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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #891BA0 it is the complementary color #76E45F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #891BA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #891BA0 shade: #8E1B9B, #9F2DAE, #B03FC1, #C151D4 and #D263E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #891BA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #891BA0 shade: #891BA0, #78098D, #67007A, #560067 and #450054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #891BA0 shade: #8A1BA1, #A11B94, #A11B70, #A11B4C and #A11B28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #891BA0 shade: #8A1BA1, #661BA1, #421BA1, #1E1BA1 and #1B1BA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #891BA0 shade matches the following richer shades: #8A1BA1 and #940CB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #891BA0 shade: #8A1BA1, #802B92, #763A83, #6C4974 and #625864

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #891BA0 shade: #411BA1, #651BA1, #891BA1, #A11B96 and #A11B72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #891BA0 shade: #4E0F5B, #6C157E, #8A1BA1, #A821C5 and #BF33DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #891BA0 shade: #891BA0, #A11E1B and #1BA153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #891BA0 shade: #891BA0, #A1891B and #1BA189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #891BA0 shade: #891BA0, #A11E1B, #34A11B and #1B9FA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #891BA0 shade: #891BA0, #A1461B, #34A11B and #1B77A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 83 / 0 / 37

HEX #891BA0

RGB 137 27 160

HSL 289.62, 0.71%, 0.37%

LAB 35.28, 60.96, -47.3

 

Complementary color

CMYK 48 / 0 / 58 / 11

HEX #76E45F

RGB 118 228 95

HSL 109.62, 0.71%, 0.63%

LAB 81.93, -56.1, 54.26

 

CMYK 8 / 83 / 0 / 39

HEX #8E1B9B

RGB 142 27 155

HSL 293.91, 0.7%, 0.36%

LAB 35.79, 61, -43.41

 

CMYK 9 / 74 / 0 / 32

HEX #9F2DAE

RGB 159 45 174

HSL 293.02, 0.59%, 0.43%

LAB 41.69, 62.33, -45.2

 

CMYK 9 / 67 / 0 / 24

HEX #B03FC1

RGB 176 63 193

HSL 292.15, 0.51%, 0.5%

LAB 47.8, 62.8, -46.45

 

CMYK 9 / 62 / 0 / 17

HEX #C151D4

RGB 193 81 212

HSL 291.3, 0.6%, 0.57%

LAB 54, 62.75, -47.35

 

CMYK 9 / 57 / 0 / 9

HEX #D263E7

RGB 210 99 231

HSL 290.45, 0.73%, 0.65%

LAB 60.24, 62.4, -48.02

 

CMYK 14 / 83 / 0 / 37

HEX #891BA0

RGB 137 27 160

HSL 289.62, 0.71%, 0.37%

LAB 35.28, 60.96, -47.3

 

CMYK 15 / 94 / 0 / 45

HEX #78098D

RGB 120 9 141

HSL 290.45, 0.88%, 0.29%

LAB 29.69, 58.34, -44.84

 

CMYK 16 / 100 / 0 / 52

HEX #67007A

RGB 103 0 122

HSL 290.66, 1%, 0.24%

LAB 24.6, 53.77, -41.28

 

CMYK 17 / 100 / 0 / 60

HEX #560067

RGB 86 0 103

HSL 290.1, 1%, 0.2%

LAB 19.87, 47.57, -36.81

 

CMYK 18 / 100 / 0 / 67

HEX #450054

RGB 69 0 84

HSL 289.29, 1%, 0.16%

LAB 14.98, 41.16, -32.2

 

CMYK 14 / 83 / 0 / 37

HEX #8A1BA1

RGB 138 27 161

HSL 289.7, 0.71%, 0.37%

LAB 35.52, 61.33, -47.52

 

CMYK 0 / 83 / 8 / 37

HEX #A11B94

RGB 161 27 148

HSL 305.82, 0.71%, 0.37%

LAB 38.72, 63.66, -34.28

 

