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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #890CAB it is the complementary color #76F354. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #890CAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #890CAB shade: #8E0CA6, #9F1EB9, #B030CC, #C142DF and #D254F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #890CAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #890CAB shade: #890CAB, #780098, #670085, #560072 and #45005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #890CAB shade: #8A0CAC, #AC0CA3, #AC0C78, #AC0C4D and #AC0C22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #890CAB shade: #8A0CAC, #5E0CAC, #330CAC and #0C0CAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #890CAB shade matches the following richer shades: #8A0CAC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #890CAB shade: #8A0CAC, #811B9D, #792A8E, #70387F and #684770

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #890CAB shade: #340CAC, #5E0CAC, #890CAC, #AC0CA4 and #AC0C79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #890CAB shade: #4C075F, #6B0985, #8A0CAC, #A80FD2 and #C21BEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #890CAB shade: #890CAB, #AC0C0F and #0CAC49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #890CAB shade: #890CAB, #AC890C and #0CAC89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #890CAB shade: #890CAB, #AC0C0F, #2FAC0C and #0CACA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #890CAB shade: #890CAB, #AC390C, #2FAC0C and #0C7EAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 93 / 0 / 33

HEX #890CAB

RGB 137 12 171

HSL 287.17, 0.87%, 0.36%

LAB 35.05, 66.03, -54.31

 

Complementary color

CMYK 51 / 0 / 65 / 5

HEX #76F354

RGB 118 243 84

HSL 107.17, 0.87%, 0.64%

LAB 86.3, -62.79, 63.73

 

CMYK 14 / 93 / 0 / 35

HEX #8E0CA6

RGB 142 12 166

HSL 290.65, 0.87%, 0.35%

LAB 35.53, 65.91, -50.48

 

CMYK 14 / 84 / 0 / 27

HEX #9F1EB9

RGB 159 30 185

HSL 289.94, 0.72%, 0.42%

LAB 40.9, 68.65, -52.98

 

CMYK 14 / 76 / 0 / 20

HEX #B030CC

RGB 176 48 204

HSL 289.23, 0.62%, 0.49%

LAB 46.58, 70.15, -54.77

 

CMYK 13 / 70 / 0 / 13

HEX #C142DF

RGB 193 66 223

HSL 288.54, 0.71%, 0.57%

LAB 52.47, 70.82, -56.05

 

CMYK 13 / 65 / 0 / 5

HEX #D254F2

RGB 210 84 242

HSL 287.85, 0.86%, 0.64%

LAB 58.46, 70.96, -56.99

 

CMYK 20 / 93 / 0 / 33

HEX #890CAB

RGB 137 12 171

HSL 287.17, 0.87%, 0.36%

LAB 35.05, 66.03, -54.31

 

CMYK 21 / 100 / 0 / 40

HEX #780098

RGB 120 0 152

HSL 287.37, 1%, 0.3%

LAB 30.06, 61.78, -51.03

 

CMYK 23 / 100 / 0 / 48

HEX #670085

RGB 103 0 133

HSL 286.47, 1%, 0.26%

LAB 25.49, 55.82, -46.8

 

CMYK 25 / 100 / 0 / 55

HEX #560072

RGB 86 0 114

HSL 285.26, 1%, 0.22%

LAB 20.8, 49.7, -42.47

 

CMYK 27 / 100 / 0 / 63

HEX #45005F

RGB 69 0 95

HSL 283.58, 1%, 0.19%

LAB 15.96, 43.39, -38.02

 

CMYK 20 / 93 / 0 / 33

HEX #8A0CAC

RGB 138 12 172

HSL 287.25, 0.87%, 0.36%

LAB 35.29, 66.36, -54.5

 

CMYK 0 / 93 / 5 / 33

HEX #AC0CA3

RGB 172 12 163

HSL 303.38, 0.87%, 0.36%

LAB 40.7, 70.56, -40.09

 

CMYK 0 / 93 / 30 / 33

HEX #AC0C78

RGB 172 12 120

HSL 319.5, 0.87%, 0.36%

LAB 38.53, 64.97, -17.13

 

CMYK 0 / 93 / 55 / 33

HEX #AC0C4D

RGB 172 12 77

HSL 335.63, 0.87%, 0.36%

LAB 37.06, 60.98, 8.08

 

CMYK 0 / 93 / 80 / 33

HEX #AC0C22

RGB 172 12 34

HSL 351.75, 0.87%, 0.36%

LAB 36.27, 58.79, 34.35

 

CMYK 20 / 93 / 0 / 33

HEX #8A0CAC

RGB 138 12 172

HSL 287.25, 0.87%, 0.36%

LAB 35.29, 66.36, -54.5

 

CMYK 45 / 93 / 0 / 33

HEX #5E0CAC

RGB 94 12 172

HSL 270.75, 0.87%, 0.36%

LAB 28.44, 60.64, -65.99

 

CMYK 70 / 93 / 0 / 33

HEX #330CAC

RGB 51 12 172

HSL 254.63, 0.87%, 0.36%

LAB 23.49, 57.2, -74.34

 

CMYK 93 / 93 / 0 / 33

HEX #0C0CAC

RGB 12 12 172

HSL 240, 0.87%, 0.36%

LAB 21.28, 55.93, -78.08

 

CMYK 20 / 93 / 0 / 33

HEX #8A0CAC

RGB 138 12 172

HSL 287.25, 0.87%, 0.36%

LAB 35.29, 66.36, -54.5

 

CMYK 20 / 93 / 0 / 33

HEX #8A0CAC

RGB 138 12 172

HSL 287.25, 0.87%, 0.36%

LAB 35.29, 66.36, -54.5

 

