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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88237B it is the complementary color #77DC84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88237B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88237B shade: #8D2376, #9E3589, #AF479C, #C059AF and #D16BC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88237B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88237B shade: #88237B, #771168, #660055, #550042 and #44002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88237B shade: #8A247D, #8A2461, #8A2446, #8A242A and #8A2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88237B shade: #8A247D, #7B248A, #60248A, #44248A and #29248A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88237B shade matches the following richer shades: #8A247D, #981687 and #A60792

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88237B shade: #8A247D, #7C3272, #6E4068, #604E5D and #525C53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88237B shade: #5F248A, #7B248A, #8A247E, #8A2463 and #8A2447

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88237B shade: #481341, #691B5F, #8A247D, #AB2C9A and #CB35B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88237B shade: #88237B, #8A4424 and #248A6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88237B shade: #88237B, #7E8A24 and #247E8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88237B shade: #88237B, #8A4424, #248A2F and #24698A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88237B shade: #88237B, #8A6324, #248A2F and #244B8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 10 / 47

HEX #88237B

RGB 136 35 123

HSL 307.72, 0.59%, 0.34%

LAB 33.7, 51.88, -27.04

 

Complementary color

CMYK 46 / 0 / 40 / 14

HEX #77DC84

RGB 119 220 132

HSL 127.72, 0.59%, 0.66%

LAB 80.05, -47.74, 34.29

 

CMYK 0 / 75 / 16 / 45

HEX #8D2376

RGB 141 35 118

HSL 313.02, 0.6%, 0.35%

LAB 34.34, 52.35, -22.84

 

CMYK 0 / 66 / 13 / 38

HEX #9E3589

RGB 158 53 137

HSL 312, 0.5%, 0.41%

LAB 40.61, 52.84, -24.64

 

CMYK 0 / 59 / 11 / 31

HEX #AF479C

RGB 175 71 156

HSL 310.96, 0.42%, 0.48%

LAB 47, 52.74, -25.96

 

CMYK 0 / 54 / 9 / 25

HEX #C059AF

RGB 192 89 175

HSL 309.9, 0.45%, 0.55%

LAB 53.43, 52.31, -26.97

 

CMYK 0 / 49 / 7 / 18

HEX #D16BC2

RGB 209 107 194

HSL 308.82, 0.53%, 0.62%

LAB 59.86, 51.71, -27.77

 

CMYK 0 / 74 / 10 / 47

HEX #88237B

RGB 136 35 123

HSL 307.72, 0.59%, 0.34%

LAB 33.7, 51.88, -27.04

 

CMYK 0 / 86 / 13 / 53

HEX #771168

RGB 119 17 104

HSL 308.82, 0.75%, 0.27%

LAB 27.63, 50.36, -24.7

 

CMYK 0 / 100 / 17 / 60

HEX #660055

RGB 102 0 85

HSL 310, 1%, 0.2%

LAB 21.87, 47.51, -21.47

 

CMYK 0 / 100 / 22 / 67

HEX #550042

RGB 85 0 66

HSL 313.41, 1%, 0.17%

LAB 17.11, 41.21, -16.19

 

CMYK 0 / 100 / 31 / 73

HEX #44002F

RGB 68 0 47

HSL 318.53, 1%, 0.13%

LAB 12.18, 34.71, -10.54

 

CMYK 0 / 74 / 9 / 46

HEX #8A247D

RGB 138 36 125

HSL 307.65, 0.59%, 0.34%

LAB 34.28, 52.34, -27.36

 

CMYK 0 / 74 / 30 / 46

HEX #8A2461

RGB 138 36 97

HSL 324.12, 0.59%, 0.34%

LAB 32.98, 48.26, -11.61

 

CMYK 0 / 74 / 49 / 46

HEX #8A2446

RGB 138 36 70

HSL 340, 0.59%, 0.34%

LAB 32.05, 45.23, 4.59

 

