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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8832A3 it is the complementary color #77CD5C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8832A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8832A3 shade: #8D329E, #9E44B1, #AF56C4, #C068D7 and #D17AEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8832A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8832A3 shade: #8832A3, #772090, #660E7D, #55006A and #440057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8832A3 shade: #8932A4, #A432A0, #A43282, #A43263 and #A43245

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8832A3 shade: #8932A4, #6A32A4, #4C32A4 and #3232A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8832A3 shade matches the following richer shades: #8932A4, #9221B5 and #9B10C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8832A3 shade: #8932A4, #804493, #775581, #6E6670 and #65785F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8832A3 shade: #4B32A4, #6932A4, #8732A4, #A432A2 and #A43284

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8832A3 shade: #541F65, #6E2984, #8932A4, #A33CC3 and #B25CCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8832A3 shade: #8832A3, #A43238 and #32A45A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8832A3 shade: #8832A3, #A48732 and #32A487

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8832A3 shade: #8832A3, #A43238, #4FA432 and #32A49E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8832A3 shade: #8832A3, #A44F32, #4FA432 and #3287A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 69 / 0 / 36

HEX #8832A3

RGB 136 50 163

HSL 285.66, 0.53%, 0.42%

LAB 38.13, 53.32, -44.55

 

Complementary color

CMYK 42 / 0 / 55 / 20

HEX #77CD5C

RGB 119 205 92

HSL 105.66, 0.53%, 0.58%

LAB 75.05, -46.91, 47.61

 

CMYK 11 / 68 / 0 / 38

HEX #8D329E

RGB 141 50 158

HSL 290.56, 0.52%, 0.41%

LAB 38.57, 53.47, -40.78

 

CMYK 11 / 62 / 0 / 31

HEX #9E44B1

RGB 158 68 177

HSL 289.54, 0.44%, 0.48%

LAB 45.05, 53.34, -41.63

 

CMYK 11 / 56 / 0 / 23

HEX #AF56C4

RGB 175 86 196

HSL 288.55, 0.48%, 0.55%

LAB 51.56, 52.86, -42.22

 

CMYK 11 / 52 / 0 / 16

HEX #C068D7

RGB 192 104 215

HSL 287.57, 0.58%, 0.63%

LAB 58.05, 52.22, -42.66

 

CMYK 11 / 48 / 0 / 8

HEX #D17AEA

RGB 209 122 234

HSL 286.61, 0.73%, 0.7%

LAB 64.5, 51.5, -43

 

CMYK 17 / 69 / 0 / 36

HEX #8832A3

RGB 136 50 163

HSL 285.66, 0.53%, 0.42%

LAB 38.13, 53.32, -44.55

 

CMYK 17 / 78 / 0 / 44

HEX #772090

RGB 119 32 144

HSL 286.61, 0.64%, 0.35%

LAB 31.74, 52.9, -43.41

 

CMYK 18 / 89 / 0 / 51

HEX #660E7D

RGB 102 14 125

HSL 287.57, 0.8%, 0.27%

LAB 25.62, 51.31, -41.55

 

CMYK 20 / 100 / 0 / 58

HEX #55006A

RGB 85 0 106

HSL 288.11, 1%, 0.21%

LAB 19.93, 47.99, -38.69

 

CMYK 22 / 100 / 0 / 66

HEX #440057

RGB 68 0 87

HSL 286.9, 1%, 0.17%

LAB 15.05, 41.6, -34.14

 

CMYK 16 / 70 / 0 / 36

HEX #8932A4

RGB 137 50 164

HSL 285.79, 0.53%, 0.42%

LAB 38.34, 53.74, -44.8

 

CMYK 0 / 70 / 2 / 36

HEX #A432A0

RGB 164 50 160

HSL 302.11, 0.53%, 0.42%

LAB 42.33, 59.25, -35.8

 

CMYK 0 / 70 / 21 / 36

HEX #A43282

RGB 164 50 130

HSL 317.89, 0.53%, 0.42%

LAB 40.87, 54.61, -19.86

 

CMYK 0 / 70 / 40 / 36

HEX #A43263

RGB 164 50 99

HSL 334.21, 0.53%, 0.42%

LAB 39.71, 50.71, -2.33

 

CMYK 0 / 70 / 58 / 36

HEX #A43245

RGB 164 50 69

HSL 350, 0.53%, 0.42%

LAB 38.9, 47.93, 15.5

 

CMYK 16 / 70 / 0 / 36

HEX #8932A4

RGB 137 50 164

HSL 285.79, 0.53%, 0.42%

LAB 38.34, 53.74, -44.8

 

CMYK 35 / 70 / 0 / 36

HEX #6A32A4

RGB 106 50 164

HSL 269.47, 0.53%, 0.42%

LAB 34.04, 47.03, -51.96

 

CMYK 54 / 70 / 0 / 36

HEX #4C32A4

RGB 76 50 164

HSL 253.68, 0.53%, 0.42%

LAB 30.64, 41.32, -57.64

 

CMYK 70 / 70 / 0 / 36

HEX #3232A4

RGB 50 50 164

HSL 240, 0.53%, 0.42%

LAB 28.48, 37.47, -61.25

 

CMYK 16 / 70 / 0 / 36

HEX #8932A4

RGB 137 50 164

HSL 285.79, 0.53%, 0.42%

LAB 38.34, 53.74, -44.8

 

CMYK 19 / 82 / 0 / 29

HEX #9221B5

RGB 146 33 181

HSL 285.81, 0.69%, 0.42%

LAB 38.79, 64.87, -54.14

 

CMYK 22 / 92 / 0 / 22

HEX #9B10C7

RGB 155 16 199

HSL 285.57, 0.85%, 0.42%

LAB 40.35, 73.2, -62.11

 

