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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #882BF5 it is the complementary color #77D40A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #882BF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #882BF5 shade: #8D2BF0, #9E3DFF, #AF4FFF, #C061FF and #D173FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #882BF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #882BF5 shade: #882BF5, #7719E2, #6607CF, #5500BC and #4400A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #882BF5 shade: #8729F5, #BE29F5, #F529F5, #F529BE and #F52987

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #882BF5 shade: #8729F5, #5029F5 and #2929F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #882BF5 shade matches the following richer shades: #8729F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #882BF5 shade: #8729F5, #883BE3, #8A4DD1, #8B5FBE and #8C71AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #882BF5 shade: #293AF5, #4E29F5, #8529F5, #BB29F5 and #F129F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #882BF5 shade: #5E09C2, #710BE9, #8729F5, #9D50F7 and #B378F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #882BF5 shade: #882BF5, #F52970 and #29F533

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #882BF5 shade: #882BF5, #F58529 and #29F585

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #882BF5 shade: #882BF5, #F52970, #99F529 and #29F5AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #882BF5 shade: #882BF5, #F52933, #99F529 and #29F5EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 82 / 0 / 4

HEX #882BF5

RGB 136 43 245

HSL 267.62, 0.91%, 0.56%

LAB 43.59, 73.85, -83.24

 

Complementary color

CMYK 44 / 0 / 95 / 17

HEX #77D40A

RGB 119 212 10

HSL 87.62, 0.91%, 0.44%

LAB 76.7, -54.62, 74.37

 

CMYK 41 / 82 / 0 / 6

HEX #8D2BF0

RGB 141 43 240

HSL 269.85, 0.87%, 0.55%

LAB 43.77, 73.36, -80.1

 

CMYK 38 / 76 / 0 / 0

HEX #9E3DFF

RGB 158 61 255

HSL 270, 1%, 0.62%

LAB 49.29, 72.9, -79.4

 

CMYK 31 / 69 / 0 / 0

HEX #AF4FFF

RGB 175 79 255

HSL 272.73, 1%, 0.65%

LAB 53.95, 68.53, -71.72

 

CMYK 25 / 62 / 0 / 0

HEX #C061FF

RGB 192 97 255

HSL 276.08, 1%, 0.69%

LAB 58.95, 63.91, -63.54

 

CMYK 18 / 55 / 0 / 0

HEX #D173FF

RGB 209 115 255

HSL 280.29, 1%, 0.73%

LAB 64.19, 59.25, -55.05

 

CMYK 44 / 82 / 0 / 4

HEX #882BF5

RGB 136 43 245

HSL 267.62, 0.91%, 0.56%

LAB 43.59, 73.85, -83.24

 

CMYK 47 / 89 / 0 / 11

HEX #7719E2

RGB 119 25 226

HSL 268.06, 0.8%, 0.49%

LAB 38.04, 72.6, -81.69

 

CMYK 51 / 97 / 0 / 19

HEX #6607CF

RGB 102 7 207

HSL 268.5, 0.93%, 0.42%

LAB 32.88, 70.02, -79.32

 

CMYK 55 / 100 / 0 / 26

HEX #5500BC

RGB 85 0 188

HSL 267.13, 1%, 0.37%

LAB 28.28, 65.58, -75.84

 

CMYK 60 / 100 / 0 / 34

HEX #4400A9

RGB 68 0 169

HSL 264.14, 1%, 0.33%

LAB 23.98, 60.09, -71.66

 

CMYK 45 / 83 / 0 / 4

HEX #8729F5

RGB 135 41 245

HSL 267.65, 0.91%, 0.56%

LAB 43.26, 74.35, -83.79

 

CMYK 22 / 83 / 0 / 4

HEX #BE29F5

RGB 190 41 245

HSL 283.82, 0.91%, 0.56%

LAB 50.83, 81.9, -71.1

 

CMYK 0 / 83 / 0 / 4

HEX #F529F5

RGB 245 41 245

HSL 300, 0.91%, 0.56%

LAB 59.52, 90.98, -56.67

 

CMYK 0 / 83 / 22 / 4

HEX #F529BE

RGB 245 41 190

HSL 316.18, 0.91%, 0.56%

LAB 56.8, 83.68, -29.78

 

CMYK 0 / 83 / 45 / 4

HEX #F52987

RGB 245 41 135

HSL 332.35, 0.91%, 0.56%

LAB 54.81, 78.09, -0.47

 

CMYK 45 / 83 / 0 / 4

HEX #8729F5

RGB 135 41 245

HSL 267.65, 0.91%, 0.56%

LAB 43.26, 74.35, -83.79

 

CMYK 67 / 83 / 0 / 4

HEX #5029F5

RGB 80 41 245

HSL 251.47, 0.91%, 0.56%

LAB 37.63, 69.08, -93.27

 

CMYK 83 / 83 / 0 / 4

HEX #2929F5

RGB 41 41 245

HSL 240, 0.91%, 0.56%

LAB 35.3, 67.01, -97.21

 

CMYK 45 / 83 / 0 / 4

HEX #8729F5

RGB 135 41 245

HSL 267.65, 0.91%, 0.56%

LAB 43.26, 74.35, -83.79

 

CMYK 45 / 83 / 0 / 4

HEX #8729F5

RGB 135 41 245

HSL 267.65, 0.91%, 0.56%

LAB 43.26, 74.35, -83.79

 

CMYK 40 / 74 / 0 / 11

HEX #883BE3

RGB 136 59 227

HSL 267.5, 0.75%, 0.56%

LAB 44.1, 63.77, -72.23

 

