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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88E982 it is the complementary color #77167D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88E982. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88E982 shade: #8DE97D, #9EFB90, #AFFFA3, #C0FFB6 and #D1FFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88E982. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88E982 shade: #88E982, #77D76F, #66C55C, #55B349 and #44A136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88E982 shade: #87E981, #A3E981, #BFE981, #DBE981 and #E9DB81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88E982 shade: #87E981, #81E997, #81E9B3, #81E9CF and #81E7E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88E982 shade matches the following richer shades: #87E981 and #7DF575

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88E982 shade: #87E981, #92DD8D, #9CD199, #A7C5A5 and #B2B9B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88E982 shade: #BFE981, #A4E981, #88E981, #81E996 and #81E9B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88E982 shade: #45DC3B, #66E35E, #87E981, #A9EFA4 and #CAF5C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88E982 shade: #88E982, #81DBE9 and #E981B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88E982 shade: #88E982, #8188E9 and #E98188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88E982 shade: #88E982, #81DBE9, #E281E9 and #E98F81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88E982 shade: #88E982, #81BCE9, #E281E9 and #E9AE81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 44 / 9

HEX #88E982

RGB 136 233 130

HSL 116.5, 0.7%, 0.71%

LAB 84.55, -48.6, 41.21

 

Complementary color

CMYK 5 / 82 / 0 / 51

HEX #77167D

RGB 119 22 125

HSL 296.5, 0.7%, 0.29%

LAB 29.35, 52.5, -35.39

 

CMYK 39 / 0 / 46 / 9

HEX #8DE97D

RGB 141 233 125

HSL 111.11, 0.71%, 0.7%

LAB 84.7, -47.78, 43.89

 

CMYK 37 / 0 / 43 / 2

HEX #9EFB90

RGB 158 251 144

HSL 112.15, 0.93%, 0.77%

LAB 90.91, -47.63, 42.69

 

CMYK 31 / 0 / 36 / 0

HEX #AFFFA3

RGB 175 255 163

HSL 112.17, 1%, 0.82%

LAB 93.14, -41.38, 36.42

 

CMYK 25 / 0 / 29 / 0

HEX #C0FFB6

RGB 192 255 182

HSL 111.78, 1%, 0.86%

LAB 94.36, -33.04, 28.71

 

CMYK 18 / 0 / 21 / 0

HEX #D1FFC9

RGB 209 255 201

HSL 111.11, 1%, 0.89%

LAB 95.7, -24.43, 21.08

 

CMYK 42 / 0 / 44 / 9

HEX #88E982

RGB 136 233 130

HSL 116.5, 0.7%, 0.71%

LAB 84.55, -48.6, 41.21

 

CMYK 45 / 0 / 48 / 16

HEX #77D76F

RGB 119 215 111

HSL 115.38, 0.57%, 0.64%

LAB 78.27, -48.71, 42.45

 

CMYK 48 / 0 / 53 / 23

HEX #66C55C

RGB 102 197 92

HSL 114.29, 0.48%, 0.57%

LAB 71.91, -48.73, 43.7

 

CMYK 53 / 0 / 59 / 30

HEX #55B349

RGB 85 179 73

HSL 113.21, 0.42%, 0.49%

LAB 65.48, -48.59, 44.91

 

CMYK 58 / 0 / 66 / 37

HEX #44A136

RGB 68 161 54

HSL 112.15, 0.5%, 0.42%

LAB 58.96, -48.21, 45.94

 

CMYK 42 / 0 / 45 / 9

HEX #87E981

RGB 135 233 129

HSL 116.54, 0.7%, 0.71%

LAB 84.49, -49.04, 41.62

 

CMYK 30 / 0 / 45 / 9

HEX #A3E981

RGB 163 233 129

HSL 100.38, 0.7%, 0.71%

LAB 85.83, -40.19, 43.6

 

