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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88DC17 it is the complementary color #7723E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88DC17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88DC17 shade: #8DDC12, #9EEE25, #AFFF38, #C0FF4B and #D1FF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88DC17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88DC17 shade: #88DC17, #77CA04, #66B800, #55A600 and #449400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88DC17 shade: #89DE17, #BEDE17, #DEC717, #DE9217 and #DE5C17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88DC17 shade: #89DE17, #54DE17, #1EDE17, #17DE46 and #17DE7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88DC17 shade matches the following richer shades: #89DE17 and #8CF103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88DC17 shade: #89DE17, #86CA2B, #83B63F, #80A253 and #7D8E66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88DC17 shade: #DEC617, #C0DE17, #8BDE17, #56DE17 and #21DE17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88DC17 shade: #5B930F, #72B813, #89DE17, #9CEA34 and #AFEE5A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88DC17 shade: #88DC17, #17DE92 and #DE17DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88DC17 shade: #88DC17, #178BDE and #DE178B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88DC17 shade: #88DC17, #17DE92, #6A17DE and #DE1763

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88DC17 shade: #88DC17, #17DECD, #6A17DE and #DE1728

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 90 / 14

HEX #88DC17

RGB 136 220 23

HSL 85.58, 0.81%, 0.48%

LAB 79.89, -51.88, 75.63

 

Complementary color

CMYK 49 / 85 / 0 / 9

HEX #7723E8

RGB 119 35 232

HSL 265.58, 0.81%, 0.52%

LAB 39.5, 71.35, -82.7

 

CMYK 36 / 0 / 92 / 14

HEX #8DDC12

RGB 141 220 18

HSL 83.47, 0.85%, 0.47%

LAB 80.12, -50.26, 76.65

 

CMYK 34 / 0 / 84 / 7

HEX #9EEE25

RGB 158 238 37

HSL 83.88, 0.86%, 0.54%

LAB 86.28, -51.15, 78.86

 

CMYK 31 / 0 / 78 / 0

HEX #AFFF38

RGB 175 255 56

HSL 84.12, 1%, 0.61%

LAB 92.1, -51.42, 79.73

 

CMYK 25 / 0 / 71 / 0

HEX #C0FF4B

RGB 192 255 75

HSL 81, 1%, 0.65%

LAB 93.12, -44.37, 75.16

 

CMYK 18 / 0 / 63 / 0

HEX #D1FF5E

RGB 209 255 94

HSL 77.14, 1%, 0.68%

LAB 94.26, -36.85, 69.65

 

CMYK 38 / 0 / 90 / 14

HEX #88DC17

RGB 136 220 23

HSL 85.58, 0.81%, 0.48%

LAB 79.89, -51.88, 75.63

 

CMYK 41 / 0 / 98 / 21

HEX #77CA04

RGB 119 202 4

HSL 85.15, 0.96%, 0.4%

LAB 73.66, -50.81, 72.55

 

CMYK 45 / 0 / 100 / 28

HEX #66B800

RGB 102 184 0

HSL 86.74, 1%, 0.36%

LAB 67.36, -49.44, 67.74

 

CMYK 49 / 0 / 100 / 35

HEX #55A600

RGB 85 166 0

HSL 89.28, 1%, 0.33%

LAB 60.96, -47.92, 62.43

 

CMYK 54 / 0 / 100 / 42

HEX #449400

RGB 68 148 0

HSL 92.43, 1%, 0.29%

LAB 54.46, -46.26, 57.04

 

CMYK 38 / 0 / 90 / 13

HEX #89DE17

RGB 137 222 23

HSL 85.63, 0.81%, 0.48%

LAB 80.53, -52.33, 76.18

 

CMYK 14 / 0 / 90 / 13

HEX #BEDE17

RGB 190 222 23

HSL 69.65, 0.81%, 0.48%

LAB 83.57, -32.38, 79.92

 

