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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88DB1B it is the complementary color #7724E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88DB1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88DB1B shade: #8DDB16, #9EED29, #AFFF3C, #C0FF4F and #D1FF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88DB1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88DB1B shade: #88DB1B, #77C908, #66B700, #55A500 and #449300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88DB1B shade: #87DA1B, #BBDA1B, #DAC51B, #DA921B and #DA5E1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88DB1B shade: #87DA1B, #54DA1B, #20DA1B, #1BDA49 and #1BDA7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88DB1B shade matches the following richer shades: #87DA1B and #8AEE07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88DB1B shade: #87DA1B, #85C62F, #82B243, #7F9E56 and #7D8B6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88DB1B shade: #DAC41B, #BDDA1B, #8ADA1B, #57DA1B and #24DA1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88DB1B shade: #5A9012, #71B516, #87DA1B, #9BE638 and #ADEB5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88DB1B shade: #88DB1B, #1BDA91 and #DA1BD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88DB1B shade: #88DB1B, #1B8ADA and #DA1B8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88DB1B shade: #88DB1B, #1BDA91, #6A1BDA and #DA1B64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88DB1B shade: #88DB1B, #1BDACA, #6A1BDA and #DA1B2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 88 / 14

HEX #88DB1B

RGB 136 219 27

HSL 85.94, 0.78%, 0.48%

LAB 79.6, -51.37, 74.71

 

Complementary color

CMYK 48 / 84 / 0 / 11

HEX #7724E4

RGB 119 36 228

HSL 265.94, 0.78%, 0.52%

LAB 39.22, 70.12, -80.88

 

CMYK 36 / 0 / 90 / 14

HEX #8DDB16

RGB 141 219 22

HSL 83.76, 0.82%, 0.47%

LAB 79.83, -49.77, 75.84

 

CMYK 33 / 0 / 83 / 7

HEX #9EED29

RGB 158 237 41

HSL 84.18, 0.84%, 0.55%

LAB 86.01, -50.6, 77.74

 

CMYK 31 / 0 / 76 / 0

HEX #AFFF3C

RGB 175 255 60

HSL 84.62, 1%, 0.62%

LAB 92.11, -51.24, 78.62

 

CMYK 25 / 0 / 69 / 0

HEX #C0FF4F

RGB 192 255 79

HSL 81.48, 1%, 0.65%

LAB 93.14, -44.13, 73.79

 

CMYK 18 / 0 / 62 / 0

HEX #D1FF62

RGB 209 255 98

HSL 77.58, 1%, 0.69%

LAB 94.29, -36.57, 68.09

 

CMYK 38 / 0 / 88 / 14

HEX #88DB1B

RGB 136 219 27

HSL 85.94, 0.78%, 0.48%

LAB 79.6, -51.37, 74.71

 

CMYK 41 / 0 / 96 / 21

HEX #77C908

RGB 119 201 8

HSL 85.49, 0.92%, 0.41%

LAB 73.36, -50.36, 71.9

 

CMYK 44 / 0 / 100 / 28

HEX #66B700

RGB 102 183 0

HSL 86.56, 1%, 0.36%

LAB 67.05, -49.05, 67.5

 

CMYK 48 / 0 / 100 / 35

HEX #55A500

RGB 85 165 0

HSL 89.09, 1%, 0.32%

LAB 60.64, -47.53, 62.18

 

CMYK 54 / 0 / 100 / 42

HEX #449300

RGB 68 147 0

HSL 92.24, 1%, 0.29%

LAB 54.13, -45.88, 56.78

 

CMYK 38 / 0 / 88 / 15

HEX #87DA1B

RGB 135 218 27

HSL 86.07, 0.78%, 0.48%

LAB 79.26, -51.31, 74.4

 

CMYK 14 / 0 / 88 / 15

HEX #BBDA1B

RGB 187 218 27

HSL 69.74, 0.78%, 0.48%

LAB 82.26, -31.66, 78.12

 