CMYK 18 / 0 / 45 / 9

HEX #BFE981

RGB 191 233 129

HSL 84.23, 0.7%, 0.71%

LAB 87.46, -30.32, 45.98

 

CMYK 6 / 0 / 45 / 9

HEX #DBE981

RGB 219 233 129

HSL 68.08, 0.7%, 0.71%

LAB 89.36, -19.76, 48.75

 

CMYK 0 / 6 / 45 / 9

HEX #E9DB81

RGB 233 219 129

HSL 51.92, 0.7%, 0.71%

LAB 86.79, -7.33, 45.81

 

CMYK 42 / 0 / 45 / 9

HEX #87E981

RGB 135 233 129

HSL 116.54, 0.7%, 0.71%

LAB 84.49, -49.04, 41.62

 

CMYK 45 / 0 / 35 / 9

HEX #81E997

RGB 129 233 151

HSL 132.69, 0.7%, 0.71%

LAB 84.58, -47.38, 30.7

 

CMYK 45 / 0 / 23 / 9

HEX #81E9B3

RGB 129 233 179

HSL 148.85, 0.7%, 0.71%

LAB 85.1, -42.27, 17

 

CMYK 45 / 0 / 11 / 9

HEX #81E9CF

RGB 129 233 207

HSL 165, 0.7%, 0.71%

LAB 85.73, -36.34, 3.24

 

CMYK 45 / 1 / 0 / 9

HEX #81E7E9

RGB 129 231 233

HSL 181.15, 0.7%, 0.71%

LAB 85.86, -29.22, -10.26

 

CMYK 42 / 0 / 45 / 9

HEX #87E981

RGB 135 233 129

HSL 116.54, 0.7%, 0.71%

LAB 84.49, -49.04, 41.62

 

CMYK 49 / 0 / 52 / 4

HEX #7DF575

RGB 125 245 117

HSL 116.25, 0.86%, 0.71%

LAB 87.46, -58.22, 50.91

 

CMYK 42 / 0 / 45 / 9

HEX #87E981

RGB 135 233 129

HSL 116.54, 0.7%, 0.71%

LAB 84.49, -49.04, 41.62

 

CMYK 34 / 0 / 36 / 13

HEX #92DD8D

RGB 146 221 141

HSL 116.25, 0.54%, 0.71%

LAB 81.7, -38.72, 32.11

 

CMYK 25 / 0 / 27 / 18

HEX #9CD199

RGB 156 209 153

HSL 116.79, 0.38%, 0.71%

LAB 79.02, -27.96, 22.38

 

CMYK 15 / 0 / 16 / 23

HEX #A7C5A5

RGB 167 197 165

HSL 116.25, 0.22%, 0.71%

LAB 76.6, -16.2, 12.73

 

CMYK 4 / 0 / 4 / 27

HEX #B2B9B1

RGB 178 185 177

HSL 112.5, 0.05%, 0.71%

LAB 74.4, -3.93, 3.2

 

CMYK 18 / 0 / 45 / 9

HEX #BFE981

RGB 191 233 129

HSL 84.23, 0.7%, 0.71%

LAB 87.46, -30.32, 45.98

 

CMYK 30 / 0 / 45 / 9

HEX #A4E981

RGB 164 233 129

HSL 99.81, 0.7%, 0.71%

LAB 85.88, -39.85, 43.67

 

CMYK 42 / 0 / 45 / 9

HEX #88E981

RGB 136 233 129

HSL 115.96, 0.7%, 0.71%

LAB 84.53, -48.74, 41.69

 

CMYK 45 / 0 / 36 / 9

HEX #81E996

RGB 129 233 150

HSL 132.12, 0.7%, 0.71%

LAB 84.56, -47.55, 31.19

 

CMYK 45 / 0 / 24 / 9

HEX #81E9B2

RGB 129 233 178

HSL 148.27, 0.7%, 0.71%

LAB 85.08, -42.47, 17.49

 

