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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #882990 it is the complementary color #77D66F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #882990. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #882990 shade: #8D298B, #9E3B9E, #AF4DB1, #C05FC4 and #D171D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #882990. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #882990 shade: #882990, #77177D, #66056A, #550057 and #440044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #882990 shade: #87288F, #8F287B, #8F2860, #8F2844 and #8F2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #882990 shade: #87288F, #6B288F, #50288F, #34288F and #28288F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #882990 shade matches the following richer shades: #87288F, #941A9E and #A00BAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #882990 shade: #87288F, #7B3780, #6E4672, #625563 and #556454

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #882990 shade: #50288F, #6B288F, #87288F, #8F287C and #8F2861

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #882990 shade: #4A164F, #691F6F, #87288F, #A631AF and #BF41C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #882990 shade: #882990, #8F3428 and #288F5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #882990 shade: #882990, #8F8728 and #288F87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #882990 shade: #882990, #8F3428, #318F28 and #28838F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #882990 shade: #882990, #8F5328, #318F28 and #28648F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 72 / 0 / 44

HEX #882990

RGB 136 41 144

HSL 295.34, 0.56%, 0.36%

LAB 35.66, 53.28, -36.96

 

Complementary color

CMYK 44 / 0 / 48 / 16

HEX #77D66F

RGB 119 214 111

HSL 115.34, 0.56%, 0.64%

LAB 77.97, -48.3, 42.08

 

CMYK 0 / 71 / 1 / 45

HEX #8D298B

RGB 141 41 139

HSL 301.2, 0.55%, 0.36%

LAB 36.2, 53.57, -32.99

 

CMYK 0 / 63 / 0 / 38

HEX #9E3B9E

RGB 158 59 158

HSL 300, 0.46%, 0.43%

LAB 42.56, 53.82, -34.29

 

CMYK 1 / 56 / 0 / 31

HEX #AF4DB1

RGB 175 77 177

HSL 298.8, 0.39%, 0.5%

LAB 49, 53.57, -35.23

 

CMYK 2 / 52 / 0 / 23

HEX #C05FC4

RGB 192 95 196

HSL 297.62, 0.46%, 0.57%

LAB 55.46, 53.06, -35.93

 

CMYK 3 / 47 / 0 / 16

HEX #D171D7

RGB 209 113 215

HSL 296.47, 0.56%, 0.64%

LAB 61.89, 52.42, -36.49

 

CMYK 6 / 72 / 0 / 44

HEX #882990

RGB 136 41 144

HSL 295.34, 0.56%, 0.36%

LAB 35.66, 53.28, -36.96

 

CMYK 5 / 82 / 0 / 51

HEX #77177D

RGB 119 23 125

HSL 296.47, 0.69%, 0.29%

LAB 29.45, 52.22, -35.23

 

CMYK 4 / 95 / 0 / 58

HEX #66056A

RGB 102 5 106

HSL 297.62, 0.91%, 0.22%

LAB 23.59, 49.73, -32.63

 

CMYK 2 / 100 / 0 / 66

HEX #550057

RGB 85 0 87

HSL 298.62, 1%, 0.17%

LAB 18.45, 44.51, -28.47

 

CMYK 0 / 100 / 0 / 73

HEX #440044

RGB 68 0 68

HSL 300, 1%, 0.13%

LAB 13.51, 37.99, -23.53

 

CMYK 6 / 72 / 0 / 44

HEX #87288F

RGB 135 40 143

HSL 295.34, 0.56%, 0.36%

LAB 35.3, 53.25, -36.93

 

CMYK 0 / 72 / 14 / 44

HEX #8F287B

RGB 143 40 123

HSL 311.65, 0.56%, 0.36%

LAB 35.57, 51.83, -24.03

 

CMYK 0 / 72 / 33 / 44

HEX #8F2860

RGB 143 40 96

HSL 327.38, 0.56%, 0.36%

LAB 34.4, 48.06, -8.73

 

