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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88C41E it is the complementary color #773BE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88C41E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88C41E shade: #8DC419, #9ED62C, #AFE83F, #C0FA52 and #D1FF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88C41E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88C41E shade: #88C41E, #77B20B, #66A000, #558E00 and #447C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88C41E shade: #87C21E, #B3C21E, #C2A51E, #C2791E and #C24D1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88C41E shade: #87C21E, #5BC21E, #2FC21E, #1EC23A and #1EC266

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88C41E shade matches the following richer shades: #87C21E and #8CD40C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88C41E shade: #87C21E, #82B030, #7D9E43, #788C55 and #737967

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88C41E shade: #C2A41E, #B4C21E, #89C21E, #5DC21E and #31C21E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88C41E shade: #557B13, #6E9E19, #87C21E, #9EDE2C and #AEE44F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88C41E shade: #88C41E, #1EC278 and #BA1EC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88C41E shade: #88C41E, #1E89C2 and #C21E89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88C41E shade: #88C41E, #1EC278, #581EC2 and #C21E68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88C41E shade: #88C41E, #1EC2AA, #581EC2 and #C21E37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 85 / 23

HEX #88C41E

RGB 136 196 30

HSL 81.69, 0.73%, 0.44%

LAB 72.77, -41.69, 68.28

 

Complementary color

CMYK 47 / 74 / 0 / 12

HEX #773BE1

RGB 119 59 225

HSL 261.69, 0.73%, 0.56%

LAB 41.98, 60.59, -74.64

 

CMYK 28 / 0 / 87 / 23

HEX #8DC419

RGB 141 196 25

HSL 79.3, 0.77%, 0.43%

LAB 73.03, -39.95, 69.67

 

CMYK 26 / 0 / 79 / 16

HEX #9ED62C

RGB 158 214 44

HSL 79.76, 0.67%, 0.51%

LAB 79.35, -40.73, 71.06

 

CMYK 25 / 0 / 73 / 9

HEX #AFE83F

RGB 175 232 63

HSL 80.24, 0.79%, 0.58%

LAB 85.6, -41.32, 71.48

 

CMYK 23 / 0 / 67 / 2

HEX #C0FA52

RGB 192 250 82

HSL 80.71, 0.94%, 0.65%

LAB 91.77, -41.77, 71.3

 

CMYK 18 / 0 / 60 / 0

HEX #D1FF65

RGB 209 255 101

HSL 77.92, 1%, 0.7%

LAB 94.32, -36.35, 66.89

 

CMYK 31 / 0 / 85 / 23

HEX #88C41E

RGB 136 196 30

HSL 81.69, 0.73%, 0.44%

LAB 72.77, -41.69, 68.28

 

CMYK 33 / 0 / 94 / 30

HEX #77B20B

RGB 119 178 11

HSL 81.2, 0.88%, 0.37%

LAB 66.36, -40.77, 65.97

 

CMYK 36 / 0 / 100 / 37

HEX #66A000

RGB 102 160 0

HSL 81.75, 1%, 0.31%

LAB 59.86, -39.58, 61.92

 

CMYK 40 / 0 / 100 / 44

HEX #558E00

RGB 85 142 0

HSL 84.08, 1%, 0.28%

LAB 53.25, -38.14, 56.42

 

CMYK 45 / 0 / 100 / 51

HEX #447C00

RGB 68 124 0

HSL 87.1, 1%, 0.24%

LAB 46.5, -36.63, 50.81

 

CMYK 30 / 0 / 85 / 24

HEX #87C21E

RGB 135 194 30

HSL 81.59, 0.73%, 0.44%

LAB 72.11, -41.2, 67.69

 

CMYK 8 / 0 / 85 / 24

HEX #B3C21E

RGB 179 194 30

HSL 65.49, 0.73%, 0.44%

LAB 74.99, -23.48, 71.28

 

