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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #890FFB it is the complementary color #76F004. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #890FFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #890FFB shade: #8E0FF6, #9F21FF, #B033FF, #C145FF and #D257FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #890FFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #890FFB shade: #890FFB, #7800E8, #6700D5, #5600C2 and #4500AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #890FFB shade: #890EFB, #C90EFB, #FB0EEE, #FB0EAE and #FB0E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #890FFB shade: #890EFB, #490EFB and #0E0EFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #890FFB shade matches the following richer shades: #890EFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #890FFB shade: #890EFB, #8822E8, #8735D4, #8749C0 and #865DAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #890FFB shade: #0E12FB, #490EFB, #890EFB, #C80EFB and #FB0EEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #890FFB shade: #5E03B4, #7403DD, #890EFB, #9D37FC and #B15FFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #890FFB shade: #890FFB, #FB0E51 and #0EFB2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #890FFB shade: #890FFB, #FB890E and #0EFB89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #890FFB shade: #890FFB, #FB0E51, #81FB0E and #0EFBB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #890FFB shade: #890FFB, #FB120E, #81FB0E and #0EF7FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 94 / 0 / 2

HEX #890FFB

RGB 137 15 251

HSL 271.02, 0.97%, 0.52%

LAB 42.19, 81.46, -88.9

 

Complementary color

CMYK 51 / 0 / 98 / 6

HEX #76F004

RGB 118 240 4

HSL 91.02, 0.97%, 0.48%

LAB 85.09, -65.28, 81.56

 

CMYK 42 / 94 / 0 / 4

HEX #8E0FF6

RGB 142 15 246

HSL 272.99, 0.93%, 0.51%

LAB 42.38, 80.91, -85.77

 

CMYK 38 / 87 / 0 / 0

HEX #9F21FF

RGB 159 33 255

HSL 274.05, 1%, 0.56%

LAB 46.55, 81.43, -83.87

 

CMYK 31 / 80 / 0 / 0

HEX #B033FF

RGB 176 51 255

HSL 276.76, 1%, 0.6%

LAB 50.47, 79.01, -77.36

 

CMYK 24 / 73 / 0 / 0

HEX #C145FF

RGB 193 69 255

HSL 280, 1%, 0.64%

LAB 54.88, 75.84, -70.1

 

CMYK 18 / 66 / 0 / 0

HEX #D257FF

RGB 210 87 255

HSL 283.93, 1%, 0.67%

LAB 59.65, 72.19, -62.29

 

CMYK 45 / 94 / 0 / 2

HEX #890FFB

RGB 137 15 251

HSL 271.02, 0.97%, 0.52%

LAB 42.19, 81.46, -88.9

 

CMYK 48 / 100 / 0 / 9

HEX #7800E8

RGB 120 0 232

HSL 271.03, 1%, 0.45%

LAB 37.52, 77.76, -85.97

 

CMYK 52 / 100 / 0 / 16

HEX #6700D5

RGB 103 0 213

HSL 269.01, 1%, 0.42%

LAB 33.32, 72.41, -82.06

 

CMYK 56 / 100 / 0 / 24

HEX #5600C2

RGB 86 0 194

HSL 266.6, 1%, 0.38%

LAB 29.09, 67, -78.04

 

CMYK 61 / 100 / 0 / 31

HEX #4500AF

RGB 69 0 175

HSL 263.66, 1%, 0.34%

LAB 24.83, 61.56, -73.87

 

CMYK 45 / 94 / 0 / 2

HEX #890EFB

RGB 137 14 251

HSL 271.14, 0.97%, 0.52%

LAB 42.15, 81.59, -88.97

 

CMYK 20 / 94 / 0 / 2

HEX #C90EFB

RGB 201 14 251

HSL 287.34, 0.97%, 0.52%

LAB 51.49, 88.88, -73.31

 

CMYK 0 / 94 / 5 / 2

HEX #FB0EEE

RGB 251 14 238

HSL 303.29, 0.97%, 0.52%

LAB 58.97, 94.45, -53.57

 

CMYK 0 / 94 / 31 / 2

HEX #FB0EAE

RGB 251 14 174

HSL 319.49, 0.97%, 0.52%

LAB 55.97, 86.81, -21.68

 

CMYK 0 / 94 / 56 / 2

HEX #FB0E6E

RGB 251 14 110

HSL 335.7, 0.97%, 0.52%

LAB 53.97, 81.5, 13.51

 

CMYK 45 / 94 / 0 / 2

HEX #890EFB

RGB 137 14 251

HSL 271.14, 0.97%, 0.52%

LAB 42.15, 81.59, -88.97

 

CMYK 71 / 94 / 0 / 2

HEX #490EFB

RGB 73 14 251

HSL 254.94, 0.97%, 0.52%

LAB 35.39, 77.44, -100.39

 

CMYK 94 / 94 / 0 / 2

HEX #0E0EFB

RGB 14 14 251

HSL 240, 0.97%, 0.52%

LAB 32.64, 76.14, -105.05

 

CMYK 45 / 94 / 0 / 2

HEX #890EFB

RGB 137 14 251

HSL 271.14, 0.97%, 0.52%

LAB 42.15, 81.59, -88.97

 

CMYK 45 / 94 / 0 / 2

HEX #890EFB

RGB 137 14 251

HSL 271.14, 0.97%, 0.52%

LAB 42.15, 81.59, -88.97

 

CMYK 41 / 85 / 0 / 9

HEX #8822E8

RGB 136 34 232

HSL 270.91, 0.81%, 0.52%

LAB 41.54, 73.58, -79.26

 