CMYK 0 / 72 / 52 / 44

HEX #8F2844

RGB 143 40 68

HSL 343.69, 0.56%, 0.36%

LAB 33.51, 45.07, 8.1

 

CMYK 0 / 72 / 72 / 44

HEX #8F2828

RGB 143 40 40

HSL 0, 0.56%, 0.36%

LAB 32.94, 43.11, 25.35

 

CMYK 6 / 72 / 0 / 44

HEX #87288F

RGB 135 40 143

HSL 295.34, 0.56%, 0.36%

LAB 35.3, 53.25, -36.93

 

CMYK 25 / 72 / 0 / 44

HEX #6B288F

RGB 107 40 143

HSL 279.03, 0.56%, 0.36%

LAB 30.94, 46.96, -44.16

 

CMYK 44 / 72 / 0 / 44

HEX #50288F

RGB 80 40 143

HSL 263.3, 0.56%, 0.36%

LAB 27.31, 41.41, -50.21

 

CMYK 64 / 72 / 0 / 44

HEX #34288F

RGB 52 40 143

HSL 246.99, 0.56%, 0.36%

LAB 24.42, 36.68, -55.07

 

CMYK 72 / 72 / 0 / 44

HEX #28288F

RGB 40 40 143

HSL 240, 0.56%, 0.36%

LAB 23.51, 35.12, -56.59

 

CMYK 6 / 72 / 0 / 44

HEX #87288F

RGB 135 40 143

HSL 295.34, 0.56%, 0.36%

LAB 35.3, 53.25, -36.93

 

CMYK 6 / 84 / 0 / 38

HEX #941A9E

RGB 148 26 158

HSL 295.45, 0.72%, 0.36%

LAB 36.94, 62.91, -43.34

 

CMYK 8 / 94 / 0 / 32

HEX #A00BAD

RGB 160 11 173

HSL 295.19, 0.88%, 0.36%

LAB 39.12, 70.14, -48.72

 

CMYK 6 / 72 / 0 / 44

HEX #87288F

RGB 135 40 143

HSL 295.34, 0.56%, 0.36%

LAB 35.3, 53.25, -36.93

 

CMYK 4 / 57 / 0 / 50

HEX #7B3780

RGB 123 55 128

HSL 295.89, 0.4%, 0.36%

LAB 35.01, 40.57, -28.26

 

CMYK 4 / 39 / 0 / 55

HEX #6E4672

RGB 110 70 114

HSL 294.55, 0.24%, 0.36%

LAB 35.81, 25.1, -18.42

 

CMYK 1 / 14 / 0 / 61

HEX #625563

RGB 98 85 99

HSL 295.71, 0.08%, 0.36%

LAB 37.83, 8.16, -6.12

 

CMYK 15 / 0 / 16 / 61

HEX #556454

RGB 85 100 84

HSL 116.25, 0.09%, 0.36%

LAB 40.71, -9.17, 7.18

 

CMYK 44 / 72 / 0 / 44

HEX #50288F

RGB 80 40 143

HSL 263.3, 0.56%, 0.36%

LAB 27.31, 41.41, -50.21

 

CMYK 25 / 72 / 0 / 44

HEX #6B288F

RGB 107 40 143

HSL 279.03, 0.56%, 0.36%

LAB 30.94, 46.96, -44.16

 

CMYK 6 / 72 / 0 / 44

HEX #87288F

RGB 135 40 143

HSL 295.34, 0.56%, 0.36%

LAB 35.3, 53.25, -36.93

 

CMYK 0 / 72 / 13 / 44

HEX #8F287C

RGB 143 40 124

HSL 311.07, 0.56%, 0.36%

LAB 35.62, 51.98, -24.58

 

CMYK 0 / 72 / 32 / 44

HEX #8F2861

RGB 143 40 97

HSL 326.8, 0.56%, 0.36%

LAB 34.44, 48.18, -9.31

 

