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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #887338 it is the complementary color #778CC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #887338. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #887338 shade: #8D7333, #9E8546, #AF9759, #C0A96C and #D1BB7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #887338. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #887338 shade: #887338, #776125, #664F12, #553D00 and #442B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #887338 shade: #8A7438, #8A5E38, #8A4838 and #8A3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #887338 shade: #8A7438, #898A38, #738A38, #5D8A38 and #478A38

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #887338 shade matches the following richer shades: #8A7438, #997C29, #A98319 and #B98B09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #887338 shade: #8A7438, #7A6D48, #6A6558, #5B5E67 and #4B5677

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #887338 shade: #8A4838, #8A5E38, #8A7438, #8A8A38 and #748A38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #887338 shade: #4F4320, #6C5B2C, #8A7438, #A78D44 and #BBA159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #887338 shade: #887338, #3E8A38 and #53388A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #887338 shade: #887338, #388A74 and #74388A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #887338 shade: #887338, #3E8A38, #384E8A and #84388A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #887338 shade: #887338, #388A4B, #384E8A and #8A3877

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 59 / 47

HEX #887338

RGB 136 115 56

HSL 44.25, 0.42%, 0.38%

LAB 49.23, 0.54, 35.2

 

Complementary color

CMYK 40 / 30 / 0 / 22

HEX #778CC7

RGB 119 140 199

HSL 224.25, 0.42%, 0.62%

LAB 58.79, 7.5, -32.96

 

CMYK 0 / 18 / 64 / 45

HEX #8D7333

RGB 141 115 51

HSL 42.67, 0.47%, 0.38%

LAB 49.69, 2.43, 38.43

 

CMYK 0 / 16 / 56 / 38

HEX #9E8546

RGB 158 133 70

HSL 42.95, 0.39%, 0.45%

LAB 56.57, 1.43, 37.12

 

CMYK 0 / 14 / 49 / 31

HEX #AF9759

RGB 175 151 89

HSL 43.26, 0.35%, 0.52%

LAB 63.32, 0.61, 35.78

 

CMYK 0 / 12 / 44 / 25

HEX #C0A96C

RGB 192 169 108

HSL 43.57, 0.4%, 0.59%

LAB 69.94, -0.06, 34.48

 

CMYK 0 / 11 / 39 / 18

HEX #D1BB7F

RGB 209 187 127

HSL 43.9, 0.47%, 0.66%

LAB 76.45, -0.62, 33.25

 

CMYK 0 / 15 / 59 / 47

HEX #887338

RGB 136 115 56

HSL 44.25, 0.42%, 0.38%

LAB 49.23, 0.54, 35.2

 

CMYK 0 / 18 / 69 / 53

HEX #776125

RGB 119 97 37

HSL 43.9, 0.53%, 0.31%

LAB 42.16, 1.63, 36.45

 

CMYK 0 / 23 / 82 / 60

HEX #664F12

RGB 102 79 18

HSL 43.57, 0.7%, 0.24%

LAB 34.92, 3.08, 37.2

 

CMYK 0 / 28 / 100 / 67

HEX #553D00

RGB 85 61 0

HSL 43.06, 1%, 0.17%

LAB 27.49, 4.95, 36.93

 

CMYK 0 / 37 / 100 / 73

HEX #442B00

RGB 68 43 0

HSL 37.94, 1%, 0.13%

LAB 19.87, 7.64, 28.54

 

CMYK 0 / 16 / 59 / 46

HEX #8A7438

RGB 138 116 56

HSL 43.9, 0.42%, 0.38%

LAB 49.71, 0.88, 35.82

 

CMYK 0 / 32 / 59 / 46

HEX #8A5E38

RGB 138 94 56

HSL 27.8, 0.42%, 0.38%

LAB 43.79, 13.66, 28.78

 

CMYK 0 / 48 / 59 / 46

HEX #8A4838

RGB 138 72 56

HSL 11.71, 0.42%, 0.38%

LAB 38.42, 26.4, 22.1

 

