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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8822F6 it is the complementary color #77DD09. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8822F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8822F6 shade: #8D22F1, #9E34FF, #AF46FF, #C058FF and #D16AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8822F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8822F6 shade: #8822F6, #7710E3, #6600D0, #5500BD and #4400AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8822F6 shade: #8823F6, #C123F6, #F623F1, #F623B9 and #F62380

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8822F6 shade: #8823F6, #4F23F6 and #2323F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8822F6 shade matches the following richer shades: #8823F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8822F6 shade: #8823F6, #8935E3, #8A48D1, #8A5ABE and #8B6DAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8822F6 shade: #2331F6, #4D23F6, #8523F6, #BE23F6 and #F623F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8822F6 shade: #6008BE, #730AE6, #8823F6, #9E4AF7 and #B372F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8822F6 shade: #8822F6, #F62369 and #23F631

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8822F6 shade: #8822F6, #F68523 and #23F685

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8822F6 shade: #8822F6, #F62369, #93F623 and #23F6AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8822F6 shade: #8822F6, #F6232A, #93F623 and #23F6EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 86 / 0 / 4

HEX #8822F6

RGB 136 34 246

HSL 268.87, 0.92%, 0.55%

LAB 42.81, 76.64, -85.08

 

Complementary color

CMYK 46 / 0 / 96 / 13

HEX #77DD09

RGB 119 221 9

HSL 88.87, 0.92%, 0.45%

LAB 79.42, -58.04, 76.64

 

CMYK 41 / 86 / 0 / 5

HEX #8D22F1

RGB 141 34 241

HSL 271.01, 0.88%, 0.54%

LAB 43, 76.12, -81.93

 

CMYK 38 / 80 / 0 / 0

HEX #9E34FF

RGB 158 52 255

HSL 271.33, 1%, 0.6%

LAB 48.19, 76.08, -81.18

 

CMYK 31 / 73 / 0 / 0

HEX #AF46FF

RGB 175 70 255

HSL 274.05, 1%, 0.64%

LAB 52.64, 72.24, -73.85

 

CMYK 25 / 65 / 0 / 0

HEX #C058FF

RGB 192 88 255

HSL 277.37, 1%, 0.67%

LAB 57.47, 67.99, -65.92

 

CMYK 18 / 58 / 0 / 0

HEX #D16AFF

RGB 209 106 255

HSL 281.48, 1%, 0.71%

LAB 62.58, 63.58, -57.62

 

CMYK 45 / 86 / 0 / 4

HEX #8822F6

RGB 136 34 246

HSL 268.87, 0.92%, 0.55%

LAB 42.81, 76.64, -85.08

 

CMYK 48 / 93 / 0 / 11

HEX #7710E3

RGB 119 16 227

HSL 269.29, 0.87%, 0.48%

LAB 37.55, 74.57, -83.06

 

CMYK 51 / 100 / 0 / 18

HEX #6600D0

RGB 102 0 208

HSL 269.42, 1%, 0.41%

LAB 32.65, 71.25, -80.27

 

CMYK 55 / 100 / 0 / 26

HEX #5500BD

RGB 85 0 189

HSL 266.98, 1%, 0.37%

LAB 28.39, 65.81, -76.25

 

CMYK 60 / 100 / 0 / 33

HEX #4400AA

RGB 68 0 170

HSL 264, 1%, 0.33%

LAB 24.1, 60.32, -72.07

 

CMYK 45 / 86 / 0 / 4

HEX #8823F6

RGB 136 35 246

HSL 268.72, 0.92%, 0.55%

LAB 42.9, 76.38, -84.94

 

CMYK 22 / 86 / 0 / 4

HEX #C123F6

RGB 193 35 246

HSL 284.93, 0.92%, 0.55%

LAB 50.91, 83.85, -71.51

 

CMYK 0 / 86 / 2 / 4

HEX #F623F1

RGB 246 35 241

HSL 301.42, 0.92%, 0.55%

LAB 59.11, 91.6, -55.08

 

CMYK 0 / 86 / 25 / 4

HEX #F623B9

RGB 246 35 185

HSL 317.35, 0.92%, 0.55%

LAB 56.38, 84.4, -27.51

 

CMYK 0 / 86 / 48 / 4

HEX #F62380

RGB 246 35 128

HSL 333.55, 0.92%, 0.55%

LAB 54.4, 78.91, 3.14

 

CMYK 45 / 86 / 0 / 4

HEX #8823F6

RGB 136 35 246

HSL 268.72, 0.92%, 0.55%

LAB 42.9, 76.38, -84.94

 

CMYK 68 / 86 / 0 / 4

HEX #4F23F6

RGB 79 35 246

HSL 252.51, 0.92%, 0.55%

LAB 36.96, 71.37, -94.94

 

CMYK 86 / 86 / 0 / 4

HEX #2323F6

RGB 35 35 246

HSL 240, 0.92%, 0.55%

LAB 34.42, 69.41, -99.24

 

CMYK 45 / 86 / 0 / 4

HEX #8823F6

RGB 136 35 246

HSL 268.72, 0.92%, 0.55%

LAB 42.9, 76.38, -84.94

 

CMYK 45 / 86 / 0 / 4

HEX #8823F6

RGB 136 35 246

HSL 268.72, 0.92%, 0.55%

LAB 42.9, 76.38, -84.94

 

CMYK 40 / 77 / 0 / 11

HEX #8935E3

RGB 137 53 227

HSL 268.97, 0.76%, 0.55%

LAB 43.38, 66.36, -73.41

 

