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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88D9C3 it is the complementary color #77263C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88D9C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88D9C3 shade: #8DD9BE, #9EEBD1, #AFFDE4, #C0FFF7 and #D1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88D9C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88D9C3 shade: #88D9C3, #77C7B0, #66B59D, #55A38A and #449177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88D9C3 shade: #86D9C2, #86D9AC, #86D996, #8DD986 and #A3D986

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88D9C3 shade: #86D9C2, #86D9D8, #86C3D9, #86ACD9 and #8696D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88D9C3 shade matches the following richer shades: #86D9C2, #7AE5C8 and #6DF2CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88D9C3 shade: #86D9C2, #93CCBC, #A0BFB7, #ADB2B1 and #BAA5AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88D9C3 shade: #86D995, #86D9AB, #86D9C1, #86D9D7 and #86C4D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88D9C3 shade: #48C5A3, #67CFB2, #86D9C2, #A6E2D2 and #C5ECE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88D9C3 shade: #88D9C3, #868DD9 and #D9A086

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88D9C3 shade: #88D9C3, #C186D9 and #D9C186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88D9C3 shade: #88D9C3, #868DD9, #D9869E and #D9D286

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88D9C3 shade: #88D9C3, #9886D9, #D9869E and #C7D986

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 10 / 15

HEX #88D9C3

RGB 136 217 195

HSL 163.7, 0.52%, 0.69%

LAB 81.18, -29.72, 3.03

 

Complementary color

CMYK 0 / 68 / 50 / 53

HEX #77263C

RGB 119 38 60

HSL 343.7, 0.52%, 0.31%

LAB 28.47, 37.19, 5.62

 

CMYK 35 / 0 / 12 / 15

HEX #8DD9BE

RGB 141 217 190

HSL 158.68, 0.5%, 0.7%

LAB 81.29, -29.41, 5.88

 

CMYK 33 / 0 / 11 / 8

HEX #9EEBD1

RGB 158 235 209

HSL 159.74, 0.66%, 0.77%

LAB 87.63, -29.2, 5.1

 

CMYK 31 / 0 / 10 / 1

HEX #AFFDE4

RGB 175 253 228

HSL 160.77, 0.95%, 0.84%

LAB 93.87, -29.01, 4.36

 

CMYK 25 / 0 / 3 / 0

HEX #C0FFF7

RGB 192 255 247

HSL 172.38, 1%, 0.88%

LAB 95.76, -21.18, -2.58

 

CMYK 18 / 0 / 0 / 0

HEX #D1FFFF

RGB 209 255 255

HSL 180, 1%, 0.91%

LAB 96.94, -14.52, -4.86

 

CMYK 37 / 0 / 10 / 15

HEX #88D9C3

RGB 136 217 195

HSL 163.7, 0.52%, 0.69%

LAB 81.18, -29.72, 3.03

 

CMYK 40 / 0 / 12 / 22

HEX #77C7B0

RGB 119 199 176

HSL 162.75, 0.42%, 0.62%

LAB 74.76, -29.9, 3.82

 

CMYK 44 / 0 / 13 / 29

HEX #66B59D

RGB 102 181 157

HSL 161.77, 0.35%, 0.55%

LAB 68.25, -30.08, 4.67

 

CMYK 48 / 0 / 15 / 36

HEX #55A38A

RGB 85 163 138

HSL 160.77, 0.31%, 0.49%

LAB 61.62, -30.25, 5.6

 

CMYK 53 / 0 / 18 / 43

HEX #449177

RGB 68 145 119

HSL 159.74, 0.36%, 0.42%

LAB 54.88, -30.36, 6.61

 

CMYK 38 / 0 / 11 / 15

HEX #86D9C2

RGB 134 217 194

HSL 163.37, 0.52%, 0.69%

LAB 81.07, -30.48, 3.38

 

CMYK 38 / 0 / 21 / 15

HEX #86D9AC

RGB 134 217 172

HSL 147.47, 0.52%, 0.69%

LAB 80.56, -35.08, 14.32

 