CMYK 0 / 59 / 59 / 46

HEX #8A3838

RGB 138 56 56

HSL 0, 0.42%, 0.38%

LAB 35.04, 35.02, 17.73

 

CMYK 0 / 16 / 59 / 46

HEX #8A7438

RGB 138 116 56

HSL 43.9, 0.42%, 0.38%

LAB 49.71, 0.88, 35.82

 

CMYK 1 / 0 / 59 / 46

HEX #898A38

RGB 137 138 56

HSL 60.73, 0.42%, 0.38%

LAB 55.87, -11.79, 42.77

 

CMYK 17 / 0 / 59 / 46

HEX #738A38

RGB 115 138 56

HSL 76.83, 0.42%, 0.38%

LAB 54.14, -21.32, 40.36

 

CMYK 33 / 0 / 59 / 46

HEX #5D8A38

RGB 93 138 56

HSL 92.93, 0.42%, 0.38%

LAB 52.72, -30.17, 38.36

 

CMYK 49 / 0 / 59 / 46

HEX #478A38

RGB 71 138 56

HSL 109.02, 0.42%, 0.38%

LAB 51.61, -37.84, 36.8

 

CMYK 0 / 16 / 59 / 46

HEX #8A7438

RGB 138 116 56

HSL 43.9, 0.42%, 0.38%

LAB 49.71, 0.88, 35.82

 

CMYK 0 / 19 / 73 / 40

HEX #997C29

RGB 153 124 41

HSL 44.46, 0.58%, 0.38%

LAB 53.33, 2.21, 47.32

 

CMYK 0 / 22 / 85 / 34

HEX #A98319

RGB 169 131 25

HSL 44.17, 0.74%, 0.38%

LAB 56.82, 5, 56.94

 

CMYK 0 / 25 / 95 / 27

HEX #B98B09

RGB 185 139 9

HSL 44.32, 0.91%, 0.38%

LAB 60.6, 7.53, 64.11

 

CMYK 0 / 16 / 59 / 46

HEX #8A7438

RGB 138 116 56

HSL 43.9, 0.42%, 0.38%

LAB 49.71, 0.88, 35.82

 

CMYK 0 / 11 / 41 / 52

HEX #7A6D48

RGB 122 109 72

HSL 44.4, 0.26%, 0.38%

LAB 46.37, -0.66, 22.53

 

CMYK 0 / 5 / 17 / 58

HEX #6A6558

RGB 106 101 88

HSL 43.33, 0.09%, 0.38%

LAB 42.88, -0.47, 8.07

 

CMYK 12 / 9 / 0 / 60

HEX #5B5E67

RGB 91 94 103

HSL 225, 0.06%, 0.38%

LAB 39.93, 0.84, -5.53

 

CMYK 37 / 28 / 0 / 53

HEX #4B5677

RGB 75 86 119

HSL 225, 0.23%, 0.38%

LAB 36.9, 4.51, -20.12

 

CMYK 0 / 48 / 59 / 46

HEX #8A4838

RGB 138 72 56

HSL 11.71, 0.42%, 0.38%

LAB 38.42, 26.4, 22.1

 

CMYK 0 / 32 / 59 / 46

HEX #8A5E38

RGB 138 94 56

HSL 27.8, 0.42%, 0.38%

LAB 43.79, 13.66, 28.78

 

CMYK 0 / 16 / 59 / 46

HEX #8A7438

RGB 138 116 56

HSL 43.9, 0.42%, 0.38%

LAB 49.71, 0.88, 35.82

 

CMYK 0 / 0 / 59 / 46

HEX #8A8A38

RGB 138 138 56

HSL 60, 0.42%, 0.38%

LAB 55.95, -11.35, 42.89

 

CMYK 16 / 0 / 59 / 46

HEX #748A38

RGB 116 138 56

HSL 76.1, 0.42%, 0.38%

LAB 54.21, -20.9, 40.46

 

