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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88C92A it is the complementary color #7736D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88C92A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88C92A shade: #8DC925, #9EDB38, #AFED4B, #C0FF5E and #D1FF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88C92A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88C92A shade: #88C92A, #77B717, #66A504, #559300 and #448100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88C92A shade: #88C92A, #B3C92A, #C9B52A, #C98A2A and #C95F2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88C92A shade: #88C92A, #5DC92A, #33C92A, #2AC94D and #2AC978

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88C92A shade matches the following richer shades: #88C92A, #8CDD17 and #90F103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88C92A shade: #88C92A, #85B63E, #81A252, #7E8E66 and #7A7A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88C92A shade: #C9B42A, #B4C92A, #8AC92A, #5FC92A and #35C92A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88C92A shade: #5A851C, #71A723, #88C92A, #9CD746 and #AEDF68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88C92A shade: #88C92A, #2AC98A and #C92AC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88C92A shade: #88C92A, #2A8AC9 and #C92A8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88C92A shade: #88C92A, #2AC98A, #6A2AC9 and #C92A6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88C92A shade: #88C92A, #2AC9BA, #6A2AC9 and #C92A3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 79 / 21

HEX #88C92A

RGB 136 201 42

HSL 84.53, 0.65%, 0.48%

LAB 74.3, -43.37, 66.56

 

Complementary color

CMYK 44 / 75 / 0 / 16

HEX #7736D5

RGB 119 54 213

HSL 264.53, 0.65%, 0.52%

LAB 40.19, 59.78, -70.69

 

CMYK 30 / 0 / 82 / 21

HEX #8DC925

RGB 141 201 37

HSL 81.95, 0.69%, 0.47%

LAB 74.55, -41.74, 68.25

 

CMYK 28 / 0 / 74 / 14

HEX #9EDB38

RGB 158 219 56

HSL 82.45, 0.69%, 0.54%

LAB 80.86, -42.35, 68.87

 

CMYK 26 / 0 / 68 / 7

HEX #AFED4B

RGB 175 237 75

HSL 82.96, 0.82%, 0.61%

LAB 87.09, -42.8, 68.77

 

CMYK 25 / 0 / 63 / 0

HEX #C0FF5E

RGB 192 255 94

HSL 83.48, 1%, 0.68%

LAB 93.25, -43.13, 68.26

 

CMYK 18 / 0 / 56 / 0

HEX #D1FF71

RGB 209 255 113

HSL 79.44, 1%, 0.72%

LAB 94.43, -35.38, 61.94

 

CMYK 32 / 0 / 79 / 21

HEX #88C92A

RGB 136 201 42

HSL 84.53, 0.65%, 0.48%

LAB 74.3, -43.37, 66.56

 

CMYK 35 / 0 / 87 / 28

HEX #77B717

RGB 119 183 23

HSL 84, 0.78%, 0.4%

LAB 67.91, -42.63, 65.27

 

CMYK 38 / 0 / 98 / 35

HEX #66A504

RGB 102 165 4

HSL 83.48, 0.95%, 0.33%

LAB 61.43, -41.63, 62.57

 

CMYK 42 / 0 / 100 / 42

HEX #559300

RGB 85 147 0

HSL 85.31, 1%, 0.29%

LAB 54.86, -40.26, 57.67

 

CMYK 47 / 0 / 100 / 49

HEX #448100

RGB 68 129 0

HSL 88.37, 1%, 0.25%

LAB 48.17, -38.73, 52.11

 

CMYK 32 / 0 / 79 / 21

HEX #88C92A

RGB 136 201 42

HSL 84.53, 0.65%, 0.48%

LAB 74.3, -43.37, 66.56

 

CMYK 11 / 0 / 79 / 21

HEX #B3C92A

RGB 179 201 42

HSL 68.3, 0.65%, 0.48%

LAB 77, -26.48, 70

 

CMYK 0 / 10 / 79 / 21

HEX #C9B52A

RGB 201 181 42

HSL 52.45, 0.65%, 0.48%

LAB 73.31, -7.06, 67.39

 

