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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #885EC0 it is the complementary color #77A13F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #885EC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #885EC0 shade: #8D5EBB, #9E70CE, #AF82E1, #C094F4 and #D1A6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #885EC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #885EC0 shade: #885EC0, #774CAD, #663A9A, #552887 and #441674

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #885EC0 shade: #885DC0, #A25DC0, #BD5DC0, #C05DA9 and #C05D8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #885EC0 shade: #885DC0, #6D5DC0 and #5D5DC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #885EC0 shade matches the following richer shades: #885DC0, #854BD2, #8339E4 and #8027F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #885EC0 shade: #885DC0, #8A70AE, #8D829C, #90948A and #92A678

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #885EC0 shade: #5D69C0, #6C5DC0, #875DC0, #A15DC0 and #BB5DC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #885EC0 shade: #5F3992, #7244B0, #885DC0, #9E7BCC and #B499D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #885EC0 shade: #885EC0, #C05D83 and #5DC05F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #885EC0 shade: #885EC0, #C0875D and #5DC087

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #885EC0 shade: #885EC0, #C05D83, #97C05D and #5DC09A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #885EC0 shade: #885EC0, #C05D66, #97C05D and #5DC0B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 51 / 0 / 25

HEX #885EC0

RGB 136 94 192

HSL 265.71, 0.44%, 0.56%

LAB 48.32, 37.35, -45.35

 

Complementary color

CMYK 26 / 0 / 61 / 37

HEX #77A13F

RGB 119 161 63

HSL 85.71, 0.44%, 0.44%

LAB 61.46, -30.4, 45.37

 

CMYK 25 / 50 / 0 / 27

HEX #8D5EBB

RGB 141 94 187

HSL 270.32, 0.41%, 0.55%

LAB 48.58, 37.47, -42

 

CMYK 23 / 46 / 0 / 19

HEX #9E70CE

RGB 158 112 206

HSL 269.36, 0.49%, 0.62%

LAB 55.39, 36.57, -42.01

 

CMYK 22 / 42 / 0 / 12

HEX #AF82E1

RGB 175 130 225

HSL 268.42, 0.61%, 0.7%

LAB 62.1, 35.72, -42.02

 

CMYK 21 / 39 / 0 / 4

HEX #C094F4

RGB 192 148 244

HSL 267.5, 0.81%, 0.77%

LAB 68.69, 34.93, -42.05

 

CMYK 18 / 35 / 0 / 0

HEX #D1A6FF

RGB 209 166 255

HSL 268.99, 1%, 0.83%

LAB 74.86, 32.43, -38.29

 

CMYK 29 / 51 / 0 / 25

HEX #885EC0

RGB 136 94 192

HSL 265.71, 0.44%, 0.56%

LAB 48.32, 37.35, -45.35

 

CMYK 31 / 56 / 0 / 32

HEX #774CAD

RGB 119 76 173

HSL 266.6, 0.39%, 0.49%

LAB 41.39, 38.36, -45.41

 

CMYK 34 / 62 / 0 / 40

HEX #663A9A

RGB 102 58 154

HSL 267.5, 0.45%, 0.42%

LAB 34.36, 39.37, -45.41

 

CMYK 37 / 70 / 0 / 47

HEX #552887

RGB 85 40 135

HSL 268.42, 0.54%, 0.34%

LAB 27.29, 40.26, -45.25

 

CMYK 41 / 81 / 0 / 55

HEX #441674

RGB 68 22 116

HSL 269.36, 0.68%, 0.27%

LAB 20.3, 40.66, -44.7

 

CMYK 29 / 52 / 0 / 25

HEX #885DC0

RGB 136 93 192

HSL 266.06, 0.44%, 0.56%

LAB 48.09, 37.92, -45.71

 

CMYK 16 / 52 / 0 / 25

HEX #A25DC0

RGB 162 93 192

HSL 281.82, 0.44%, 0.56%

LAB 51.05, 44.96, -40.82

 

