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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #889FD5 it is the complementary color #77602A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #889FD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #889FD5 shade: #8D9FD0, #9EB1E3, #AFC3F6, #C0D5FF and #D1E7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #889FD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #889FD5 shade: #889FD5, #778DC2, #667BAF, #55699C and #445789

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #889FD5 shade: #869ED5, #8689D5, #9986D5, #AE86D5 and #C386D5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #889FD5 shade: #869ED5, #8689D5 and #8686D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #889FD5 shade matches the following richer shades: #869ED5, #7998E2, #6C93EF and #5F8EFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #889FD5 shade: #869ED5, #93A3C7, #A1A8BA, #AEAEAD and #BBB3A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #889FD5 shade: #86C8D5, #86B3D5, #869ED5, #8689D5 and #9986D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #889FD5 shade: #496CBF, #6885CA, #869ED5, #A5B6DF and #C3CFEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #889FD5 shade: #889FD5, #CD86D5 and #BDD586

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #889FD5 shade: #889FD5, #D5869E and #9ED586

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #889FD5 shade: #889FD5, #CD86D5, #D5BD86 and #8ED586

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #889FD5 shade: #889FD5, #D586C5, #D5BD86 and #86D596

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 25 / 0 / 16

HEX #889FD5

RGB 136 159 213

HSL 222.08, 0.48%, 0.68%

LAB 65.62, 5.07, -30.11

 

Complementary color

CMYK 0 / 19 / 65 / 53

HEX #77602A

RGB 119 96 42

HSL 42.08, 0.48%, 0.32%

LAB 41.93, 2.58, 33.67

 

CMYK 32 / 24 / 0 / 18

HEX #8D9FD0

RGB 141 159 208

HSL 223.88, 0.42%, 0.68%

LAB 65.76, 5.18, -27.09

 

CMYK 30 / 22 / 0 / 11

HEX #9EB1E3

RGB 158 177 227

HSL 223.48, 0.55%, 0.75%

LAB 72.4, 4.83, -27.23

 

CMYK 29 / 21 / 0 / 4

HEX #AFC3F6

RGB 175 195 246

HSL 223.1, 0.8%, 0.83%

LAB 78.92, 4.52, -27.4

 

CMYK 25 / 16 / 0 / 0

HEX #C0D5FF

RGB 192 213 255

HSL 220, 1%, 0.88%

LAB 85, 1.93, -22.82

 

CMYK 18 / 9 / 0 / 0

HEX #D1E7FF

RGB 209 231 255

HSL 211.3, 1%, 0.91%

LAB 90.75, -2.39, -14.05

 

CMYK 36 / 25 / 0 / 16

HEX #889FD5

RGB 136 159 213

HSL 222.08, 0.48%, 0.68%

LAB 65.62, 5.07, -30.11

 

CMYK 39 / 27 / 0 / 24

HEX #778DC2

RGB 119 141 194

HSL 222.4, 0.38%, 0.61%

LAB 58.85, 5.52, -30.04

 

CMYK 42 / 30 / 0 / 31

HEX #667BAF

RGB 102 123 175

HSL 222.74, 0.31%, 0.54%

LAB 51.93, 6.06, -30.02

 

CMYK 46 / 33 / 0 / 39

HEX #55699C

RGB 85 105 156

HSL 223.1, 0.29%, 0.47%

LAB 44.85, 6.7, -30.05

 

CMYK 50 / 36 / 0 / 46

HEX #445789

RGB 68 87 137

HSL 223.48, 0.34%, 0.4%

LAB 37.57, 7.51, -30.14

 

CMYK 37 / 26 / 0 / 16

HEX #869ED5

RGB 134 158 213

HSL 221.77, 0.48%, 0.68%

LAB 65.22, 5.09, -30.73

 

CMYK 37 / 36 / 0 / 16

HEX #8689D5

RGB 134 137 213

HSL 237.72, 0.48%, 0.68%

LAB 59.67, 17.2, -39.37

 