CMYK 0 / 31 / 79 / 21

HEX #C98A2A

RGB 201 138 42

HSL 36.23, 0.65%, 0.48%

LAB 62.31, 15.99, 57.42

 

CMYK 0 / 53 / 79 / 21

HEX #C95F2A

RGB 201 95 42

HSL 20, 0.65%, 0.48%

LAB 52.7, 38.94, 48.32

 

CMYK 32 / 0 / 79 / 21

HEX #88C92A

RGB 136 201 42

HSL 84.53, 0.65%, 0.48%

LAB 74.3, -43.37, 66.56

 

CMYK 54 / 0 / 79 / 21

HEX #5DC92A

RGB 93 201 42

HSL 100.75, 0.65%, 0.48%

LAB 72.41, -57.25, 64.11

 

CMYK 75 / 0 / 79 / 21

HEX #33C92A

RGB 51 201 42

HSL 116.6, 0.65%, 0.48%

LAB 71.31, -66.27, 62.69

 

CMYK 79 / 0 / 62 / 21

HEX #2AC94D

RGB 42 201 77

HSL 133.21, 0.65%, 0.48%

LAB 71.42, -64.42, 49.63

 

CMYK 79 / 0 / 40 / 21

HEX #2AC978

RGB 42 201 120

HSL 149.43, 0.65%, 0.48%

LAB 71.97, -57.86, 29.44

 

CMYK 32 / 0 / 79 / 21

HEX #88C92A

RGB 136 201 42

HSL 84.53, 0.65%, 0.48%

LAB 74.3, -43.37, 66.56

 

CMYK 37 / 0 / 90 / 13

HEX #8CDD17

RGB 140 221 23

HSL 84.55, 0.81%, 0.48%

LAB 80.38, -50.9, 76.11

 

CMYK 40 / 0 / 99 / 5

HEX #90F103

RGB 144 241 3

HSL 84.45, 0.98%, 0.48%

LAB 86.43, -57.74, 83.14

 

CMYK 32 / 0 / 79 / 21

HEX #88C92A

RGB 136 201 42

HSL 84.53, 0.65%, 0.48%

LAB 74.3, -43.37, 66.56

 

CMYK 27 / 0 / 66 / 29

HEX #85B63E

RGB 133 182 62

HSL 84.5, 0.49%, 0.48%

LAB 68.6, -34.87, 53.83

 

CMYK 20 / 0 / 49 / 36

HEX #81A252

RGB 129 162 82

HSL 84.75, 0.33%, 0.48%

LAB 62.61, -25.02, 37.68

 

CMYK 11 / 0 / 28 / 44

HEX #7E8E66

RGB 126 142 102

HSL 84, 0.16%, 0.48%

LAB 56.82, -13.18, 19.46

 

CMYK 0 / 0 / 0 / 52

HEX #7A7A7A

RGB 122 122 122

HSL 0, 0%, 0.48%

LAB 51.22, 0, -0.01

 

CMYK 0 / 10 / 79 / 21

HEX #C9B42A

RGB 201 180 42

HSL 52.08, 0.65%, 0.48%

LAB 73.04, -6.54, 67.15

 

CMYK 10 / 0 / 79 / 21

HEX #B4C92A

RGB 180 201 42

HSL 67.92, 0.65%, 0.48%

LAB 77.07, -26.06, 70.09

 

CMYK 31 / 0 / 79 / 21

HEX #8AC92A

RGB 138 201 42

HSL 83.77, 0.65%, 0.48%

LAB 74.41, -42.64, 66.7

 

CMYK 53 / 0 / 79 / 21

HEX #5FC92A

RGB 95 201 42

HSL 100, 0.65%, 0.48%

LAB 72.48, -56.69, 64.2

 

CMYK 74 / 0 / 79 / 21

HEX #35C92A

RGB 53 201 42

HSL 115.85, 0.65%, 0.48%

LAB 71.35, -65.96, 62.74

 