CMYK 38 / 0 / 31 / 15

HEX #86D996

RGB 134 217 150

HSL 131.57, 0.52%, 0.69%

LAB 80.12, -39.15, 25.26

 

CMYK 35 / 0 / 38 / 15

HEX #8DD986

RGB 141 217 134

HSL 114.94, 0.52%, 0.69%

LAB 80.19, -39.58, 33.64

 

CMYK 25 / 0 / 38 / 15

HEX #A3D986

RGB 163 217 134

HSL 99.04, 0.52%, 0.69%

LAB 81.36, -32.24, 35.4

 

CMYK 38 / 0 / 11 / 15

HEX #86D9C2

RGB 134 217 194

HSL 163.37, 0.52%, 0.69%

LAB 81.07, -30.48, 3.38

 

CMYK 38 / 0 / 0 / 15

HEX #86D9D8

RGB 134 217 216

HSL 179.28, 0.52%, 0.69%

LAB 81.65, -25.4, -7.48

 

CMYK 38 / 10 / 0 / 15

HEX #86C3D9

RGB 134 195 217

HSL 195.9, 0.52%, 0.69%

LAB 75.52, -14.03, -17.19

 

CMYK 38 / 21 / 0 / 15

HEX #86ACD9

RGB 134 172 217

HSL 212.53, 0.52%, 0.69%

LAB 69.17, -1.68, -26.85

 

CMYK 38 / 31 / 0 / 15

HEX #8696D9

RGB 134 150 217

HSL 228.43, 0.52%, 0.69%

LAB 63.25, 10.74, -36.01

 

CMYK 38 / 0 / 11 / 15

HEX #86D9C2

RGB 134 217 194

HSL 163.37, 0.52%, 0.69%

LAB 81.07, -30.48, 3.38

 

CMYK 47 / 0 / 13 / 10

HEX #7AE5C8

RGB 122 229 200

HSL 163.74, 0.67%, 0.69%

LAB 84.15, -37.76, 4.6

 

CMYK 55 / 0 / 15 / 5

HEX #6DF2CE

RGB 109 242 206

HSL 163.76, 0.84%, 0.69%

LAB 87.59, -45.04, 6.36

 

CMYK 38 / 0 / 11 / 15

HEX #86D9C2

RGB 134 217 194

HSL 163.37, 0.52%, 0.69%

LAB 81.07, -30.48, 3.38

 

CMYK 28 / 0 / 8 / 20

HEX #93CCBC

RGB 147 204 188

HSL 163.16, 0.36%, 0.69%

LAB 77.89, -21.73, 2.05

 

CMYK 16 / 0 / 4 / 25

HEX #A0BFB7

RGB 160 191 183

HSL 164.52, 0.19%, 0.69%

LAB 74.92, -12.05, 0.53

 

CMYK 3 / 0 / 1 / 30

HEX #ADB2B1

RGB 173 178 177

HSL 168, 0.03%, 0.69%

LAB 72.16, -1.94, -0.11

 

CMYK 0 / 11 / 8 / 27

HEX #BAA5AB

RGB 186 165 171

HSL 342.86, 0.13%, 0.69%

LAB 69.68, 8.67, -0.31

 

CMYK 38 / 0 / 31 / 15

HEX #86D995

RGB 134 217 149

HSL 130.84, 0.52%, 0.69%

LAB 80.1, -39.33, 25.76

 

CMYK 38 / 0 / 21 / 15

HEX #86D9AB

RGB 134 217 171

HSL 146.75, 0.52%, 0.69%

LAB 80.54, -35.28, 14.82

 

CMYK 38 / 0 / 11 / 15

HEX #86D9C1

RGB 134 217 193

HSL 162.65, 0.52%, 0.69%

LAB 81.04, -30.7, 3.87

 

CMYK 38 / 0 / 1 / 15

HEX #86D9D7

RGB 134 217 215

HSL 178.55, 0.52%, 0.69%

LAB 81.62, -25.64, -6.99

 

