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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88B3EECE it is the complementary color #774C11CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88B3EECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88B3EECE shade: #8DB3E9CE, #9EC5FCCE, #AFD7FFCE, #C0E9FFCE and #D1FBFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88B3EECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88B3EECE shade: #88B3EECE, #77A1DBCE, #668FC8CE, #557DB5CE and #446BA2CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88B3EECE shade: #87B2EE, #8796EE, #9387EE, #AF87EE and #CA87EE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88B3EECE shade: #87B2EE, #8796EE and #8787EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88B3EECE shade matches the following richer shades: #87B2EE and #7BB0F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88B3EECE shade: #87B2EE, #92B4E3, #9DB6D8, #A8B7CC and #B3B9C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88B3EECE shade: #87EAEE, #87CFEE, #87B3EE, #8798EE and #9187EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88B3EECE shade: #3E84E3, #629BE9, #87B2EE, #ABC9F3 and #CFE0F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88B3EECE shade: #88B3EE, #D687EE and #DDEE87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88B3EECE shade: #88B3EE, #EE87B3 and #B3EE87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88B3EECE shade: #88B3EE, #D687EE, #EEC187 and #9FEE87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88B3EECE shade: #88B3EE, #EE87E7, #EEC187 and #87EE8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 20 / 0 / 5

HEX #88B3EECE

RGBA 136 179 238 0.81

HSLA 214.71, 0.75%, 0.73%, 0.81

LABA 71.99, 0.67, -33.96, 0.81

 

Complementary color

CMYK 0 / 29 / 69 / 43

HEX #774C11CE

RGBA 119 76 17 0.81

HSLA 34.71, 0.75%, 0.27%, 0.81

LABA 36.24, 13.17, 39.59, 0.81

 

CMYK 32 / 19 / 0 / 7

HEX #8DB3E9CE

RGBA 141 179 233 0.81

HSLA 215.22, 0.68%, 0.73%, 0.81

LABA 72.09, 0.59, -31.08, 0.81

 

CMYK 30 / 18 / 0 / 1

HEX #9EC5FCCE

RGBA 158 197 252 0.81

HSLA 215.11, 0.94%, 0.8%, 0.81

LABA 78.6, 0.25, -31.21, 0.81

 

CMYK 25 / 13 / 0 / 0

HEX #AFD7FFCE

RGBA 175 215 255 0.81

HSLA 210, 1%, 0.84%, 0.81

LABA 84.45, -3.99, -23.76, 0.81

 

CMYK 20 / 7 / 0 / 0

HEX #C0E9FFCE

RGBA 192 233 255 0.81

HSLA 200.95, 1%, 0.88%, 0.81

LABA 90.19, -8.48, -15, 0.81

 

CMYK 15 / 1 / 0 / 0

HEX #D1FBFFCE

RGBA 209 251 255 0.81

HSLA 185.22, 1%, 0.91%, 0.81

LABA 95.9, -12.54, -6.39, 0.81

 

CMYK 35 / 20 / 0 / 5

HEX #88B3EECE

RGBA 136 179 238 0.81

HSLA 214.71, 0.75%, 0.73%, 0.81

LABA 71.99, 0.67, -33.96, 0.81

 

CMYK 37 / 21 / 0 / 11

HEX #77A1DBCE

RGBA 119 161 219 0.81

HSLA 214.8, 0.58%, 0.66%, 0.81

LABA 65.38, 1.15, -33.88, 0.81

 

CMYK 40 / 23 / 0 / 17

HEX #668FC8CE

RGBA 102 143 200 0.81

HSLA 214.9, 0.47%, 0.59%, 0.81

LABA 58.64, 1.71, -33.84, 0.81

 

CMYK 43 / 25 / 0 / 24

HEX #557DB5CE

RGBA 85 125 181 0.81

HSLA 215, 0.39%, 0.52%, 0.81

LABA 51.76, 2.41, -33.82, 0.81

 

