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Color name
HEX #8920AC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8920AC it is the complementary color #76DF53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8920AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8920AC shade: #8E20A7, #9F32BA, #B044CD, #C156E0 and #D268F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8920AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8920AC shade: #8920AC, #780E99, #670086, #560073 and #450060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8920AC shade: #8920AC, #AC20AA, #AC2084, #AC205E and #AC2038

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8920AC shade: #8920AC, #6320AC, #3D20AC and #2020AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8920AC shade matches the following richer shades: #8920AC and #910FBD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8920AC shade: #8920AC, #81309C, #79418B, #70517B and #68626A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8920AC shade: #3E20AC, #6420AC, #8920AC, #AC20AA and #AC2084

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8920AC shade: #521367, #6D198A, #8920AC, #A526CF and #B642DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8920AC shade: #8920AC, #AC2027 and #20AC51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8920AC shade: #8920AC, #AC8920 and #20AC89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8920AC shade: #8920AC, #AC2027, #43AC20 and #20ACA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8920AC shade: #8920AC, #AC4320, #43AC20 and #2089AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 81 / 0 / 33

HEX #8920AC

RGB 137 32 172

HSL 285, 0.69%, 0.4%

LAB 36.61, 61.83, -52.37

 

Complementary color

CMYK 47 / 0 / 63 / 13

HEX #76DF53

RGB 118 223 83

HSL 105, 0.69%, 0.6%

LAB 80.32, -55.37, 57.61

 

CMYK 15 / 81 / 0 / 35

HEX #8E20A7

RGB 142 32 167

HSL 288.89, 0.68%, 0.39%

LAB 37.07, 61.8, -48.6

 

CMYK 15 / 73 / 0 / 27

HEX #9F32BA

RGB 159 50 186

HSL 288.09, 0.58%, 0.46%

LAB 43.06, 62.78, -50.09

 

CMYK 14 / 67 / 0 / 20

HEX #B044CD

RGB 176 68 205

HSL 287.3, 0.58%, 0.54%

LAB 49.22, 63.03, -51.12

 

CMYK 14 / 62 / 0 / 12

HEX #C156E0

RGB 193 86 224

HSL 286.52, 0.69%, 0.61%

LAB 55.46, 62.83, -51.84

 

CMYK 14 / 57 / 0 / 5

HEX #D268F3

RGB 210 104 243

HSL 285.76, 0.85%, 0.68%

LAB 61.72, 62.37, -52.36

 

CMYK 20 / 81 / 0 / 33

HEX #8920AC

RGB 137 32 172

HSL 285, 0.69%, 0.4%

LAB 36.61, 61.83, -52.37

 

CMYK 22 / 91 / 0 / 40

HEX #780E99

RGB 120 14 153

HSL 285.76, 0.83%, 0.33%

LAB 30.9, 59.72, -50.28

 

CMYK 23 / 100 / 0 / 47

HEX #670086

RGB 103 0 134

HSL 286.12, 1%, 0.26%

LAB 25.58, 56.01, -47.29

 

CMYK 25 / 100 / 0 / 55

HEX #560073

RGB 86 0 115

HSL 284.87, 1%, 0.23%

LAB 20.89, 49.9, -42.97

 

CMYK 28 / 100 / 0 / 62

HEX #450060

RGB 69 0 96

HSL 283.13, 1%, 0.19%

LAB 16.05, 43.6, -38.54

 

CMYK 20 / 81 / 0 / 33

HEX #8920AC

RGB 137 32 172

HSL 285, 0.69%, 0.4%

LAB 36.61, 61.83, -52.37

 

CMYK 0 / 81 / 1 / 33

HEX #AC20AA

RGB 172 32 170

HSL 300.86, 0.69%, 0.4%

LAB 42.32, 68.07, -41.7

 

CMYK 0 / 81 / 23 / 33

HEX #AC2084

RGB 172 32 132

HSL 317.14, 0.69%, 0.4%

LAB 40.36, 62.64, -21.77

 

CMYK 0 / 81 / 45 / 33

HEX #AC205E

RGB 172 32 94

HSL 333.43, 0.69%, 0.4%

LAB 38.92, 58.43, -0.14

 

CMYK 0 / 81 / 67 / 33

HEX #AC2038

RGB 172 32 56

HSL 349.71, 0.69%, 0.4%

LAB 38, 55.65, 22.81

 

CMYK 20 / 81 / 0 / 33

HEX #8920AC

RGB 137 32 172

HSL 285, 0.69%, 0.4%

LAB 36.61, 61.83, -52.37

 

CMYK 42 / 81 / 0 / 33

HEX #6320AC

RGB 99 32 172

HSL 268.71, 0.69%, 0.4%

LAB 31.03, 55.61, -61.7

 

CMYK 65 / 81 / 0 / 33

HEX #3D20AC

RGB 61 32 172

HSL 252.43, 0.69%, 0.4%

LAB 26.75, 50.91, -68.91

 

CMYK 81 / 81 / 0 / 33

HEX #2020AC

RGB 32 32 172

HSL 240, 0.69%, 0.4%

LAB 24.7, 48.69, -72.37

 

CMYK 20 / 81 / 0 / 33

HEX #8920AC

RGB 137 32 172

HSL 285, 0.69%, 0.4%

LAB 36.61, 61.83, -52.37

 

CMYK 23 / 92 / 0 / 26

HEX #910FBD

RGB 145 15 189

HSL 284.83, 0.85%, 0.4%

LAB 37.91, 70.08, -60.29

 