CMYK 34 / 63 / 0 / 18

HEX #8A4DD1

RGB 138 77 209

HSL 267.73, 0.59%, 0.56%

LAB 46.06, 51.32, -58.75

 

CMYK 27 / 50 / 0 / 25

HEX #8B5FBE

RGB 139 95 190

HSL 267.79, 0.42%, 0.56%

LAB 48.75, 37.09, -43.49

 

CMYK 19 / 34 / 0 / 33

HEX #8C71AC

RGB 140 113 172

HSL 267.46, 0.26%, 0.56%

LAB 52.25, 22.59, -27.56

 

CMYK 83 / 76 / 0 / 4

HEX #293AF5

RGB 41 58 245

HSL 235, 0.91%, 0.56%

LAB 38, 59.11, -92.72

 

CMYK 68 / 83 / 0 / 4

HEX #4E29F5

RGB 78 41 245

HSL 250.88, 0.91%, 0.56%

LAB 37.48, 68.94, -93.53

 

CMYK 46 / 83 / 0 / 4

HEX #8529F5

RGB 133 41 245

HSL 267.06, 0.91%, 0.56%

LAB 43.01, 74.11, -84.2

 

CMYK 24 / 83 / 0 / 4

HEX #BB29F5

RGB 187 41 245

HSL 282.94, 0.91%, 0.56%

LAB 50.39, 81.45, -71.85

 

CMYK 2 / 83 / 0 / 4

HEX #F129F5

RGB 241 41 245

HSL 298.82, 0.91%, 0.56%

LAB 58.86, 90.28, -57.75

 

CMYK 52 / 95 / 0 / 24

HEX #5E09C2

RGB 94 9 194

HSL 267.57, 0.91%, 0.4%

LAB 30.57, 66.14, -75.56

 

CMYK 52 / 95 / 0 / 9

HEX #710BE9

RGB 113 11 233

HSL 267.57, 0.91%, 0.48%

LAB 37.18, 76.09, -87.13

 

CMYK 45 / 83 / 0 / 4

HEX #8729F5

RGB 135 41 245

HSL 267.65, 0.91%, 0.56%

LAB 43.26, 74.35, -83.79

 

CMYK 36 / 68 / 0 / 3

HEX #9D50F7

RGB 157 80 247

HSL 267.66, 0.91%, 0.64%

LAB 51.41, 62.86, -71.49

 

CMYK 28 / 52 / 0 / 2

HEX #B378F9

RGB 179 120 249

HSL 267.44, 0.91%, 0.72%

LAB 61.53, 47.88, -56.19

 

CMYK 44 / 82 / 0 / 4

HEX #882BF5

RGB 136 43 245

HSL 267.62, 0.91%, 0.56%

LAB 43.59, 73.85, -83.24

 

CMYK 0 / 83 / 54 / 4

HEX #F52970

RGB 245 41 112

HSL 339.12, 0.91%, 0.56%

LAB 54.21, 76.33, 12.45

 

CMYK 83 / 0 / 79 / 4

HEX #29F533

RGB 41 245 51

HSL 122.94, 0.91%, 0.56%

LAB 85, -79.86, 73.02

 

CMYK 44 / 82 / 0 / 4

HEX #882BF5

RGB 136 43 245

HSL 267.62, 0.91%, 0.56%

LAB 43.59, 73.85, -83.24

 

CMYK 0 / 46 / 83 / 4

HEX #F58529

RGB 245 133 41

HSL 27.06, 0.91%, 0.56%

LAB 66.78, 36.99, 63.91

 

CMYK 83 / 0 / 46 / 4

HEX #29F585

RGB 41 245 133

HSL 147.06, 0.91%, 0.56%

LAB 85.74, -70.84, 40.77

 

CMYK 44 / 82 / 0 / 4

HEX #882BF5

RGB 136 43 245

HSL 267.62, 0.91%, 0.56%

LAB 43.59, 73.85, -83.24

 

CMYK 0 / 83 / 54 / 4

HEX #F52970

RGB 245 41 112

HSL 339.12, 0.91%, 0.56%

LAB 54.21, 76.33, 12.45

 

CMYK 38 / 0 / 83 / 4

HEX #99F529

RGB 153 245 41

HSL 87.06, 0.91%, 0.56%

LAB 88.08, -55.53, 79.46

 

CMYK 83 / 0 / 29 / 4

HEX #29F5AD

RGB 41 245 173

HSL 158.82, 0.91%, 0.56%

LAB 86.4, -63.26, 21.59

 

CMYK 44 / 82 / 0 / 4

HEX #882BF5

RGB 136 43 245

HSL 267.62, 0.91%, 0.56%

LAB 43.59, 73.85, -83.24

 

CMYK 0 / 83 / 79 / 4

HEX #F52933

RGB 245 41 51

HSL 357.06, 0.91%, 0.56%

LAB 53.21, 73.38, 46.89

 

CMYK 38 / 0 / 83 / 4

HEX #99F529

RGB 153 245 41

HSL 87.06, 0.91%, 0.56%

LAB 88.08, -55.53, 79.46

 

CMYK 83 / 0 / 4 / 4

HEX #29F5EB

RGB 41 245 235

HSL 177.06, 0.91%, 0.56%

LAB 87.86, -47.95, -8.55

 

Description

Color code: HEX #882BF5 | qconv.com Color code: HEX #882BF5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 43 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 43 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 82 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 82% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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