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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88F34A it is the complementary color #770CB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88F34A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88F34A shade: #8DF345, #9EFF58, #AFFF6B, #C0FF7E and #D1FF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88F34A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88F34A shade: #88F34A, #77E137, #66CF24, #55BD11 and #44AB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88F34A shade: #87F349, #B5F349, #E3F349, #F3D549 and #F3A749

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88F34A shade: #87F349, #59F349, #49F366, #49F394 and #49F3C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88F34A shade matches the following richer shades: #87F349

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88F34A shade: #87F349, #8CE459, #90D468, #94C478 and #98B588

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88F34A shade: #E5F349, #B8F349, #8AF349, #5DF349 and #49F362

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88F34A shade: #59DC0E, #6EF122, #87F349, #A1F670 and #BAF896

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88F34A shade: #88F34A, #49F3D4 and #F349CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88F34A shade: #88F34A, #498AF3 and #F3498A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88F34A shade: #88F34A, #49F3D4, #B249F3 and #F34968

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88F34A shade: #88F34A, #49DFF3, #B249F3 and #F35D49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 70 / 5

HEX #88F34A

RGB 136 243 74

HSL 97.99, 0.88%, 0.62%

LAB 86.91, -58.45, 68.35

 

Complementary color

CMYK 34 / 93 / 0 / 29

HEX #770CB5

RGB 119 12 181

HSL 277.99, 0.88%, 0.38%

LAB 32.96, 65.48, -63.8

 

CMYK 42 / 0 / 72 / 5

HEX #8DF345

RGB 141 243 69

HSL 95.17, 0.88%, 0.61%

LAB 87.09, -57.25, 70.36

 

CMYK 38 / 0 / 65 / 0

HEX #9EFF58

RGB 158 255 88

HSL 94.85, 1%, 0.67%

LAB 91.46, -55.23, 68.17

 

CMYK 31 / 0 / 58 / 0

HEX #AFFF6B

RGB 175 255 107

HSL 92.43, 1%, 0.71%

LAB 92.44, -48.02, 61.75

 

CMYK 25 / 0 / 51 / 0

HEX #C0FF7E

RGB 192 255 126

HSL 89.3, 1%, 0.75%

LAB 93.55, -40.3, 54.85

 

CMYK 18 / 0 / 43 / 0

HEX #D1FF91

RGB 209 255 145

HSL 85.09, 1%, 0.78%

LAB 94.79, -32.18, 47.7

 

CMYK 44 / 0 / 70 / 5

HEX #88F34A

RGB 136 243 74

HSL 97.99, 0.88%, 0.62%

LAB 86.91, -58.45, 68.35

 

CMYK 47 / 0 / 76 / 12

HEX #77E137

RGB 119 225 55

HSL 97.41, 0.74%, 0.55%

LAB 80.77, -57.95, 68.45

 

CMYK 51 / 0 / 83 / 19

HEX #66CF24

RGB 102 207 36

HSL 96.84, 0.7%, 0.48%

LAB 74.56, -57.2, 67.83

 

CMYK 55 / 0 / 91 / 26

HEX #55BD11

RGB 85 189 17

HSL 96.28, 0.83%, 0.4%

LAB 68.29, -56.12, 66.08

 

CMYK 60 / 0 / 100 / 33

HEX #44AB00

RGB 68 171 0

HSL 96.14, 1%, 0.34%

LAB 61.96, -54.61, 62.96

 

CMYK 44 / 0 / 70 / 5

HEX #87F349

RGB 135 243 73

HSL 98.12, 0.88%, 0.62%

LAB 86.87, -58.82, 68.65

 

CMYK 26 / 0 / 70 / 5

HEX #B5F349

RGB 181 243 73

HSL 81.88, 0.88%, 0.62%

LAB 89.11, -43.33, 71.65

 

CMYK 7 / 0 / 70 / 5

HEX #E3F349

RGB 227 243 73

HSL 65.65, 0.88%, 0.62%

LAB 92.09, -25.56, 75.6

 

CMYK 0 / 12 / 70 / 5

HEX #F3D549

RGB 243 213 73

HSL 49.41, 0.88%, 0.62%

LAB 85.57, -4.25, 69.59

 

CMYK 0 / 31 / 70 / 5

HEX #F3A749

RGB 243 167 73

HSL 33.18, 0.88%, 0.62%

LAB 74.3, 19.67, 58.05

 

CMYK 44 / 0 / 70 / 5

HEX #87F349

RGB 135 243 73

HSL 98.12, 0.88%, 0.62%

LAB 86.87, -58.82, 68.65

 

CMYK 63 / 0 / 70 / 5

HEX #59F349

RGB 89 243 73

HSL 114.35, 0.88%, 0.62%

LAB 85.36, -70.57, 66.62

 

CMYK 70 / 0 / 58 / 5

HEX #49F366

RGB 73 243 102

HSL 130.24, 0.88%, 0.62%

LAB 85.24, -70.65, 54.68

 

CMYK 70 / 0 / 39 / 5

HEX #49F394

RGB 73 243 148

HSL 146.47, 0.88%, 0.62%

LAB 85.83, -63.8, 33.59

 

CMYK 70 / 0 / 20 / 5

HEX #49F3C2

RGB 73 243 194

HSL 162.71, 0.88%, 0.62%

LAB 86.71, -54.35, 11.23

 

CMYK 44 / 0 / 70 / 5

HEX #87F349

RGB 135 243 73

HSL 98.12, 0.88%, 0.62%

LAB 86.87, -58.82, 68.65

 

CMYK 44 / 0 / 70 / 5

HEX #87F349

RGB 135 243 73

HSL 98.12, 0.88%, 0.62%

LAB 86.87, -58.82, 68.65

 

