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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8889AF it is the complementary color #777650. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8889AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8889AF shade: #8D89AA, #9E9BBD, #AFADD0, #C0BFE3 and #D1D1F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8889AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8889AF shade: #8889AF, #77779C, #666589, #555376 and #444163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8889AF shade: #8889AF, #9188AF, #9C88AF, #A788AF and #AF88AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8889AF shade: #8889AF and #8888AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8889AF shade matches the following richer shades: #8889AF, #7879C0, #676AD0, #575BE0 and #474CF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8889AF shade: #8889AF, #98989F, #A8A78F, #B8B67F and #C8C66F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8889AF shade: #889EAF, #8894AF, #8889AF, #9188AF and #9C88AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8889AF shade: #5B5D89, #6F709F, #8889AF, #A0A1C0 and #B9BAD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8889AF shade: #8889AF, #AF88A9 and #99AF88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8889AF shade: #8889AF, #AF8889 and #89AF88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8889AF shade: #8889AF, #AF88A9, #AFAE88 and #88AF8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8889AF shade: #8889AF, #AF889D, #AFAE88 and #88AF9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 22 / 0 / 31

HEX #8889AF

RGB 136 137 175

HSL 238.46, 0.2%, 0.61%

LAB 58.25, 7.99, -20.08

 

Complementary color

CMYK 0 / 1 / 33 / 53

HEX #777650

RGB 119 118 80

HSL 58.46, 0.2%, 0.39%

LAB 48.83, -6.08, 21.12

 

CMYK 17 / 19 / 0 / 33

HEX #8D89AA

RGB 141 137 170

HSL 247.27, 0.16%, 0.6%

LAB 58.47, 8.46, -16.85

 

CMYK 16 / 18 / 0 / 26

HEX #9E9BBD

RGB 158 155 189

HSL 245.29, 0.2%, 0.67%

LAB 65.27, 8.11, -17.15

 

CMYK 16 / 17 / 0 / 18

HEX #AFADD0

RGB 175 173 208

HSL 243.43, 0.27%, 0.75%

LAB 71.93, 7.8, -17.45

 

CMYK 15 / 16 / 0 / 11

HEX #C0BFE3

RGB 192 191 227

HSL 241.67, 0.39%, 0.82%

LAB 78.47, 7.52, -17.77

 

CMYK 15 / 15 / 0 / 4

HEX #D1D1F6

RGB 209 209 246

HSL 240, 0.67%, 0.89%

LAB 84.9, 7.25, -18.1

 

CMYK 22 / 22 / 0 / 31

HEX #8889AF

RGB 136 137 175

HSL 238.46, 0.2%, 0.61%

LAB 58.25, 7.99, -20.08

 

CMYK 24 / 24 / 0 / 39

HEX #77779C

RGB 119 119 156

HSL 240, 0.16%, 0.54%

LAB 51.29, 8.39, -19.88

 

CMYK 26 / 26 / 0 / 46

HEX #666589

RGB 102 101 137

HSL 241.67, 0.15%, 0.47%

LAB 44.14, 8.83, -19.72

 

CMYK 28 / 30 / 0 / 54

HEX #555376

RGB 85 83 118

HSL 243.43, 0.17%, 0.39%

LAB 36.79, 9.35, -19.61

 

CMYK 31 / 34 / 0 / 61

HEX #444163

RGB 68 65 99

HSL 245.29, 0.21%, 0.32%

LAB 29.19, 9.98, -19.56

 

CMYK 22 / 22 / 0 / 31

HEX #8889AF

RGB 136 137 175

HSL 238.46, 0.2%, 0.61%

LAB 58.25, 7.99, -20.08

 

CMYK 17 / 22 / 0 / 31

HEX #9188AF

RGB 145 136 175

HSL 253.85, 0.2%, 0.61%

LAB 58.72, 11.5, -19.3

 

