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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88B5E5 it is the complementary color #774A1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88B5E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88B5E5 shade: #8DB5E0, #9EC7F3, #AFD9FF, #C0EBFF and #D1FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88B5E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88B5E5 shade: #88B5E5, #77A3D2, #6691BF, #557FAC and #446D99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88B5E5 shade: #8AB6E5, #8A9DE5, #8F8AE5, #A88AE5 and #C08AE5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88B5E5 shade: #8AB6E5, #8A9DE5 and #8A8AE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88B5E5 shade matches the following richer shades: #8AB6E5, #7EB6F1 and #73B5FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88B5E5 shade: #8AB6E5, #95B6DA, #A1B7CE, #ADB7C3 and #B8B8B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88B5E5 shade: #8AE5E2, #8AD0E5, #8AB8E5, #8A9FE5 and #8D8AE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88B5E5 shade: #468CD6, #68A1DE, #8AB6E5, #ACCBED and #CEE0F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88B5E5 shade: #88B5E5, #CA8AE5 and #DCE58A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88B5E5 shade: #88B5E5, #E58AB8 and #B8E58A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88B5E5 shade: #88B5E5, #CA8AE5, #E5B88A and #A5E58A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88B5E5 shade: #88B5E5, #E58AE5, #E5B88A and #8AE58A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 21 / 0 / 10

HEX #88B5E5

RGB 136 181 229

HSL 210.97, 0.64%, 0.72%

LAB 72.19, -2.88, -28.77

 

Complementary color

CMYK 0 / 38 / 78 / 53

HEX #774A1A

RGB 119 74 26

HSL 30.97, 0.64%, 0.28%

LAB 35.78, 14.75, 35.18

 

CMYK 37 / 19 / 0 / 12

HEX #8DB5E0

RGB 141 181 224

HSL 211.08, 0.57%, 0.72%

LAB 72.29, -2.88, -25.86

 

CMYK 35 / 18 / 0 / 5

HEX #9EC7F3

RGB 158 199 243

HSL 211.06, 0.78%, 0.79%

LAB 78.8, -3.13, -26.07

 

CMYK 31 / 15 / 0 / 0

HEX #AFD9FF

RGB 175 217 255

HSL 208.5, 1%, 0.84%

LAB 84.98, -5.03, -22.96

 

CMYK 25 / 8 / 0 / 0

HEX #C0EBFF

RGB 192 235 255

HSL 199.05, 1%, 0.88%

LAB 90.71, -9.5, -14.22

 

CMYK 18 / 1 / 0 / 0

HEX #D1FDFF

RGB 209 253 255

HSL 182.61, 1%, 0.91%

LAB 96.42, -13.53, -5.62

 

CMYK 41 / 21 / 0 / 10

HEX #88B5E5

RGB 136 181 229

HSL 210.97, 0.64%, 0.72%

LAB 72.19, -2.88, -28.77

 

CMYK 43 / 22 / 0 / 18

HEX #77A3D2

RGB 119 163 210

HSL 210.99, 0.5%, 0.65%

LAB 65.57, -2.53, -28.61

 

CMYK 47 / 24 / 0 / 25

HEX #6691BF

RGB 102 145 191

HSL 211.01, 0.41%, 0.57%

LAB 58.82, -2.12, -28.47

 

CMYK 51 / 26 / 0 / 33

HEX #557FAC

RGB 85 127 172

HSL 211.03, 0.34%, 0.5%

LAB 51.94, -1.6, -28.36

 

CMYK 56 / 29 / 0 / 40

HEX #446D99

RGB 68 109 153

HSL 211.06, 0.38%, 0.43%

LAB 44.89, -0.94, -28.28

 

CMYK 40 / 21 / 0 / 10

HEX #8AB6E5

RGB 138 182 229

HSL 210.99, 0.64%, 0.72%

LAB 72.57, -2.91, -28.17

 

