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Color name
HEX #890F5E

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #890F5E it is the complementary color #76F0A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #890F5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #890F5E shade: #8E0F59, #9F216C, #B0337F, #C14592 and #D257A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #890F5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #890F5E shade: #890F5E, #78004B, #670038, #560025 and #450012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #890F5E shade: #8A0F5F, #8A0F3E, #8A0F1D and #8A0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #890F5E shade: #8A0F5F, #8A0F80, #730F8A, #520F8A and #310F8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #890F5E shade matches the following richer shades: #8A0F5F and #960362

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #890F5E shade: #8A0F5F, #7D1C5B, #712857, #653454 and #584150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #890F5E shade: #730F8A, #8A0F80, #8A0F5F, #8A0F3E and #8A0F1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #890F5E shade: #3F072C, #650B45, #8A0F5F, #AF1378 and #D41892

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #890F5E shade: #890F5E, #8A530F and #0F8A84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #890F5E shade: #890F5E, #5F8A0F and #0F5F8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #890F5E shade: #890F5E, #8A530F, #0F8A3A and #0F468A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #890F5E shade: #890F5E, #8A770F, #0F8A3A and #0F228A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 31 / 46

HEX #890F5E

RGB 137 15 94

HSL 321.15, 0.8%, 0.3%

LAB 30.56, 53.61, -13.37

 

Complementary color

CMYK 51 / 0 / 33 / 6

HEX #76F0A1

RGB 118 240 161

HSL 141.15, 0.8%, 0.7%

LAB 86.38, -51.4, 27.97

 

CMYK 0 / 89 / 37 / 44

HEX #8E0F59

RGB 142 15 89

HSL 325.04, 0.81%, 0.31%

LAB 31.38, 54.25, -8.77

 

CMYK 0 / 79 / 32 / 38

HEX #9F216C

RGB 159 33 108

HSL 324.29, 0.66%, 0.38%

LAB 37.01, 56.24, -12.14

 

CMYK 0 / 71 / 28 / 31

HEX #B0337F

RGB 176 51 127

HSL 323.52, 0.55%, 0.45%

LAB 42.96, 57.08, -14.64

 

CMYK 0 / 64 / 24 / 24

HEX #C14592

RGB 193 69 146

HSL 322.74, 0.5%, 0.51%

LAB 49.09, 57.23, -16.54

 

CMYK 0 / 59 / 21 / 18

HEX #D257A5

RGB 210 87 165

HSL 321.95, 0.58%, 0.58%

LAB 55.31, 56.97, -18.03

 

CMYK 0 / 89 / 31 / 46

HEX #890F5E

RGB 137 15 94

HSL 321.15, 0.8%, 0.3%

LAB 30.56, 53.61, -13.37

 

CMYK 0 / 100 / 38 / 53

HEX #78004B

RGB 120 0 75

HSL 322.5, 1%, 0.24%

LAB 25.26, 50.17, -9.17

 

CMYK 0 / 100 / 46 / 60

HEX #670038

RGB 103 0 56

HSL 327.38, 1%, 0.2%

LAB 20.71, 44.2, -3.31

 

CMYK 0 / 100 / 57 / 66

HEX #560025

RGB 86 0 37

HSL 334.19, 1%, 0.17%

LAB 16.06, 38.16, 3.06

 

CMYK 0 / 100 / 74 / 73

HEX #450012

RGB 69 0 18

HSL 344.35, 1%, 0.14%

LAB 11.34, 32.11, 9.68

 

CMYK 0 / 89 / 31 / 46

HEX #8A0F5F

RGB 138 15 95

HSL 320.98, 0.8%, 0.3%

LAB 30.81, 53.97, -13.62

 

CMYK 0 / 89 / 55 / 46

HEX #8A0F3E

RGB 138 15 62

HSL 337.07, 0.8%, 0.3%

LAB 29.65, 50.71, 6.48

 

CMYK 0 / 89 / 79 / 46

HEX #8A0F1D

RGB 138 15 29

HSL 353.17, 0.8%, 0.3%

LAB 28.99, 48.81, 27.43

 

CMYK 0 / 89 / 89 / 46

HEX #8A0F0F

RGB 138 15 15

HSL 0, 0.8%, 0.3%

LAB 28.85, 48.4, 35.42

 

CMYK 0 / 89 / 31 / 46

HEX #8A0F5F

RGB 138 15 95

HSL 320.98, 0.8%, 0.3%

LAB 30.81, 53.97, -13.62

 

CMYK 0 / 89 / 7 / 46

HEX #8A0F80

RGB 138 15 128

HSL 304.88, 0.8%, 0.3%

LAB 32.49, 58.46, -32.07

 

CMYK 17 / 89 / 0 / 46

HEX #730F8A

RGB 115 15 138

HSL 288.78, 0.8%, 0.3%

LAB 28.96, 55.85, -44.21

 

CMYK 41 / 89 / 0 / 46

HEX #520F8A

RGB 82 15 138

HSL 272.68, 0.8%, 0.3%

LAB 23.57, 50.7, -53.21

 

CMYK 64 / 89 / 0 / 46

HEX #310F8A

RGB 49 15 138

HSL 256.59, 0.8%, 0.3%

LAB 19.35, 47, -60.33

 

CMYK 0 / 89 / 31 / 46

HEX #8A0F5F

RGB 138 15 95

HSL 320.98, 0.8%, 0.3%

LAB 30.81, 53.97, -13.62

 

CMYK 0 / 98 / 35 / 41

HEX #960362

RGB 150 3 98

HSL 321.22, 0.96%, 0.3%

LAB 32.77, 58.88, -12.36

 

CMYK 0 / 89 / 31 / 46

HEX #8A0F5F

RGB 138 15 95

HSL 320.98, 0.8%, 0.3%

LAB 30.81, 53.97, -13.62

 