CMYK 32 / 0 / 79 / 48

HEX #5A851C

RGB 90 133 28

HSL 84.57, 0.65%, 0.32%

LAB 50.73, -31.23, 48.02

 

CMYK 32 / 0 / 79 / 35

HEX #71A723

RGB 113 167 35

HSL 84.55, 0.65%, 0.4%

LAB 62.73, -37.43, 57.49

 

CMYK 32 / 0 / 79 / 21

HEX #88C92A

RGB 136 201 42

HSL 84.53, 0.65%, 0.48%

LAB 74.3, -43.37, 66.56

 

CMYK 27 / 0 / 67 / 16

HEX #9CD746

RGB 156 215 70

HSL 84.41, 0.64%, 0.56%

LAB 79.68, -40.49, 62.68

 

CMYK 22 / 0 / 53 / 13

HEX #AEDF68

RGB 174 223 104

HSL 84.71, 0.65%, 0.64%

LAB 83.32, -34.58, 52.53

 

CMYK 32 / 0 / 79 / 21

HEX #88C92A

RGB 136 201 42

HSL 84.53, 0.65%, 0.48%

LAB 74.3, -43.37, 66.56

 

CMYK 79 / 0 / 31 / 21

HEX #2AC98A

RGB 42 201 138

HSL 156.23, 0.65%, 0.48%

LAB 72.3, -54.23, 20.43

 

CMYK 0 / 79 / 0 / 21

HEX #C92AC9

RGB 201 42 201

HSL 300, 0.65%, 0.48%

LAB 49.85, 76.12, -47.58

 

CMYK 32 / 0 / 79 / 21

HEX #88C92A

RGB 136 201 42

HSL 84.53, 0.65%, 0.48%

LAB 74.3, -43.37, 66.56

 

CMYK 79 / 31 / 0 / 21

HEX #2A8AC9

RGB 42 138 201

HSL 203.77, 0.65%, 0.48%

LAB 54.95, -5.57, -40.34

 

CMYK 0 / 79 / 31 / 21

HEX #C92A8A

RGB 201 42 138

HSL 323.77, 0.65%, 0.48%

LAB 46.85, 67.62, -15.01

 

CMYK 32 / 0 / 79 / 21

HEX #88C92A

RGB 136 201 42

HSL 84.53, 0.65%, 0.48%

LAB 74.3, -43.37, 66.56

 

CMYK 79 / 0 / 31 / 21

HEX #2AC98A

RGB 42 201 138

HSL 156.23, 0.65%, 0.48%

LAB 72.3, -54.23, 20.43

 

CMYK 47 / 79 / 0 / 21

HEX #6A2AC9

RGB 106 42 201

HSL 264.15, 0.65%, 0.48%

LAB 35.86, 59.89, -70.89

 

CMYK 0 / 79 / 47 / 21

HEX #C92A6A

RGB 201 42 106

HSL 335.85, 0.65%, 0.48%

LAB 45.79, 64.43, 3.01

 

CMYK 32 / 0 / 79 / 21

HEX #88C92A

RGB 136 201 42

HSL 84.53, 0.65%, 0.48%

LAB 74.3, -43.37, 66.56

 

CMYK 79 / 0 / 7 / 21

HEX #2AC9BA

RGB 42 201 186

HSL 174.34, 0.65%, 0.48%

LAB 73.42, -42.37, -3.82

 

CMYK 47 / 79 / 0 / 21

HEX #6A2AC9

RGB 106 42 201

HSL 264.15, 0.65%, 0.48%

LAB 35.86, 59.89, -70.89

 

CMYK 0 / 79 / 71 / 21

HEX #C92A3A

RGB 201 42 58

HSL 353.96, 0.65%, 0.48%

LAB 44.77, 61.29, 31.18

 

Description

Color code: HEX #88C92A | qconv.com Color code: HEX #88C92A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 201 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 201 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 79 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 79% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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