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Color name
HEX #88FA74

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88FA74 it is the complementary color #77058B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88FA74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88FA74 shade: #8DFA6F, #9EFF82, #AFFF95, #C0FFA8 and #D1FFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88FA74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88FA74 shade: #88FA74, #77E861, #66D64E, #55C43B and #44B228

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88FA74 shade: #89FA75, #ADFA75, #D1FA75, #F4FA75 and #FADC75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88FA74 shade: #89FA75, #75FA85, #75FAA9, #75FACD and #75FAF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88FA74 shade matches the following richer shades: #89FA75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88FA74 shade: #89FA75, #91EE81, #99E38C, #A1D798 and #A9CCA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88FA74 shade: #D0FA75, #ADFA75, #89FA75, #75FA85 and #75FAA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88FA74 shade: #45F726, #67F94D, #89FA75, #ABFB9D and #CDFDC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88FA74 shade: #88FA74, #75F3FA and #FA75BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88FA74 shade: #88FA74, #7589FA and #FA7589

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88FA74 shade: #88FA74, #75F3FA, #E675FA and #FA7C75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88FA74 shade: #88FA74, #75CCFA, #E675FA and #FAA475

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 54 / 2

HEX #88FA74

RGB 136 250 116

HSL 111.04, 0.93%, 0.72%

LAB 89.33, -57.25, 53.71

 

Complementary color

CMYK 14 / 96 / 0 / 45

HEX #77058B

RGB 119 5 139

HSL 291.04, 0.93%, 0.28%

LAB 29.14, 58.47, -44.49

 

CMYK 44 / 0 / 56 / 2

HEX #8DFA6F

RGB 141 250 111

HSL 107.05, 0.93%, 0.71%

LAB 89.48, -56.37, 56.18

 

CMYK 38 / 0 / 49 / 0

HEX #9EFF82

RGB 158 255 130

HSL 106.56, 1%, 0.75%

LAB 91.86, -51.1, 50.56

 

CMYK 31 / 0 / 42 / 0

HEX #AFFF95

RGB 175 255 149

HSL 105.28, 1%, 0.79%

LAB 92.93, -43.33, 43.02

 

CMYK 25 / 0 / 34 / 0

HEX #C0FFA8

RGB 192 255 168

HSL 103.45, 1%, 0.83%

LAB 94.12, -35.13, 35.4

 

CMYK 18 / 0 / 27 / 0

HEX #D1FFBB

RGB 209 255 187

HSL 100.59, 1%, 0.87%

LAB 95.44, -26.62, 27.82

 

CMYK 46 / 0 / 54 / 2

HEX #88FA74

RGB 136 250 116

HSL 111.04, 0.93%, 0.72%

LAB 89.33, -57.25, 53.71

 

CMYK 49 / 0 / 58 / 9

HEX #77E861

RGB 119 232 97

HSL 110.22, 0.75%, 0.65%

LAB 83.18, -57.15, 54.83

 

CMYK 52 / 0 / 64 / 16

HEX #66D64E

RGB 102 214 78

HSL 109.41, 0.62%, 0.57%

LAB 76.96, -56.89, 55.82

 

CMYK 57 / 0 / 70 / 23

HEX #55C43B

RGB 85 196 59

HSL 108.61, 0.54%, 0.5%

LAB 70.68, -56.4, 56.55

 

CMYK 62 / 0 / 78 / 30

HEX #44B228

RGB 68 178 40

HSL 107.83, 0.63%, 0.43%

LAB 64.34, -55.56, 56.77

 

CMYK 45 / 0 / 53 / 2

HEX #89FA75

RGB 137 250 117

HSL 110.98, 0.93%, 0.72%

LAB 89.38, -56.85, 53.33

 

CMYK 31 / 0 / 53 / 2

HEX #ADFA75

RGB 173 250 117

HSL 94.74, 0.93%, 0.72%

LAB 91.03, -45.6, 55.69

 

CMYK 16 / 0 / 53 / 2

HEX #D1FA75

RGB 209 250 117

HSL 78.5, 0.93%, 0.72%

LAB 93.11, -32.75, 58.65

 

CMYK 2 / 0 / 53 / 2

HEX #F4FA75

RGB 244 250 117

HSL 62.71, 0.93%, 0.72%

LAB 95.53, -19.32, 62.09

 

CMYK 0 / 12 / 53 / 2

HEX #FADC75

RGB 250 220 117

HSL 46.47, 0.93%, 0.72%

LAB 88.35, -2.09, 53.82

 

CMYK 45 / 0 / 53 / 2

HEX #89FA75

RGB 137 250 117

HSL 110.98, 0.93%, 0.72%

LAB 89.38, -56.85, 53.33

 

CMYK 53 / 0 / 47 / 2

HEX #75FA85

RGB 117 250 133

HSL 127.22, 0.93%, 0.72%

LAB 88.85, -60.07, 45.05

 

CMYK 53 / 0 / 32 / 2

HEX #75FAA9

RGB 117 250 169

HSL 143.46, 0.93%, 0.72%

LAB 89.4, -54.26, 27.99

 

CMYK 53 / 0 / 18 / 2

HEX #75FACD

RGB 117 250 205

HSL 159.7, 0.93%, 0.72%

LAB 90.12, -47.06, 10.54

 

CMYK 53 / 0 / 4 / 2

HEX #75FAF1

RGB 117 250 241

HSL 175.94, 0.93%, 0.72%

LAB 91.01, -38.62, -6.84

 

CMYK 45 / 0 / 53 / 2

HEX #89FA75

RGB 137 250 117

HSL 110.98, 0.93%, 0.72%

LAB 89.38, -56.85, 53.33

 

