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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88DF3C it is the complementary color #7720C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88DF3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88DF3C shade: #8DDF37, #9EF14A, #AFFF5D, #C0FF70 and #D1FF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88DF3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88DF3C shade: #88DF3C, #77CD29, #66BB16, #55A903 and #449700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88DF3C shade: #86DE39, #B3DE39, #DEDD39, #DEB139 and #DE8439

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88DF3C shade: #86DE39, #5ADE39, #39DE45, #39DE72 and #39DE9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88DF3C shade matches the following richer shades: #86DE39 and #85F127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88DF3C shade: #86DE39, #87CC4C, #89B95E, #8AA771 and #8B9483

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88DF3C shade: #DEDE39, #B2DE39, #86DE39, #5ADE39 and #39DE44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88DF3C shade: #5EAA1B, #71CD21, #86DE39, #9CE45D and #B1EA80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88DF3C shade: #88DF3C, #39DEB2 and #DE39C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88DF3C shade: #88DF3C, #3986DE and #DE3986

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88DF3C shade: #88DF3C, #39DEB2, #9139DE and #DE3965

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88DF3C shade: #88DF3C, #39D9DE, #9139DE and #DE3F39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 73 / 13

HEX #88DF3C

RGB 136 223 60

HSL 92.02, 0.72%, 0.55%

LAB 80.93, -51.53, 67.22

 

Complementary color

CMYK 39 / 84 / 0 / 24

HEX #7720C3

RGB 119 32 195

HSL 272.02, 0.72%, 0.45%

LAB 35.78, 63.8, -67.45

 

CMYK 37 / 0 / 75 / 13

HEX #8DDF37

RGB 141 223 55

HSL 89.29, 0.72%, 0.55%

LAB 81.13, -50.14, 69.14

 

CMYK 34 / 0 / 69 / 5

HEX #9EF14A

RGB 158 241 74

HSL 89.82, 0.86%, 0.62%

LAB 87.33, -50.57, 69.09

 

CMYK 31 / 0 / 64 / 0

HEX #AFFF5D

RGB 175 255 93

HSL 89.63, 1%, 0.68%

LAB 92.32, -49.2, 67.39

 

CMYK 25 / 0 / 56 / 0

HEX #C0FF70

RGB 192 255 112

HSL 86.43, 1%, 0.72%

LAB 93.41, -41.65, 60.94

 

CMYK 18 / 0 / 49 / 0

HEX #D1FF83

RGB 209 255 131

HSL 82.26, 1%, 0.76%

LAB 94.62, -33.7, 54.08

 

CMYK 39 / 0 / 73 / 13

HEX #88DF3C

RGB 136 223 60

HSL 92.02, 0.72%, 0.55%

LAB 80.93, -51.53, 67.22

 

CMYK 42 / 0 / 80 / 20

HEX #77CD29

RGB 119 205 41

HSL 91.46, 0.67%, 0.48%

LAB 74.66, -50.97, 66.87

 

CMYK 45 / 0 / 88 / 27

HEX #66BB16

RGB 102 187 22

HSL 90.91, 0.79%, 0.41%

LAB 68.33, -50.15, 65.5

 

CMYK 50 / 0 / 98 / 34

HEX #55A903

RGB 85 169 3

HSL 90.36, 0.97%, 0.34%

LAB 61.92, -49.01, 62.77

 

CMYK 55 / 0 / 100 / 41

HEX #449700

RGB 68 151 0

HSL 92.98, 1%, 0.3%

LAB 55.44, -47.39, 57.82

 

CMYK 40 / 0 / 74 / 13

HEX #86DE39

RGB 134 222 57

HSL 92, 0.71%, 0.55%

LAB 80.52, -51.97, 67.79

 

CMYK 19 / 0 / 74 / 13

HEX #B3DE39

RGB 179 222 57

HSL 75.64, 0.71%, 0.55%

LAB 82.98, -35.64, 71.01

 