CMYK 40 / 31 / 0 / 10

HEX #8A9DE5

RGB 138 157 229

HSL 227.47, 0.64%, 0.72%

LAB 65.88, 11.08, -38.52

 

CMYK 38 / 40 / 0 / 10

HEX #8F8AE5

RGB 143 138 229

HSL 243.3, 0.64%, 0.72%

LAB 61.37, 23.37, -45.58

 

CMYK 27 / 40 / 0 / 10

HEX #A88AE5

RGB 168 138 229

HSL 259.78, 0.64%, 0.72%

LAB 63.47, 30.19, -42.13

 

CMYK 16 / 40 / 0 / 10

HEX #C08AE5

RGB 192 138 229

HSL 275.6, 0.64%, 0.72%

LAB 65.78, 37.11, -38.35

 

CMYK 40 / 21 / 0 / 10

HEX #8AB6E5

RGB 138 182 229

HSL 210.99, 0.64%, 0.72%

LAB 72.57, -2.91, -28.17

 

CMYK 40 / 31 / 0 / 10

HEX #8A9DE5

RGB 138 157 229

HSL 227.47, 0.64%, 0.72%

LAB 65.88, 11.08, -38.52

 

CMYK 40 / 40 / 0 / 10

HEX #8A8AE5

RGB 138 138 229

HSL 240, 0.64%, 0.72%

LAB 60.99, 22.08, -46.21

 

CMYK 40 / 21 / 0 / 10

HEX #8AB6E5

RGB 138 182 229

HSL 210.99, 0.64%, 0.72%

LAB 72.57, -2.91, -28.17

 

CMYK 48 / 24 / 0 / 5

HEX #7EB6F1

RGB 126 182 241

HSL 210.78, 0.8%, 0.72%

LAB 72.39, -2.56, -35.01

 

CMYK 54 / 28 / 0 / 1

HEX #73B5FC

RGB 115 181 252

HSL 211.09, 0.96%, 0.72%

LAB 72.04, -1.19, -41.54

 

CMYK 40 / 21 / 0 / 10

HEX #8AB6E5

RGB 138 182 229

HSL 210.99, 0.64%, 0.72%

LAB 72.57, -2.91, -28.17

 

CMYK 32 / 17 / 0 / 15

HEX #95B6DA

RGB 149 182 218

HSL 211.3, 0.48%, 0.72%

LAB 72.83, -2.73, -21.73

 

CMYK 22 / 11 / 0 / 19

HEX #A1B7CE

RGB 161 183 206

HSL 210.67, 0.31%, 0.72%

LAB 73.48, -2.54, -14.12

 

CMYK 11 / 6 / 0 / 24

HEX #ADB7C3

RGB 173 183 195

HSL 212.73, 0.15%, 0.72%

LAB 73.99, -1.06, -7.27

 

CMYK 0 / 0 / 1 / 28

HEX #B8B8B7

RGB 184 184 183

HSL 60, 0.01%, 0.72%

LAB 74.76, -0.18, 0.5

 

CMYK 40 / 0 / 1 / 10

HEX #8AE5E2

RGB 138 229 226

HSL 178.02, 0.64%, 0.72%

LAB 85.47, -27.84, -7.1

 

CMYK 40 / 9 / 0 / 10

HEX #8AD0E5

RGB 138 208 229

HSL 193.85, 0.64%, 0.72%

LAB 79.71, -16.66, -17.3

 

CMYK 40 / 20 / 0 / 10

HEX #8AB8E5

RGB 138 184 229

HSL 209.67, 0.64%, 0.72%

LAB 73.12, -4, -27.33

 

CMYK 40 / 31 / 0 / 10

HEX #8A9FE5

RGB 138 159 229

HSL 226.15, 0.64%, 0.72%

LAB 66.41, 9.94, -37.7

 

CMYK 38 / 40 / 0 / 10

HEX #8D8AE5

RGB 141 138 229

HSL 241.98, 0.64%, 0.72%

LAB 61.22, 22.85, -45.83

 

