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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88C532 it is the complementary color #773ACD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88C532. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88C532 shade: #8DC52D, #9ED740, #AFE953, #C0FB66 and #D1FF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88C532. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88C532 shade: #88C532, #77B31F, #66A10C, #558F00 and #447D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88C532 shade: #87C431, #AEC431, #C4B231, #C48A31 and #C46231

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88C532 shade: #87C431, #5FC431, #38C431, #31C452 and #31C479

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88C532 shade matches the following richer shades: #87C431, #8AD81D and #8EEB09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88C532 shade: #87C431, #84B045, #809C59, #7D886C and #797580

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88C532 shade: #C4B031, #B0C431, #89C431, #62C431 and #3BC431

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88C532 shade: #598220, #70A329, #87C431, #9AD24C and #ADDA6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88C532 shade: #88C532, #31C489 and #C431C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88C532 shade: #88C532, #3189C4 and #C43189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88C532 shade: #88C532, #31C489, #6C31C4 and #C4316C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88C532 shade: #88C532, #31C4B5, #6C31C4 and #C43140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 75 / 23

HEX #88C532

RGB 136 197 50

HSL 84.9, 0.6%, 0.48%

LAB 73.15, -41.24, 62.99

 

Complementary color

CMYK 42 / 72 / 0 / 20

HEX #773ACD

RGB 119 58 205

HSL 264.9, 0.6%, 0.52%

LAB 40.17, 55.96, -66.1

 

CMYK 28 / 0 / 77 / 23

HEX #8DC52D

RGB 141 197 45

HSL 82.11, 0.63%, 0.47%

LAB 73.41, -39.63, 64.94

 

CMYK 27 / 0 / 70 / 16

HEX #9ED740

RGB 158 215 64

HSL 82.65, 0.65%, 0.55%

LAB 79.75, -40.14, 65.03

 

CMYK 25 / 0 / 64 / 9

HEX #AFE953

RGB 175 233 83

HSL 83.2, 0.77%, 0.62%

LAB 86.01, -40.5, 64.59

 

CMYK 24 / 0 / 59 / 2

HEX #C0FB66

RGB 192 251 102

HSL 83.76, 0.95%, 0.69%

LAB 92.2, -40.75, 63.85

 

CMYK 18 / 0 / 53 / 0

HEX #D1FF79

RGB 209 255 121

HSL 80.6, 1%, 0.74%

LAB 94.51, -34.67, 58.5

 

CMYK 31 / 0 / 75 / 23

HEX #88C532

RGB 136 197 50

HSL 84.9, 0.6%, 0.48%

LAB 73.15, -41.24, 62.99

 

CMYK 34 / 0 / 83 / 30

HEX #77B31F

RGB 119 179 31

HSL 84.32, 0.7%, 0.41%

LAB 66.72, -40.63, 62.38

 

CMYK 37 / 0 / 93 / 37

HEX #66A10C

RGB 102 161 12

HSL 83.76, 0.86%, 0.34%

LAB 60.2, -39.76, 60.46

 

CMYK 41 / 0 / 100 / 44

HEX #558F00

RGB 85 143 0

HSL 84.34, 1%, 0.28%

LAB 53.57, -38.57, 56.67

 

CMYK 46 / 0 / 100 / 51

HEX #447D00

RGB 68 125 0

HSL 87.36, 1%, 0.25%

LAB 46.84, -37.05, 51.07

 

CMYK 31 / 0 / 75 / 23

HEX #87C431

RGB 135 196 49

HSL 84.9, 0.6%, 0.48%

LAB 72.79, -41.22, 62.96

 

CMYK 11 / 0 / 75 / 23

HEX #AEC431

RGB 174 196 49

HSL 68.98, 0.6%, 0.48%

LAB 75.26, -25.85, 66.18

 

CMYK 0 / 9 / 75 / 23

HEX #C4B231

RGB 196 178 49

HSL 52.65, 0.6%, 0.48%

LAB 72.09, -7.41, 63.83

 