CMYK 0 / 0 / 74 / 13

HEX #DEDD39

RGB 222 221 57

HSL 59.64, 0.71%, 0.55%

LAB 85.77, -17.73, 74.73

 

CMYK 0 / 20 / 74 / 13

HEX #DEB139

RGB 222 177 57

HSL 43.64, 0.71%, 0.55%

LAB 74.36, 4.73, 63.97

 

CMYK 0 / 41 / 74 / 13

HEX #DE8439

RGB 222 132 57

HSL 27.27, 0.71%, 0.55%

LAB 63.61, 28.75, 53.32

 

CMYK 40 / 0 / 74 / 13

HEX #86DE39

RGB 134 222 57

HSL 92, 0.71%, 0.55%

LAB 80.52, -51.97, 67.79

 

CMYK 59 / 0 / 74 / 13

HEX #5ADE39

RGB 90 222 57

HSL 108, 0.71%, 0.55%

LAB 78.87, -64.49, 65.62

 

CMYK 74 / 0 / 69 / 13

HEX #39DE45

RGB 57 222 69

HSL 124.36, 0.71%, 0.55%

LAB 78.19, -69.86, 60.41

 

CMYK 74 / 0 / 49 / 13

HEX #39DE72

RGB 57 222 114

HSL 140.73, 0.71%, 0.55%

LAB 78.65, -64.38, 41.09

 

CMYK 74 / 0 / 29 / 13

HEX #39DE9E

RGB 57 222 158

HSL 156.73, 0.71%, 0.55%

LAB 79.37, -56.23, 19.68

 

CMYK 40 / 0 / 74 / 13

HEX #86DE39

RGB 134 222 57

HSL 92, 0.71%, 0.55%

LAB 80.52, -51.97, 67.79

 

CMYK 45 / 0 / 84 / 5

HEX #85F127

RGB 133 241 39

HSL 92.08, 0.88%, 0.55%

LAB 86.03, -60.47, 77.77

 

CMYK 40 / 0 / 74 / 13

HEX #86DE39

RGB 134 222 57

HSL 92, 0.71%, 0.55%

LAB 80.52, -51.97, 67.79

 

CMYK 34 / 0 / 63 / 20

HEX #87CC4C

RGB 135 204 76

HSL 92.34, 0.56%, 0.55%

LAB 75.36, -42.78, 55.31

 

CMYK 26 / 0 / 49 / 27

HEX #89B95E

RGB 137 185 94

HSL 91.65, 0.39%, 0.55%

LAB 70.05, -31.68, 40.87

 

CMYK 17 / 0 / 32 / 35

HEX #8AA771

RGB 138 167 113

HSL 92.22, 0.23%, 0.55%

LAB 65.15, -19.95, 24.74

 

CMYK 6 / 0 / 11 / 42

HEX #8B9483

RGB 139 148 131

HSL 91.76, 0.07%, 0.55%

LAB 60.17, -6.52, 7.88

 

CMYK 0 / 0 / 74 / 13

HEX #DEDE39

RGB 222 222 57

HSL 60, 0.71%, 0.55%

LAB 86.04, -18.22, 74.97

 

CMYK 20 / 0 / 74 / 13

HEX #B2DE39

RGB 178 222 57

HSL 76, 0.71%, 0.55%

LAB 82.91, -36.03, 70.92

 

CMYK 40 / 0 / 74 / 13

HEX #86DE39

RGB 134 222 57

HSL 92, 0.71%, 0.55%

LAB 80.52, -51.97, 67.79

 

CMYK 59 / 0 / 74 / 13

HEX #5ADE39

RGB 90 222 57

HSL 108, 0.71%, 0.55%

LAB 78.87, -64.49, 65.62

 

CMYK 74 / 0 / 69 / 13

HEX #39DE44

RGB 57 222 68

HSL 124, 0.71%, 0.55%

LAB 78.19, -69.94, 60.78

 

