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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88D9F7 it is the complementary color #772608. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88D9F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88D9F7 shade: #8DD9F2, #9EEBFF, #AFFDFF, #C0FFFF and #D1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88D9F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88D9F7 shade: #88D9F7, #77C7E4, #66B5D1, #55A3BE and #4491AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88D9F7 shade: #88D9F7, #88BBF7, #889DF7, #9188F7 and #AF88F7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88D9F7 shade: #88D9F7, #88BBF7, #889DF7 and #8888F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88D9F7 shade matches the following richer shades: #88D9F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88D9F7 shade: #88D9F7, #92D4EC, #9CCFE2, #A7CBD8 and #B1C6CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88D9F7 shade: #88F7D9, #88F7F7, #88D9F7, #88BCF7 and #889EF7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88D9F7 shade: #3BC0F1, #61CCF4, #88D9F7, #AEE5F9 and #D5F1FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88D9F7 shade: #88D9F7, #BC88F7 and #F7E888

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88D9F7 shade: #88D9F7, #F788D9 and #D9F788

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88D9F7 shade: #88D9F7, #BC88F7, #F7A588 and #C3F788

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88D9F7 shade: #88D9F7, #DD88F7, #F7A588 and #A2F788

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 12 / 0 / 3

HEX #88D9F7

RGB 136 217 247

HSL 196.22, 0.87%, 0.75%

LAB 82.69, -17.08, -22.39

 

Complementary color

CMYK 0 / 68 / 93 / 53

HEX #772608

RGB 119 38 8

HSL 16.22, 0.87%, 0.25%

LAB 27.64, 34.11, 35.96

 

CMYK 42 / 10 / 0 / 5

HEX #8DD9F2

RGB 141 217 242

HSL 194.85, 0.8%, 0.75%

LAB 82.75, -17.18, -19.62

 

CMYK 38 / 8 / 0 / 0

HEX #9EEBFF

RGB 158 235 255

HSL 192.37, 1%, 0.81%

LAB 88.88, -18.76, -17.15

 

CMYK 31 / 1 / 0 / 0

HEX #AFFDFF

RGB 175 253 255

HSL 181.5, 1%, 0.84%

LAB 94.56, -23.2, -8.58

 

CMYK 25 / 0 / 0 / 0

HEX #C0FFFF

RGB 192 255 255

HSL 180, 1%, 0.88%

LAB 95.97, -19.49, -6.39

 

CMYK 18 / 0 / 0 / 0

HEX #D1FFFF

RGB 209 255 255

HSL 180, 1%, 0.91%

LAB 96.94, -14.52, -4.86

 

CMYK 45 / 12 / 0 / 3

HEX #88D9F7

RGB 136 217 247

HSL 196.22, 0.87%, 0.75%

LAB 82.69, -17.08, -22.39

 

CMYK 48 / 13 / 0 / 11

HEX #77C7E4

RGB 119 199 228

HSL 195.96, 0.67%, 0.68%

LAB 76.3, -16.88, -22.02

 

CMYK 51 / 13 / 0 / 18

HEX #66B5D1

RGB 102 181 209

HSL 195.7, 0.54%, 0.61%

LAB 69.81, -16.63, -21.63

 

CMYK 55 / 14 / 0 / 25

HEX #55A3BE

RGB 85 163 190

HSL 195.43, 0.45%, 0.54%

LAB 63.21, -16.29, -21.23

 

CMYK 60 / 15 / 0 / 33

HEX #4491AB

RGB 68 145 171

HSL 195.15, 0.43%, 0.47%

LAB 56.51, -15.83, -20.8

 

CMYK 45 / 12 / 0 / 3

HEX #88D9F7

RGB 136 217 247

HSL 196.22, 0.87%, 0.75%

LAB 82.69, -17.08, -22.39

 

CMYK 45 / 24 / 0 / 3

HEX #88BBF7

RGB 136 187 247

HSL 212.43, 0.87%, 0.75%

LAB 74.5, -1.23, -34.94

 

CMYK 45 / 36 / 0 / 3

HEX #889DF7

RGB 136 157 247

HSL 228.65, 0.87%, 0.75%

LAB 66.57, 15.64, -47.33

 

CMYK 41 / 45 / 0 / 3

HEX #9188F7

RGB 145 136 247

HSL 244.86, 0.87%, 0.75%

LAB 61.95, 29.98, -54.61

 

CMYK 29 / 45 / 0 / 3

HEX #AF88F7

RGB 175 136 247

HSL 261.08, 0.87%, 0.75%

LAB 64.51, 37.6, -50.38

 

CMYK 45 / 12 / 0 / 3

HEX #88D9F7

RGB 136 217 247

HSL 196.22, 0.87%, 0.75%

LAB 82.69, -17.08, -22.39

 

CMYK 45 / 24 / 0 / 3

HEX #88BBF7

RGB 136 187 247

HSL 212.43, 0.87%, 0.75%

LAB 74.5, -1.23, -34.94

 

CMYK 45 / 36 / 0 / 3

HEX #889DF7

RGB 136 157 247

HSL 228.65, 0.87%, 0.75%

LAB 66.57, 15.64, -47.33

 

CMYK 45 / 45 / 0 / 3

HEX #8888F7

RGB 136 136 247

HSL 240, 0.87%, 0.75%

LAB 61.27, 27.85, -55.73

 

CMYK 45 / 12 / 0 / 3

HEX #88D9F7

RGB 136 217 247

HSL 196.22, 0.87%, 0.75%

LAB 82.69, -17.08, -22.39

 

CMYK 45 / 12 / 0 / 3

HEX #88D9F7

RGB 136 217 247

HSL 196.22, 0.87%, 0.75%

LAB 82.69, -17.08, -22.39

 

