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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #887AEF it is the complementary color #778510. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #887AEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #887AEF shade: #8D7AEA, #9E8CFD, #AF9EFF, #C0B0FF and #D1C2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #887AEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #887AEF shade: #887AEF, #7768DC, #6656C9, #5544B6 and #4432A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #887AEF shade: #897BEF, #A87BEF, #C87BEF, #E77BEF and #EF7BD8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #887AEF shade: #897BEF and #7B7BEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #887AEF shade matches the following richer shades: #897BEF and #806FFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #887AEF shade: #897BEF, #9287E4, #9B93D8, #A49FCC and #ADAAC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #887AEF shade: #7BABEF, #7B8CEF, #887BEF, #A77BEF and #C77BEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #887AEF shade: #4731E7, #6856EB, #897BEF, #AAA0F4 and #CBC4F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #887AEF shade: #887AEF, #EF7BCA and #9CEF7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #887AEF shade: #887AEF, #EF887B and #7BEF88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #887AEF shade: #887AEF, #EF7BCA, #E2EF7B and #7BEFA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #887AEF shade: #887AEF, #EF7BA7, #E2EF7B and #7BEFC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 49 / 0 / 6

HEX #887AEF

RGB 136 122 239

HSL 247.18, 0.79%, 0.71%

LAB 57.45, 33.74, -57.4

 

Complementary color

CMYK 11 / 0 / 88 / 48

HEX #778510

RGB 119 133 16

HSL 67.18, 0.79%, 0.29%

LAB 52.66, -19.35, 53.92

 

CMYK 40 / 48 / 0 / 8

HEX #8D7AEA

RGB 141 122 234

HSL 250.18, 0.73%, 0.7%

LAB 57.58, 33.53, -54.39

 

CMYK 38 / 45 / 0 / 1

HEX #9E8CFD

RGB 158 140 253

HSL 249.56, 0.97%, 0.77%

LAB 64.26, 32.5, -54.17

 

CMYK 31 / 38 / 0 / 0

HEX #AF9EFF

RGB 175 158 255

HSL 250.52, 1%, 0.81%

LAB 70.03, 27.25, -46.05

 

CMYK 25 / 31 / 0 / 0

HEX #C0B0FF

RGB 192 176 255

HSL 252.15, 1%, 0.85%

LAB 75.75, 21.98, -37.02

 

CMYK 18 / 24 / 0 / 0

HEX #D1C2FF

RGB 209 194 255

HSL 254.75, 1%, 0.88%

LAB 81.49, 17.2, -28.06

 

CMYK 43 / 49 / 0 / 6

HEX #887AEF

RGB 136 122 239

HSL 247.18, 0.79%, 0.71%

LAB 57.45, 33.74, -57.4

 

CMYK 46 / 53 / 0 / 14

HEX #7768DC

RGB 119 104 220

HSL 247.76, 0.62%, 0.64%

LAB 50.68, 34.99, -57.68

 

CMYK 49 / 57 / 0 / 21

HEX #6656C9

RGB 102 86 201

HSL 248.35, 0.52%, 0.56%

LAB 43.8, 36.4, -57.98

 

CMYK 53 / 63 / 0 / 29

HEX #5544B6

RGB 85 68 182

HSL 248.95, 0.46%, 0.49%

LAB 36.82, 37.98, -58.26

 

CMYK 58 / 69 / 0 / 36

HEX #4432A3

RGB 68 50 163

HSL 249.56, 0.53%, 0.42%

LAB 29.8, 39.69, -58.44

 

CMYK 43 / 49 / 0 / 6

HEX #897BEF

RGB 137 123 239

HSL 247.24, 0.78%, 0.71%

LAB 57.77, 33.39, -56.89

 

CMYK 30 / 49 / 0 / 6

HEX #A87BEF

RGB 168 123 239

HSL 263.28, 0.78%, 0.71%

LAB 60.54, 41.05, -52.31

 

CMYK 16 / 49 / 0 / 6

HEX #C87BEF

RGB 200 123 239

HSL 279.83, 0.78%, 0.71%

LAB 63.9, 49.54, -46.77

 

CMYK 3 / 49 / 0 / 6

HEX #E77BEF

RGB 231 123 239

HSL 295.86, 0.78%, 0.71%

LAB 67.57, 58.01, -40.76

 

CMYK 0 / 49 / 10 / 6

HEX #EF7BD8

RGB 239 123 216

HSL 311.9, 0.78%, 0.71%

LAB 67.63, 56.36, -27.84

 

CMYK 43 / 49 / 0 / 6

HEX #897BEF

RGB 137 123 239

HSL 247.24, 0.78%, 0.71%

LAB 57.77, 33.39, -56.89

 

CMYK 49 / 49 / 0 / 6

HEX #7B7BEF

RGB 123 123 239

HSL 240, 0.78%, 0.71%

LAB 56.69, 30.22, -58.67

 

CMYK 43 / 49 / 0 / 6

HEX #897BEF

RGB 137 123 239

HSL 247.24, 0.78%, 0.71%

LAB 57.77, 33.39, -56.89

 

CMYK 49 / 56 / 0 / 2

HEX #806FFB

RGB 128 111 251

HSL 247.29, 0.95%, 0.71%

LAB 54.99, 41.83, -68.04

 

CMYK 43 / 49 / 0 / 6

HEX #897BEF

RGB 137 123 239

HSL 247.24, 0.78%, 0.71%

LAB 57.77, 33.39, -56.89

 

CMYK 36 / 41 / 0 / 11

HEX #9287E4

RGB 146 135 228

HSL 247.1, 0.63%, 0.71%

LAB 60.82, 25.63, -45.88

 