CMYK 11 / 22 / 0 / 31

HEX #9C88AF

RGB 156 136 175

HSL 270.77, 0.2%, 0.61%

LAB 59.68, 15.17, -17.74

 

CMYK 5 / 22 / 0 / 31

HEX #A788AF

RGB 167 136 175

HSL 287.69, 0.2%, 0.61%

LAB 60.71, 18.91, -16.08

 

CMYK 0 / 22 / 1 / 31

HEX #AF88AD

RGB 175 136 173

HSL 303.08, 0.2%, 0.61%

LAB 61.43, 21.28, -13.78

 

CMYK 22 / 22 / 0 / 31

HEX #8889AF

RGB 136 137 175

HSL 238.46, 0.2%, 0.61%

LAB 58.25, 7.99, -20.08

 

CMYK 22 / 22 / 0 / 31

HEX #8888AF

RGB 136 136 175

HSL 240, 0.2%, 0.61%

LAB 57.98, 8.57, -20.49

 

CMYK 22 / 22 / 0 / 31

HEX #8889AF

RGB 136 137 175

HSL 238.46, 0.2%, 0.61%

LAB 58.25, 7.99, -20.08

 

CMYK 38 / 37 / 0 / 25

HEX #7879C0

RGB 120 121 192

HSL 239.17, 0.36%, 0.61%

LAB 53.46, 17.04, -37.31

 

CMYK 50 / 49 / 0 / 18

HEX #676AD0

RGB 103 106 208

HSL 238.29, 0.53%, 0.61%

LAB 49.19, 26.64, -53.32

 

CMYK 61 / 59 / 0 / 12

HEX #575BE0

RGB 87 91 224

HSL 238.25, 0.69%, 0.61%

LAB 45.48, 37.86, -68.46

 

CMYK 70 / 68 / 0 / 6

HEX #474CF0

RGB 71 76 240

HSL 238.22, 0.85%, 0.61%

LAB 42.46, 49.86, -82.5

 

CMYK 22 / 22 / 0 / 31

HEX #8889AF

RGB 136 137 175

HSL 238.46, 0.2%, 0.61%

LAB 58.25, 7.99, -20.08

 

CMYK 4 / 4 / 0 / 38

HEX #98989F

RGB 152 152 159

HSL 240, 0.04%, 0.61%

LAB 63.04, 1.38, -3.67

 

CMYK 0 / 1 / 15 / 34

HEX #A8A78F

RGB 168 167 143

HSL 57.6, 0.13%, 0.61%

LAB 67.98, -3.86, 12.56

 

CMYK 0 / 1 / 31 / 28

HEX #B8B67F

RGB 184 182 127

HSL 57.89, 0.29%, 0.61%

LAB 73.01, -7.95, 28.32

 

CMYK 0 / 1 / 45 / 22

HEX #C8C66F

RGB 200 198 111

HSL 58.65, 0.45%, 0.61%

LAB 78.35, -11.64, 43.65

 

CMYK 22 / 10 / 0 / 31

HEX #889EAF

RGB 136 158 175

HSL 206.15, 0.2%, 0.61%

LAB 63.98, -3.88, -11.4

 

CMYK 22 / 15 / 0 / 31

HEX #8894AF

RGB 136 148 175

HSL 221.54, 0.2%, 0.61%

LAB 61.23, 1.71, -15.55

 

CMYK 22 / 22 / 0 / 31

HEX #8889AF

RGB 136 137 175

HSL 238.46, 0.2%, 0.61%

LAB 58.25, 7.99, -20.08

 

CMYK 17 / 22 / 0 / 31

HEX #9188AF

RGB 145 136 175

HSL 253.85, 0.2%, 0.61%

LAB 58.72, 11.5, -19.3

 

CMYK 11 / 22 / 0 / 31

HEX #9C88AF

RGB 156 136 175

HSL 270.77, 0.2%, 0.61%

LAB 59.68, 15.17, -17.74

 