CMYK 38 / 10 / 0 / 15

HEX #86C4D9

RGB 134 196 217

HSL 195.18, 0.52%, 0.69%

LAB 75.8, -14.55, -16.77

 

CMYK 63 / 0 / 17 / 23

HEX #48C5A3

RGB 72 197 163

HSL 163.68, 0.52%, 0.53%

LAB 72.2, -42.59, 6.95

 

CMYK 50 / 0 / 14 / 19

HEX #67CFB2

RGB 103 207 178

HSL 163.27, 0.52%, 0.61%

LAB 76.51, -37.19, 5.19

 

CMYK 38 / 0 / 11 / 15

HEX #86D9C2

RGB 134 217 194

HSL 163.37, 0.52%, 0.69%

LAB 81.07, -30.48, 3.38

 

CMYK 27 / 0 / 7 / 11

HEX #A6E2D2

RGB 166 226 210

HSL 164, 0.51%, 0.77%

LAB 85.58, -22.32, 1.66

 

CMYK 17 / 0 / 4 / 7

HEX #C5ECE2

RGB 197 236 226

HSL 164.62, 0.51%, 0.85%

LAB 90.48, -14.55, 0.63

 

CMYK 37 / 0 / 10 / 15

HEX #88D9C3

RGB 136 217 195

HSL 163.7, 0.52%, 0.69%

LAB 81.18, -29.72, 3.03

 

CMYK 38 / 35 / 0 / 15

HEX #868DD9

RGB 134 141 217

HSL 234.94, 0.52%, 0.69%

LAB 60.89, 15.96, -39.7

 

CMYK 0 / 26 / 38 / 15

HEX #D9A086

RGB 217 160 134

HSL 18.8, 0.52%, 0.69%

LAB 70.6, 17.81, 21.85

 

CMYK 37 / 0 / 10 / 15

HEX #88D9C3

RGB 136 217 195

HSL 163.7, 0.52%, 0.69%

LAB 81.18, -29.72, 3.03

 

CMYK 11 / 38 / 0 / 15

HEX #C186D9

RGB 193 134 217

HSL 282.65, 0.52%, 0.69%

LAB 64.48, 37.06, -33.71

 

CMYK 0 / 11 / 38 / 15

HEX #D9C186

RGB 217 193 134

HSL 42.65, 0.52%, 0.69%

LAB 78.82, 0.21, 32.82

 

CMYK 37 / 0 / 10 / 15

HEX #88D9C3

RGB 136 217 195

HSL 163.7, 0.52%, 0.69%

LAB 81.18, -29.72, 3.03

 

CMYK 38 / 35 / 0 / 15

HEX #868DD9

RGB 134 141 217

HSL 234.94, 0.52%, 0.69%

LAB 60.89, 15.96, -39.7

 

CMYK 0 / 38 / 27 / 15

HEX #D9869E

RGB 217 134 158

HSL 342.65, 0.52%, 0.69%

LAB 65.18, 34.86, 0.8

 

CMYK 0 / 3 / 38 / 15

HEX #D9D286

RGB 217 210 134

HSL 54.94, 0.52%, 0.69%

LAB 83.21, -8.57, 38.53

 

CMYK 37 / 0 / 10 / 15

HEX #88D9C3

RGB 136 217 195

HSL 163.7, 0.52%, 0.69%

LAB 81.18, -29.72, 3.03

 

CMYK 30 / 38 / 0 / 15

HEX #9886D9

RGB 152 134 217

HSL 253.01, 0.52%, 0.69%

LAB 60.55, 24.98, -40.14

 

CMYK 0 / 38 / 27 / 15

HEX #D9869E

RGB 217 134 158

HSL 342.65, 0.52%, 0.69%

LAB 65.18, 34.86, 0.8

 

CMYK 8 / 0 / 38 / 15

HEX #C7D986

RGB 199 217 134

HSL 73.01, 0.52%, 0.69%

LAB 83.7, -19.05, 38.88

 

Description

Color code: HEX #88D9C3 | qconv.com Color code: HEX #88D9C3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 217 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 217 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 10 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 10% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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