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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #892DB0 it is the complementary color #76D24F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #892DB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #892DB0 shade: #8E2DAB, #9F3FBE, #B051D1, #C163E4 and #D275F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #892DB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #892DB0 shade: #892DB0, #781B9D, #67098A, #560077 and #450064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #892DB0 shade: #882DAE, #AB2DAE, #AE2D8F, #AE2D6C and #AE2D49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #892DB0 shade: #882DAE, #652DAE, #422DAE and #2D2DAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #892DB0 shade matches the following richer shades: #882DAE, #8F1BC0 and #9609D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #892DB0 shade: #882DAE, #813F9D, #79508B, #726279 and #6B7467

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #892DB0 shade: #432DAE, #652DAE, #882DAE, #AA2DAE and #AE2D90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #892DB0 shade: #551C6D, #6E248E, #882DAE, #A039CC and #B059D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #892DB0 shade: #892DB0, #AE2D3A and #2DAE54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #892DB0 shade: #892DB0, #AE882D and #2DAE88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #892DB0 shade: #892DB0, #AE2D3A, #54AE2D and #2DAEA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #892DB0 shade: #892DB0, #AE472D, #54AE2D and #2D94AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 74 / 0 / 31

HEX #892DB0

RGB 137 45 176

HSL 282.14, 0.59%, 0.43%

LAB 38.43, 58.22, -51.82

 

Complementary color

CMYK 44 / 0 / 62 / 18

HEX #76D24F

RGB 118 210 79

HSL 102.14, 0.59%, 0.57%

LAB 76.38, -50.61, 54.93

 

CMYK 17 / 74 / 0 / 33

HEX #8E2DAB

RGB 142 45 171

HSL 286.19, 0.58%, 0.42%

LAB 38.84, 58.22, -48.14

 

CMYK 16 / 67 / 0 / 25

HEX #9F3FBE

RGB 159 63 190

HSL 285.35, 0.5%, 0.5%

LAB 45.14, 58.39, -49.09

 

CMYK 16 / 61 / 0 / 18

HEX #B051D1

RGB 176 81 209

HSL 284.53, 0.58%, 0.57%

LAB 51.52, 58.1, -49.74

 

CMYK 15 / 57 / 0 / 11

HEX #C163E4

RGB 193 99 228

HSL 283.72, 0.7%, 0.64%

LAB 57.91, 57.56, -50.19

 

CMYK 15 / 53 / 0 / 3

HEX #D275F7

RGB 210 117 247

HSL 282.92, 0.89%, 0.71%

LAB 64.27, 56.89, -50.52

 

CMYK 22 / 74 / 0 / 31

HEX #892DB0

RGB 137 45 176

HSL 282.14, 0.59%, 0.43%

LAB 38.43, 58.22, -51.82

 

CMYK 24 / 83 / 0 / 38

HEX #781B9D

RGB 120 27 157

HSL 282.92, 0.71%, 0.36%

LAB 32.28, 57.34, -50.47

 

CMYK 25 / 93 / 0 / 46

HEX #67098A

RGB 103 9 138

HSL 283.72, 0.88%, 0.29%

LAB 26.49, 55.08, -48.31

 

CMYK 28 / 100 / 0 / 53

HEX #560077

RGB 86 0 119

HSL 283.36, 1%, 0.23%

LAB 21.25, 50.7, -44.96

 

CMYK 31 / 100 / 0 / 61

HEX #450064

RGB 69 0 100

HSL 281.4, 1%, 0.2%

LAB 16.43, 44.44, -40.58

 

CMYK 22 / 74 / 0 / 32

HEX #882DAE

RGB 136 45 174

HSL 282.33, 0.59%, 0.43%

LAB 38.14, 57.61, -51.1

 

CMYK 2 / 74 / 0 / 32

HEX #AB2DAE

RGB 171 45 174

HSL 298.6, 0.59%, 0.43%

LAB 43.64, 64.87, -41.98

 