CMYK 0 / 15 / 59 / 69

HEX #4F4320

RGB 79 67 32

HSL 44.68, 0.42%, 0.22%

LAB 28.85, -0.03, 22.92

 

CMYK 0 / 16 / 59 / 58

HEX #6C5B2C

RGB 108 91 44

HSL 44.06, 0.42%, 0.3%

LAB 39.33, 0.5, 29.3

 

CMYK 0 / 16 / 59 / 46

HEX #8A7438

RGB 138 116 56

HSL 43.9, 0.42%, 0.38%

LAB 49.71, 0.88, 35.82

 

CMYK 0 / 16 / 59 / 35

HEX #A78D44

RGB 167 141 68

HSL 44.24, 0.42%, 0.46%

LAB 59.6, 0.8, 41.91

 

CMYK 0 / 14 / 52 / 27

HEX #BBA159

RGB 187 161 89

HSL 44.08, 0.42%, 0.54%

LAB 67.11, 0.3, 40.68

 

CMYK 0 / 15 / 59 / 47

HEX #887338

RGB 136 115 56

HSL 44.25, 0.42%, 0.38%

LAB 49.23, 0.54, 35.2

 

CMYK 55 / 0 / 59 / 46

HEX #3E8A38

RGB 62 138 56

HSL 115.61, 0.42%, 0.38%

LAB 51.25, -40.52, 36.29

 

CMYK 40 / 59 / 0 / 46

HEX #53388A

RGB 83 56 138

HSL 259.76, 0.42%, 0.38%

LAB 30.65, 31.54, -41.71

 

CMYK 0 / 15 / 59 / 47

HEX #887338

RGB 136 115 56

HSL 44.25, 0.42%, 0.38%

LAB 49.23, 0.54, 35.2

 

CMYK 59 / 0 / 16 / 46

HEX #388A74

RGB 56 138 116

HSL 163.9, 0.42%, 0.38%

LAB 52.15, -30.5, 4.37

 

CMYK 16 / 59 / 0 / 46

HEX #74388A

RGB 116 56 138

HSL 283.9, 0.42%, 0.38%

LAB 34.75, 40.19, -34.9

 

CMYK 0 / 15 / 59 / 47

HEX #887338

RGB 136 115 56

HSL 44.25, 0.42%, 0.38%

LAB 49.23, 0.54, 35.2

 

CMYK 55 / 0 / 59 / 46

HEX #3E8A38

RGB 62 138 56

HSL 115.61, 0.42%, 0.38%

LAB 51.25, -40.52, 36.29

 

CMYK 59 / 43 / 0 / 46

HEX #384E8A

RGB 56 78 138

HSL 223.9, 0.42%, 0.38%

LAB 34.24, 10.86, -36.08

 

CMYK 4 / 59 / 0 / 46

HEX #84388A

RGB 132 56 138

HSL 295.61, 0.42%, 0.38%

LAB 37.06, 44.58, -31.11

 

CMYK 0 / 15 / 59 / 47

HEX #887338

RGB 136 115 56

HSL 44.25, 0.42%, 0.38%

LAB 49.23, 0.54, 35.2

 

CMYK 59 / 0 / 46 / 46

HEX #388A4B

RGB 56 138 75

HSL 133.9, 0.42%, 0.38%

LAB 51.3, -39.31, 26.42

 

CMYK 59 / 43 / 0 / 46

HEX #384E8A

RGB 56 78 138

HSL 223.9, 0.42%, 0.38%

LAB 34.24, 10.86, -36.08

 

CMYK 0 / 59 / 14 / 46

HEX #8A3877

RGB 138 56 119

HSL 313.9, 0.42%, 0.38%

LAB 37.05, 42.89, -19.3

 

Description

Color code: HEX #887338 | qconv.com Color code: HEX #887338 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 115 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 115 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 59 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 59% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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