CMYK 0 / 83 / 30 / 37

HEX #A11B70

RGB 161 27 112

HSL 321.94, 0.71%, 0.37%

LAB 36.99, 58.82, -14.66

 

CMYK 0 / 83 / 53 / 37

HEX #A11B4C

RGB 161 27 76

HSL 338.06, 0.71%, 0.37%

LAB 35.76, 55.23, 6.57

 

CMYK 0 / 83 / 75 / 37

HEX #A11B28

RGB 161 27 40

HSL 354.18, 0.71%, 0.37%

LAB 35.03, 53.05, 28.7

 

CMYK 14 / 83 / 0 / 37

HEX #8A1BA1

RGB 138 27 161

HSL 289.7, 0.71%, 0.37%

LAB 35.52, 61.33, -47.52

 

CMYK 37 / 83 / 0 / 37

HEX #661BA1

RGB 102 27 161

HSL 273.58, 0.71%, 0.37%

LAB 29.87, 55.23, -56.95

 

CMYK 59 / 83 / 0 / 37

HEX #421BA1

RGB 66 27 161

HSL 257.46, 0.71%, 0.37%

LAB 25.31, 50.45, -64.62

 

CMYK 81 / 83 / 0 / 37

HEX #1E1BA1

RGB 30 27 161

HSL 241.34, 0.71%, 0.37%

LAB 22.42, 47.52, -69.49

 

CMYK 83 / 83 / 0 / 37

HEX #1B1BA1

RGB 27 27 161

HSL 240, 0.71%, 0.37%

LAB 22.27, 47.37, -69.75

 

CMYK 14 / 83 / 0 / 37

HEX #8A1BA1

RGB 138 27 161

HSL 289.7, 0.71%, 0.37%

LAB 35.52, 61.33, -47.52

 

CMYK 16 / 93 / 0 / 31

HEX #940CB1

RGB 148 12 177

HSL 289.45, 0.87%, 0.37%

LAB 37.36, 68.78, -54.06

 

CMYK 14 / 83 / 0 / 37

HEX #8A1BA1

RGB 138 27 161

HSL 289.7, 0.71%, 0.37%

LAB 35.52, 61.33, -47.52

 

CMYK 12 / 71 / 0 / 43

HEX #802B92

RGB 128 43 146

HSL 289.51, 0.54%, 0.37%

LAB 34.79, 51.02, -39.66

 

CMYK 10 / 56 / 0 / 49

HEX #763A83

RGB 118 58 131

HSL 289.32, 0.39%, 0.37%

LAB 35.04, 38.17, -30.12

 

CMYK 7 / 37 / 0 / 55

HEX #6C4974

RGB 108 73 116

HSL 288.84, 0.23%, 0.37%

LAB 36.39, 23.03, -18.79

 

CMYK 2 / 12 / 0 / 61

HEX #625864

RGB 98 88 100

HSL 290, 0.06%, 0.37%

LAB 38.72, 6.52, -5.42

 

CMYK 60 / 83 / 0 / 37

HEX #411BA1

RGB 65 27 161

HSL 257.01, 0.71%, 0.37%

LAB 25.2, 50.35, -64.79

 

CMYK 37 / 83 / 0 / 37

HEX #651BA1

RGB 101 27 161

HSL 273.13, 0.71%, 0.37%

LAB 29.72, 55.08, -57.2

 

CMYK 15 / 83 / 0 / 37

HEX #891BA1

RGB 137 27 161

HSL 289.25, 0.71%, 0.37%

LAB 35.35, 61.15, -47.8

 

CMYK 0 / 83 / 7 / 37

HEX #A11B96

RGB 161 27 150

HSL 304.93, 0.71%, 0.37%

LAB 38.83, 63.96, -35.32

 

CMYK 0 / 83 / 29 / 37

HEX #A11B72

RGB 161 27 114

HSL 321.04, 0.71%, 0.37%

LAB 37.07, 59.06, -15.8

 