CMYK 47 / 28 / 0 / 30

HEX #446BA2CE

RGBA 68 107 162 0.81

HSLA 215.11, 0.41%, 0.45%, 0.81

LABA 44.73, 3.29, -33.84, 0.81

 

CMYK 43 / 25 / 0 / 7

HEX #87B2EE

RGB 135 178 238

HSL 214.95, 0.75%, 0.73%

LAB 71.67, 0.97, -34.47

 

CMYK 43 / 37 / 0 / 7

HEX #8796EE

RGB 135 150 238

HSL 231.26, 0.75%, 0.73%

LAB 64.27, 16.87, -46.02

 

CMYK 38 / 43 / 0 / 7

HEX #9387EE

RGB 147 135 238

HSL 246.99, 0.75%, 0.73%

LAB 61.4, 28.58, -50.51

 

CMYK 26 / 43 / 0 / 7

HEX #AF87EE

RGB 175 135 238

HSL 263.3, 0.75%, 0.73%

LAB 63.85, 35.99, -46.47

 

CMYK 15 / 43 / 0 / 7

HEX #CA87EE

RGB 202 135 238

HSL 279.03, 0.75%, 0.73%

LAB 66.56, 43.54, -42.02

 

CMYK 43 / 25 / 0 / 7

HEX #87B2EE

RGB 135 178 238

HSL 214.95, 0.75%, 0.73%

LAB 71.67, 0.97, -34.47

 

CMYK 43 / 37 / 0 / 7

HEX #8796EE

RGB 135 150 238

HSL 231.26, 0.75%, 0.73%

LAB 64.27, 16.87, -46.02

 

CMYK 43 / 43 / 0 / 7

HEX #8787EE

RGB 135 135 238

HSL 240, 0.75%, 0.73%

LAB 60.47, 25.62, -52.03

 

CMYK 43 / 25 / 0 / 7

HEX #87B2EE

RGB 135 178 238

HSL 214.95, 0.75%, 0.73%

LAB 71.67, 0.97, -34.47

 

CMYK 51 / 29 / 0 / 2

HEX #7BB0F9

RGB 123 176 249

HSL 214.76, 0.91%, 0.73%

LAB 70.94, 2.41, -41.61

 

CMYK 43 / 25 / 0 / 7

HEX #87B2EE

RGB 135 178 238

HSL 214.95, 0.75%, 0.73%

LAB 71.67, 0.97, -34.47

 

CMYK 36 / 21 / 0 / 11

HEX #92B4E3

RGB 146 180 227

HSL 214.81, 0.59%, 0.73%

LAB 72.43, -0.2, -27.26

 

CMYK 27 / 16 / 0 / 15

HEX #9DB6D8

RGB 157 182 216

HSL 214.58, 0.43%, 0.73%

LAB 73.27, -0.88, -19.92

 

CMYK 18 / 10 / 0 / 20

HEX #A8B7CC

RGB 168 183 204

HSL 215, 0.26%, 0.73%

LAB 73.9, -0.77, -12.35

 

CMYK 7 / 4 / 0 / 24

HEX #B3B9C1

RGB 179 185 193

HSL 214.29, 0.1%, 0.73%

LAB 74.91, -0.52, -4.77

 

CMYK 43 / 2 / 0 / 7

HEX #87EAEE

RGB 135 234 238

HSL 182.33, 0.75%, 0.73%

LAB 87.08, -28.04, -11.04

 

CMYK 43 / 13 / 0 / 7

HEX #87CFEE

RGB 135 207 238

HSL 198.06, 0.75%, 0.73%

LAB 79.59, -14.56, -22.32

 

CMYK 43 / 25 / 0 / 7

HEX #87B3EE

RGB 135 179 238

HSL 214.37, 0.75%, 0.73%

LAB 71.94, 0.42, -34.05

 

CMYK 43 / 36 / 0 / 7

HEX #8798EE

RGB 135 152 238

HSL 230.1, 0.75%, 0.73%

LAB 64.79, 15.71, -45.21

 