CMYK 0 / 10 / 90 / 13

HEX #DEC717

RGB 222 199 23

HSL 53.07, 0.81%, 0.48%

LAB 79.86, -7.69, 78.06

 

CMYK 0 / 34 / 90 / 13

HEX #DE9217

RGB 222 146 23

HSL 37.09, 0.81%, 0.48%

LAB 66.63, 20.25, 67.87

 

CMYK 0 / 59 / 90 / 13

HEX #DE5C17

RGB 222 92 23

HSL 20.8, 0.81%, 0.48%

LAB 55.32, 47.87, 59.38

 

CMYK 38 / 0 / 90 / 13

HEX #89DE17

RGB 137 222 23

HSL 85.63, 0.81%, 0.48%

LAB 80.53, -52.33, 76.18

 

CMYK 62 / 0 / 90 / 13

HEX #54DE17

RGB 84 222 23

HSL 101.61, 0.81%, 0.48%

LAB 78.57, -67.46, 73.75

 

CMYK 86 / 0 / 90 / 13

HEX #1EDE17

RGB 30 222 23

HSL 117.89, 0.81%, 0.48%

LAB 77.63, -75.65, 72.57

 

CMYK 90 / 0 / 68 / 13

HEX #17DE46

RGB 23 222 70

HSL 134.17, 0.81%, 0.48%

LAB 77.8, -73.27, 59.48

 

CMYK 90 / 0 / 45 / 13

HEX #17DE7B

RGB 23 222 123

HSL 150.15, 0.81%, 0.48%

LAB 78.38, -66.18, 36.22

 

CMYK 38 / 0 / 90 / 13

HEX #89DE17

RGB 137 222 23

HSL 85.63, 0.81%, 0.48%

LAB 80.53, -52.33, 76.18

 

CMYK 42 / 0 / 99 / 5

HEX #8CF103

RGB 140 241 3

HSL 85.46, 0.98%, 0.48%

LAB 86.25, -59.04, 82.93

 

CMYK 38 / 0 / 90 / 13

HEX #89DE17

RGB 137 222 23

HSL 85.63, 0.81%, 0.48%

LAB 80.53, -52.33, 76.18

 

CMYK 34 / 0 / 79 / 21

HEX #86CA2B

RGB 134 202 43

HSL 85.66, 0.65%, 0.48%

LAB 74.5, -44.47, 66.41

 

CMYK 28 / 0 / 65 / 29

HEX #83B63F

RGB 131 182 63

HSL 85.71, 0.49%, 0.48%

LAB 68.49, -35.56, 53.27

 

CMYK 21 / 0 / 49 / 36

HEX #80A253

RGB 128 162 83

HSL 85.82, 0.32%, 0.48%

LAB 62.55, -25.29, 37.09

 

CMYK 12 / 0 / 28 / 44

HEX #7D8E66

RGB 125 142 102

HSL 85.5, 0.16%, 0.48%

LAB 56.75, -13.58, 19.34

 

CMYK 0 / 11 / 90 / 13

HEX #DEC617

RGB 222 198 23

HSL 52.76, 0.81%, 0.48%

LAB 79.6, -7.18, 77.85

 

CMYK 14 / 0 / 90 / 13

HEX #C0DE17

RGB 192 222 23

HSL 69.05, 0.81%, 0.48%

LAB 83.71, -31.58, 80.09

 

CMYK 37 / 0 / 90 / 13

HEX #8BDE17

RGB 139 222 23

HSL 85.03, 0.81%, 0.48%

LAB 80.62, -51.65, 76.3

 

CMYK 61 / 0 / 90 / 13

HEX #56DE17

RGB 86 222 23

HSL 101.01, 0.81%, 0.48%

LAB 78.63, -67.01, 73.82

 

CMYK 85 / 0 / 90 / 13

HEX #21DE17

RGB 33 222 23

HSL 116.98, 0.81%, 0.48%

LAB 77.65, -75.39, 72.61

 