CMYK 0 / 74 / 70 / 46

HEX #8A242A

RGB 138 36 42

HSL 356.47, 0.59%, 0.34%

LAB 31.42, 43.11, 22.02

 

CMYK 0 / 74 / 74 / 46

HEX #8A2424

RGB 138 36 36

HSL 0, 0.59%, 0.34%

LAB 31.33, 42.79, 25.7

 

CMYK 0 / 74 / 9 / 46

HEX #8A247D

RGB 138 36 125

HSL 307.65, 0.59%, 0.34%

LAB 34.28, 52.34, -27.36

 

CMYK 11 / 74 / 0 / 46

HEX #7B248A

RGB 123 36 138

HSL 291.18, 0.59%, 0.34%

LAB 32.5, 51.1, -38.44

 

CMYK 30 / 74 / 0 / 46

HEX #60248A

RGB 96 36 138

HSL 275.29, 0.59%, 0.34%

LAB 28.34, 45.27, -45.36

 

CMYK 51 / 74 / 0 / 46

HEX #44248A

RGB 68 36 138

HSL 258.82, 0.59%, 0.34%

LAB 24.72, 39.91, -51.4

 

CMYK 70 / 74 / 0 / 46

HEX #29248A

RGB 41 36 138

HSL 242.94, 0.59%, 0.34%

LAB 22.19, 35.94, -55.65

 

CMYK 0 / 74 / 9 / 46

HEX #8A247D

RGB 138 36 125

HSL 307.65, 0.59%, 0.34%

LAB 34.28, 52.34, -27.36

 

CMYK 0 / 86 / 11 / 40

HEX #981687

RGB 152 22 135

HSL 307.85, 0.75%, 0.34%

LAB 35.98, 60.98, -30.74

 

CMYK 0 / 96 / 12 / 35

HEX #A60792

RGB 166 7 146

HSL 307.55, 0.92%, 0.34%

LAB 38.44, 67.59, -33.45

 

CMYK 0 / 74 / 9 / 46

HEX #8A247D

RGB 138 36 125

HSL 307.65, 0.59%, 0.34%

LAB 34.28, 52.34, -27.36

 

CMYK 0 / 60 / 8 / 51

HEX #7C3272

RGB 124 50 114

HSL 308.11, 0.43%, 0.34%

LAB 33.52, 40.74, -21.81

 

CMYK 0 / 42 / 5 / 57

HEX #6E4068

RGB 110 64 104

HSL 307.83, 0.26%, 0.34%

LAB 33.94, 26.62, -15

 

CMYK 0 / 19 / 3 / 62

HEX #604E5D

RGB 96 78 93

HSL 310, 0.1%, 0.34%

LAB 35.45, 10.46, -5.93

 

CMYK 11 / 0 / 10 / 64

HEX #525C53

RGB 82 92 83

HSL 126, 0.06%, 0.34%

LAB 37.97, -5.86, 3.85

 

CMYK 31 / 74 / 0 / 46

HEX #5F248A

RGB 95 36 138

HSL 274.71, 0.59%, 0.34%

LAB 28.19, 45.06, -45.6

 

CMYK 11 / 74 / 0 / 46

HEX #7B248A

RGB 123 36 138

HSL 291.18, 0.59%, 0.34%

LAB 32.5, 51.1, -38.44

 

CMYK 0 / 74 / 9 / 46

HEX #8A247E

RGB 138 36 126

HSL 307.06, 0.59%, 0.34%

LAB 34.34, 52.5, -27.9

 

CMYK 0 / 74 / 28 / 46

HEX #8A2463

RGB 138 36 99

HSL 322.94, 0.59%, 0.34%

LAB 33.06, 48.53, -12.77

 

CMYK 0 / 74 / 49 / 46

HEX #8A2447

RGB 138 36 71

HSL 339.41, 0.59%, 0.34%

LAB 32.08, 45.32, 3.97

 