CMYK 0 / 15 / 85 / 24

HEX #C2A51E

RGB 194 165 30

HSL 49.39, 0.73%, 0.44%

LAB 68.37, -2.1, 66.27

 

CMYK 0 / 38 / 85 / 24

HEX #C2791E

RGB 194 121 30

HSL 33.29, 0.73%, 0.44%

LAB 57.31, 21.86, 56.96

 

CMYK 0 / 60 / 85 / 24

HEX #C24D1E

RGB 194 77 30

HSL 17.2, 0.73%, 0.44%

LAB 48.1, 44.66, 49.05

 

CMYK 30 / 0 / 85 / 24

HEX #87C21E

RGB 135 194 30

HSL 81.59, 0.73%, 0.44%

LAB 72.11, -41.2, 67.69

 

CMYK 53 / 0 / 85 / 24

HEX #5BC21E

RGB 91 194 30

HSL 97.68, 0.73%, 0.44%

LAB 70.11, -55.82, 65.16

 

CMYK 76 / 0 / 85 / 24

HEX #2FC21E

RGB 47 194 30

HSL 113.78, 0.73%, 0.44%

LAB 68.95, -65.37, 63.7

 

CMYK 85 / 0 / 70 / 24

HEX #1EC23A

RGB 30 194 58

HSL 130.24, 0.73%, 0.44%

LAB 68.87, -65.53, 54.68

 

CMYK 85 / 0 / 47 / 24

HEX #1EC266

RGB 30 194 102

HSL 146.34, 0.73%, 0.44%

LAB 69.34, -59.81, 35.21

 

CMYK 30 / 0 / 85 / 24

HEX #87C21E

RGB 135 194 30

HSL 81.59, 0.73%, 0.44%

LAB 72.11, -41.2, 67.69

 

CMYK 34 / 0 / 94 / 17

HEX #8CD40C

RGB 140 212 12

HSL 81.6, 0.89%, 0.44%

LAB 77.69, -47.43, 75.38

 

CMYK 30 / 0 / 85 / 24

HEX #87C21E

RGB 135 194 30

HSL 81.59, 0.73%, 0.44%

LAB 72.11, -41.2, 67.69

 

CMYK 26 / 0 / 73 / 31

HEX #82B030

RGB 130 176 48

HSL 81.56, 0.57%, 0.44%

LAB 66.53, -34.24, 57.1

 

CMYK 21 / 0 / 58 / 38

HEX #7D9E43

RGB 125 158 67

HSL 81.76, 0.4%, 0.44%

LAB 60.97, -26.2, 43.07

 

CMYK 14 / 0 / 39 / 45

HEX #788C55

RGB 120 140 85

HSL 81.82, 0.24%, 0.44%

LAB 55.49, -17, 27.04

 

CMYK 5 / 0 / 15 / 53

HEX #737967

RGB 115 121 103

HSL 80, 0.08%, 0.44%

LAB 49.86, -5.76, 9.11

 

CMYK 0 / 15 / 85 / 24

HEX #C2A41E

RGB 194 164 30

HSL 49.02, 0.73%, 0.44%

LAB 68.1, -1.57, 66.05

 

CMYK 7 / 0 / 85 / 24

HEX #B4C21E

RGB 180 194 30

HSL 65.12, 0.73%, 0.44%

LAB 75.06, -23.05, 71.38

 

CMYK 29 / 0 / 85 / 24

HEX #89C21E

RGB 137 194 30

HSL 80.85, 0.73%, 0.44%

LAB 72.23, -40.45, 67.83

 

CMYK 52 / 0 / 85 / 24

HEX #5DC21E

RGB 93 194 30

HSL 96.95, 0.73%, 0.44%

LAB 70.18, -55.26, 65.25

 

CMYK 75 / 0 / 85 / 24

HEX #31C21E

RGB 49 194 30

HSL 113.05, 0.73%, 0.44%

LAB 68.99, -65.06, 63.74

 

