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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88992F it is the complementary color #7766D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88992F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88992F shade: #8D992A, #9EAB3D, #AFBD50, #C0CF63 and #D1E176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88992F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88992F shade: #88992F, #77871C, #667509, #556300 and #445100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88992F shade: #87982F, #988D2F, #98702F, #98542F and #98372F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88992F shade: #87982F, #6B982F, #4E982F, #32982F and #2F9848

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88992F shade matches the following richer shades: #87982F, #92A81F and #9DB80F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88992F shade: #87982F, #7C883F, #71784F, #66685F and #5C586F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88992F shade: #98702F, #988C2F, #88982F, #6C982F and #50982F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88992F shade: #4F591B, #6B7925, #87982F, #A3B838 and #B6C950

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88992F shade: #88992F, #2F9854 and #7E2F98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88992F shade: #88992F, #2F8898 and #982F88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88992F shade: #88992F, #2F9854, #3F2F98 and #982F73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88992F shade: #88992F, #2F9873, #3F2F98 and #982F54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 69 / 40

HEX #88992F

RGB 136 153 47

HSL 69.62, 0.53%, 0.39%

LAB 60.09, -20.71, 51.17

 

Complementary color

CMYK 43 / 51 / 0 / 18

HEX #7766D0

RGB 119 102 208

HSL 249.62, 0.53%, 0.61%

LAB 49.47, 32.7, -52.8

 

CMYK 8 / 0 / 73 / 40

HEX #8D992A

RGB 141 153 42

HSL 66.49, 0.57%, 0.38%

LAB 60.44, -18.83, 53.58

 

CMYK 8 / 0 / 64 / 33

HEX #9EAB3D

RGB 158 171 61

HSL 67.09, 0.47%, 0.45%

LAB 67.08, -19.53, 53.15

 

CMYK 7 / 0 / 58 / 26

HEX #AFBD50

RGB 175 189 80

HSL 67.71, 0.45%, 0.53%

LAB 73.6, -20.07, 52.31

 

CMYK 7 / 0 / 52 / 19

HEX #C0CF63

RGB 192 207 99

HSL 68.33, 0.53%, 0.6%

LAB 80.03, -20.49, 51.29

 

CMYK 7 / 0 / 48 / 12

HEX #D1E176

RGB 209 225 118

HSL 68.97, 0.64%, 0.67%

LAB 86.36, -20.83, 50.18

 

CMYK 11 / 0 / 69 / 40

HEX #88992F

RGB 136 153 47

HSL 69.62, 0.53%, 0.39%

LAB 60.09, -20.71, 51.17

 

CMYK 12 / 0 / 79 / 47

HEX #77871C

RGB 119 135 28

HSL 68.97, 0.66%, 0.32%

LAB 53.31, -19.94, 51.15

 

CMYK 13 / 0 / 92 / 54

HEX #667509

RGB 102 117 9

HSL 68.33, 0.86%, 0.25%

LAB 46.4, -18.91, 49.73

 

CMYK 14 / 0 / 100 / 61

HEX #556300

RGB 85 99 0

HSL 68.48, 1%, 0.19%

LAB 39.34, -17.51, 45.79

 

CMYK 16 / 0 / 100 / 68

HEX #445100

RGB 68 81 0

HSL 69.63, 1%, 0.16%

LAB 32.06, -15.84, 39.73

 

CMYK 11 / 0 / 69 / 40

HEX #87982F

RGB 135 152 47

HSL 69.71, 0.53%, 0.39%

LAB 59.72, -20.63, 50.77

 

CMYK 0 / 7 / 69 / 40

HEX #988D2F

RGB 152 141 47

HSL 53.71, 0.53%, 0.39%

LAB 57.97, -7.32, 49.44

 

CMYK 0 / 26 / 69 / 40

HEX #98702F

RGB 152 112 47

HSL 37.14, 0.53%, 0.39%

LAB 50.06, 8.92, 41.15

 