CMYK 0 / 30 / 75 / 23

HEX #C48A31

RGB 196 138 49

HSL 36.33, 0.6%, 0.48%

LAB 61.77, 14.09, 53.91

 

CMYK 0 / 50 / 75 / 23

HEX #C46231

RGB 196 98 49

HSL 20, 0.6%, 0.48%

LAB 52.61, 35.71, 44.63

 

CMYK 31 / 0 / 75 / 23

HEX #87C431

RGB 135 196 49

HSL 84.9, 0.6%, 0.48%

LAB 72.79, -41.22, 62.96

 

CMYK 52 / 0 / 75 / 23

HEX #5FC431

RGB 95 196 49

HSL 101.22, 0.6%, 0.48%

LAB 70.96, -54.43, 60.55

 

CMYK 71 / 0 / 75 / 23

HEX #38C431

RGB 56 196 49

HSL 117.14, 0.6%, 0.48%

LAB 69.85, -63.41, 59.08

 

CMYK 75 / 0 / 58 / 23

HEX #31C452

RGB 49 196 82

HSL 133.47, 0.6%, 0.48%

LAB 69.99, -61.23, 45.76

 

CMYK 75 / 0 / 38 / 23

HEX #31C479

RGB 49 196 121

HSL 149.39, 0.6%, 0.48%

LAB 70.53, -54.97, 27.03

 

CMYK 31 / 0 / 75 / 23

HEX #87C431

RGB 135 196 49

HSL 84.9, 0.6%, 0.48%

LAB 72.79, -41.22, 62.96

 

CMYK 36 / 0 / 87 / 15

HEX #8AD81D

RGB 138 216 29

HSL 85.03, 0.76%, 0.48%

LAB 78.81, -49.41, 73.71

 

CMYK 40 / 0 / 96 / 8

HEX #8EEB09

RGB 142 235 9

HSL 84.69, 0.93%, 0.48%

LAB 84.58, -56.01, 81.17

 

CMYK 31 / 0 / 75 / 23

HEX #87C431

RGB 135 196 49

HSL 84.9, 0.6%, 0.48%

LAB 72.79, -41.22, 62.96

 

CMYK 25 / 0 / 61 / 31

HEX #84B045

RGB 132 176 69

HSL 84.67, 0.44%, 0.48%

LAB 66.81, -31.9, 48.86

 

CMYK 18 / 0 / 43 / 39

HEX #809C59

RGB 128 156 89

HSL 85.07, 0.27%, 0.48%

LAB 60.86, -21.56, 31.87

 

CMYK 8 / 0 / 21 / 47

HEX #7D886C

RGB 125 136 108

HSL 83.57, 0.11%, 0.48%

LAB 55.12, -9.33, 13.71

 

CMYK 5 / 9 / 0 / 50

HEX #797580

RGB 121 117 128

HSL 261.82, 0.04%, 0.48%

LAB 49.91, 3.78, -5.48

 

CMYK 0 / 10 / 75 / 23

HEX #C4B031

RGB 196 176 49

HSL 51.84, 0.6%, 0.48%

LAB 71.56, -6.36, 63.33

 

CMYK 10 / 0 / 75 / 23

HEX #B0C431

RGB 176 196 49

HSL 68.16, 0.6%, 0.48%

LAB 75.41, -25.02, 66.36

 

CMYK 30 / 0 / 75 / 23

HEX #89C431

RGB 137 196 49

HSL 84.08, 0.6%, 0.48%

LAB 72.91, -40.48, 63.1

 

CMYK 50 / 0 / 75 / 23

HEX #62C431

RGB 98 196 49

HSL 100, 0.6%, 0.48%

LAB 71.08, -53.56, 60.7

 

CMYK 70 / 0 / 75 / 23

HEX #3BC431

RGB 59 196 49

HSL 115.92, 0.6%, 0.48%

LAB 69.92, -62.88, 59.17

 