CMYK 0 / 78 / 27 / 51

HEX #7D1C5B

RGB 125 28 91

HSL 321.03, 0.63%, 0.3%

LAB 29.28, 46.73, -13.59

 

CMYK 0 / 65 / 23 / 56

HEX #712857

RGB 113 40 87

HSL 321.37, 0.48%, 0.3%

LAB 28.69, 37.7, -12.07

 

CMYK 0 / 49 / 17 / 60

HEX #653454

RGB 101 52 84

HSL 320.82, 0.32%, 0.3%

LAB 29.06, 26.65, -9.71

 

CMYK 0 / 26 / 9 / 65

HEX #584150

RGB 88 65 80

HSL 320.87, 0.15%, 0.3%

LAB 30.48, 12.78, -5.14

 

CMYK 17 / 89 / 0 / 46

HEX #730F8A

RGB 115 15 138

HSL 288.78, 0.8%, 0.3%

LAB 28.96, 55.85, -44.21

 

CMYK 0 / 89 / 7 / 46

HEX #8A0F80

RGB 138 15 128

HSL 304.88, 0.8%, 0.3%

LAB 32.49, 58.46, -32.07

 

CMYK 0 / 89 / 31 / 46

HEX #8A0F5F

RGB 138 15 95

HSL 320.98, 0.8%, 0.3%

LAB 30.81, 53.97, -13.62

 

CMYK 0 / 89 / 55 / 46

HEX #8A0F3E

RGB 138 15 62

HSL 337.07, 0.8%, 0.3%

LAB 29.65, 50.71, 6.48

 

CMYK 0 / 89 / 78 / 46

HEX #8A0F1E

RGB 138 15 30

HSL 352.68, 0.8%, 0.3%

LAB 29, 48.85, 26.82

 

CMYK 0 / 89 / 30 / 75

HEX #3F072C

RGB 63 7 44

HSL 320.36, 0.8%, 0.14%

LAB 11.89, 30.04, -8.87

 

CMYK 0 / 89 / 32 / 60

HEX #650B45

RGB 101 11 69

HSL 321.33, 0.8%, 0.22%

LAB 21.71, 42.56, -10.87

 

CMYK 0 / 89 / 31 / 46

HEX #8A0F5F

RGB 138 15 95

HSL 320.98, 0.8%, 0.3%

LAB 30.81, 53.97, -13.62

 

CMYK 0 / 89 / 31 / 31

HEX #AF1378

RGB 175 19 120

HSL 321.15, 0.8%, 0.38%

LAB 39.47, 64.61, -15.64

 

CMYK 0 / 89 / 31 / 17

HEX #D41892

RGB 212 24 146

HSL 321.06, 0.8%, 0.46%

LAB 47.91, 74.75, -18.04

 

CMYK 0 / 89 / 31 / 46

HEX #890F5E

RGB 137 15 94

HSL 321.15, 0.8%, 0.3%

LAB 30.56, 53.61, -13.37

 

CMYK 0 / 40 / 89 / 46

HEX #8A530F

RGB 138 83 15

HSL 33.17, 0.8%, 0.3%

LAB 40.61, 17.89, 45.05

 

CMYK 89 / 0 / 4 / 46

HEX #0F8A84

RGB 15 138 132

HSL 177.07, 0.8%, 0.3%

LAB 51.77, -31.57, -5.57

 

CMYK 0 / 89 / 31 / 46

HEX #890F5E

RGB 137 15 94

HSL 321.15, 0.8%, 0.3%

LAB 30.56, 53.61, -13.37

 

CMYK 31 / 0 / 89 / 46

HEX #5F8A0F

RGB 95 138 15

HSL 80.98, 0.8%, 0.3%

LAB 52.56, -32.12, 53.4

 

CMYK 89 / 31 / 0 / 46

HEX #0F5F8A

RGB 15 95 138

HSL 200.98, 0.8%, 0.3%

LAB 38.06, -6.16, -30.12

 

CMYK 0 / 89 / 31 / 46

HEX #890F5E

RGB 137 15 94

HSL 321.15, 0.8%, 0.3%

LAB 30.56, 53.61, -13.37

 

CMYK 0 / 40 / 89 / 46

HEX #8A530F

RGB 138 83 15

HSL 33.17, 0.8%, 0.3%

LAB 40.61, 17.89, 45.05

 

CMYK 89 / 0 / 58 / 46

HEX #0F8A3A

RGB 15 138 58

HSL 140.98, 0.8%, 0.3%

LAB 50.2, -48.9, 33.78

 

CMYK 89 / 49 / 0 / 46

HEX #0F468A

RGB 15 70 138

HSL 213.17, 0.8%, 0.3%

LAB 30.2, 10.2, -42.65

 

CMYK 0 / 89 / 31 / 46

HEX #890F5E

RGB 137 15 94

HSL 321.15, 0.8%, 0.3%

LAB 30.56, 53.61, -13.37

 

CMYK 0 / 14 / 89 / 46

HEX #8A770F

RGB 138 119 15

HSL 50.73, 0.8%, 0.3%

LAB 50.25, -2.96, 52.87

 

CMYK 89 / 0 / 58 / 46

HEX #0F8A3A

RGB 15 138 58

HSL 140.98, 0.8%, 0.3%

LAB 50.2, -48.9, 33.78

 

CMYK 89 / 75 / 0 / 46

HEX #0F228A

RGB 15 34 138

HSL 230.73, 0.8%, 0.3%

LAB 20.36, 34.96, -58.71

 

Description

Color code: HEX #890F5E | qconv.com Color code: HEX #890F5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 15 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 15 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 31 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 31% 46% C M Y K

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Provide designers and agencies with accurate color values.

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