CMYK 20 / 81 / 0 / 33

HEX #8920AC

RGB 137 32 172

HSL 285, 0.69%, 0.4%

LAB 36.61, 61.83, -52.37

 

CMYK 17 / 69 / 0 / 39

HEX #81309C

RGB 129 48 156

HSL 285, 0.53%, 0.4%

LAB 36.33, 51.15, -43.26

 

CMYK 13 / 53 / 0 / 45

HEX #79418B

RGB 121 65 139

HSL 285.41, 0.36%, 0.4%

LAB 37.32, 36.96, -31.42

 

CMYK 9 / 34 / 0 / 52

HEX #70517B

RGB 112 81 123

HSL 284.29, 0.21%, 0.4%

LAB 39.17, 21.11, -18.79

 

CMYK 2 / 8 / 0 / 58

HEX #68626A

RGB 104 98 106

HSL 285, 0.04%, 0.4%

LAB 42.34, 4.02, -3.67

 

CMYK 64 / 81 / 0 / 33

HEX #3E20AC

RGB 62 32 172

HSL 252.86, 0.69%, 0.4%

LAB 26.84, 51.01, -68.76

 

CMYK 42 / 81 / 0 / 33

HEX #6420AC

RGB 100 32 172

HSL 269.14, 0.69%, 0.4%

LAB 31.16, 55.76, -61.48

 

CMYK 20 / 81 / 0 / 33

HEX #8920AC

RGB 137 32 172

HSL 285, 0.69%, 0.4%

LAB 36.61, 61.83, -52.37

 

CMYK 0 / 81 / 1 / 33

HEX #AC20AA

RGB 172 32 170

HSL 300.86, 0.69%, 0.4%

LAB 42.32, 68.07, -41.7

 

CMYK 0 / 81 / 23 / 33

HEX #AC2084

RGB 172 32 132

HSL 317.14, 0.69%, 0.4%

LAB 40.36, 62.64, -21.77

 

CMYK 20 / 82 / 0 / 60

HEX #521367

RGB 82 19 103

HSL 285, 0.69%, 0.24%

LAB 20.98, 41.47, -35.06

 

CMYK 21 / 82 / 0 / 46

HEX #6D198A

RGB 109 25 138

HSL 284.6, 0.69%, 0.32%

LAB 28.85, 52.1, -44.42

 

CMYK 20 / 81 / 0 / 33

HEX #8920AC

RGB 137 32 172

HSL 285, 0.69%, 0.4%

LAB 36.61, 61.83, -52.37

 

CMYK 20 / 82 / 0 / 19

HEX #A526CF

RGB 165 38 207

HSL 285.09, 0.69%, 0.48%

LAB 44.08, 71.64, -60.63

 

CMYK 17 / 70 / 0 / 14

HEX #B642DC

RGB 182 66 220

HSL 285.19, 0.69%, 0.56%

LAB 50.7, 68, -57.27

 

CMYK 20 / 81 / 0 / 33

HEX #8920AC

RGB 137 32 172

HSL 285, 0.69%, 0.4%

LAB 36.61, 61.83, -52.37

 

CMYK 0 / 81 / 77 / 33

HEX #AC2027

RGB 172 32 39

HSL 357, 0.69%, 0.4%

LAB 37.75, 54.88, 32.97

 

CMYK 81 / 0 / 53 / 33

HEX #20AC51

RGB 32 172 81

HSL 141, 0.69%, 0.4%

LAB 62, -55.43, 36.6

 

CMYK 20 / 81 / 0 / 33

HEX #8920AC

RGB 137 32 172

HSL 285, 0.69%, 0.4%

LAB 36.61, 61.83, -52.37

 

CMYK 0 / 20 / 81 / 33

HEX #AC8920

RGB 172 137 32

HSL 45, 0.69%, 0.4%

LAB 58.76, 3.26, 56.56

 

CMYK 81 / 0 / 20 / 33

HEX #20AC89

RGB 32 172 137

HSL 165, 0.69%, 0.4%

LAB 63.03, -43.91, 7.98

 

CMYK 20 / 81 / 0 / 33

HEX #8920AC

RGB 137 32 172

HSL 285, 0.69%, 0.4%

LAB 36.61, 61.83, -52.37

 

CMYK 0 / 81 / 77 / 33

HEX #AC2027

RGB 172 32 39

HSL 357, 0.69%, 0.4%

LAB 37.75, 54.88, 32.97

 

CMYK 61 / 0 / 81 / 33

HEX #43AC20

RGB 67 172 32

HSL 105, 0.69%, 0.4%

LAB 62.34, -54.16, 57.31

 

CMYK 81 / 0 / 4 / 33

HEX #20ACA5

RGB 32 172 165

HSL 177, 0.69%, 0.4%

LAB 63.78, -36.22, -6.53

 

CMYK 20 / 81 / 0 / 33

HEX #8920AC

RGB 137 32 172

HSL 285, 0.69%, 0.4%

LAB 36.61, 61.83, -52.37

 

CMYK 0 / 61 / 81 / 33

HEX #AC4320

RGB 172 67 32

HSL 15, 0.69%, 0.4%

LAB 42.6, 41.22, 41.73

 

CMYK 61 / 0 / 81 / 33

HEX #43AC20

RGB 67 172 32

HSL 105, 0.69%, 0.4%

LAB 62.34, -54.16, 57.31

 

CMYK 81 / 20 / 0 / 33

HEX #2089AC

RGB 32 137 172

HSL 195, 0.69%, 0.4%

LAB 53.14, -16.38, -26.63

 

Description

Color code: HEX #8920AC | qconv.com Color code: HEX #8920AC | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 32 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 32 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 81 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 81% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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