CMYK 38 / 0 / 90 / 42

HEX #5B930F

RGB 91 147 15

HSL 85.45, 0.81%, 0.32%

LAB 55.2, -37.7, 55.54

 

CMYK 38 / 0 / 90 / 28

HEX #72B813

RGB 114 184 19

HSL 85.45, 0.81%, 0.4%

LAB 67.95, -44.96, 65.95

 

CMYK 38 / 0 / 90 / 13

HEX #89DE17

RGB 137 222 23

HSL 85.63, 0.81%, 0.48%

LAB 80.53, -52.33, 76.18

 

CMYK 33 / 0 / 78 / 8

HEX #9CEA34

RGB 156 234 52

HSL 85.71, 0.81%, 0.56%

LAB 85.08, -49.62, 74.02

 

CMYK 26 / 0 / 62 / 7

HEX #AFEE5A

RGB 175 238 90

HSL 85.54, 0.81%, 0.64%

LAB 87.49, -42.16, 63.35

 

CMYK 38 / 0 / 90 / 14

HEX #88DC17

RGB 136 220 23

HSL 85.58, 0.81%, 0.48%

LAB 79.89, -51.88, 75.63

 

CMYK 90 / 0 / 34 / 13

HEX #17DE92

RGB 23 222 146

HSL 157.09, 0.81%, 0.48%

LAB 78.75, -61.81, 25.01

 

CMYK 0 / 90 / 2 / 13

HEX #DE17DA

RGB 222 23 218

HSL 301.21, 0.81%, 0.48%

LAB 53.17, 85.93, -51.82

 

CMYK 38 / 0 / 90 / 14

HEX #88DC17

RGB 136 220 23

HSL 85.58, 0.81%, 0.48%

LAB 79.89, -51.88, 75.63

 

CMYK 90 / 37 / 0 / 13

HEX #178BDE

RGB 23 139 222

HSL 205.03, 0.81%, 0.48%

LAB 56.01, 0.16, -50.51

 

CMYK 0 / 90 / 37 / 13

HEX #DE178B

RGB 222 23 139

HSL 325.03, 0.81%, 0.48%

LAB 49.5, 76.35, -11.22

 

CMYK 38 / 0 / 90 / 14

HEX #88DC17

RGB 136 220 23

HSL 85.58, 0.81%, 0.48%

LAB 79.89, -51.88, 75.63

 

CMYK 90 / 0 / 34 / 13

HEX #17DE92

RGB 23 222 146

HSL 157.09, 0.81%, 0.48%

LAB 78.75, -61.81, 25.01

 

CMYK 52 / 90 / 0 / 13

HEX #6A17DE

RGB 106 23 222

HSL 265.03, 0.81%, 0.48%

LAB 35.89, 70.91, -82.99

 

CMYK 0 / 90 / 55 / 13

HEX #DE1763

RGB 222 23 99

HSL 337.09, 0.81%, 0.48%

LAB 48.31, 73.07, 11.48

 

CMYK 38 / 0 / 90 / 14

HEX #88DC17

RGB 136 220 23

HSL 85.58, 0.81%, 0.48%

LAB 79.89, -51.88, 75.63

 

CMYK 90 / 0 / 8 / 13

HEX #17DECD

RGB 23 222 205

HSL 174.87, 0.81%, 0.48%

LAB 80.09, -47.46, -4.24

 

CMYK 52 / 90 / 0 / 13

HEX #6A17DE

RGB 106 23 222

HSL 265.03, 0.81%, 0.48%

LAB 35.89, 70.91, -82.99

 

CMYK 0 / 90 / 82 / 13

HEX #DE1728

RGB 222 23 40

HSL 354.87, 0.81%, 0.48%

LAB 47.36, 70.38, 45.48

 

Description

Color code: HEX #88DC17 | qconv.com Color code: HEX #88DC17 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 220 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 220 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 90 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 90% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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