CMYK 28 / 37 / 0 / 16

HEX #9986D5

RGB 153 134 213

HSL 254.43, 0.48%, 0.68%

LAB 60.45, 24.26, -38.05

 

CMYK 18 / 37 / 0 / 16

HEX #AE86D5

RGB 174 134 213

HSL 270.38, 0.48%, 0.68%

LAB 62.38, 30.45, -34.89

 

CMYK 8 / 37 / 0 / 16

HEX #C386D5

RGB 195 134 213

HSL 286.33, 0.48%, 0.68%

LAB 64.53, 36.85, -31.39

 

CMYK 37 / 26 / 0 / 16

HEX #869ED5

RGB 134 158 213

HSL 221.77, 0.48%, 0.68%

LAB 65.22, 5.09, -30.73

 

CMYK 37 / 36 / 0 / 16

HEX #8689D5

RGB 134 137 213

HSL 237.72, 0.48%, 0.68%

LAB 59.67, 17.2, -39.37

 

CMYK 37 / 37 / 0 / 16

HEX #8686D5

RGB 134 134 213

HSL 240, 0.48%, 0.68%

LAB 58.9, 18.96, -40.59

 

CMYK 37 / 26 / 0 / 16

HEX #869ED5

RGB 134 158 213

HSL 221.77, 0.48%, 0.68%

LAB 65.22, 5.09, -30.73

 

CMYK 46 / 33 / 0 / 11

HEX #7998E2

RGB 121 152 226

HSL 222.29, 0.64%, 0.68%

LAB 63.35, 8.82, -40.91

 

CMYK 55 / 38 / 0 / 6

HEX #6C93EF

RGB 108 147 239

HSL 222.14, 0.8%, 0.68%

LAB 61.9, 12.77, -50.43

 

CMYK 62 / 44 / 0 / 1

HEX #5F8EFC

RGB 95 142 252

HSL 222.04, 0.96%, 0.68%

LAB 60.61, 17.48, -59.67

 

CMYK 37 / 26 / 0 / 16

HEX #869ED5

RGB 134 158 213

HSL 221.77, 0.48%, 0.68%

LAB 65.22, 5.09, -30.73

 

CMYK 26 / 18 / 0 / 22

HEX #93A3C7

RGB 147 163 199

HSL 221.54, 0.32%, 0.68%

LAB 66.92, 2.48, -20.29

 

CMYK 13 / 10 / 0 / 27

HEX #A1A8BA

RGB 161 168 186

HSL 223.2, 0.15%, 0.68%

LAB 68.84, 1.22, -10.08

 

CMYK 0 / 0 / 1 / 32

HEX #AEAEAD

RGB 174 174 173

HSL 60, 0.01%, 0.68%

LAB 71.07, -0.18, 0.5

 

CMYK 0 / 4 / 14 / 27

HEX #BBB3A0

RGB 187 179 160

HSL 42.22, 0.17%, 0.68%

LAB 73.12, -0.41, 10.71

 

CMYK 37 / 6 / 0 / 16

HEX #86C8D5

RGB 134 200 213

HSL 189.87, 0.48%, 0.68%

LAB 76.79, -17.62, -13.12

 

CMYK 37 / 16 / 0 / 16

HEX #86B3D5

RGB 134 179 213

HSL 205.82, 0.48%, 0.68%

LAB 70.95, -6.56, -21.94

 

CMYK 37 / 26 / 0 / 16

HEX #869ED5

RGB 134 158 213

HSL 221.77, 0.48%, 0.68%

LAB 65.22, 5.09, -30.73

 

CMYK 37 / 36 / 0 / 16

HEX #8689D5

RGB 134 137 213

HSL 237.72, 0.48%, 0.68%

LAB 59.67, 17.2, -39.37

 

CMYK 28 / 37 / 0 / 16

HEX #9986D5

RGB 153 134 213

HSL 254.43, 0.48%, 0.68%

LAB 60.45, 24.26, -38.05

 