CMYK 0 / 74 / 10 / 72

HEX #481341

RGB 72 19 65

HSL 307.92, 0.58%, 0.18%

LAB 16.63, 31.22, -16.43

 

CMYK 0 / 74 / 10 / 59

HEX #691B5F

RGB 105 27 95

HSL 307.69, 0.59%, 0.26%

LAB 25.6, 42.35, -22.2

 

CMYK 0 / 74 / 9 / 46

HEX #8A247D

RGB 138 36 125

HSL 307.65, 0.59%, 0.34%

LAB 34.28, 52.34, -27.36

 

CMYK 0 / 74 / 10 / 33

HEX #AB2C9A

RGB 171 44 154

HSL 308.03, 0.59%, 0.42%

LAB 42.45, 62.01, -31.92

 

CMYK 0 / 74 / 9 / 20

HEX #CB35B8

RGB 203 53 184

HSL 307.6, 0.59%, 0.5%

LAB 50.34, 70.91, -36.92

 

CMYK 0 / 74 / 10 / 47

HEX #88237B

RGB 136 35 123

HSL 307.72, 0.59%, 0.34%

LAB 33.7, 51.88, -27.04

 

CMYK 0 / 51 / 74 / 46

HEX #8A4424

RGB 138 68 36

HSL 18.82, 0.59%, 0.34%

LAB 37.23, 27.27, 32.36

 

CMYK 74 / 0 / 21 / 46

HEX #248A6D

RGB 36 138 109

HSL 162.94, 0.59%, 0.34%

LAB 51.45, -35.93, 7.34

 

CMYK 0 / 74 / 10 / 47

HEX #88237B

RGB 136 35 123

HSL 307.72, 0.59%, 0.34%

LAB 33.7, 51.88, -27.04

 

CMYK 9 / 0 / 74 / 46

HEX #7E8A24

RGB 126 138 36

HSL 67.06, 0.59%, 0.34%

LAB 54.8, -18, 49.94

 

CMYK 74 / 9 / 0 / 46

HEX #247E8A

RGB 36 126 138

HSL 187.06, 0.59%, 0.34%

LAB 48.43, -21.57, -14.07

 

CMYK 0 / 74 / 10 / 47

HEX #88237B

RGB 136 35 123

HSL 307.72, 0.59%, 0.34%

LAB 33.7, 51.88, -27.04

 

CMYK 0 / 51 / 74 / 46

HEX #8A4424

RGB 138 68 36

HSL 18.82, 0.59%, 0.34%

LAB 37.23, 27.27, 32.36

 

CMYK 74 / 0 / 66 / 46

HEX #248A2F

RGB 36 138 47

HSL 126.47, 0.59%, 0.34%

LAB 50.4, -47.61, 39.38

 

CMYK 74 / 24 / 0 / 46

HEX #24698A

RGB 36 105 138

HSL 199.41, 0.59%, 0.34%

LAB 41.71, -9.86, -24.38

 

CMYK 0 / 74 / 10 / 47

HEX #88237B

RGB 136 35 123

HSL 307.72, 0.59%, 0.34%

LAB 33.7, 51.88, -27.04

 

CMYK 0 / 28 / 74 / 46

HEX #8A6324

RGB 138 99 36

HSL 37.06, 0.59%, 0.34%

LAB 44.88, 9.36, 40.45

 

CMYK 74 / 0 / 66 / 46

HEX #248A2F

RGB 36 138 47

HSL 126.47, 0.59%, 0.34%

LAB 50.4, -47.61, 39.38

 

CMYK 74 / 46 / 0 / 46

HEX #244B8A

RGB 36 75 138

HSL 217.06, 0.59%, 0.34%

LAB 32.35, 9.16, -39.15

 

Description

Color code: HEX #88237B | qconv.com Color code: HEX #88237B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 35 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 35 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 10 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 10% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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