CMYK 6 / 72 / 0 / 69

HEX #4A164F

RGB 74 22 79

HSL 294.74, 0.56%, 0.2%

LAB 18.34, 33.16, -23.36

 

CMYK 5 / 72 / 0 / 56

HEX #691F6F

RGB 105 31 111

HSL 295.5, 0.56%, 0.28%

LAB 27.1, 43.65, -30.21

 

CMYK 6 / 72 / 0 / 44

HEX #87288F

RGB 135 40 143

HSL 295.34, 0.56%, 0.36%

LAB 35.3, 53.25, -36.93

 

CMYK 5 / 72 / 0 / 31

HEX #A631AF

RGB 166 49 175

HSL 295.71, 0.56%, 0.44%

LAB 43.36, 62.62, -43.07

 

CMYK 5 / 68 / 0 / 21

HEX #BF41C9

RGB 191 65 201

HSL 295.59, 0.56%, 0.52%

LAB 50.77, 66.84, -46.21

 

CMYK 6 / 72 / 0 / 44

HEX #882990

RGB 136 41 144

HSL 295.34, 0.56%, 0.36%

LAB 35.66, 53.28, -36.96

 

CMYK 0 / 64 / 72 / 44

HEX #8F3428

RGB 143 52 40

HSL 6.99, 0.56%, 0.36%

LAB 34.9, 37.81, 27.65

 

CMYK 72 / 0 / 34 / 44

HEX #288F5E

RGB 40 143 94

HSL 151.46, 0.56%, 0.36%

LAB 52.84, -41.01, 17.86

 

CMYK 6 / 72 / 0 / 44

HEX #882990

RGB 136 41 144

HSL 295.34, 0.56%, 0.36%

LAB 35.66, 53.28, -36.96

 

CMYK 0 / 6 / 72 / 44

HEX #8F8728

RGB 143 135 40

HSL 55.34, 0.56%, 0.36%

LAB 55.4, -8.52, 49.47

 

CMYK 72 / 0 / 6 / 44

HEX #288F87

RGB 40 143 135

HSL 175.34, 0.56%, 0.36%

LAB 53.86, -30.51, -4.17

 

CMYK 6 / 72 / 0 / 44

HEX #882990

RGB 136 41 144

HSL 295.34, 0.56%, 0.36%

LAB 35.66, 53.28, -36.96

 

CMYK 0 / 64 / 72 / 44

HEX #8F3428

RGB 143 52 40

HSL 6.99, 0.56%, 0.36%

LAB 34.9, 37.81, 27.65

 

CMYK 66 / 0 / 72 / 44

HEX #318F28

RGB 49 143 40

HSL 114.76, 0.56%, 0.36%

LAB 52.34, -47.48, 44.58

 

CMYK 72 / 8 / 0 / 44

HEX #28838F

RGB 40 131 143

HSL 186.99, 0.56%, 0.36%

LAB 50.3, -22.02, -14.16

 

CMYK 6 / 72 / 0 / 44

HEX #882990

RGB 136 41 144

HSL 295.34, 0.56%, 0.36%

LAB 35.66, 53.28, -36.96

 

CMYK 0 / 42 / 72 / 44

HEX #8F5328

RGB 143 83 40

HSL 25.05, 0.56%, 0.36%

LAB 41.5, 21.18, 35.08

 

CMYK 66 / 0 / 72 / 44

HEX #318F28

RGB 49 143 40

HSL 114.76, 0.56%, 0.36%

LAB 52.34, -47.48, 44.58

 

CMYK 72 / 30 / 0 / 44

HEX #28648F

RGB 40 100 143

HSL 205.05, 0.56%, 0.36%

LAB 40.49, -4.42, -29.28

 

Description

Color code: HEX #882990 | qconv.com Color code: HEX #882990 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 41 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 41 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 72 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 72% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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