CMYK 45 / 0 / 84 / 33

HEX #5EAA1B

RGB 94 170 27

HSL 91.89, 0.73%, 0.39%

LAB 62.68, -45.83, 59.34

 

CMYK 45 / 0 / 84 / 20

HEX #71CD21

RGB 113 205 33

HSL 92.09, 0.72%, 0.47%

LAB 74.37, -53.25, 68.56

 

CMYK 40 / 0 / 74 / 13

HEX #86DE39

RGB 134 222 57

HSL 92, 0.71%, 0.55%

LAB 80.52, -51.97, 67.79

 

CMYK 32 / 0 / 59 / 11

HEX #9CE45D

RGB 156 228 93

HSL 92, 0.71%, 0.63%

LAB 83.62, -44.3, 57.52

 

CMYK 24 / 0 / 45 / 8

HEX #B1EA80

RGB 177 234 128

HSL 92.26, 0.72%, 0.71%

LAB 86.87, -35.93, 45.55

 

CMYK 39 / 0 / 73 / 13

HEX #88DF3C

RGB 136 223 60

HSL 92.02, 0.72%, 0.55%

LAB 80.93, -51.53, 67.22

 

CMYK 74 / 0 / 20 / 13

HEX #39DEB2

RGB 57 222 178

HSL 164, 0.71%, 0.55%

LAB 79.8, -51.69, 9.75

 

CMYK 0 / 74 / 10 / 13

HEX #DE39C8

RGB 222 57 200

HSL 308, 0.71%, 0.55%

LAB 54.68, 76.2, -39.13

 

CMYK 39 / 0 / 73 / 13

HEX #88DF3C

RGB 136 223 60

HSL 92.02, 0.72%, 0.55%

LAB 80.93, -51.53, 67.22

 

CMYK 74 / 40 / 0 / 13

HEX #3986DE

RGB 57 134 222

HSL 212, 0.71%, 0.55%

LAB 55.27, 6.16, -51.64

 

CMYK 0 / 74 / 40 / 13

HEX #DE3986

RGB 222 57 134

HSL 332, 0.71%, 0.55%

LAB 52.04, 68.13, -4.44

 

CMYK 39 / 0 / 73 / 13

HEX #88DF3C

RGB 136 223 60

HSL 92.02, 0.72%, 0.55%

LAB 80.93, -51.53, 67.22

 

CMYK 74 / 0 / 20 / 13

HEX #39DEB2

RGB 57 222 178

HSL 164, 0.71%, 0.55%

LAB 79.8, -51.69, 9.75

 

CMYK 35 / 74 / 0 / 13

HEX #9139DE

RGB 145 57 222

HSL 272, 0.71%, 0.55%

LAB 44.55, 64.94, -68.6

 

CMYK 0 / 74 / 55 / 13

HEX #DE3965

RGB 222 57 101

HSL 344, 0.71%, 0.55%

LAB 51.15, 65.29, 14.19

 

CMYK 39 / 0 / 73 / 13

HEX #88DF3C

RGB 136 223 60

HSL 92.02, 0.72%, 0.55%

LAB 80.93, -51.53, 67.22

 

CMYK 74 / 2 / 0 / 13

HEX #39D9DE

RGB 57 217 222

HSL 181.82, 0.71%, 0.55%

LAB 79.48, -37.85, -14.16

 

CMYK 35 / 74 / 0 / 13

HEX #9139DE

RGB 145 57 222

HSL 272, 0.71%, 0.55%

LAB 44.55, 64.94, -68.6

 

CMYK 0 / 72 / 74 / 13

HEX #DE3F39

RGB 222 63 57

HSL 2.18, 0.71%, 0.55%

LAB 51.13, 60.79, 40.09

 

Description

Color code: HEX #88DF3C | qconv.com Color code: HEX #88DF3C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 223 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 223 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 73 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 73% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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