CMYK 0 / 74 / 18 / 32

HEX #AE2D8F

RGB 174 45 143

HSL 314.42, 0.59%, 0.43%

LAB 42.55, 60.79, -25.07

 

CMYK 0 / 74 / 38 / 32

HEX #AE2D6C

RGB 174 45 108

HSL 330.7, 0.59%, 0.43%

LAB 41.15, 56.42, -5.63

 

CMYK 0 / 74 / 58 / 32

HEX #AE2D49

RGB 174 45 73

HSL 346.98, 0.59%, 0.43%

LAB 40.17, 53.25, 15.01

 

CMYK 22 / 74 / 0 / 32

HEX #882DAE

RGB 136 45 174

HSL 282.33, 0.59%, 0.43%

LAB 38.14, 57.61, -51.1

 

CMYK 42 / 74 / 0 / 32

HEX #652DAE

RGB 101 45 174

HSL 266.05, 0.59%, 0.43%

LAB 33.35, 51, -59.1

 

CMYK 62 / 74 / 0 / 32

HEX #422DAE

RGB 66 45 174

HSL 249.77, 0.59%, 0.43%

LAB 29.64, 45.64, -65.32

 

CMYK 74 / 74 / 0 / 32

HEX #2D2DAE

RGB 45 45 174

HSL 240, 0.59%, 0.43%

LAB 28.09, 43.3, -67.93

 

CMYK 22 / 74 / 0 / 32

HEX #882DAE

RGB 136 45 174

HSL 282.33, 0.59%, 0.43%

LAB 38.14, 57.61, -51.1

 

CMYK 26 / 86 / 0 / 25

HEX #8F1BC0

RGB 143 27 192

HSL 282.18, 0.75%, 0.43%

LAB 38.6, 68.04, -60.94

 

CMYK 29 / 96 / 0 / 18

HEX #9609D2

RGB 150 9 210

HSL 282.09, 0.92%, 0.43%

LAB 40.14, 75.42, -68.88

 

CMYK 22 / 74 / 0 / 32

HEX #882DAE

RGB 136 45 174

HSL 282.33, 0.59%, 0.43%

LAB 38.14, 57.61, -51.1

 

CMYK 18 / 60 / 0 / 38

HEX #813F9D

RGB 129 63 157

HSL 282.13, 0.43%, 0.43%

LAB 39, 44.2, -39.61

 

CMYK 13 / 42 / 0 / 45

HEX #79508B

RGB 121 80 139

HSL 281.69, 0.27%, 0.43%

LAB 40.68, 28.35, -26.14

 

CMYK 6 / 19 / 0 / 53

HEX #726279

RGB 114 98 121

HSL 281.74, 0.11%, 0.43%

LAB 43.79, 11.03, -10.52

 

CMYK 8 / 0 / 11 / 55

HEX #6B7467

RGB 107 116 103

HSL 101.54, 0.06%, 0.43%

LAB 47.75, -6.04, 6.03

 

CMYK 61 / 74 / 0 / 32

HEX #432DAE

RGB 67 45 174

HSL 250.23, 0.59%, 0.43%

LAB 29.73, 45.77, -65.17

 

CMYK 42 / 74 / 0 / 32

HEX #652DAE

RGB 101 45 174

HSL 266.05, 0.59%, 0.43%

LAB 33.35, 51, -59.1

 

CMYK 22 / 74 / 0 / 32

HEX #882DAE

RGB 136 45 174

HSL 282.33, 0.59%, 0.43%

LAB 38.14, 57.61, -51.1

 

CMYK 2 / 74 / 0 / 32

HEX #AA2DAE

RGB 170 45 174

HSL 298.14, 0.59%, 0.43%

LAB 43.48, 64.66, -42.25

 

CMYK 0 / 74 / 17 / 32

HEX #AE2D90

RGB 174 45 144

HSL 313.95, 0.59%, 0.43%

LAB 42.6, 60.93, -25.61

 