CMYK 16 / 70 / 0 / 36

HEX #8932A4

RGB 137 50 164

HSL 285.79, 0.53%, 0.42%

LAB 38.34, 53.74, -44.8

 

CMYK 13 / 54 / 0 / 42

HEX #804493

RGB 128 68 147

HSL 285.57, 0.37%, 0.42%

LAB 39.29, 39.1, -33.11

 

CMYK 8 / 34 / 0 / 49

HEX #775581

RGB 119 85 129

HSL 286.36, 0.21%, 0.42%

LAB 41.22, 22.46, -19.24

 

CMYK 2 / 9 / 0 / 56

HEX #6E6670

RGB 110 102 112

HSL 288, 0.05%, 0.42%

LAB 44.22, 5.18, -4.47

 

CMYK 16 / 0 / 21 / 53

HEX #65785F

RGB 101 120 95

HSL 105.6, 0.12%, 0.42%

LAB 48.29, -12.13, 11.45

 

CMYK 54 / 70 / 0 / 36

HEX #4B32A4

RGB 75 50 164

HSL 253.16, 0.53%, 0.42%

LAB 30.54, 41.15, -57.8

 

CMYK 36 / 70 / 0 / 36

HEX #6932A4

RGB 105 50 164

HSL 268.95, 0.53%, 0.42%

LAB 33.91, 46.82, -52.17

 

CMYK 18 / 70 / 0 / 36

HEX #8732A4

RGB 135 50 164

HSL 284.74, 0.53%, 0.42%

LAB 38.04, 53.3, -45.29

 

CMYK 0 / 70 / 1 / 36

HEX #A432A2

RGB 164 50 162

HSL 301.05, 0.53%, 0.42%

LAB 42.43, 59.58, -36.83

 

CMYK 0 / 70 / 20 / 36

HEX #A43284

RGB 164 50 132

HSL 316.84, 0.53%, 0.42%

LAB 40.96, 54.9, -20.95

 

CMYK 17 / 69 / 0 / 60

HEX #541F65

RGB 84 31 101

HSL 285.43, 0.53%, 0.26%

LAB 23.01, 36.25, -30.46

 

CMYK 17 / 69 / 0 / 48

HEX #6E2984

RGB 110 41 132

HSL 285.49, 0.53%, 0.34%

LAB 30.8, 44.77, -37.55

 

CMYK 16 / 70 / 0 / 36

HEX #8932A4

RGB 137 50 164

HSL 285.79, 0.53%, 0.42%

LAB 38.34, 53.74, -44.8

 

CMYK 16 / 69 / 0 / 24

HEX #A33CC3

RGB 163 60 195

HSL 285.78, 0.53%, 0.5%

LAB 45.58, 61.51, -51.27

 

CMYK 13 / 55 / 0 / 20

HEX #B25CCD

RGB 178 92 205

HSL 285.66, 0.53%, 0.58%

LAB 53.52, 52.49, -44.25

 

CMYK 17 / 69 / 0 / 36

HEX #8832A3

RGB 136 50 163

HSL 285.66, 0.53%, 0.42%

LAB 38.13, 53.32, -44.55

 

CMYK 0 / 70 / 66 / 36

HEX #A43238

RGB 164 50 56

HSL 356.84, 0.53%, 0.42%

LAB 38.65, 47.04, 23.31

 

CMYK 70 / 0 / 45 / 36

HEX #32A45A

RGB 50 164 90

HSL 141.05, 0.53%, 0.42%

LAB 59.86, -48.41, 29.36

 

CMYK 17 / 69 / 0 / 36

HEX #8832A3

RGB 136 50 163

HSL 285.66, 0.53%, 0.42%

LAB 38.13, 53.32, -44.55

 

CMYK 0 / 18 / 70 / 36

HEX #A48732

RGB 164 135 50

HSL 44.74, 0.53%, 0.42%

LAB 57.51, 1.56, 48.04

 

CMYK 70 / 0 / 18 / 36

HEX #32A487

RGB 50 164 135

HSL 164.74, 0.53%, 0.42%

LAB 60.76, -38.7, 5.9

 

CMYK 17 / 69 / 0 / 36

HEX #8832A3

RGB 136 50 163

HSL 285.66, 0.53%, 0.42%

LAB 38.13, 53.32, -44.55

 

CMYK 0 / 70 / 66 / 36

HEX #A43238

RGB 164 50 56

HSL 356.84, 0.53%, 0.42%

LAB 38.65, 47.04, 23.31

 

CMYK 52 / 0 / 70 / 36

HEX #4FA432

RGB 79 164 50

HSL 104.74, 0.53%, 0.42%

LAB 60.29, -46.69, 49.15

 

CMYK 70 / 0 / 4 / 36

HEX #32A49E

RGB 50 164 158

HSL 176.84, 0.53%, 0.42%

LAB 61.39, -32.46, -6.11

 

CMYK 17 / 69 / 0 / 36

HEX #8832A3

RGB 136 50 163

HSL 285.66, 0.53%, 0.42%

LAB 38.13, 53.32, -44.55

 

CMYK 0 / 52 / 70 / 36

HEX #A44F32

RGB 164 79 50

HSL 15.26, 0.53%, 0.42%

LAB 43.82, 32.86, 33.08

 

CMYK 52 / 0 / 70 / 36

HEX #4FA432

RGB 79 164 50

HSL 104.74, 0.53%, 0.42%

LAB 60.29, -46.69, 49.15

 

CMYK 70 / 18 / 0 / 36

HEX #3287A4

RGB 50 135 164

HSL 195.26, 0.53%, 0.42%

LAB 52.6, -15.77, -22.82

 

Description

Color code: HEX #8832A3 | qconv.com Color code: HEX #8832A3 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 50 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 50 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 69 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 69% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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