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Color name
HEX #892D1B

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #892D1B it is the complementary color #76D2E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #892D1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #892D1B shade: #8E2D16, #9F3F29, #B0513C, #C1634F and #D27562

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #892D1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #892D1B shade: #892D1B, #781B08, #670900, #560000 and #450000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #892D1B shade: #882D1B and #881B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #892D1B shade: #882D1B, #884A1B, #88681B, #88851B and #6E881B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #892D1B shade matches the following richer shades: #882D1B, #95240E and #A31B01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #892D1B shade: #882D1B, #7B3628, #6E3F35, #614743 and #535050

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #892D1B shade: #881B45, #881B28, #882B1B, #88481B and #88661B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #892D1B shade: #43160D, #662114, #882D1B, #AB3822 and #CD4329

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #892D1B shade: #892D1B, #62881B and #1B3688

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #892D1B shade: #892D1B, #1B882B and #2B1B88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #892D1B shade: #892D1B, #62881B, #1B7888 and #411B88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #892D1B shade: #892D1B, #41881B, #1B7888 and #621B88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 80 / 46

HEX #892D1B

RGB 137 45 27

HSL 9.82, 0.67%, 0.32%

LAB 32.42, 38.24, 32.19

 

Complementary color

CMYK 48 / 8 / 0 / 11

HEX #76D2E4

RGB 118 210 228

HSL 189.82, 0.67%, 0.68%

LAB 79.35, -22.7, -17.39

 

CMYK 0 / 68 / 85 / 44

HEX #8E2D16

RGB 142 45 22

HSL 11.5, 0.73%, 0.32%

LAB 33.32, 39.9, 36.07

 

CMYK 0 / 60 / 74 / 38

HEX #9F3F29

RGB 159 63 41

HSL 11.19, 0.59%, 0.39%

LAB 39.73, 38.59, 33.29

 

CMYK 0 / 54 / 66 / 31

HEX #B0513C

RGB 176 81 60

HSL 10.86, 0.49%, 0.46%

LAB 46.23, 37.17, 30.71

 

CMYK 0 / 49 / 59 / 24

HEX #C1634F

RGB 193 99 79

HSL 10.53, 0.48%, 0.53%

LAB 52.76, 35.79, 28.47

 

CMYK 0 / 44 / 53 / 18

HEX #D27562

RGB 210 117 98

HSL 10.18, 0.55%, 0.6%

LAB 59.26, 34.49, 26.52

 

CMYK 0 / 67 / 80 / 46

HEX #892D1B

RGB 137 45 27

HSL 9.82, 0.67%, 0.32%

LAB 32.42, 38.24, 32.19

 

CMYK 0 / 78 / 93 / 53

HEX #781B08

RGB 120 27 8

HSL 10.18, 0.88%, 0.25%

LAB 26.14, 39.13, 34.72

 

CMYK 0 / 91 / 100 / 60

HEX #670900

RGB 103 9 0

HSL 5.24, 1%, 0.2%

LAB 20.36, 38.9, 30.89

 

CMYK 0 / 100 / 100 / 66

HEX #560000

RGB 86 0 0

HSL 0, 1%, 0.17%

LAB 15.37, 36.3, 23.94

 

CMYK 0 / 100 / 100 / 73

HEX #450000

RGB 69 0 0

HSL 0, 1%, 0.14%

LAB 11.03, 31.28, 17.37

 

CMYK 0 / 67 / 80 / 47

HEX #882D1B

RGB 136 45 27

HSL 9.91, 0.67%, 0.32%

LAB 32.24, 37.87, 31.94

 

CMYK 0 / 80 / 80 / 47

HEX #881B1B

RGB 136 27 27

HSL 0, 0.67%, 0.32%

LAB 29.66, 44.96, 29.25

 

CMYK 0 / 67 / 80 / 47

HEX #882D1B

RGB 136 45 27

HSL 9.91, 0.67%, 0.32%

LAB 32.24, 37.87, 31.94

 

CMYK 0 / 46 / 80 / 47

HEX #884A1B

RGB 136 74 27

HSL 25.87, 0.67%, 0.32%

LAB 38.22, 22.59, 37.93

 

CMYK 0 / 24 / 80 / 47

HEX #88681B

RGB 136 104 27

HSL 42.39, 0.67%, 0.32%

LAB 45.93, 5.08, 45.26

 

CMYK 0 / 2 / 80 / 47

HEX #88851B

RGB 136 133 27

HSL 58.35, 0.67%, 0.32%

LAB 54.12, -11.24, 52.72

 

CMYK 19 / 0 / 80 / 47

HEX #6E881B

RGB 110 136 27

HSL 74.31, 0.67%, 0.32%

LAB 52.95, -24.43, 50.89

 

CMYK 0 / 67 / 80 / 47

HEX #882D1B

RGB 136 45 27

HSL 9.91, 0.67%, 0.32%

LAB 32.24, 37.87, 31.94

 

CMYK 0 / 76 / 91 / 42

HEX #95240E

RGB 149 36 14

HSL 9.78, 0.83%, 0.32%

LAB 33.31, 45.74, 40.42

 

CMYK 0 / 83 / 99 / 36

HEX #A31B01

RGB 163 27 1

HSL 9.63, 0.99%, 0.32%

LAB 35.15, 52.72, 48.21

 

CMYK 0 / 67 / 80 / 47

HEX #882D1B

RGB 136 45 27

HSL 9.91, 0.67%, 0.32%

LAB 32.24, 37.87, 31.94

 

