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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #881830 it is the complementary color #77E7CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #881830. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #881830 shade: #8D182B, #9E2A3E, #AF3C51, #C04E64 and #D16077

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #881830. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #881830 shade: #881830, #77061D, #66000A, #550000 and #440000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #881830 shade: #86182F and #861818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #881830 shade: #86182F, #86184D, #86186B, #841886 and #661886

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #881830 shade matches the following richer shades: #86182F and #930B28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #881830 shade: #86182F, #7A2537, #6D313E, #603E45 and #534B4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #881830 shade: #86186B, #86184D, #861830, #861D18 and #863B18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #881830 shade: #400B17, #631223, #86182F, #A91E3C and #CD2448

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #881830 shade: #881830, #868518 and #185C86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #881830 shade: #881830, #308618 and #183086

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #881830 shade: #881830, #868518, #18866E and #181A86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #881830 shade: #881830, #678618, #18866E and #371886

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 65 / 47

HEX #881830

RGB 136 24 48

HSL 347.14, 0.7%, 0.31%

LAB 29.67, 46.93, 15.79

 

Complementary color

CMYK 48 / 0 / 10 / 9

HEX #77E7CF

RGB 119 231 207

HSL 167.14, 0.7%, 0.69%

LAB 84.78, -37.77, 1.82

 

CMYK 0 / 83 / 70 / 45

HEX #8D182B

RGB 141 24 43

HSL 350.26, 0.71%, 0.32%

LAB 30.62, 48.12, 20.52

 

CMYK 0 / 73 / 61 / 38

HEX #9E2A3E

RGB 158 42 62

HSL 349.66, 0.58%, 0.39%

LAB 36.5, 48.6, 16.53

 

CMYK 0 / 66 / 54 / 31

HEX #AF3C51

RGB 175 60 81

HSL 349.04, 0.49%, 0.46%

LAB 42.67, 48.32, 13.44

 

CMYK 0 / 59 / 48 / 25

HEX #C04E64

RGB 192 78 100

HSL 348.42, 0.48%, 0.53%

LAB 48.98, 47.65, 10.99

 

CMYK 0 / 54 / 43 / 18

HEX #D16077

RGB 209 96 119

HSL 347.79, 0.55%, 0.6%

LAB 55.33, 46.8, 9

 

CMYK 0 / 82 / 65 / 47

HEX #881830

RGB 136 24 48

HSL 347.14, 0.7%, 0.31%

LAB 29.67, 46.93, 15.79

 

CMYK 0 / 95 / 76 / 53

HEX #77061D

RGB 119 6 29

HSL 347.79, 0.9%, 0.25%

LAB 24.13, 45.17, 20.77

 

CMYK 0 / 100 / 90 / 60

HEX #66000A

RGB 102 0 10

HSL 354.12, 1%, 0.2%

LAB 19.42, 41.13, 25.69

 

CMYK 0 / 100 / 100 / 67

HEX #550000

RGB 85 0 0

HSL 0, 1%, 0.17%

LAB 15.12, 36.01, 23.57

 

CMYK 0 / 100 / 100 / 73

HEX #440000

RGB 68 0 0

HSL 0, 1%, 0.13%

LAB 10.77, 30.97, 16.97

 

CMYK 0 / 82 / 65 / 47

HEX #86182F

RGB 134 24 47

HSL 347.45, 0.7%, 0.31%

LAB 29.23, 46.27, 15.81

 

CMYK 0 / 82 / 82 / 47

HEX #861818

RGB 134 24 24

HSL 0, 0.7%, 0.31%

LAB 28.87, 45.15, 30.1

 

CMYK 0 / 82 / 65 / 47

HEX #86182F

RGB 134 24 47

HSL 347.45, 0.7%, 0.31%

LAB 29.23, 46.27, 15.81

 

CMYK 0 / 82 / 43 / 47

HEX #86184D

RGB 134 24 77

HSL 331.09, 0.7%, 0.31%

LAB 30.05, 48.78, -3.03

 

CMYK 0 / 82 / 20 / 47

HEX #86186B

RGB 134 24 107

HSL 314.73, 0.7%, 0.31%

LAB 31.31, 52.45, -20.67

 

CMYK 1 / 82 / 0 / 47

HEX #841886

RGB 132 24 134

HSL 298.91, 0.7%, 0.31%

LAB 32.44, 56.19, -35.97

 

CMYK 24 / 82 / 0 / 47

HEX #661886

RGB 102 24 134

HSL 282.55, 0.7%, 0.31%

LAB 27.3, 50.28, -44.51

 

CMYK 0 / 82 / 65 / 47

HEX #86182F

RGB 134 24 47

HSL 347.45, 0.7%, 0.31%

LAB 29.23, 46.27, 15.81

 

CMYK 0 / 93 / 73 / 42

HEX #930B28

RGB 147 11 40

HSL 347.21, 0.86%, 0.31%

LAB 30.87, 52.49, 23.07

 

CMYK 0 / 82 / 65 / 47

HEX #86182F

RGB 134 24 47

HSL 347.45, 0.7%, 0.31%

LAB 29.23, 46.27, 15.81

 

CMYK 0 / 70 / 55 / 52

HEX #7A2537

RGB 122 37 55

HSL 347.29, 0.53%, 0.31%

LAB 28.74, 38.2, 9.41

 