CMYK 39 / 43 / 0 / 7

HEX #9187EE

RGB 145 135 238

HSL 245.83, 0.75%, 0.73%

LAB 61.24, 28.08, -50.77

 

CMYK 73 / 42 / 0 / 11

HEX #3E84E3

RGB 62 132 227

HSL 214.55, 0.75%, 0.57%

LAB 55.15, 9.81, -54.63

 

CMYK 58 / 33 / 0 / 9

HEX #629BE9

RGB 98 155 233

HSL 214.67, 0.75%, 0.65%

LAB 63.28, 4.17, -44.97

 

CMYK 43 / 25 / 0 / 7

HEX #87B2EE

RGB 135 178 238

HSL 214.95, 0.75%, 0.73%

LAB 71.67, 0.97, -34.47

 

CMYK 30 / 17 / 0 / 5

HEX #ABC9F3

RGB 171 201 243

HSL 215, 0.75%, 0.81%

LAB 80.12, -0.58, -23.99

 

CMYK 17 / 10 / 0 / 3

HEX #CFE0F8

RGB 207 224 248

HSL 215.12, 0.75%, 0.89%

LAB 88.62, -0.84, -13.59

 

CMYK 43 / 25 / 0 / 7

HEX #88B3EE

RGB 136 179 238

HSL 214.71, 0.75%, 0.73%

LAB 71.99, 0.67, -33.96

 

CMYK 10 / 43 / 0 / 7

HEX #D687EE

RGB 214 135 238

HSL 286.02, 0.75%, 0.73%

LAB 67.87, 46.98, -39.88

 

CMYK 7 / 0 / 43 / 7

HEX #DDEE87

RGB 221 238 135

HSL 69.9, 0.75%, 0.73%

LAB 90.9, -20.8, 47.82

 

CMYK 43 / 25 / 0 / 7

HEX #88B3EE

RGB 136 179 238

HSL 214.71, 0.75%, 0.73%

LAB 71.99, 0.67, -33.96

 

CMYK 0 / 43 / 25 / 7

HEX #EE87B3

RGB 238 135 179

HSL 334.37, 0.75%, 0.73%

LAB 68.58, 44.54, -5.74

 

CMYK 25 / 0 / 43 / 7

HEX #B3EE87

RGB 179 238 135

HSL 94.37, 0.75%, 0.73%

LAB 88.2, -36.21, 43.85

 

CMYK 43 / 25 / 0 / 7

HEX #88B3EE

RGB 136 179 238

HSL 214.71, 0.75%, 0.73%

LAB 71.99, 0.67, -33.96

 

CMYK 10 / 43 / 0 / 7

HEX #D687EE

RGB 214 135 238

HSL 286.02, 0.75%, 0.73%

LAB 67.87, 46.98, -39.88

 

CMYK 0 / 19 / 43 / 7

HEX #EEC187

RGB 238 193 135

HSL 33.79, 0.75%, 0.73%

LAB 80.78, 8.67, 35.23

 

CMYK 33 / 0 / 43 / 7

HEX #9FEE87

RGB 159 238 135

HSL 106.02, 0.75%, 0.73%

LAB 87.13, -42.93, 42.27

 

CMYK 43 / 25 / 0 / 7

HEX #88B3EE

RGB 136 179 238

HSL 214.71, 0.75%, 0.73%

LAB 71.99, 0.67, -33.96

 

CMYK 0 / 43 / 3 / 7

HEX #EE87E7

RGB 238 135 231

HSL 304.08, 0.75%, 0.73%

LAB 70.37, 52.67, -31.93

 

CMYK 0 / 19 / 43 / 7

HEX #EEC187

RGB 238 193 135

HSL 33.79, 0.75%, 0.73%

LAB 80.78, 8.67, 35.23

 

CMYK 43 / 0 / 41 / 7

HEX #87EE8D

RGB 135 238 141

HSL 123.5, 0.75%, 0.73%

LAB 86.12, -49.39, 37.8

 

Description

Color code: HEX #88B3EECE | qconv.com Color code: HEX #88B3EECE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 179 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 179 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 20 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 20% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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