CMYK 45 / 0 / 53 / 2

HEX #89FA75

RGB 137 250 117

HSL 110.98, 0.93%, 0.72%

LAB 89.38, -56.85, 53.33

 

CMYK 39 / 0 / 46 / 7

HEX #91EE81

RGB 145 238 129

HSL 111.19, 0.76%, 0.72%

LAB 86.38, -48.13, 44.1

 

CMYK 33 / 0 / 38 / 11

HEX #99E38C

RGB 153 227 140

HSL 111.03, 0.61%, 0.72%

LAB 83.76, -39.32, 35.39

 

CMYK 25 / 0 / 29 / 16

HEX #A1D798

RGB 161 215 152

HSL 111.43, 0.44%, 0.72%

LAB 80.99, -29.31, 25.63

 

CMYK 17 / 0 / 20 / 20

HEX #A9CCA3

RGB 169 204 163

HSL 111.22, 0.29%, 0.72%

LAB 78.62, -19.39, 16.65

 

CMYK 17 / 0 / 53 / 2

HEX #D0FA75

RGB 208 250 117

HSL 78.95, 0.93%, 0.72%

LAB 93.04, -33.12, 58.56

 

CMYK 31 / 0 / 53 / 2

HEX #ADFA75

RGB 173 250 117

HSL 94.74, 0.93%, 0.72%

LAB 91.03, -45.6, 55.69

 

CMYK 45 / 0 / 53 / 2

HEX #89FA75

RGB 137 250 117

HSL 110.98, 0.93%, 0.72%

LAB 89.38, -56.85, 53.33

 

CMYK 53 / 0 / 47 / 2

HEX #75FA85

RGB 117 250 133

HSL 127.22, 0.93%, 0.72%

LAB 88.85, -60.07, 45.05

 

CMYK 53 / 0 / 33 / 2

HEX #75FAA8

RGB 117 250 168

HSL 143.01, 0.93%, 0.72%

LAB 89.38, -54.44, 28.48

 

CMYK 72 / 0 / 85 / 3

HEX #45F726

RGB 69 247 38

HSL 111.1, 0.93%, 0.56%

LAB 85.97, -77.54, 77.22

 

CMYK 59 / 0 / 69 / 2

HEX #67F94D

RGB 103 249 77

HSL 110.93, 0.93%, 0.64%

LAB 87.57, -69.21, 67.58

 

CMYK 45 / 0 / 53 / 2

HEX #89FA75

RGB 137 250 117

HSL 110.98, 0.93%, 0.72%

LAB 89.38, -56.85, 53.33

 

CMYK 32 / 0 / 37 / 2

HEX #ABFB9D

RGB 171 251 157

HSL 111.06, 0.92%, 0.8%

LAB 91.72, -41.75, 37.5

 

CMYK 19 / 0 / 22 / 1

HEX #CDFDC5

RGB 205 253 197

HSL 111.43, 0.93%, 0.88%

LAB 94.85, -25.45, 21.89

 

CMYK 46 / 0 / 54 / 2

HEX #88FA74

RGB 136 250 116

HSL 111.04, 0.93%, 0.72%

LAB 89.33, -57.25, 53.71

 

CMYK 53 / 3 / 0 / 2

HEX #75F3FA

RGB 117 243 250

HSL 183.16, 0.93%, 0.72%

LAB 89.29, -33.08, -14.09

 

CMYK 0 / 53 / 24 / 2

HEX #FA75BE

RGB 250 117 190

HSL 327.07, 0.93%, 0.72%

LAB 67.1, 58.67, -13.96

 

CMYK 46 / 0 / 54 / 2

HEX #88FA74

RGB 136 250 116

HSL 111.04, 0.93%, 0.72%

LAB 89.33, -57.25, 53.71

 

CMYK 53 / 45 / 0 / 2

HEX #7589FA

RGB 117 137 250

HSL 230.98, 0.93%, 0.72%

LAB 60.41, 23.99, -58.83

 

CMYK 0 / 53 / 45 / 2

HEX #FA7589

RGB 250 117 137

HSL 350.98, 0.93%, 0.72%

LAB 65.63, 52.57, 13.96

 

CMYK 46 / 0 / 54 / 2

HEX #88FA74

RGB 136 250 116

HSL 111.04, 0.93%, 0.72%

LAB 89.33, -57.25, 53.71

 

CMYK 53 / 3 / 0 / 2

HEX #75F3FA

RGB 117 243 250

HSL 183.16, 0.93%, 0.72%

LAB 89.29, -33.08, -14.09

 

CMYK 8 / 53 / 0 / 2

HEX #E675FA

RGB 230 117 250

HSL 290.98, 0.93%, 0.72%

LAB 66.86, 62.63, -47.92

 

CMYK 0 / 50 / 53 / 2

HEX #FA7C75

RGB 250 124 117

HSL 3.16, 0.93%, 0.72%

LAB 66.54, 47.44, 26.47

 

CMYK 46 / 0 / 54 / 2

HEX #88FA74

RGB 136 250 116

HSL 111.04, 0.93%, 0.72%

LAB 89.33, -57.25, 53.71

 

CMYK 53 / 18 / 0 / 2

HEX #75CCFA

RGB 117 204 250

HSL 200.75, 0.93%, 0.72%

LAB 78.39, -13.75, -30.63

 

CMYK 8 / 53 / 0 / 2

HEX #E675FA

RGB 230 117 250

HSL 290.98, 0.93%, 0.72%

LAB 66.86, 62.63, -47.92

 

CMYK 0 / 34 / 53 / 2

HEX #FAA475

RGB 250 164 117

HSL 21.2, 0.93%, 0.72%

LAB 74.93, 27.02, 37.35

 

Description

Color code: HEX #88FA74 | qconv.com Color code: HEX #88FA74 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 250 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 250 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 54 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 54% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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