CMYK 0 / 45 / 69 / 40

HEX #98542F

RGB 152 84 47

HSL 21.14, 0.53%, 0.39%

LAB 43.09, 24.95, 33.44

 

CMYK 0 / 64 / 69 / 40

HEX #98372F

RGB 152 55 47

HSL 4.57, 0.53%, 0.39%

LAB 37.14, 40.12, 26.47

 

CMYK 11 / 0 / 69 / 40

HEX #87982F

RGB 135 152 47

HSL 69.71, 0.53%, 0.39%

LAB 59.72, -20.63, 50.77

 

CMYK 30 / 0 / 69 / 40

HEX #6B982F

RGB 107 152 47

HSL 85.71, 0.53%, 0.39%

LAB 57.83, -32.16, 48.23

 

CMYK 49 / 0 / 69 / 40

HEX #4E982F

RGB 78 152 47

HSL 102.29, 0.53%, 0.39%

LAB 56.37, -42.43, 46.24

 

CMYK 67 / 0 / 69 / 40

HEX #32982F

RGB 50 152 47

HSL 118.29, 0.53%, 0.39%

LAB 55.42, -49.86, 44.95

 

CMYK 69 / 0 / 53 / 40

HEX #2F9848

RGB 47 152 72

HSL 134.29, 0.53%, 0.39%

LAB 55.61, -47.35, 33.36

 

CMYK 11 / 0 / 69 / 40

HEX #87982F

RGB 135 152 47

HSL 69.71, 0.53%, 0.39%

LAB 59.72, -20.63, 50.77

 

CMYK 13 / 0 / 82 / 34

HEX #92A81F

RGB 146 168 31

HSL 69.64, 0.69%, 0.39%

LAB 65.13, -24.7, 61.62

 

CMYK 15 / 0 / 92 / 28

HEX #9DB80F

RGB 157 184 15

HSL 69.59, 0.85%, 0.39%

LAB 70.51, -28.24, 69.74

 

CMYK 11 / 0 / 69 / 40

HEX #87982F

RGB 135 152 47

HSL 69.71, 0.53%, 0.39%

LAB 59.72, -20.63, 50.77

 

CMYK 9 / 0 / 54 / 47

HEX #7C883F

RGB 124 136 63

HSL 69.86, 0.37%, 0.39%

LAB 54.29, -15.79, 37.26

 

CMYK 6 / 0 / 34 / 53

HEX #71784F

RGB 113 120 79

HSL 70.24, 0.21%, 0.39%

LAB 48.89, -9.89, 21.68

 

CMYK 2 / 0 / 9 / 59

HEX #66685F

RGB 102 104 95

HSL 73.33, 0.05%, 0.39%

LAB 43.58, -2.59, 4.8

 

CMYK 17 / 21 / 0 / 56

HEX #5C586F

RGB 92 88 111

HSL 250.43, 0.12%, 0.39%

LAB 38.56, 6.82, -12.52

 

CMYK 0 / 26 / 69 / 40

HEX #98702F

RGB 152 112 47

HSL 37.14, 0.53%, 0.39%

LAB 50.06, 8.92, 41.15

 

CMYK 0 / 8 / 69 / 40

HEX #988C2F

RGB 152 140 47

HSL 53.14, 0.53%, 0.39%

LAB 57.69, -6.78, 49.15

 

CMYK 11 / 0 / 69 / 40

HEX #88982F

RGB 136 152 47

HSL 69.14, 0.53%, 0.39%

LAB 59.79, -20.2, 50.87

 

CMYK 29 / 0 / 69 / 40

HEX #6C982F

RGB 108 152 47

HSL 85.14, 0.53%, 0.39%

LAB 57.89, -31.77, 48.31

 

CMYK 47 / 0 / 69 / 40

HEX #50982F

RGB 80 152 47

HSL 101.14, 0.53%, 0.39%

LAB 56.45, -41.8, 46.36

 