CMYK 34 / 32 / 0 / 46

HEX #5B5D89

RGB 91 93 137

HSL 237.39, 0.2%, 0.45%

LAB 40.99, 10.26, -24.67

 

CMYK 30 / 30 / 0 / 38

HEX #6F709F

RGB 111 112 159

HSL 238.75, 0.2%, 0.53%

LAB 48.85, 10.81, -25.45

 

CMYK 22 / 22 / 0 / 31

HEX #8889AF

RGB 136 137 175

HSL 238.46, 0.2%, 0.61%

LAB 58.25, 7.99, -20.08

 

CMYK 17 / 16 / 0 / 25

HEX #A0A1C0

RGB 160 161 192

HSL 238.13, 0.2%, 0.69%

LAB 67.1, 6.08, -16.03

 

CMYK 11 / 11 / 0 / 18

HEX #B9BAD0

RGB 185 186 208

HSL 237.39, 0.2%, 0.77%

LAB 76.06, 3.97, -11.17

 

CMYK 22 / 22 / 0 / 31

HEX #8889AF

RGB 136 137 175

HSL 238.46, 0.2%, 0.61%

LAB 58.25, 7.99, -20.08

 

CMYK 0 / 22 / 3 / 31

HEX #AF88A9

RGB 175 136 169

HSL 309.23, 0.2%, 0.61%

LAB 61.3, 20.52, -11.71

 

CMYK 13 / 0 / 22 / 31

HEX #99AF88

RGB 153 175 136

HSL 93.85, 0.2%, 0.61%

LAB 68.9, -14.86, 17.52

 

CMYK 22 / 22 / 0 / 31

HEX #8889AF

RGB 136 137 175

HSL 238.46, 0.2%, 0.61%

LAB 58.25, 7.99, -20.08

 

CMYK 0 / 22 / 22 / 31

HEX #AF8889

RGB 175 136 137

HSL 358.46, 0.2%, 0.61%

LAB 60.36, 15.02, 5.18

 

CMYK 22 / 0 / 22 / 31

HEX #89AF88

RGB 137 175 136

HSL 118.46, 0.2%, 0.61%

LAB 67.84, -20.61, 15.88

 

CMYK 22 / 22 / 0 / 31

HEX #8889AF

RGB 136 137 175

HSL 238.46, 0.2%, 0.61%

LAB 58.25, 7.99, -20.08

 

CMYK 0 / 22 / 3 / 31

HEX #AF88A9

RGB 175 136 169

HSL 309.23, 0.2%, 0.61%

LAB 61.3, 20.52, -11.71

 

CMYK 0 / 1 / 22 / 31

HEX #AFAE88

RGB 175 174 136

HSL 58.46, 0.2%, 0.61%

LAB 70.29, -6.01, 19.69

 

CMYK 22 / 0 / 19 / 31

HEX #88AF8E

RGB 136 175 142

HSL 129.23, 0.2%, 0.61%

LAB 67.91, -19.86, 12.68

 

CMYK 22 / 22 / 0 / 31

HEX #8889AF

RGB 136 137 175

HSL 238.46, 0.2%, 0.61%

LAB 58.25, 7.99, -20.08

 

CMYK 0 / 22 / 10 / 31

HEX #AF889D

RGB 175 136 157

HSL 327.69, 0.2%, 0.61%

LAB 60.92, 18.34, -5.43

 

CMYK 0 / 1 / 22 / 31

HEX #AFAE88

RGB 175 174 136

HSL 58.46, 0.2%, 0.61%

LAB 70.29, -6.01, 19.69

 

CMYK 22 / 0 / 12 / 31

HEX #88AF9A

RGB 136 175 154

HSL 147.69, 0.2%, 0.61%

LAB 68.19, -17.54, 6.47

 

Description

Color code: HEX #8889AF | qconv.com Color code: HEX #8889AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 137 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 137 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 22 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 22% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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