CMYK 31 / 0 / 85 / 52

HEX #557B13

RGB 85 123 19

HSL 81.92, 0.73%, 0.28%

LAB 47.16, -28.99, 47.47

 

CMYK 30 / 0 / 84 / 38

HEX #6E9E19

RGB 110 158 25

HSL 81.65, 0.73%, 0.36%

LAB 59.74, -34.98, 57.56

 

CMYK 30 / 0 / 85 / 24

HEX #87C21E

RGB 135 194 30

HSL 81.59, 0.73%, 0.44%

LAB 72.11, -41.2, 67.69

 

CMYK 29 / 0 / 80 / 13

HEX #9EDE2C

RGB 158 222 44

HSL 81.57, 0.73%, 0.52%

LAB 81.67, -44.2, 73.15

 

CMYK 24 / 0 / 65 / 11

HEX #AEE44F

RGB 174 228 79

HSL 81.74, 0.73%, 0.6%

LAB 84.51, -38.94, 64.56

 

CMYK 31 / 0 / 85 / 23

HEX #88C41E

RGB 136 196 30

HSL 81.69, 0.73%, 0.44%

LAB 72.77, -41.69, 68.28

 

CMYK 85 / 0 / 38 / 24

HEX #1EC278

RGB 30 194 120

HSL 152.93, 0.73%, 0.44%

LAB 69.62, -56.51, 26.3

 

CMYK 4 / 85 / 0 / 24

HEX #BA1EC2

RGB 186 30 194

HSL 297.07, 0.73%, 0.44%

LAB 45.99, 74.93, -49.83

 

CMYK 31 / 0 / 85 / 23

HEX #88C41E

RGB 136 196 30

HSL 81.69, 0.73%, 0.44%

LAB 72.77, -41.69, 68.28

 

CMYK 85 / 29 / 0 / 24

HEX #1E89C2

RGB 30 137 194

HSL 200.85, 0.73%, 0.44%

LAB 54.09, -8.65, -37.74

 

CMYK 0 / 85 / 29 / 24

HEX #C21E89

RGB 194 30 137

HSL 320.85, 0.73%, 0.44%

LAB 44.52, 68.73, -18.07

 

CMYK 31 / 0 / 85 / 23

HEX #88C41E

RGB 136 196 30

HSL 81.69, 0.73%, 0.44%

LAB 72.77, -41.69, 68.28

 

CMYK 85 / 0 / 38 / 24

HEX #1EC278

RGB 30 194 120

HSL 152.93, 0.73%, 0.44%

LAB 69.62, -56.51, 26.3

 

CMYK 55 / 85 / 0 / 24

HEX #581EC2

RGB 88 30 194

HSL 261.22, 0.73%, 0.44%

LAB 31.57, 60.41, -73.93

 

CMYK 0 / 85 / 46 / 24

HEX #C21E68

RGB 194 30 104

HSL 332.93, 0.73%, 0.44%

LAB 43.36, 65.41, 0.55

 

CMYK 31 / 0 / 85 / 23

HEX #88C41E

RGB 136 196 30

HSL 81.69, 0.73%, 0.44%

LAB 72.77, -41.69, 68.28

 

CMYK 85 / 0 / 12 / 24

HEX #1EC2AA

RGB 30 194 170

HSL 171.22, 0.73%, 0.44%

LAB 70.71, -44.71, 0.89

 

CMYK 55 / 85 / 0 / 24

HEX #581EC2

RGB 88 30 194

HSL 261.22, 0.73%, 0.44%

LAB 31.57, 60.41, -73.93

 

CMYK 0 / 85 / 72 / 24

HEX #C21E37

RGB 194 30 55

HSL 350.85, 0.73%, 0.44%

LAB 42.27, 62.23, 29.68

 

Description

Color code: HEX #88C41E | qconv.com Color code: HEX #88C41E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 196 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 196 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 85 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 85% 23% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

60% - Wii Fit U
Link: http://www.nintendo.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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