CMYK 36 / 75 / 0 / 17

HEX #8735D4

RGB 135 53 212

HSL 270.94, 0.65%, 0.52%

LAB 41.92, 62.58, -67.2

 

CMYK 30 / 62 / 0 / 25

HEX #8749C0

RGB 135 73 192

HSL 271.26, 0.49%, 0.52%

LAB 43.83, 48.58, -52.53

 

CMYK 22 / 46 / 0 / 33

HEX #865DAC

RGB 134 93 172

HSL 271.14, 0.32%, 0.52%

LAB 46.81, 32.45, -36.1

 

CMYK 94 / 93 / 0 / 2

HEX #0E12FB

RGB 14 18 251

HSL 238.99, 0.97%, 0.52%

LAB 32.9, 75.34, -104.61

 

CMYK 71 / 94 / 0 / 2

HEX #490EFB

RGB 73 14 251

HSL 254.94, 0.97%, 0.52%

LAB 35.39, 77.44, -100.39

 

CMYK 45 / 94 / 0 / 2

HEX #890EFB

RGB 137 14 251

HSL 271.14, 0.97%, 0.52%

LAB 42.15, 81.59, -88.97

 

CMYK 20 / 94 / 0 / 2

HEX #C80EFB

RGB 200 14 251

HSL 287.09, 0.97%, 0.52%

LAB 51.33, 88.75, -73.57

 

CMYK 0 / 94 / 5 / 2

HEX #FB0EEF

RGB 251 14 239

HSL 303.04, 0.97%, 0.52%

LAB 59.03, 94.58, -54.04

 

CMYK 48 / 98 / 0 / 29

HEX #5E03B4

RGB 94 3 180

HSL 270.85, 0.97%, 0.36%

LAB 28.75, 63.99, -70.27

 

CMYK 48 / 99 / 0 / 13

HEX #7403DD

RGB 116 3 221

HSL 271.1, 0.97%, 0.44%

LAB 35.98, 74.75, -82.23

 

CMYK 45 / 94 / 0 / 2

HEX #890EFB

RGB 137 14 251

HSL 271.14, 0.97%, 0.52%

LAB 42.15, 81.59, -88.97

 

CMYK 38 / 78 / 0 / 1

HEX #9D37FC

RGB 157 55 252

HSL 271.07, 0.97%, 0.6%

LAB 48.17, 74.26, -79.55

 

CMYK 30 / 62 / 0 / 1

HEX #B15FFD

RGB 177 95 253

HSL 271.14, 0.98%, 0.68%

LAB 56.71, 61.16, -66.14

 

CMYK 45 / 94 / 0 / 2

HEX #890FFB

RGB 137 15 251

HSL 271.02, 0.97%, 0.52%

LAB 42.19, 81.46, -88.9

 

CMYK 0 / 94 / 68 / 2

HEX #FB0E51

RGB 251 14 81

HSL 343.04, 0.97%, 0.52%

LAB 53.4, 79.94, 30.23

 

CMYK 94 / 0 / 83 / 2

HEX #0EFB2A

RGB 14 251 42

HSL 127.09, 0.97%, 0.52%

LAB 86.63, -83.66, 76.71

 

CMYK 45 / 94 / 0 / 2

HEX #890FFB

RGB 137 15 251

HSL 271.02, 0.97%, 0.52%

LAB 42.19, 81.46, -88.9

 

CMYK 0 / 45 / 94 / 2

HEX #FB890E

RGB 251 137 14

HSL 31.14, 0.97%, 0.52%

LAB 68.34, 36.87, 72.56

 

CMYK 94 / 0 / 45 / 2

HEX #0EFB89

RGB 14 251 137

HSL 151.14, 0.97%, 0.52%

LAB 87.43, -73.67, 40.96

 

CMYK 45 / 94 / 0 / 2

HEX #890FFB

RGB 137 15 251

HSL 271.02, 0.97%, 0.52%

LAB 42.19, 81.46, -88.9

 

CMYK 0 / 94 / 68 / 2

HEX #FB0E51

RGB 251 14 81

HSL 343.04, 0.97%, 0.52%

LAB 53.4, 79.94, 30.23

 

CMYK 49 / 0 / 94 / 2

HEX #81FB0E

RGB 129 251 14

HSL 90.89, 0.97%, 0.52%

LAB 88.78, -65.92, 83.86

 

CMYK 94 / 0 / 27 / 2

HEX #0EFBB8

RGB 14 251 184

HSL 163.04, 0.97%, 0.52%

LAB 88.23, -64.46, 18.46

 

CMYK 45 / 94 / 0 / 2

HEX #890FFB

RGB 137 15 251

HSL 271.02, 0.97%, 0.52%

LAB 42.19, 81.46, -88.9

 

CMYK 0 / 93 / 94 / 2

HEX #FB120E

RGB 251 18 14

HSL 1.01, 0.97%, 0.52%

LAB 52.92, 77.87, 63.13

 

CMYK 49 / 0 / 94 / 2

HEX #81FB0E

RGB 129 251 14

HSL 90.89, 0.97%, 0.52%

LAB 88.78, -65.92, 83.86

 

CMYK 94 / 2 / 0 / 2

HEX #0EF7FB

RGB 14 247 251

HSL 181.01, 0.97%, 0.52%

LAB 88.72, -45.48, -15.64

 

Description

Color code: HEX #890FFB | qconv.com Color code: HEX #890FFB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 15 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 15 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 94 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 94% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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