CMYK 0 / 10 / 88 / 15

HEX #DAC51B

RGB 218 197 27

HSL 53.4, 0.78%, 0.48%

LAB 78.99, -8.32, 76.5

 

CMYK 0 / 33 / 88 / 15

HEX #DA921B

RGB 218 146 27

HSL 37.38, 0.78%, 0.48%

LAB 66.17, 18.6, 66.33

 

CMYK 0 / 57 / 88 / 15

HEX #DA5E1B

RGB 218 94 27

HSL 21.05, 0.78%, 0.48%

LAB 55.06, 45.52, 57.57

 

CMYK 38 / 0 / 88 / 15

HEX #87DA1B

RGB 135 218 27

HSL 86.07, 0.78%, 0.48%

LAB 79.26, -51.31, 74.4

 

CMYK 61 / 0 / 88 / 15

HEX #54DA1B

RGB 84 218 27

HSL 102.09, 0.78%, 0.48%

LAB 77.34, -66.03, 72.02

 

CMYK 85 / 0 / 88 / 15

HEX #20DA1B

RGB 32 218 27

HSL 118.43, 0.78%, 0.48%

LAB 76.39, -74.23, 70.82

 

CMYK 88 / 0 / 67 / 15

HEX #1BDA49

RGB 27 218 73

HSL 134.45, 0.78%, 0.48%

LAB 76.59, -71.54, 57.02

 

CMYK 88 / 0 / 43 / 15

HEX #1BDA7D

RGB 27 218 125

HSL 150.79, 0.78%, 0.48%

LAB 77.19, -64.23, 33.69

 

CMYK 38 / 0 / 88 / 15

HEX #87DA1B

RGB 135 218 27

HSL 86.07, 0.78%, 0.48%

LAB 79.26, -51.31, 74.4

 

CMYK 42 / 0 / 97 / 7

HEX #8AEE07

RGB 138 238 7

HSL 85.97, 0.94%, 0.48%

LAB 85.29, -58.49, 81.81

 

CMYK 38 / 0 / 88 / 15

HEX #87DA1B

RGB 135 218 27

HSL 86.07, 0.78%, 0.48%

LAB 79.26, -51.31, 74.4

 

CMYK 33 / 0 / 76 / 22

HEX #85C62F

RGB 133 198 47

HSL 85.83, 0.62%, 0.48%

LAB 73.27, -42.93, 64.03

 

CMYK 27 / 0 / 62 / 30

HEX #82B243

RGB 130 178 67

HSL 85.95, 0.45%, 0.48%

LAB 67.27, -33.77, 50.22

 

CMYK 20 / 0 / 46 / 38

HEX #7F9E56

RGB 127 158 86

HSL 85.83, 0.3%, 0.48%

LAB 61.34, -23.33, 34.04

 

CMYK 10 / 0 / 24 / 45

HEX #7D8B6A

RGB 125 139 106

HSL 85.45, 0.13%, 0.48%

LAB 55.95, -11.31, 16

 

CMYK 0 / 10 / 88 / 15

HEX #DAC41B

RGB 218 196 27

HSL 53.09, 0.78%, 0.48%

LAB 78.73, -7.81, 76.29

 

CMYK 13 / 0 / 88 / 15

HEX #BDDA1B

RGB 189 218 27

HSL 69.11, 0.78%, 0.48%

LAB 82.4, -30.85, 78.29

 

CMYK 37 / 0 / 88 / 15

HEX #8ADA1B

RGB 138 218 27

HSL 85.13, 0.78%, 0.48%

LAB 79.4, -50.28, 74.58

 

CMYK 60 / 0 / 88 / 15

HEX #57DA1B

RGB 87 218 27

HSL 101.15, 0.78%, 0.48%

LAB 77.43, -65.33, 72.12

 

CMYK 83 / 0 / 88 / 15

HEX #24DA1B

RGB 36 218 27

HSL 117.17, 0.78%, 0.48%

LAB 76.43, -73.86, 70.87

 