CMYK 11 / 0 / 70 / 65

HEX #4F591B

RGB 79 89 27

HSL 69.68, 0.53%, 0.23%

LAB 35.76, -13.59, 33.3

 

CMYK 12 / 0 / 69 / 53

HEX #6B7925

RGB 107 121 37

HSL 70, 0.53%, 0.31%

LAB 48.18, -17.47, 42.43

 

CMYK 11 / 0 / 69 / 40

HEX #87982F

RGB 135 152 47

HSL 69.71, 0.53%, 0.39%

LAB 59.72, -20.63, 50.77

 

CMYK 11 / 0 / 70 / 28

HEX #A3B838

RGB 163 184 56

HSL 69.84, 0.53%, 0.47%

LAB 71.11, -24.22, 59.42

 

CMYK 9 / 0 / 60 / 21

HEX #B6C950

RGB 182 201 80

HSL 69.42, 0.53%, 0.55%

LAB 77.46, -23.13, 56.73

 

CMYK 11 / 0 / 69 / 40

HEX #88992F

RGB 136 153 47

HSL 69.62, 0.53%, 0.39%

LAB 60.09, -20.71, 51.17

 

CMYK 69 / 0 / 45 / 40

HEX #2F9854

RGB 47 152 84

HSL 141.14, 0.53%, 0.39%

LAB 55.79, -45.36, 27.29

 

CMYK 17 / 69 / 0 / 40

HEX #7E2F98

RGB 126 47 152

HSL 285.14, 0.53%, 0.39%

LAB 35.47, 50.07, -42.24

 

CMYK 11 / 0 / 69 / 40

HEX #88992F

RGB 136 153 47

HSL 69.62, 0.53%, 0.39%

LAB 60.09, -20.71, 51.17

 

CMYK 69 / 11 / 0 / 40

HEX #2F8898

RGB 47 136 152

HSL 189.14, 0.53%, 0.39%

LAB 52.38, -20.71, -16.23

 

CMYK 0 / 69 / 11 / 40

HEX #982F88

RGB 152 47 136

HSL 309.14, 0.53%, 0.39%

LAB 38.7, 53.51, -27.08

 

CMYK 11 / 0 / 69 / 40

HEX #88992F

RGB 136 153 47

HSL 69.62, 0.53%, 0.39%

LAB 60.09, -20.71, 51.17

 

CMYK 69 / 0 / 45 / 40

HEX #2F9854

RGB 47 152 84

HSL 141.14, 0.53%, 0.39%

LAB 55.79, -45.36, 27.29

 

CMYK 59 / 69 / 0 / 40

HEX #3F2F98

RGB 63 47 152

HSL 249.14, 0.53%, 0.39%

LAB 27.73, 37.15, -55.15

 

CMYK 0 / 69 / 24 / 40

HEX #982F73

RGB 152 47 115

HSL 321.14, 0.53%, 0.39%

LAB 37.75, 50.38, -15.53

 

CMYK 11 / 0 / 69 / 40

HEX #88992F

RGB 136 153 47

HSL 69.62, 0.53%, 0.39%

LAB 60.09, -20.71, 51.17

 

CMYK 69 / 0 / 24 / 40

HEX #2F9873

RGB 47 152 115

HSL 158.86, 0.53%, 0.39%

LAB 56.39, -38.86, 10.94

 

CMYK 59 / 69 / 0 / 40

HEX #3F2F98

RGB 63 47 152

HSL 249.14, 0.53%, 0.39%

LAB 27.73, 37.15, -55.15

 

CMYK 0 / 69 / 45 / 40

HEX #982F54

RGB 152 47 84

HSL 338.86, 0.53%, 0.39%

LAB 36.65, 46.63, 2.47

 

Description

Color code: HEX #88992F | qconv.com Color code: HEX #88992F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 153 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 153 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 69 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 69% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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