.33, 0.47%, 0.45%

LAB 62.45, -44.05, 46.98

 

CMYK 64 / 14 / 0 / 34

HEX #3D91A9

RGB 61 145 169

HSL 193.33, 0.47%, 0.45%

LAB 56.2, -17.75, -20.16

 

Description

Color code: HEX #893CA7 | qconv.com Color code: HEX #893CA7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 60 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 60 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 64 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 64% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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