CMYK 22 / 74 / 0 / 57

HEX #551C6D

RGB 85 28 109

HSL 282.22, 0.59%, 0.27%

LAB 23.22, 39.74, -35.32

 

CMYK 23 / 75 / 0 / 44

HEX #6E248E

RGB 110 36 142

HSL 281.89, 0.6%, 0.35%

LAB 30.71, 49.1, -43.9

 

CMYK 22 / 74 / 0 / 32

HEX #882DAE

RGB 136 45 174

HSL 282.33, 0.59%, 0.43%

LAB 38.14, 57.61, -51.1

 

CMYK 22 / 72 / 0 / 20

HEX #A039CC

RGB 160 57 204

HSL 282.04, 0.59%, 0.51%

LAB 45.3, 63.88, -56.95

 

CMYK 17 / 58 / 0 / 17

HEX #B059D4

RGB 176 89 212

HSL 282.44, 0.59%, 0.59%

LAB 53.09, 54.9, -48.94

 

CMYK 22 / 74 / 0 / 31

HEX #892DB0

RGB 137 45 176

HSL 282.14, 0.59%, 0.43%

LAB 38.43, 58.22, -51.82

 

CMYK 0 / 74 / 67 / 32

HEX #AE2D3A

RGB 174 45 58

HSL 353.95, 0.59%, 0.43%

LAB 39.88, 52.28, 24.02

 

CMYK 74 / 0 / 52 / 32

HEX #2DAE54

RGB 45 174 84

HSL 138.14, 0.59%, 0.43%

LAB 62.9, -53.93, 36.25

 

CMYK 22 / 74 / 0 / 31

HEX #892DB0

RGB 137 45 176

HSL 282.14, 0.59%, 0.43%

LAB 38.43, 58.22, -51.82

 

CMYK 0 / 22 / 74 / 32

HEX #AE882D

RGB 174 136 45

HSL 42.33, 0.59%, 0.43%

LAB 58.79, 5.25, 51.81

 

CMYK 74 / 0 / 22 / 32

HEX #2DAE88

RGB 45 174 136

HSL 162.33, 0.59%, 0.43%

LAB 63.84, -43.5, 9.73

 

CMYK 22 / 74 / 0 / 31

HEX #892DB0

RGB 137 45 176

HSL 282.14, 0.59%, 0.43%

LAB 38.43, 58.22, -51.82

 

CMYK 0 / 74 / 67 / 32

HEX #AE2D3A

RGB 174 45 58

HSL 353.95, 0.59%, 0.43%

LAB 39.88, 52.28, 24.02

 

CMYK 52 / 0 / 74 / 32

HEX #54AE2D

RGB 84 174 45

HSL 101.86, 0.59%, 0.43%

LAB 63.63, -49.51, 54.55

 

CMYK 74 / 0 / 7 / 32

HEX #2DAEA1

RGB 45 174 161

HSL 173.95, 0.59%, 0.43%

LAB 64.49, -36.93, -3.23

 

CMYK 22 / 74 / 0 / 31

HEX #892DB0

RGB 137 45 176

HSL 282.14, 0.59%, 0.43%

LAB 38.43, 58.22, -51.82

 

CMYK 0 / 59 / 74 / 32

HEX #AE472D

RGB 174 71 45

HSL 12.09, 0.59%, 0.43%

LAB 43.79, 40.57, 36.26

 

CMYK 52 / 0 / 74 / 32

HEX #54AE2D

RGB 84 174 45

HSL 101.86, 0.59%, 0.43%

LAB 63.63, -49.51, 54.55

 

CMYK 74 / 15 / 0 / 32

HEX #2D94AE

RGB 45 148 174

HSL 192.09, 0.59%, 0.43%

LAB 56.87, -20.17, -22.01

 

Description

Color code: HEX #892DB0 | qconv.com Color code: HEX #892DB0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 45 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 45 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 74 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 74% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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