CMYK 34 / 66 / 0 / 18

HEX #8A48D1

RGB 138 72 209

HSL 268.91, 0.6%, 0.55%

LAB 45.14, 53.84, -60.24

 

CMYK 27 / 53 / 0 / 25

HEX #8A5ABE

RGB 138 90 190

HSL 268.8, 0.43%, 0.55%

LAB 47.54, 39.64, -45.42

 

CMYK 19 / 37 / 0 / 33

HEX #8B6DAC

RGB 139 109 172

HSL 268.57, 0.28%, 0.55%

LAB 51.16, 24.63, -29.26

 

CMYK 86 / 80 / 0 / 4

HEX #2331F6

RGB 35 49 246

HSL 236.02, 0.92%, 0.55%

LAB 36.38, 63.6, -95.98

 

CMYK 69 / 86 / 0 / 4

HEX #4D23F6

RGB 77 35 246

HSL 251.94, 0.92%, 0.55%

LAB 36.81, 71.24, -95.21

 

CMYK 46 / 86 / 0 / 4

HEX #8523F6

RGB 133 35 246

HSL 267.87, 0.92%, 0.55%

LAB 42.52, 76.05, -85.57

 

CMYK 23 / 86 / 0 / 4

HEX #BE23F6

RGB 190 35 246

HSL 284.08, 0.92%, 0.55%

LAB 50.46, 83.41, -72.27

 

CMYK 0 / 86 / 0 / 4

HEX #F623F6

RGB 246 35 246

HSL 300, 0.92%, 0.55%

LAB 59.39, 92.32, -57.42

 

CMYK 49 / 96 / 0 / 25

HEX #6008BE

RGB 96 8 190

HSL 269.01, 0.92%, 0.39%

LAB 30.35, 65.57, -73.56

 

CMYK 50 / 96 / 0 / 10

HEX #730AE6

RGB 115 10 230

HSL 268.64, 0.92%, 0.47%

LAB 37.07, 75.73, -85.59

 

CMYK 45 / 86 / 0 / 4

HEX #8823F6

RGB 136 35 246

HSL 268.72, 0.92%, 0.55%

LAB 42.9, 76.38, -84.94

 

CMYK 36 / 70 / 0 / 3

HEX #9E4AF7

RGB 158 74 247

HSL 269.13, 0.92%, 0.63%

LAB 50.55, 65.77, -72.88

 

CMYK 28 / 54 / 0 / 2

HEX #B372F9

RGB 179 114 249

HSL 268.89, 0.92%, 0.71%

LAB 60.3, 51.07, -58.15

 

CMYK 45 / 86 / 0 / 4

HEX #8822F6

RGB 136 34 246

HSL 268.87, 0.92%, 0.55%

LAB 42.81, 76.64, -85.08

 

CMYK 0 / 86 / 57 / 4

HEX #F62369

RGB 246 35 105

HSL 340.09, 0.92%, 0.55%

LAB 53.83, 77.28, 16.18

 

CMYK 86 / 0 / 80 / 4

HEX #23F631

RGB 35 246 49

HSL 123.98, 0.92%, 0.55%

LAB 85.25, -80.76, 73.77

 

CMYK 45 / 86 / 0 / 4

HEX #8822F6

RGB 136 34 246

HSL 268.87, 0.92%, 0.55%

LAB 42.81, 76.64, -85.08

 

CMYK 0 / 46 / 86 / 4

HEX #F68523

RGB 246 133 35

HSL 27.87, 0.92%, 0.55%

LAB 66.89, 37.24, 66.09

 

CMYK 86 / 0 / 46 / 4

HEX #23F685

RGB 35 246 133

HSL 147.87, 0.92%, 0.55%

LAB 85.99, -71.64, 41.08

 

CMYK 45 / 86 / 0 / 4

HEX #8822F6

RGB 136 34 246

HSL 268.87, 0.92%, 0.55%

LAB 42.81, 76.64, -85.08

 

CMYK 0 / 86 / 57 / 4

HEX #F62369

RGB 246 35 105

HSL 340.09, 0.92%, 0.55%

LAB 53.83, 77.28, 16.18

 

CMYK 40 / 0 / 86 / 4

HEX #93F623

RGB 147 246 35

HSL 88.15, 0.92%, 0.55%

LAB 88.08, -58.09, 80.6

 

CMYK 86 / 0 / 29 / 4

HEX #23F6AF

RGB 35 246 175

HSL 159.81, 0.92%, 0.55%

LAB 86.68, -63.63, 20.95

 

CMYK 45 / 86 / 0 / 4

HEX #8822F6

RGB 136 34 246

HSL 268.87, 0.92%, 0.55%

LAB 42.81, 76.64, -85.08

 

CMYK 0 / 86 / 83 / 4

HEX #F6232A

RGB 246 35 42

HSL 358.01, 0.92%, 0.55%

LAB 52.91, 74.61, 51.34

 

CMYK 40 / 0 / 86 / 4

HEX #93F623

RGB 147 246 35

HSL 88.15, 0.92%, 0.55%

LAB 88.08, -58.09, 80.6

 

CMYK 86 / 0 / 3 / 4

HEX #23F6EF

RGB 35 246 239

HSL 178.01, 0.92%, 0.55%

LAB 88.21, -47.64, -10.13

 

Description

Color code: HEX #8822F6 | qconv.com Color code: HEX #8822F6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 34 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 34 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 86 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 86% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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