CMYK 39 / 0 / 61 / 11

HEX #8CE459

RGB 140 228 89

HSL 97.99, 0.72%, 0.62%

LAB 82.8, -50.03, 58.09

 

CMYK 32 / 0 / 51 / 17

HEX #90D468

RGB 144 212 104

HSL 97.78, 0.56%, 0.62%

LAB 78.47, -40.34, 46.34

 

CMYK 24 / 0 / 39 / 23

HEX #94C478

RGB 148 196 120

HSL 97.89, 0.39%, 0.62%

LAB 74.27, -29.56, 33.17

 

CMYK 16 / 0 / 25 / 29

HEX #98B588

RGB 152 181 136

HSL 98.67, 0.23%, 0.62%

LAB 70.53, -18.31, 19.74

 

CMYK 6 / 0 / 70 / 5

HEX #E5F349

RGB 229 243 73

HSL 64.94, 0.88%, 0.62%

LAB 92.24, -24.75, 75.79

 

CMYK 24 / 0 / 70 / 5

HEX #B8F349

RGB 184 243 73

HSL 80.82, 0.88%, 0.62%

LAB 89.29, -42.22, 71.88

 

CMYK 43 / 0 / 70 / 5

HEX #8AF349

RGB 138 243 73

HSL 97.06, 0.88%, 0.62%

LAB 86.99, -57.91, 68.81

 

CMYK 62 / 0 / 70 / 5

HEX #5DF349

RGB 93 243 73

HSL 112.94, 0.88%, 0.62%

LAB 85.46, -69.73, 66.76

 

CMYK 70 / 0 / 60 / 5

HEX #49F362

RGB 73 243 98

HSL 128.82, 0.88%, 0.62%

LAB 85.2, -71.11, 56.38

 

CMYK 60 / 0 / 94 / 14

HEX #59DC0E

RGB 89 220 14

HSL 98.16, 0.88%, 0.46%

LAB 78.08, -65.86, 74.63

 

CMYK 54 / 0 / 86 / 5

HEX #6EF122

RGB 110 241 34

HSL 97.97, 0.88%, 0.54%

LAB 85.17, -67.17, 77.73

 

CMYK 44 / 0 / 70 / 5

HEX #87F349

RGB 135 243 73

HSL 98.12, 0.88%, 0.62%

LAB 86.87, -58.82, 68.65

 

CMYK 35 / 0 / 54 / 4

HEX #A1F670

RGB 161 246 112

HSL 98.06, 0.88%, 0.7%

LAB 89.23, -48.41, 55.67

 

CMYK 25 / 0 / 40 / 3

HEX #BAF896

RGB 186 248 150

HSL 97.96, 0.88%, 0.78%

LAB 91.58, -36.43, 40.92

 

CMYK 44 / 0 / 70 / 5

HEX #88F34A

RGB 136 243 74

HSL 97.99, 0.88%, 0.62%

LAB 86.91, -58.45, 68.35

 

CMYK 70 / 0 / 13 / 5

HEX #49F3D4

RGB 73 243 212

HSL 169.06, 0.88%, 0.62%

LAB 87.13, -50.03, 2.45

 

CMYK 0 / 70 / 15 / 5

HEX #F349CE

RGB 243 73 206

HSL 313.06, 0.88%, 0.62%

LAB 60.14, 76.75, -33.77

 

CMYK 44 / 0 / 70 / 5

HEX #88F34A

RGB 136 243 74

HSL 97.99, 0.88%, 0.62%

LAB 86.91, -58.45, 68.35

 

CMYK 70 / 43 / 0 / 5

HEX #498AF3

RGB 73 138 243

HSL 217.06, 0.88%, 0.62%

LAB 58.1, 13.36, -58.79

 

CMYK 0 / 70 / 43 / 5

HEX #F3498A

RGB 243 73 138

HSL 337.06, 0.88%, 0.62%

LAB 57.71, 68.88, 1.93

 

CMYK 44 / 0 / 70 / 5

HEX #88F34A

RGB 136 243 74

HSL 97.99, 0.88%, 0.62%

LAB 86.91, -58.45, 68.35

 

CMYK 70 / 0 / 13 / 5

HEX #49F3D4

RGB 73 243 212

HSL 169.06, 0.88%, 0.62%

LAB 87.13, -50.03, 2.45

 

CMYK 27 / 70 / 0 / 5

HEX #B249F3

RGB 178 73 243

HSL 277.06, 0.88%, 0.62%

LAB 52.62, 69.04, -67.17

 

CMYK 0 / 70 / 57 / 5

HEX #F34968

RGB 243 73 104

HSL 349.06, 0.88%, 0.62%

LAB 56.9, 66.14, 20.85

 

CMYK 44 / 0 / 70 / 5

HEX #88F34A

RGB 136 243 74

HSL 97.99, 0.88%, 0.62%

LAB 86.91, -58.45, 68.35

 

CMYK 70 / 8 / 0 / 5

HEX #49DFF3

RGB 73 223 243

HSL 187.06, 0.88%, 0.62%

LAB 82.2, -32.66, -21.21

 

CMYK 27 / 70 / 0 / 5

HEX #B249F3

RGB 178 73 243

HSL 277.06, 0.88%, 0.62%

LAB 52.62, 69.04, -67.17

 

CMYK 0 / 62 / 70 / 5

HEX #F35D49

RGB 243 93 73

HSL 7.06, 0.88%, 0.62%

LAB 59.31, 56.46, 41.55

 

Description

Color code: HEX #88F34A | qconv.com Color code: HEX #88F34A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 243 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 243 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 70 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 70% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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