CMYK 62 / 43 / 0 / 25

HEX #496CBF

RGB 73 108 191

HSL 222.2, 0.48%, 0.52%

LAB 46.85, 13.63, -47.41

 

CMYK 49 / 34 / 0 / 21

HEX #6885CA

RGB 104 133 202

HSL 222.24, 0.48%, 0.6%

LAB 56.07, 8.67, -38.98

 

CMYK 37 / 26 / 0 / 16

HEX #869ED5

RGB 134 158 213

HSL 221.77, 0.48%, 0.68%

LAB 65.22, 5.09, -30.73

 

CMYK 26 / 18 / 0 / 13

HEX #A5B6DF

RGB 165 182 223

HSL 222.41, 0.48%, 0.76%

LAB 74.05, 3.17, -22.49

 

CMYK 17 / 12 / 0 / 8

HEX #C3CFEA

RGB 195 207 234

HSL 221.54, 0.48%, 0.84%

LAB 83, 1.39, -14.68

 

CMYK 36 / 25 / 0 / 16

HEX #889FD5

RGB 136 159 213

HSL 222.08, 0.48%, 0.68%

LAB 65.62, 5.07, -30.11

 

CMYK 4 / 37 / 0 / 16

HEX #CD86D5

RGB 205 134 213

HSL 293.92, 0.48%, 0.68%

LAB 65.62, 39.94, -29.61

 

CMYK 11 / 0 / 37 / 16

HEX #BDD586

RGB 189 213 134

HSL 78.23, 0.48%, 0.68%

LAB 81.91, -20.87, 36.43

 

CMYK 36 / 25 / 0 / 16

HEX #889FD5

RGB 136 159 213

HSL 222.08, 0.48%, 0.68%

LAB 65.62, 5.07, -30.11

 

CMYK 0 / 37 / 26 / 16

HEX #D5869E

RGB 213 134 158

HSL 341.77, 0.48%, 0.68%

LAB 64.7, 33.43, 0.04

 

CMYK 26 / 0 / 37 / 16

HEX #9ED586

RGB 158 213 134

HSL 101.77, 0.48%, 0.68%

LAB 79.94, -32.11, 33.49

 

CMYK 36 / 25 / 0 / 16

HEX #889FD5

RGB 136 159 213

HSL 222.08, 0.48%, 0.68%

LAB 65.62, 5.07, -30.11

 

CMYK 4 / 37 / 0 / 16

HEX #CD86D5

RGB 205 134 213

HSL 293.92, 0.48%, 0.68%

LAB 65.62, 39.94, -29.61

 

CMYK 0 / 11 / 37 / 16

HEX #D5BD86

RGB 213 189 134

HSL 41.77, 0.48%, 0.68%

LAB 77.44, 0.72, 30.94

 

CMYK 33 / 0 / 37 / 16

HEX #8ED586

RGB 142 213 134

HSL 113.92, 0.48%, 0.68%

LAB 79.08, -37.46, 32.19

 

CMYK 36 / 25 / 0 / 16

HEX #889FD5

RGB 136 159 213

HSL 222.08, 0.48%, 0.68%

LAB 65.62, 5.07, -30.11

 

CMYK 0 / 37 / 8 / 16

HEX #D586C5

RGB 213 134 197

HSL 312.15, 0.48%, 0.68%

LAB 65.93, 39.56, -20.12

 

CMYK 0 / 11 / 37 / 16

HEX #D5BD86

RGB 213 189 134

HSL 41.77, 0.48%, 0.68%

LAB 77.44, 0.72, 30.94

 

CMYK 37 / 0 / 30 / 16

HEX #86D596

RGB 134 213 150

HSL 132.15, 0.48%, 0.68%

LAB 78.96, -37.35, 23.68

 

Description

Color code: HEX #889FD5 | qconv.com Color code: HEX #889FD5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 159 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 159 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 25 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 25% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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