CMYK 38 / 0 / 88 / 44

HEX #5A9012

RGB 90 144 18

HSL 85.71, 0.78%, 0.32%

LAB 54.2, -36.66, 54.02

 

CMYK 38 / 0 / 88 / 29

HEX #71B516

RGB 113 181 22

HSL 85.66, 0.78%, 0.4%

LAB 66.99, -43.98, 64.56

 

CMYK 38 / 0 / 88 / 15

HEX #87DA1B

RGB 135 218 27

HSL 86.07, 0.78%, 0.48%

LAB 79.26, -51.31, 74.4

 

CMYK 33 / 0 / 76 / 10

HEX #9BE638

RGB 155 230 56

HSL 85.86, 0.78%, 0.56%

LAB 83.89, -48.12, 71.7

 

CMYK 26 / 0 / 61 / 8

HEX #ADEB5C

RGB 173 235 92

HSL 86.01, 0.78%, 0.64%

LAB 86.54, -41.41, 61.46

 

CMYK 38 / 0 / 88 / 14

HEX #88DB1B

RGB 136 219 27

HSL 85.94, 0.78%, 0.48%

LAB 79.6, -51.37, 74.71

 

CMYK 88 / 0 / 33 / 15

HEX #1BDA91

RGB 27 218 145

HSL 157.07, 0.78%, 0.48%

LAB 77.53, -60.34, 23.88

 

CMYK 0 / 88 / 1 / 15

HEX #DA1BD7

RGB 218 27 215

HSL 300.94, 0.78%, 0.48%

LAB 52.5, 84.26, -51.21

 

CMYK 38 / 0 / 88 / 14

HEX #88DB1B

RGB 136 219 27

HSL 85.94, 0.78%, 0.48%

LAB 79.6, -51.37, 74.71

 

CMYK 88 / 37 / 0 / 15

HEX #1B8ADA

RGB 27 138 218

HSL 205.13, 0.78%, 0.48%

LAB 55.56, -0.53, -48.99

 

CMYK 0 / 88 / 37 / 15

HEX #DA1B8A

RGB 218 27 138

HSL 325.13, 0.78%, 0.48%

LAB 48.91, 74.76, -11.59

 

CMYK 38 / 0 / 88 / 14

HEX #88DB1B

RGB 136 219 27

HSL 85.94, 0.78%, 0.48%

LAB 79.6, -51.37, 74.71

 

CMYK 88 / 0 / 33 / 15

HEX #1BDA91

RGB 27 218 145

HSL 157.07, 0.78%, 0.48%

LAB 77.53, -60.34, 23.88

 

CMYK 51 / 88 / 0 / 15

HEX #6A1BDA

RGB 106 27 218

HSL 264.82, 0.78%, 0.48%

LAB 35.81, 68.98, -80.82

 

CMYK 0 / 88 / 54 / 15

HEX #DA1B64

RGB 218 27 100

HSL 337.07, 0.78%, 0.48%

LAB 47.76, 71.56, 9.97

 

CMYK 38 / 0 / 88 / 14

HEX #88DB1B

RGB 136 219 27

HSL 85.94, 0.78%, 0.48%

LAB 79.6, -51.37, 74.71

 

CMYK 88 / 0 / 7 / 15

HEX #1BDACA

RGB 27 218 202

HSL 174.97, 0.78%, 0.48%

LAB 78.83, -46.39, -4.48

 

CMYK 51 / 88 / 0 / 15

HEX #6A1BDA

RGB 106 27 218

HSL 264.82, 0.78%, 0.48%

LAB 35.81, 68.98, -80.82

 

CMYK 0 / 88 / 80 / 15

HEX #DA1B2B

RGB 218 27 43

HSL 354.97, 0.78%, 0.48%

LAB 46.8, 68.78, 43.02

 

Description

Color code: HEX #88DB1B | qconv.com Color code: HEX #88DB1B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 219 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 219 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 88 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 88% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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