CMYK 18 / 83 / 0 / 38

HEX #811B9D

RGB 129 27 157

HSL 287.08, 0.71%, 0.36%

LAB 33.74, 58.94, -48.04

 

CMYK 15 / 70 / 0 / 44

HEX #792A8E

RGB 121 42 142

HSL 287.4, 0.54%, 0.36%

LAB 33.29, 49.02, -39.65

 

CMYK 12 / 56 / 0 / 50

HEX #70387F

RGB 112 56 127

HSL 287.32, 0.39%, 0.36%

LAB 33.57, 36.64, -30

 

CMYK 7 / 37 / 0 / 56

HEX #684770

RGB 104 71 112

HSL 288.29, 0.22%, 0.36%

LAB 35.24, 21.96, -18.11

 

CMYK 70 / 93 / 0 / 33

HEX #340CAC

RGB 52 12 172

HSL 255, 0.87%, 0.36%

LAB 23.58, 57.25, -74.19

 

CMYK 45 / 93 / 0 / 33

HEX #5E0CAC

RGB 94 12 172

HSL 270.75, 0.87%, 0.36%

LAB 28.44, 60.64, -65.99

 

CMYK 20 / 93 / 0 / 33

HEX #890CAC

RGB 137 12 172

HSL 286.88, 0.87%, 0.36%

LAB 35.12, 66.21, -54.78

 

CMYK 0 / 93 / 5 / 33

HEX #AC0CA4

RGB 172 12 164

HSL 303, 0.87%, 0.36%

LAB 40.76, 70.7, -40.6

 

CMYK 0 / 93 / 30 / 33

HEX #AC0C79

RGB 172 12 121

HSL 319.13, 0.87%, 0.36%

LAB 38.58, 65.08, -17.69

 

CMYK 20 / 93 / 0 / 63

HEX #4C075F

RGB 76 7 95

HSL 287.05, 0.86%, 0.2%

LAB 17.98, 42.37, -34.67

 

CMYK 20 / 93 / 0 / 48

HEX #6B0985

RGB 107 9 133

HSL 287.42, 0.87%, 0.28%

LAB 26.78, 54.73, -44.68

 

CMYK 20 / 93 / 0 / 33

HEX #8A0CAC

RGB 138 12 172

HSL 287.25, 0.87%, 0.36%

LAB 35.29, 66.36, -54.5

 

CMYK 20 / 93 / 0 / 18

HEX #A80FD2

RGB 168 15 210

HSL 287.08, 0.87%, 0.44%

LAB 43.24, 77.15, -63.69

 

CMYK 19 / 89 / 0 / 6

HEX #C21BEF

RGB 194 27 239

HSL 287.26, 0.87%, 0.52%

LAB 50.08, 84.23, -68.93

 

CMYK 20 / 93 / 0 / 33

HEX #890CAB

RGB 137 12 171

HSL 287.17, 0.87%, 0.36%

LAB 35.05, 66.03, -54.31

 

CMYK 0 / 93 / 91 / 33

HEX #AC0C0F

RGB 172 12 15

HSL 358.88, 0.87%, 0.36%

LAB 36.12, 58.35, 44.21

 

CMYK 93 / 0 / 58 / 33

HEX #0CAC49

RGB 12 172 73

HSL 142.88, 0.87%, 0.36%

LAB 61.71, -58.27, 40.11

 

CMYK 20 / 93 / 0 / 33

HEX #890CAB

RGB 137 12 171

HSL 287.17, 0.87%, 0.36%

LAB 35.05, 66.03, -54.31

 

CMYK 0 / 20 / 93 / 33

HEX #AC890C

RGB 172 137 12

HSL 46.88, 0.87%, 0.36%

LAB 58.68, 2.76, 61.58

 

CMYK 93 / 0 / 20 / 33

HEX #0CAC89

RGB 12 172 137

HSL 166.88, 0.87%, 0.36%

LAB 62.83, -45.32, 7.68

 

CMYK 20 / 93 / 0 / 33

HEX #890CAB

RGB 137 12 171

HSL 287.17, 0.87%, 0.36%

LAB 35.05, 66.03, -54.31

 

CMYK 0 / 93 / 91 / 33

HEX #AC0C0F

RGB 172 12 15

HSL 358.88, 0.87%, 0.36%

LAB 36.12, 58.35, 44.21

 

CMYK 73 / 0 / 93 / 33

HEX #2FAC0C

RGB 47 172 12

HSL 106.88, 0.87%, 0.36%

LAB 61.77, -59.19, 60.96

 

CMYK 93 / 0 / 2 / 33

HEX #0CACA9

RGB 12 172 169

HSL 178.88, 0.87%, 0.36%

LAB 63.71, -36.28, -8.89

 

CMYK 20 / 93 / 0 / 33

HEX #890CAB

RGB 137 12 171

HSL 287.17, 0.87%, 0.36%

LAB 35.05, 66.03, -54.31

 

CMYK 0 / 67 / 93 / 33

HEX #AC390C

RGB 172 57 12

HSL 16.88, 0.87%, 0.36%

LAB 40.77, 45.28, 48.56

 

CMYK 73 / 0 / 93 / 33

HEX #2FAC0C

RGB 47 172 12

HSL 106.88, 0.87%, 0.36%

LAB 61.77, -59.19, 60.96

 

CMYK 93 / 27 / 0 / 33

HEX #0C7EAC

RGB 12 126 172

HSL 197.25, 0.87%, 0.36%

LAB 49.47, -11.64, -32.37

 

Description

Color code: HEX #890CAB | qconv.com Color code: HEX #890CAB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 12 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 12 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 93 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 93% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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