CMYK 0 / 55 / 43 / 57

HEX #6D313E

RGB 109 49 62

HSL 347, 0.38%, 0.31%

LAB 28.89, 28.11, 4.65

 

CMYK 0 / 35 / 28 / 62

HEX #603E45

RGB 96 62 69

HSL 347.65, 0.22%, 0.31%

LAB 30.31, 16, 1.85

 

CMYK 0 / 10 / 7 / 67

HEX #534B4D

RGB 83 75 77

HSL 345, 0.05%, 0.31%

LAB 32.72, 3.74, 0.02

 

CMYK 0 / 82 / 20 / 47

HEX #86186B

RGB 134 24 107

HSL 314.73, 0.7%, 0.31%

LAB 31.31, 52.45, -20.67

 

CMYK 0 / 82 / 43 / 47

HEX #86184D

RGB 134 24 77

HSL 331.09, 0.7%, 0.31%

LAB 30.05, 48.78, -3.03

 

CMYK 0 / 82 / 64 / 47

HEX #861830

RGB 134 24 48

HSL 346.91, 0.7%, 0.31%

LAB 29.25, 46.33, 15.17

 

CMYK 0 / 78 / 82 / 47

HEX #861D18

RGB 134 29 24

HSL 2.73, 0.7%, 0.31%

LAB 29.45, 43.54, 30.68

 

CMYK 0 / 56 / 82 / 47

HEX #863B18

RGB 134 59 24

HSL 19.09, 0.7%, 0.31%

LAB 34.52, 29.96, 35.7

 

CMYK 0 / 83 / 64 / 75

HEX #400B17

RGB 64 11 23

HSL 346.42, 0.71%, 0.15%

LAB 11.9, 26.2, 6.88

 

CMYK 0 / 82 / 65 / 61

HEX #631223

RGB 99 18 35

HSL 347.41, 0.69%, 0.23%

LAB 20.85, 36.46, 11.57

 

CMYK 0 / 82 / 65 / 47

HEX #86182F

RGB 134 24 47

HSL 347.45, 0.7%, 0.31%

LAB 29.23, 46.27, 15.81

 

CMYK 0 / 82 / 64 / 34

HEX #A91E3C

RGB 169 30 60

HSL 347.05, 0.7%, 0.39%

LAB 37.28, 55.56, 19.23

 

CMYK 0 / 82 / 65 / 20

HEX #CD2448

RGB 205 36 72

HSL 347.22, 0.7%, 0.47%

LAB 45.23, 64.66, 23.41

 

CMYK 0 / 82 / 65 / 47

HEX #881830

RGB 136 24 48

HSL 347.14, 0.7%, 0.31%

LAB 29.67, 46.93, 15.79

 

CMYK 0 / 1 / 82 / 47

HEX #868518

RGB 134 133 24

HSL 59.45, 0.7%, 0.31%

LAB 53.93, -12.27, 53.4

 

CMYK 82 / 31 / 0 / 47

HEX #185C86

RGB 24 92 134

HSL 202.91, 0.7%, 0.31%

LAB 37.06, -5.05, -29.25

 

CMYK 0 / 82 / 65 / 47

HEX #881830

RGB 136 24 48

HSL 347.14, 0.7%, 0.31%

LAB 29.67, 46.93, 15.79

 

CMYK 64 / 0 / 82 / 47

HEX #308618

RGB 48 134 24

HSL 106.91, 0.7%, 0.31%

LAB 49.18, -45.65, 47.22

 

CMYK 82 / 64 / 0 / 47

HEX #183086

RGB 24 48 134

HSL 226.91, 0.7%, 0.31%

LAB 23.77, 24.72, -50.6

 

CMYK 0 / 82 / 65 / 47

HEX #881830

RGB 136 24 48

HSL 347.14, 0.7%, 0.31%

LAB 29.67, 46.93, 15.79

 

CMYK 0 / 1 / 82 / 47

HEX #868518

RGB 134 133 24

HSL 59.45, 0.7%, 0.31%

LAB 53.93, -12.27, 53.4

 

CMYK 82 / 0 / 18 / 47

HEX #18866E

RGB 24 134 110

HSL 166.91, 0.7%, 0.31%

LAB 49.94, -35.39, 4.58

 

CMYK 82 / 81 / 0 / 47

HEX #181A86

RGB 24 26 134

HSL 238.91, 0.7%, 0.31%

LAB 18.6, 38.81, -59.11

 

CMYK 0 / 82 / 65 / 47

HEX #881830

RGB 136 24 48

HSL 347.14, 0.7%, 0.31%

LAB 29.67, 46.93, 15.79

 

CMYK 23 / 0 / 82 / 47

HEX #678618

RGB 103 134 24

HSL 76.91, 0.7%, 0.31%

LAB 51.84, -26.57, 50.63

 

CMYK 82 / 0 / 18 / 47

HEX #18866E

RGB 24 134 110

HSL 166.91, 0.7%, 0.31%

LAB 49.94, -35.39, 4.58

 

CMYK 59 / 82 / 0 / 47

HEX #371886

RGB 55 24 134

HSL 256.91, 0.7%, 0.31%

LAB 20.78, 42.81, -55.43

 

Description

Color code: HEX #881830 | qconv.com Color code: HEX #881830 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 24 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 24 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 65 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 65% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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