CMYK 28 / 32 / 0 / 15

HEX #9B93D8

RGB 155 147 216

HSL 246.96, 0.47%, 0.71%

LAB 63.99, 18.12, -34.18

 

CMYK 20 / 22 / 0 / 20

HEX #A49FCC

RGB 164 159 204

HSL 246.67, 0.31%, 0.71%

LAB 67.31, 11.18, -22.34

 

CMYK 10 / 11 / 0 / 25

HEX #ADAAC0

RGB 173 170 192

HSL 248.18, 0.15%, 0.71%

LAB 70.48, 5.4, -10.85

 

CMYK 49 / 28 / 0 / 6

HEX #7BABEF

RGB 123 171 239

HSL 215.17, 0.78%, 0.71%

LAB 69.16, 2.27, -38.96

 

CMYK 49 / 41 / 0 / 6

HEX #7B8CEF

RGB 123 140 239

HSL 231.21, 0.78%, 0.71%

LAB 60.96, 20.16, -51.87

 

CMYK 43 / 49 / 0 / 6

HEX #887BEF

RGB 136 123 239

HSL 246.72, 0.78%, 0.71%

LAB 57.69, 33.16, -57.02

 

CMYK 30 / 49 / 0 / 6

HEX #A77BEF

RGB 167 123 239

HSL 262.76, 0.78%, 0.71%

LAB 60.44, 40.79, -52.47

 

CMYK 17 / 49 / 0 / 6

HEX #C77BEF

RGB 199 123 239

HSL 279.31, 0.78%, 0.71%

LAB 63.79, 49.27, -46.96

 

CMYK 69 / 79 / 0 / 9

HEX #4731E7

RGB 71 49 231

HSL 247.25, 0.79%, 0.55%

LAB 36.57, 61.19, -87.12

 

CMYK 56 / 63 / 0 / 8

HEX #6856EB

RGB 104 86 235

HSL 247.25, 0.79%, 0.63%

LAB 46.44, 47.03, -73.07

 

CMYK 43 / 49 / 0 / 6

HEX #897BEF

RGB 137 123 239

HSL 247.24, 0.78%, 0.71%

LAB 57.77, 33.39, -56.89

 

CMYK 30 / 34 / 0 / 4

HEX #AAA0F4

RGB 170 160 244

HSL 247.14, 0.79%, 0.79%

LAB 69.63, 22, -40.73

 

CMYK 18 / 21 / 0 / 3

HEX #CBC4F8

RGB 203 196 248

HSL 248.08, 0.79%, 0.87%

LAB 81.27, 12.77, -24.71

 

CMYK 43 / 49 / 0 / 6

HEX #887AEF

RGB 136 122 239

HSL 247.18, 0.79%, 0.71%

LAB 57.45, 33.74, -57.4

 

CMYK 0 / 49 / 15 / 6

HEX #EF7BCA

RGB 239 123 202

HSL 319.14, 0.78%, 0.71%

LAB 67.11, 54.18, -20.82

 

CMYK 35 / 0 / 49 / 6

HEX #9CEF7B

RGB 156 239 123

HSL 102.93, 0.78%, 0.71%

LAB 87.11, -45.85, 47.99

 

CMYK 43 / 49 / 0 / 6

HEX #887AEF

RGB 136 122 239

HSL 247.18, 0.79%, 0.71%

LAB 57.45, 33.74, -57.4

 

CMYK 0 / 43 / 49 / 6

HEX #EF887B

RGB 239 136 123

HSL 6.72, 0.78%, 0.71%

LAB 67.57, 37.9, 24.24

 

CMYK 49 / 0 / 43 / 6

HEX #7BEF88

RGB 123 239 136

HSL 126.72, 0.78%, 0.71%

LAB 85.87, -53.83, 39.85

 

CMYK 43 / 49 / 0 / 6

HEX #887AEF

RGB 136 122 239

HSL 247.18, 0.79%, 0.71%

LAB 57.45, 33.74, -57.4

 

CMYK 0 / 49 / 15 / 6

HEX #EF7BCA

RGB 239 123 202

HSL 319.14, 0.78%, 0.71%

LAB 67.11, 54.18, -20.82

 

CMYK 5 / 0 / 49 / 6

HEX #E2EF7B

RGB 226 239 123

HSL 66.72, 0.78%, 0.71%

LAB 91.38, -20.53, 54.17

 

CMYK 49 / 0 / 33 / 6

HEX #7BEFA0

RGB 123 239 160

HSL 139.14, 0.78%, 0.71%

LAB 86.25, -49.93, 28.33

 

CMYK 43 / 49 / 0 / 6

HEX #887AEF

RGB 136 122 239

HSL 247.18, 0.79%, 0.71%

LAB 57.45, 33.74, -57.4

 

CMYK 0 / 49 / 30 / 6

HEX #EF7BA7

RGB 239 123 167

HSL 337.24, 0.78%, 0.71%

LAB 65.99, 49.3, -2.78

 

CMYK 5 / 0 / 49 / 6

HEX #E2EF7B

RGB 226 239 123

HSL 66.72, 0.78%, 0.71%

LAB 91.38, -20.53, 54.17

 

CMYK 49 / 0 / 18 / 6

HEX #7BEFC3

RGB 123 239 195

HSL 157.24, 0.78%, 0.71%

LAB 86.94, -43.1, 11.23

 

Description

Color code: HEX #887AEF | qconv.com Color code: HEX #887AEF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 122 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 122 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 49 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 49% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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