CMYK 0 / 56 / 67 / 52

HEX #7B3628

RGB 123 54 40

HSL 10.12, 0.51%, 0.32%

LAB 31.81, 28.93, 23.13

 

CMYK 0 / 43 / 52 / 57

HEX #6E3F35

RGB 110 63 53

HSL 10.53, 0.35%, 0.32%

LAB 32.09, 19.32, 14.93

 

CMYK 0 / 27 / 31 / 62

HEX #614743

RGB 97 71 67

HSL 8, 0.18%, 0.32%

LAB 32.82, 10.48, 6.74

 

CMYK 0 / 4 / 4 / 67

HEX #535050

RGB 83 80 80

HSL 0, 0.02%, 0.32%

LAB 34.3, 1.23, 0.43

 

CMYK 0 / 80 / 49 / 47

HEX #881B45

RGB 136 27 69

HSL 336.88, 0.67%, 0.32%

LAB 30.52, 47.66, 3

 

CMYK 0 / 80 / 71 / 47

HEX #881B28

RGB 136 27 40

HSL 352.84, 0.67%, 0.32%

LAB 29.84, 45.54, 21.28

 

CMYK 0 / 68 / 80 / 47

HEX #882B1B

RGB 136 43 27

HSL 8.81, 0.67%, 0.32%

LAB 31.9, 38.77, 31.59

 

CMYK 0 / 47 / 80 / 47

HEX #88481B

RGB 136 72 27

HSL 24.77, 0.67%, 0.32%

LAB 37.75, 23.73, 37.47

 

CMYK 0 / 25 / 80 / 47

HEX #88661B

RGB 136 102 27

HSL 41.28, 0.67%, 0.32%

LAB 45.38, 6.24, 44.75

 

CMYK 0 / 67 / 81 / 74

HEX #43160D

RGB 67 22 13

HSL 10, 0.68%, 0.16%

LAB 14.38, 21.13, 16.4

 

CMYK 0 / 68 / 80 / 60

HEX #662114

RGB 102 33 20

HSL 9.51, 0.67%, 0.24%

LAB 23.55, 30.26, 24.92

 

CMYK 0 / 67 / 80 / 47

HEX #882D1B

RGB 136 45 27

HSL 9.91, 0.67%, 0.32%

LAB 32.24, 37.87, 31.94

 

CMYK 0 / 67 / 80 / 33

HEX #AB3822

RGB 171 56 34

HSL 9.64, 0.67%, 0.4%

LAB 40.58, 45.89, 38.67

 

CMYK 0 / 67 / 80 / 20

HEX #CD4329

RGB 205 67 41

HSL 9.51, 0.67%, 0.48%

LAB 48.45, 53.22, 44.89

 

CMYK 0 / 67 / 80 / 46

HEX #892D1B

RGB 137 45 27

HSL 9.82, 0.67%, 0.32%

LAB 32.42, 38.24, 32.19

 

CMYK 28 / 0 / 80 / 47

HEX #62881B

RGB 98 136 27

HSL 80.92, 0.67%, 0.32%

LAB 52.16, -29.48, 49.87

 

CMYK 80 / 60 / 0 / 47

HEX #1B3688

RGB 27 54 136

HSL 225.14, 0.67%, 0.32%

LAB 25.71, 21.65, -48.67

 

CMYK 0 / 67 / 80 / 46

HEX #892D1B

RGB 137 45 27

HSL 9.82, 0.67%, 0.32%

LAB 32.42, 38.24, 32.19

 

CMYK 80 / 0 / 68 / 47

HEX #1B882B

RGB 27 136 43

HSL 128.81, 0.67%, 0.32%

LAB 49.52, -48.8, 40.15

 

CMYK 68 / 80 / 0 / 47

HEX #2B1B88

RGB 43 27 136

HSL 248.81, 0.67%, 0.32%

LAB 20.34, 40.57, -57.44

 

CMYK 0 / 67 / 80 / 46

HEX #892D1B

RGB 137 45 27

HSL 9.82, 0.67%, 0.32%

LAB 32.42, 38.24, 32.19

 

CMYK 28 / 0 / 80 / 47

HEX #62881B

RGB 98 136 27

HSL 80.92, 0.67%, 0.32%

LAB 52.16, -29.48, 49.87

 

CMYK 80 / 12 / 0 / 47

HEX #1B7888

RGB 27 120 136

HSL 188.81, 0.67%, 0.32%

LAB 46.24, -20.16, -16.24

 

CMYK 52 / 80 / 0 / 47

HEX #411B88

RGB 65 27 136

HSL 260.92, 0.67%, 0.32%

LAB 22.6, 43.35, -53.64

 

CMYK 0 / 67 / 80 / 46

HEX #892D1B

RGB 137 45 27

HSL 9.82, 0.67%, 0.32%

LAB 32.42, 38.24, 32.19

 

CMYK 52 / 0 / 80 / 47

HEX #41881B

RGB 65 136 27

HSL 99.08, 0.67%, 0.32%

LAB 50.47, -41.49, 47.68

 

CMYK 80 / 12 / 0 / 47

HEX #1B7888

RGB 27 120 136

HSL 188.81, 0.67%, 0.32%

LAB 46.24, -20.16, -16.24

 

CMYK 28 / 80 / 0 / 47

HEX #621B88

RGB 98 27 136

HSL 279.08, 0.67%, 0.32%

LAB 27.18, 48.92, -45.97

 

Description

Color code: HEX #892D1B | qconv.com Color code: HEX #892D1B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 45 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 45 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 80 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 80% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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