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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #890DB7 it is the complementary color #76F248. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #890DB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #890DB7 shade: #8E0DB2, #9F1FC5, #B031D8, #C143EB and #D255FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #890DB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #890DB7 shade: #890DB7, #7800A4, #670091, #56007E and #45006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #890DB7 shade: #880DB5, #B50DB5, #B50D88, #B50D5A and #B50D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #890DB7 shade: #880DB5, #5A0DB5, #2D0DB5 and #0D0DB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #890DB7 shade matches the following richer shades: #880DB5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #890DB7 shade: #880DB5, #801CA6, #792C96, #723C86 and #6B4B76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #890DB7 shade: #2C0DB5, #580DB5, #850DB5, #B20DB5 and #B50D8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #890DB7 shade: #4E0768, #6B0A8F, #880DB5, #A40FDC and #B925F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #890DB7 shade: #890DB7, #B50D1B and #0DB542

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #890DB7 shade: #890DB7, #B5850D and #0DB585

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #890DB7 shade: #890DB7, #B50D1B, #3CB50D and #0DB5A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #890DB7 shade: #890DB7, #B5310D, #3CB50D and #0D91B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 93 / 0 / 28

HEX #890DB7

RGB 137 13 183

HSL 283.76, 0.87%, 0.38%

LAB 36.03, 68.11, -59.86

 

Complementary color

CMYK 51 / 0 / 70 / 5

HEX #76F248

RGB 118 242 72

HSL 103.76, 0.87%, 0.62%

LAB 85.92, -63.38, 67.83

 

CMYK 20 / 93 / 0 / 30

HEX #8E0DB2

RGB 142 13 178

HSL 286.91, 0.86%, 0.37%

LAB 36.47, 67.91, -56.15

 

CMYK 19 / 84 / 0 / 23

HEX #9F1FC5

RGB 159 31 197

HSL 286.27, 0.73%, 0.45%

LAB 41.82, 70.57, -58.53

 

CMYK 19 / 77 / 0 / 15

HEX #B031D8

RGB 176 49 216

HSL 285.63, 0.68%, 0.52%

LAB 47.48, 72.04, -60.23

 

CMYK 18 / 71 / 0 / 8

HEX #C143EB

RGB 193 67 235

HSL 285, 0.81%, 0.59%

LAB 53.33, 72.69, -61.43

 

CMYK 17 / 67 / 0 / 0

HEX #D255FE

RGB 210 85 254

HSL 284.38, 0.99%, 0.66%

LAB 59.3, 72.81, -62.3

 

CMYK 25 / 93 / 0 / 28

HEX #890DB7

RGB 137 13 183

HSL 283.76, 0.87%, 0.38%

LAB 36.03, 68.11, -59.86

 

CMYK 27 / 100 / 0 / 36

HEX #7800A4

RGB 120 0 164

HSL 283.9, 1%, 0.32%

LAB 31.05, 64.03, -56.72

 

CMYK 29 / 100 / 0 / 43

HEX #670091

RGB 103 0 145

HSL 282.62, 1%, 0.28%

LAB 26.53, 58.15, -52.6

 

CMYK 32 / 100 / 0 / 51

HEX #56007E

RGB 86 0 126

HSL 280.95, 1%, 0.25%

LAB 21.89, 52.13, -48.38

 

CMYK 36 / 100 / 0 / 58

HEX #45006B

RGB 69 0 107

HSL 278.69, 1%, 0.21%

LAB 17.12, 45.95, -44.06

 

CMYK 25 / 93 / 0 / 29

HEX #880DB5

RGB 136 13 181

HSL 283.93, 0.87%, 0.38%

LAB 35.71, 67.6, -59.2

 

CMYK 0 / 93 / 0 / 29

HEX #B50DB5

RGB 181 13 181

HSL 300, 0.87%, 0.38%

LAB 43.43, 74.7, -46.35

 

CMYK 0 / 93 / 25 / 29

HEX #B50D88

RGB 181 13 136

HSL 316.07, 0.87%, 0.38%

LAB 41.04, 68.6, -23.04

 

CMYK 0 / 93 / 50 / 29

HEX #B50D5A

RGB 181 13 90

HSL 332.5, 0.87%, 0.38%

LAB 39.33, 64.01, 3.22

 

CMYK 0 / 93 / 75 / 29

HEX #B50D2D

RGB 181 13 45

HSL 348.57, 0.87%, 0.38%

LAB 38.38, 61.38, 30.56

 

CMYK 25 / 93 / 0 / 29

HEX #880DB5

RGB 136 13 181

HSL 283.93, 0.87%, 0.38%

LAB 35.71, 67.6, -59.2

 

CMYK 50 / 93 / 0 / 29

HEX #5A0DB5

RGB 90 13 181

HSL 267.5, 0.87%, 0.38%

LAB 28.9, 62.11, -70.64

 

CMYK 75 / 93 / 0 / 29

HEX #2D0DB5

RGB 45 13 181

HSL 251.43, 0.87%, 0.38%

LAB 24.26, 59.03, -78.46

 

CMYK 93 / 93 / 0 / 29

HEX #0D0DB5

RGB 13 13 181

HSL 240, 0.87%, 0.38%

LAB 22.69, 58.15, -81.13

 

CMYK 25 / 93 / 0 / 29

HEX #880DB5

RGB 136 13 181

HSL 283.93, 0.87%, 0.38%

LAB 35.71, 67.6, -59.2

 

CMYK 25 / 93 / 0 / 29

HEX #880DB5

RGB 136 13 181

HSL 283.93, 0.87%, 0.38%

LAB 35.71, 67.6, -59.2

 

