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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #890FAD it is the complementary color #76F052. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #890FAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #890FAD: #8E0FA8, #9F21BB, #B033CE, #C145E1 and #D257F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #890FAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #890FAD: #890FAD, #78009A, #670087, #560074 and #450061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 91 / 0 / 32

HEX #890FAD

RGB 137 15 173

HSL 286.33, 0.84%, 0.37%

LAB 35.36, 65.93, -55.01

 

Complementary color

CMYK 51 / 0 / 66 / 6

HEX #76F052

RGB 118 240 82

HSL 106.33, 0.84%, 0.63%

LAB 85.39, -61.86, 63.53

 

CMYK 15 / 91 / 0 / 34

HEX #8E0FA8

RGB 142 15 168

HSL 289.8, 0.84%, 0.36%

LAB 35.83, 65.81, -51.2

 

CMYK 15 / 82 / 0 / 27

HEX #9F21BB

RGB 159 33 187

HSL 289.09, 0.7%, 0.43%

LAB 41.29, 68.26, -53.53

 

CMYK 15 / 75 / 0 / 19

HEX #B033CE

RGB 176 51 206

HSL 288.39, 0.61%, 0.5%

LAB 47.05, 69.55, -55.18

 

CMYK 14 / 69 / 0 / 12

HEX #C145E1

RGB 193 69 225

HSL 287.69, 0.72%, 0.58%

LAB 52.98, 70.07, -56.35

 

CMYK 14 / 64 / 0 / 4

HEX #D257F4

RGB 210 87 244

HSL 287.01, 0.88%, 0.65%

LAB 59.02, 70.1, -57.21

 

CMYK 21 / 91 / 0 / 32

HEX #890FAD

RGB 137 15 173

HSL 286.33, 0.84%, 0.37%

LAB 35.36, 65.93, -55.01

 

CMYK 22 / 100 / 0 / 40

HEX #78009A

RGB 120 0 154

HSL 286.75, 1%, 0.3%

LAB 30.22, 62.15, -51.99

 

CMYK 24 / 100 / 0 / 47

HEX #670087

RGB 103 0 135

HSL 285.78, 1%, 0.26%

LAB 25.66, 56.2, -47.78

 

CMYK 26 / 100 / 0 / 55

HEX #560074

RGB 86 0 116

HSL 284.48, 1%, 0.23%

LAB 20.98, 50.1, -43.47

 

CMYK 29 / 100 / 0 / 62

HEX #450061

RGB 69 0 97

HSL 282.68, 1%, 0.19%

LAB 16.15, 43.81, -39.05

 

CMYK 21 / 91 / 0 / 32

HEX #890FAD

RGB 137 15 173

HSL 286.33, 0.84%, 0.37%

LAB 35.36, 65.93, -55.01

 

CMYK 6 / 91 / 0 / 32

HEX #A30FAD

RGB 163 15 173

HSL 296.2, 0.84%, 0.37%

LAB 39.82, 70.13, -47.57

 

CMYK 0 / 91 / 9 / 32

HEX #AD0F9D

RGB 173 15 157

HSL 306.08, 0.84%, 0.37%

LAB 40.67, 69.5, -36.51

 

CMYK 0 / 91 / 24 / 32

HEX #AD0F83

RGB 173 15 131

HSL 315.95, 0.84%, 0.37%

LAB 39.35, 66.07, -22.7

 

CMYK 0 / 91 / 40 / 32

HEX #AD0F68

RGB 173 15 104

HSL 326.2, 0.84%, 0.37%

LAB 38.24, 63.1, -7.47

 

CMYK 21 / 91 / 0 / 32

HEX #890FAD

RGB 137 15 173

HSL 286.33, 0.84%, 0.37%

LAB 35.36, 65.93, -55.01

 

CMYK 21 / 92 / 0 / 12

HEX #B113E0

RGB 177 19 224

HSL 286.24, 0.84%, 0.48%

LAB 45.9, 80.37, -67.34

 

CMYK 20 / 90 / 0 / 92

HEX #100214

RGB 16 2 20

HSL 286.67, 0.82%, 0.04%

LAB 1.84, 6.87, -6.58

 

CMYK 21 / 92 / 0 / 72

HEX #380647

RGB 56 6 71

HSL 286.15, 0.84%, 0.15%

LAB 12.13, 33.79, -27.98

 

CMYK 20 / 91 / 0 / 52

HEX #610B7A

RGB 97 11 122

HSL 286.49, 0.83%, 0.26%

LAB 24.28, 50.53, -41.86

 

CMYK 21 / 91 / 0 / 32

HEX #890FAD

RGB 137 15 173

HSL 286.33, 0.84%, 0.37%

LAB 35.36, 65.93, -55.01

 

CMYK 0 / 91 / 88 / 32

HEX #AD0F14

RGB 173 15 20

HSL 358.1, 0.84%, 0.37%

LAB 36.51, 58.27, 42.29

 

CMYK 91 / 0 / 58 / 32

HEX #0FAD49

RGB 15 173 73

HSL 142.03, 0.84%, 0.37%

LAB 62.06, -58.42, 40.53

 

CMYK 21 / 91 / 0 / 32

HEX #890FAD

RGB 137 15 173

HSL 286.33, 0.84%, 0.37%

LAB 35.36, 65.93, -55.01

 

CMYK 0 / 21 / 91 / 32

HEX #AD880F

RGB 173 136 15

HSL 45.95, 0.84%, 0.37%

LAB 58.53, 3.82, 60.96

 

CMYK 91 / 0 / 21 / 32

HEX #0FAD88

RGB 15 173 136

HSL 165.95, 0.84%, 0.37%

LAB 63.15, -45.84, 8.69

 

CMYK 21 / 91 / 0 / 32

HEX #890FAD

RGB 137 15 173

HSL 286.33, 0.84%, 0.37%

LAB 35.36, 65.93, -55.01

 

CMYK 0 / 91 / 88 / 32

HEX #AD0F14

RGB 173 15 20

HSL 358.1, 0.84%, 0.37%

LAB 36.51, 58.27, 42.29

 

CMYK 70 / 0 / 91 / 32

HEX #34AD0F

RGB 52 173 15

HSL 105.95, 0.84%, 0.37%

LAB 62.21, -58.5, 60.91

 

CMYK 91 / 0 / 3 / 32

HEX #0FADA8

RGB 15 173 168

HSL 178.1, 0.84%, 0.37%

LAB 64.01, -36.92, -7.88

 

CMYK 21 / 91 / 0 / 32

HEX #890FAD

RGB 137 15 173

HSL 286.33, 0.84%, 0.37%

LAB 35.36, 65.93, -55.01

 

CMYK 0 / 67 / 91 / 32

HEX #AD390F

RGB 173 57 15

HSL 15.95, 0.84%, 0.37%

LAB 40.97, 45.68, 47.77

 

CMYK 70 / 0 / 91 / 32

HEX #34AD0F

RGB 52 173 15

HSL 105.95, 0.84%, 0.37%

LAB 62.21, -58.5, 60.91

 

CMYK 91 / 24 / 0 / 32

HEX #0F83AD

RGB 15 131 173

HSL 195.95, 0.84%, 0.37%

LAB 51.1, -13.96, -30.41

 

Description

Color code: HEX #890FAD | qconv.com Color code: HEX #890FAD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 15 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 15 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 91 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 91% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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