CMYK 67 / 35 / 0 / 16

HEX #468CD6

RGB 70 140 214

HSL 210.83, 0.64%, 0.56%

LAB 56.99, 1.6, -44.4

 

CMYK 53 / 27 / 0 / 13

HEX #68A1DE

RGB 104 161 222

HSL 211.02, 0.64%, 0.64%

LAB 64.73, -1.45, -36.61

 

CMYK 40 / 21 / 0 / 10

HEX #8AB6E5

RGB 138 182 229

HSL 210.99, 0.64%, 0.72%

LAB 72.57, -2.91, -28.17

 

CMYK 27 / 14 / 0 / 7

HEX #ACCBED

RGB 172 203 237

HSL 211.38, 0.64%, 0.8%

LAB 80.51, -2.78, -20.18

 

CMYK 16 / 8 / 0 / 4

HEX #CEE0F4

RGB 206 224 244

HSL 211.58, 0.63%, 0.88%

LAB 88.43, -1.98, -11.77

 

CMYK 41 / 21 / 0 / 10

HEX #88B5E5

RGB 136 181 229

HSL 210.97, 0.64%, 0.72%

LAB 72.19, -2.88, -28.77

 

CMYK 12 / 40 / 0 / 10

HEX #CA8AE5

RGB 202 138 229

HSL 282.2, 0.64%, 0.72%

LAB 66.82, 40.06, -36.66

 

CMYK 4 / 0 / 40 / 10

HEX #DCE58A

RGB 220 229 138

HSL 65.93, 0.64%, 0.72%

LAB 88.49, -16.47, 43.31

 

CMYK 41 / 21 / 0 / 10

HEX #88B5E5

RGB 136 181 229

HSL 210.97, 0.64%, 0.72%

LAB 72.19, -2.88, -28.77

 

CMYK 0 / 40 / 20 / 10

HEX #E58AB8

RGB 229 138 184

HSL 329.67, 0.64%, 0.72%

LAB 68.24, 40.68, -9.17

 

CMYK 20 / 0 / 40 / 10

HEX #B8E58A

RGB 184 229 138

HSL 89.67, 0.64%, 0.72%

LAB 86.04, -29.9, 39.68

 

CMYK 41 / 21 / 0 / 10

HEX #88B5E5

RGB 136 181 229

HSL 210.97, 0.64%, 0.72%

LAB 72.19, -2.88, -28.77

 

CMYK 12 / 40 / 0 / 10

HEX #CA8AE5

RGB 202 138 229

HSL 282.2, 0.64%, 0.72%

LAB 66.82, 40.06, -36.66

 

CMYK 0 / 20 / 40 / 10

HEX #E5B88A

RGB 229 184 138

HSL 30.33, 0.64%, 0.72%

LAB 77.74, 10.16, 29.51

 

CMYK 28 / 0 / 40 / 10

HEX #A5E58A

RGB 165 229 138

HSL 102.2, 0.64%, 0.72%

LAB 84.93, -36.54, 38.04

 

CMYK 41 / 21 / 0 / 10

HEX #88B5E5

RGB 136 181 229

HSL 210.97, 0.64%, 0.72%

LAB 72.19, -2.88, -28.77

 

CMYK 0 / 40 / 0 / 10

HEX #E58AE5

RGB 229 138 229

HSL 300, 0.64%, 0.72%

LAB 69.82, 48.12, -31.77

 

CMYK 0 / 20 / 40 / 10

HEX #E5B88A

RGB 229 184 138

HSL 30.33, 0.64%, 0.72%

LAB 77.74, 10.16, 29.51

 

CMYK 40 / 0 / 40 / 10

HEX #8AE58A

RGB 138 229 138

HSL 120, 0.64%, 0.72%

LAB 83.59, -45.16, 36.03

 

Description

Color code: HEX #88B5E5 | qconv.com Color code: HEX #88B5E5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 181 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 181 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 21 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 21% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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