CMYK 69 / 0 / 73 / 14

HEX #45DC3B

RGB 69 220 59

HSL 116.27, 0.7%, 0.55%

LAB 77.74, -68.07, 63.63

 

CMYK 55 / 0 / 59 / 11

HEX #66E35E

RGB 102 227 94

HSL 116.39, 0.7%, 0.63%

LAB 81.06, -60.07, 53.55

 

CMYK 42 / 0 / 45 / 9

HEX #87E981

RGB 135 233 129

HSL 116.54, 0.7%, 0.71%

LAB 84.49, -49.04, 41.62

 

CMYK 29 / 0 / 31 / 6

HEX #A9EFA4

RGB 169 239 164

HSL 116, 0.7%, 0.79%

LAB 88.38, -35.96, 29.52

 

CMYK 18 / 0 / 19 / 4

HEX #CAF5C7

RGB 202 245 199

HSL 116.09, 0.7%, 0.87%

LAB 92.57, -22.27, 17.66

 

CMYK 42 / 0 / 44 / 9

HEX #88E982

RGB 136 233 130

HSL 116.5, 0.7%, 0.71%

LAB 84.55, -48.6, 41.21

 

CMYK 45 / 6 / 0 / 9

HEX #81DBE9

RGB 129 219 233

HSL 188.08, 0.7%, 0.71%

LAB 82.49, -23.37, -15.29

 

CMYK 0 / 45 / 24 / 9

HEX #E981B2

RGB 233 129 178

HSL 331.73, 0.7%, 0.71%

LAB 66.7, 45.78, -8.03

 

CMYK 42 / 0 / 44 / 9

HEX #88E982

RGB 136 233 130

HSL 116.5, 0.7%, 0.71%

LAB 84.55, -48.6, 41.21

 

CMYK 45 / 42 / 0 / 9

HEX #8188E9

RGB 129 136 233

HSL 235.96, 0.7%, 0.71%

LAB 60.03, 22.15, -49.99

 

CMYK 0 / 45 / 42 / 9

HEX #E98188

RGB 233 129 136

HSL 355.96, 0.7%, 0.71%

LAB 65.59, 40.58, 14.12

 

CMYK 42 / 0 / 44 / 9

HEX #88E982

RGB 136 233 130

HSL 116.5, 0.7%, 0.71%

LAB 84.55, -48.6, 41.21

 

CMYK 45 / 6 / 0 / 9

HEX #81DBE9

RGB 129 219 233

HSL 188.08, 0.7%, 0.71%

LAB 82.49, -23.37, -15.29

 

CMYK 3 / 45 / 0 / 9

HEX #E281E9

RGB 226 129 233

HSL 295.96, 0.7%, 0.71%

LAB 67.84, 52.55, -37.07

 

CMYK 0 / 39 / 45 / 9

HEX #E98F81

RGB 233 143 129

HSL 8.08, 0.7%, 0.71%

LAB 68.43, 32.57, 21.94

 

CMYK 42 / 0 / 44 / 9

HEX #88E982

RGB 136 233 130

HSL 116.5, 0.7%, 0.71%

LAB 84.55, -48.6, 41.21

 

CMYK 45 / 19 / 0 / 9

HEX #81BCE9

RGB 129 188 233

HSL 205.96, 0.7%, 0.71%

LAB 73.88, -7.35, -28.37

 

CMYK 3 / 45 / 0 / 9

HEX #E281E9

RGB 226 129 233

HSL 295.96, 0.7%, 0.71%

LAB 67.84, 52.55, -37.07

 

CMYK 0 / 25 / 45 / 9

HEX #E9AE81

RGB 233 174 129

HSL 25.96, 0.7%, 0.71%

LAB 75.56, 16.1, 31.47

 

Description

Color code: HEX #88E982 | qconv.com Color code: HEX #88E982 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 233 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 233 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 44 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 44% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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