CMYK 2 / 52 / 0 / 25

HEX #BD5DC0

RGB 189 93 192

HSL 298.18, 0.44%, 0.56%

LAB 54.5, 52.48, -35.16

 

CMYK 0 / 52 / 12 / 25

HEX #C05DA9

RGB 192 93 169

HSL 313.94, 0.44%, 0.56%

LAB 53.92, 49.38, -22.73

 

CMYK 0 / 52 / 26 / 25

HEX #C05D8E

RGB 192 93 142

HSL 330.3, 0.44%, 0.56%

LAB 52.94, 45.3, -8.38

 

CMYK 29 / 52 / 0 / 25

HEX #885DC0

RGB 136 93 192

HSL 266.06, 0.44%, 0.56%

LAB 48.09, 37.92, -45.71

 

CMYK 43 / 52 / 0 / 25

HEX #6D5DC0

RGB 109 93 192

HSL 249.7, 0.44%, 0.56%

LAB 45.48, 31.09, -50.04

 

CMYK 52 / 52 / 0 / 25

HEX #5D5DC0

RGB 93 93 192

HSL 240, 0.44%, 0.56%

LAB 44.18, 27.44, -52.19

 

CMYK 29 / 52 / 0 / 25

HEX #885DC0

RGB 136 93 192

HSL 266.06, 0.44%, 0.56%

LAB 48.09, 37.92, -45.71

 

CMYK 37 / 64 / 0 / 18

HEX #854BD2

RGB 133 75 210

HSL 265.78, 0.6%, 0.56%

LAB 45.18, 51.53, -60.77

 

CMYK 43 / 75 / 0 / 11

HEX #8339E4

RGB 131 57 228

HSL 265.96, 0.76%, 0.56%

LAB 43.29, 64.06, -74.14

 

CMYK 48 / 84 / 0 / 3

HEX #8027F7

RGB 128 39 247

HSL 265.67, 0.93%, 0.56%

LAB 42.39, 74.6, -86.37

 

CMYK 29 / 52 / 0 / 25

HEX #885DC0

RGB 136 93 192

HSL 266.06, 0.44%, 0.56%

LAB 48.09, 37.92, -45.71

 

CMYK 21 / 36 / 0 / 32

HEX #8A70AE

RGB 138 112 174

HSL 265.16, 0.28%, 0.56%

LAB 51.89, 23.02, -29.29

 

CMYK 10 / 17 / 0 / 39

HEX #8D829C

RGB 141 130 156

HSL 265.38, 0.12%, 0.56%

LAB 56.12, 9.38, -12.37

 

CMYK 3 / 0 / 7 / 42

HEX #90948A

RGB 144 148 138

HSL 84, 0.04%, 0.56%

LAB 60.73, -3.37, 4.77

 

CMYK 12 / 0 / 28 / 35

HEX #92A678

RGB 146 166 120

HSL 86.09, 0.21%, 0.56%

LAB 65.55, -15.34, 21.57

 

CMYK 52 / 45 / 0 / 25

HEX #5D69C0

RGB 93 105 192

HSL 232.73, 0.44%, 0.56%

LAB 47.28, 19.99, -47.22

 

CMYK 44 / 52 / 0 / 25

HEX #6C5DC0

RGB 108 93 192

HSL 249.09, 0.44%, 0.56%

LAB 45.39, 30.85, -50.18

 

CMYK 30 / 52 / 0 / 25

HEX #875DC0

RGB 135 93 192

HSL 265.45, 0.44%, 0.56%

LAB 47.99, 37.65, -45.88

 

CMYK 16 / 52 / 0 / 25

HEX #A15DC0

RGB 161 93 192

HSL 281.21, 0.44%, 0.56%

LAB 50.93, 44.69, -41.02

 

CMYK 3 / 52 / 0 / 25

HEX #BB5DC0

RGB 187 93 192

HSL 296.97, 0.44%, 0.56%

LAB 54.24, 51.92, -35.6

 