CMYK 38 / 10 / 0 / 7

HEX #92D4EC

RGB 146 212 236

HSL 196, 0.7%, 0.75%

LAB 81.43, -14.89, -18.4

 

CMYK 31 / 8 / 0 / 11

HEX #9CCFE2

RGB 156 207 226

HSL 196.29, 0.55%, 0.75%

LAB 80.28, -12.06, -14.74

 

CMYK 23 / 6 / 0 / 15

HEX #A7CBD8

RGB 167 203 216

HSL 195.92, 0.39%, 0.75%

LAB 79.55, -9.06, -10.41

 

CMYK 14 / 3 / 0 / 20

HEX #B1C6CD

RGB 177 198 205

HSL 195, 0.22%, 0.75%

LAB 78.55, -5.66, -5.92

 

CMYK 45 / 0 / 12 / 3

HEX #88F7D9

RGB 136 247 217

HSL 163.78, 0.87%, 0.75%

LAB 90.21, -38.8, 4.54

 

CMYK 45 / 0 / 0 / 3

HEX #88F7F7

RGB 136 247 247

HSL 180, 0.87%, 0.75%

LAB 90.99, -31.78, -9.91

 

CMYK 45 / 12 / 0 / 3

HEX #88D9F7

RGB 136 217 247

HSL 196.22, 0.87%, 0.75%

LAB 82.69, -17.08, -22.39

 

CMYK 45 / 24 / 0 / 3

HEX #88BCF7

RGB 136 188 247

HSL 211.89, 0.87%, 0.75%

LAB 74.77, -1.78, -34.52

 

CMYK 45 / 36 / 0 / 3

HEX #889EF7

RGB 136 158 247

HSL 228.11, 0.87%, 0.75%

LAB 66.83, 15.07, -46.93

 

CMYK 76 / 20 / 0 / 5

HEX #3BC0F1

RGB 59 192 241

HSL 196.15, 0.87%, 0.59%

LAB 72.88, -19.57, -34.44

 

CMYK 60 / 16 / 0 / 4

HEX #61CCF4

RGB 97 204 244

HSL 196.33, 0.87%, 0.67%

LAB 77.44, -19.34, -28.95

 

CMYK 45 / 12 / 0 / 3

HEX #88D9F7

RGB 136 217 247

HSL 196.22, 0.87%, 0.75%

LAB 82.69, -17.08, -22.39

 

CMYK 30 / 8 / 0 / 2

HEX #AEE5F9

RGB 174 229 249

HSL 196, 0.86%, 0.83%

LAB 87.91, -12.92, -15.38

 

CMYK 15 / 4 / 0 / 1

HEX #D5F1FC

RGB 213 241 252

HSL 196.92, 0.87%, 0.91%

LAB 93.49, -6.9, -8.38

 

CMYK 45 / 12 / 0 / 3

HEX #88D9F7

RGB 136 217 247

HSL 196.22, 0.87%, 0.75%

LAB 82.69, -17.08, -22.39

 

CMYK 24 / 45 / 0 / 3

HEX #BC88F7

RGB 188 136 247

HSL 268.11, 0.87%, 0.75%

LAB 65.76, 41.09, -48.32

 

CMYK 0 / 6 / 45 / 3

HEX #F7E888

RGB 247 232 136

HSL 51.89, 0.87%, 0.75%

LAB 91.35, -7.66, 48.33

 

CMYK 45 / 12 / 0 / 3

HEX #88D9F7

RGB 136 217 247

HSL 196.22, 0.87%, 0.75%

LAB 82.69, -17.08, -22.39

 

CMYK 0 / 45 / 12 / 3

HEX #F788D9

RGB 247 136 217

HSL 316.22, 0.87%, 0.75%

LAB 71.14, 52.56, -22.93

 

CMYK 12 / 0 / 45 / 3

HEX #D9F788

RGB 217 247 136

HSL 76.22, 0.87%, 0.75%

LAB 93.04, -26.51, 49.92

 

CMYK 45 / 12 / 0 / 3

HEX #88D9F7

RGB 136 217 247

HSL 196.22, 0.87%, 0.75%

LAB 82.69, -17.08, -22.39

 

CMYK 24 / 45 / 0 / 3

HEX #BC88F7

RGB 188 136 247

HSL 268.11, 0.87%, 0.75%

LAB 65.76, 41.09, -48.32

 

CMYK 0 / 33 / 45 / 3

HEX #F7A588

RGB 247 165 136

HSL 15.68, 0.87%, 0.75%

LAB 75.12, 27.07, 27.42

 

CMYK 21 / 0 / 45 / 3

HEX #C3F788

RGB 195 247 136

HSL 88.11, 0.87%, 0.75%

LAB 91.64, -34.55, 47.88

 

CMYK 45 / 12 / 0 / 3

HEX #88D9F7

RGB 136 217 247

HSL 196.22, 0.87%, 0.75%

LAB 82.69, -17.08, -22.39

 

CMYK 11 / 45 / 0 / 3

HEX #DD88F7

RGB 221 136 247

HSL 285.95, 0.87%, 0.75%

LAB 69.25, 50.23, -42.59

 

CMYK 0 / 33 / 45 / 3

HEX #F7A588

RGB 247 165 136

HSL 15.68, 0.87%, 0.75%

LAB 75.12, 27.07, 27.42

 

CMYK 34 / 0 / 45 / 3

HEX #A2F788

RGB 162 247 136

HSL 105.95, 0.87%, 0.75%

LAB 89.85, -45.73, 45.25

 

Description

Color code: HEX #88D9F7 | qconv.com Color code: HEX #88D9F7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 217 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 217 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 12 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 12% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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