CMYK 23 / 83 / 0 / 35

HEX #801CA6

RGB 128 28 166

HSL 283.48, 0.71%, 0.38%

LAB 34.34, 60.24, -52.52

 

CMYK 19 / 71 / 0 / 41

HEX #792C96

RGB 121 44 150

HSL 283.58, 0.55%, 0.38%

LAB 34.12, 49.82, -43.22

 

CMYK 15 / 55 / 0 / 47

HEX #723C86

RGB 114 60 134

HSL 283.78, 0.38%, 0.38%

LAB 35.06, 36.57, -31.97

 

CMYK 9 / 36 / 0 / 54

HEX #6B4B76

RGB 107 75 118

HSL 284.65, 0.22%, 0.38%

LAB 36.87, 21.91, -19.31

 

CMYK 76 / 93 / 0 / 29

HEX #2C0DB5

RGB 44 13 181

HSL 251.07, 0.87%, 0.38%

LAB 24.19, 58.99, -78.59

 

CMYK 51 / 93 / 0 / 29

HEX #580DB5

RGB 88 13 181

HSL 266.79, 0.87%, 0.38%

LAB 28.64, 61.92, -71.07

 

CMYK 27 / 93 / 0 / 29

HEX #850DB5

RGB 133 13 181

HSL 282.86, 0.87%, 0.38%

LAB 35.22, 67.17, -60.02

 

CMYK 2 / 93 / 0 / 29

HEX #B20DB5

RGB 178 13 181

HSL 298.93, 0.87%, 0.38%

LAB 42.9, 74.19, -47.24

 

CMYK 0 / 93 / 23 / 29

HEX #B50D8B

RGB 181 13 139

HSL 315, 0.87%, 0.38%

LAB 41.18, 68.96, -24.67

 

CMYK 25 / 93 / 0 / 59

HEX #4E0768

RGB 78 7 104

HSL 283.92, 0.87%, 0.22%

LAB 19.1, 44.59, -38.79

 

CMYK 25 / 93 / 0 / 44

HEX #6B0A8F

RGB 107 10 143

HSL 283.76, 0.87%, 0.3%

LAB 27.64, 56.5, -49.51

 

CMYK 25 / 93 / 0 / 29

HEX #880DB5

RGB 136 13 181

HSL 283.93, 0.87%, 0.38%

LAB 35.71, 67.6, -59.2

 

CMYK 25 / 93 / 0 / 14

HEX #A40FDC

RGB 164 15 220

HSL 283.61, 0.87%, 0.46%

LAB 43.36, 78.39, -69.27

 

CMYK 23 / 85 / 0 / 6

HEX #B925F0

RGB 185 37 240

HSL 283.74, 0.87%, 0.54%

LAB 49.41, 81.15, -70.64

 

CMYK 25 / 93 / 0 / 28

HEX #890DB7

RGB 137 13 183

HSL 283.76, 0.87%, 0.38%

LAB 36.03, 68.11, -59.86

 

CMYK 0 / 93 / 85 / 29

HEX #B50D1B

RGB 181 13 27

HSL 355, 0.87%, 0.38%

LAB 38.18, 60.83, 40.81

 

CMYK 93 / 0 / 64 / 29

HEX #0DB542

RGB 13 181 66

HSL 138.93, 0.87%, 0.38%

LAB 64.59, -61.97, 46.66

 

CMYK 25 / 93 / 0 / 28

HEX #890DB7

RGB 137 13 183

HSL 283.76, 0.87%, 0.38%

LAB 36.03, 68.11, -59.86

 

CMYK 0 / 27 / 93 / 29

HEX #B5850D

RGB 181 133 13

HSL 42.86, 0.87%, 0.38%

LAB 58.63, 9.09, 61.8

 

CMYK 93 / 0 / 27 / 29

HEX #0DB585

RGB 13 181 133

HSL 162.86, 0.87%, 0.38%

LAB 65.61, -49.88, 13.82

 

CMYK 25 / 93 / 0 / 28

HEX #890DB7

RGB 137 13 183

HSL 283.76, 0.87%, 0.38%

LAB 36.03, 68.11, -59.86

 

CMYK 0 / 93 / 85 / 29

HEX #B50D1B

RGB 181 13 27

HSL 355, 0.87%, 0.38%

LAB 38.18, 60.83, 40.81

 

CMYK 67 / 0 / 93 / 29

HEX #3CB50D

RGB 60 181 13

HSL 103.21, 0.87%, 0.38%

LAB 64.99, -59.55, 63.63

 

CMYK 93 / 0 / 8 / 29

HEX #0DB5A7

RGB 13 181 167

HSL 175, 0.87%, 0.38%

LAB 66.46, -40.88, -3.7

 

CMYK 25 / 93 / 0 / 28

HEX #890DB7

RGB 137 13 183

HSL 283.76, 0.87%, 0.38%

LAB 36.03, 68.11, -59.86

 

CMYK 0 / 73 / 93 / 29

HEX #B5310D

RGB 181 49 13

HSL 12.86, 0.87%, 0.38%

LAB 41.29, 51.56, 49.39

 

CMYK 67 / 0 / 93 / 29

HEX #3CB50D

RGB 60 181 13

HSL 103.21, 0.87%, 0.38%

LAB 64.99, -59.55, 63.63

 

CMYK 93 / 20 / 0 / 29

HEX #0D91B5

RGB 13 145 181

HSL 192.86, 0.87%, 0.38%

LAB 55.76, -18.85, -27.75

 

Description

Color code: HEX #890DB7 | qconv.com Color code: HEX #890DB7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 13 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 13 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 93 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 93% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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