CMYK 32 / 0 / 75 / 49

HEX #598220

RGB 89 130 32

HSL 85.1, 0.6%, 0.32%

LAB 49.73, -29.98, 45.61

 

CMYK 31 / 0 / 75 / 36

HEX #70A329

RGB 112 163 41

HSL 85.08, 0.6%, 0.4%

LAB 61.48, -35.69, 54.29

 

CMYK 31 / 0 / 75 / 23

HEX #87C431

RGB 135 196 49

HSL 84.9, 0.6%, 0.48%

LAB 72.79, -41.22, 62.96

 

CMYK 27 / 0 / 64 / 18

HEX #9AD24C

RGB 154 210 76

HSL 85.07, 0.6%, 0.56%

LAB 78.16, -38.57, 58.65

 

CMYK 21 / 0 / 50 / 15

HEX #ADDA6D

RGB 173 218 109

HSL 84.77, 0.6%, 0.64%

LAB 81.91, -32.14, 48.5

 

CMYK 31 / 0 / 75 / 23

HEX #88C532

RGB 136 197 50

HSL 84.9, 0.6%, 0.48%

LAB 73.15, -41.24, 62.99

 

CMYK 75 / 0 / 30 / 23

HEX #31C489

RGB 49 196 137

HSL 155.92, 0.6%, 0.48%

LAB 70.83, -51.69, 18.96

 

CMYK 0 / 75 / 0 / 23

HEX #C431C4

RGB 196 49 196

HSL 300, 0.6%, 0.48%

LAB 49.4, 72.45, -45.46

 

CMYK 31 / 0 / 75 / 23

HEX #88C532

RGB 136 197 50

HSL 84.9, 0.6%, 0.48%

LAB 73.15, -41.24, 62.99

 

CMYK 75 / 30 / 0 / 23

HEX #3189C4

RGB 49 137 196

HSL 204.08, 0.6%, 0.48%

LAB 54.58, -5.98, -38.07

 

CMYK 0 / 75 / 30 / 23

HEX #C43189

RGB 196 49 137

HSL 324.08, 0.6%, 0.48%

LAB 46.63, 64.23, -14.83

 

CMYK 31 / 0 / 75 / 23

HEX #88C532

RGB 136 197 50

HSL 84.9, 0.6%, 0.48%

LAB 73.15, -41.24, 62.99

 

CMYK 75 / 0 / 30 / 23

HEX #31C489

RGB 49 196 137

HSL 155.92, 0.6%, 0.48%

LAB 70.83, -51.69, 18.96

 

CMYK 45 / 75 / 0 / 23

HEX #6C31C4

RGB 108 49 196

HSL 264.08, 0.6%, 0.48%

LAB 36.69, 55.97, -66.61

 

CMYK 0 / 75 / 45 / 23

HEX #C4316C

RGB 196 49 108

HSL 335.92, 0.6%, 0.48%

LAB 45.65, 61.18, 1.46

 

CMYK 31 / 0 / 75 / 23

HEX #88C532

RGB 136 197 50

HSL 84.9, 0.6%, 0.48%

LAB 73.15, -41.24, 62.99

 

CMYK 75 / 0 / 8 / 23

HEX #31C4B5

RGB 49 196 181

HSL 173.88, 0.6%, 0.48%

LAB 71.87, -40.81, -3.37

 

CMYK 45 / 75 / 0 / 23

HEX #6C31C4

RGB 108 49 196

HSL 264.08, 0.6%, 0.48%

LAB 36.69, 55.97, -66.61

 

CMYK 0 / 75 / 67 / 23

HEX #C43140

RGB 196 49 64

HSL 353.88, 0.6%, 0.48%

LAB 44.66, 57.97, 27.22

 

Description

Color code: HEX #88C532 | qconv.com Color code: HEX #88C532 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 197 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 197 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 75 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 75% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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