CMYK 35 / 61 / 0 / 43

HEX #5F3992

RGB 95 57 146

HSL 265.62, 0.44%, 0.4%

LAB 32.78, 36.13, -43.13

 

CMYK 35 / 61 / 0 / 31

HEX #7244B0

RGB 114 68 176

HSL 265.56, 0.44%, 0.48%

LAB 39.32, 42.39, -50.53

 

CMYK 29 / 52 / 0 / 25

HEX #885DC0

RGB 136 93 192

HSL 266.06, 0.44%, 0.56%

LAB 48.09, 37.92, -45.71

 

CMYK 23 / 40 / 0 / 20

HEX #9E7BCC

RGB 158 123 204

HSL 265.93, 0.44%, 0.64%

LAB 57.84, 29.85, -37.03

 

CMYK 16 / 29 / 0 / 16

HEX #B499D7

RGB 180 153 215

HSL 266.13, 0.44%, 0.72%

LAB 67.57, 22.07, -27.92

 

CMYK 29 / 51 / 0 / 25

HEX #885EC0

RGB 136 94 192

HSL 265.71, 0.44%, 0.56%

LAB 48.32, 37.35, -45.35

 

CMYK 0 / 52 / 32 / 25

HEX #C05D83

RGB 192 93 131

HSL 336.97, 0.44%, 0.56%

LAB 52.59, 43.83, -2.38

 

CMYK 52 / 0 / 51 / 25

HEX #5DC05F

RGB 93 192 95

HSL 121.21, 0.44%, 0.56%

LAB 70.07, -48.82, 39.93

 

CMYK 29 / 51 / 0 / 25

HEX #885EC0

RGB 136 94 192

HSL 265.71, 0.44%, 0.56%

LAB 48.32, 37.35, -45.35

 

CMYK 0 / 30 / 52 / 25

HEX #C0875D

RGB 192 135 93

HSL 25.45, 0.44%, 0.56%

LAB 61.07, 17.01, 31.19

 

CMYK 52 / 0 / 30 / 25

HEX #5DC087

RGB 93 192 135

HSL 145.45, 0.44%, 0.56%

LAB 70.72, -42.13, 20.06

 

CMYK 29 / 51 / 0 / 25

HEX #885EC0

RGB 136 94 192

HSL 265.71, 0.44%, 0.56%

LAB 48.32, 37.35, -45.35

 

CMYK 0 / 52 / 32 / 25

HEX #C05D83

RGB 192 93 131

HSL 336.97, 0.44%, 0.56%

LAB 52.59, 43.83, -2.38

 

CMYK 21 / 0 / 52 / 25

HEX #97C05D

RGB 151 192 93

HSL 84.85, 0.44%, 0.56%

LAB 72.94, -29.85, 45.05

 

CMYK 52 / 0 / 20 / 25

HEX #5DC09A

RGB 93 192 154

HSL 156.97, 0.44%, 0.56%

LAB 71.12, -38.14, 10.38

 

CMYK 29 / 51 / 0 / 25

HEX #885EC0

RGB 136 94 192

HSL 265.71, 0.44%, 0.56%

LAB 48.32, 37.35, -45.35

 

CMYK 0 / 52 / 47 / 25

HEX #C05D66

RGB 192 93 102

HSL 354.55, 0.44%, 0.56%

LAB 51.83, 40.52, 13.77

 

CMYK 21 / 0 / 52 / 25

HEX #97C05D

RGB 151 192 93

HSL 84.85, 0.44%, 0.56%

LAB 72.94, -29.85, 45.05

 

CMYK 52 / 0 / 4 / 25

HEX #5DC0B8

RGB 93 192 184

HSL 175.15, 0.44%, 0.56%

LAB 71.88, -30.92, -4.86

 

Description

Color code: HEX #885EC0 | qconv.com Color code: HEX #885EC0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 94 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 94 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 51 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 51% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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