CMYK 14 / 84 / 0 / 64

HEX #4E0F5B

RGB 78 15 91

HSL 289.74, 0.72%, 0.21%

LAB 18.87, 39.52, -30.55

 

CMYK 14 / 83 / 0 / 51

HEX #6C157E

RGB 108 21 126

HSL 289.71, 0.71%, 0.29%

LAB 27.38, 50.76, -39.29

 

CMYK 14 / 83 / 0 / 37

HEX #8A1BA1

RGB 138 27 161

HSL 289.7, 0.71%, 0.37%

LAB 35.52, 61.33, -47.52

 

CMYK 15 / 83 / 0 / 23

HEX #A821C5

RGB 168 33 197

HSL 289.39, 0.71%, 0.45%

LAB 43.42, 71.61, -55.86

 

CMYK 13 / 77 / 0 / 14

HEX #BF33DC

RGB 191 51 220

HSL 289.7, 0.71%, 0.53%

LAB 50.23, 74.91, -57.95

 

CMYK 14 / 83 / 0 / 37

HEX #891BA0

RGB 137 27 160

HSL 289.62, 0.71%, 0.37%

LAB 35.28, 60.96, -47.3

 

CMYK 0 / 81 / 83 / 37

HEX #A11E1B

RGB 161 30 27

HSL 1.34, 0.71%, 0.37%

LAB 35.17, 51.78, 36.5

 

CMYK 83 / 0 / 48 / 37

HEX #1BA153

RGB 27 161 83

HSL 145.07, 0.71%, 0.37%

LAB 58.37, -51.8, 31.04

 

CMYK 14 / 83 / 0 / 37

HEX #891BA0

RGB 137 27 160

HSL 289.62, 0.71%, 0.37%

LAB 35.28, 60.96, -47.3

 

CMYK 0 / 15 / 83 / 37

HEX #A1891B

RGB 161 137 27

HSL 49.25, 0.71%, 0.37%

LAB 57.61, -1.93, 56.69

 

CMYK 83 / 0 / 15 / 37

HEX #1BA189

RGB 27 161 137

HSL 169.25, 0.71%, 0.37%

LAB 59.46, -39.67, 2.85

 

CMYK 14 / 83 / 0 / 37

HEX #891BA0

RGB 137 27 160

HSL 289.62, 0.71%, 0.37%

LAB 35.28, 60.96, -47.3

 

CMYK 0 / 81 / 83 / 37

HEX #A11E1B

RGB 161 30 27

HSL 1.34, 0.71%, 0.37%

LAB 35.17, 51.78, 36.5

 

CMYK 68 / 0 / 83 / 37

HEX #34A11B

RGB 52 161 27

HSL 108.81, 0.71%, 0.37%

LAB 58.32, -54.05, 54.86

 

CMYK 83 / 1 / 0 / 37

HEX #1B9FA1

RGB 27 159 161

HSL 180.9, 0.71%, 0.37%

LAB 59.53, -31.75, -10.63

 

CMYK 14 / 83 / 0 / 37

HEX #891BA0

RGB 137 27 160

HSL 289.62, 0.71%, 0.37%

LAB 35.28, 60.96, -47.3

 

CMYK 0 / 57 / 83 / 37

HEX #A1461B

RGB 161 70 27

HSL 19.25, 0.71%, 0.37%

LAB 41.27, 35.32, 42.21

 

CMYK 68 / 0 / 83 / 37

HEX #34A11B

RGB 52 161 27

HSL 108.81, 0.71%, 0.37%

LAB 58.32, -54.05, 54.86

 

CMYK 83 / 26 / 0 / 37

HEX #1B77A1

RGB 27 119 161

HSL 198.81, 0.71%, 0.37%

LAB 46.97, -10.68, -29.84

 

Description

Color code: HEX #891BA0 | qconv.com Color code: HEX #891BA0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 27 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 27 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 83 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 83% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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