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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88158B it is the complementary color #77EA74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88158B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88158B shade: #8D1586, #9E2799, #AF39AC, #C04BBF and #D15DD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88158B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88158B shade: #88158B, #770378, #660065, #550052 and #44003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88158B shade: #87158A, #8A156D, #8A154D, #8A152E and #8A1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88158B shade: #87158A, #67158A, #47158A, #28158A and #15158A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88158B shade matches the following richer shades: #87158A and #930896

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88158B shade: #87158A, #7A217D, #6E2E70, #623B63 and #564856

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88158B shade: #47158A, #66158A, #86158A, #8A156E and #8A154F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88158B shade: #400A42, #630F66, #87158A, #AA1AAD and #CD1FD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88158B shade: #88158B, #8A2815 and #158A57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88158B shade: #88158B, #8A8615 and #158A86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88158B shade: #88158B, #8A2815, #188A15 and #15768A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88158B shade: #88158B, #8A4B15, #188A15 and #15538A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 85 / 0 / 45

HEX #88158B

RGB 136 21 139

HSL 298.47, 0.74%, 0.31%

LAB 33.21, 58.58, -37.79

 

Complementary color

CMYK 49 / 0 / 50 / 8

HEX #77EA74

RGB 119 234 116

HSL 118.47, 0.74%, 0.69%

LAB 83.98, -55.69, 47.1

 

CMYK 0 / 85 / 5 / 45

HEX #8D1586

RGB 141 21 134

HSL 303.5, 0.74%, 0.32%

LAB 33.82, 58.77, -33.67

 

CMYK 0 / 75 / 3 / 38

HEX #9E2799

RGB 158 39 153

HSL 302.52, 0.6%, 0.39%

LAB 39.61, 60.51, -35.94

 

CMYK 0 / 67 / 2 / 31

HEX #AF39AC

RGB 175 57 172

HSL 301.53, 0.51%, 0.45%

LAB 45.66, 61.23, -37.56

 

CMYK 0 / 61 / 1 / 25

HEX #C04BBF

RGB 192 75 191

HSL 300.51, 0.48%, 0.52%

LAB 51.84, 61.34, -38.74

 

CMYK 0 / 56 / 0 / 18

HEX #D15DD2

RGB 209 93 210

HSL 299.49, 0.57%, 0.59%

LAB 58.07, 61.08, -39.64

 

CMYK 2 / 85 / 0 / 45

HEX #88158B

RGB 136 21 139

HSL 298.47, 0.74%, 0.31%

LAB 33.21, 58.58, -37.79

 

CMYK 1 / 98 / 0 / 53

HEX #770378

RGB 119 3 120

HSL 299.49, 0.95%, 0.24%

LAB 27.69, 55.56, -34.88

 

CMYK 0 / 100 / 1 / 60

HEX #660065

RGB 102 0 101

HSL 300.59, 1%, 0.2%

LAB 22.88, 49.97, -30.5

 

CMYK 0 / 100 / 4 / 67

HEX #550052

RGB 85 0 82

HSL 302.12, 1%, 0.17%

LAB 18.1, 43.67, -25.65

 

CMYK 0 / 100 / 7 / 73

HEX #44003F

RGB 68 0 63

HSL 304.41, 1%, 0.13%

LAB 13.16, 37.13, -20.56

 

CMYK 2 / 85 / 0 / 46

HEX #87158A

RGB 135 21 138

HSL 298.46, 0.74%, 0.31%

LAB 32.97, 58.22, -37.57

 

CMYK 0 / 85 / 21 / 46

HEX #8A156D

RGB 138 21 109

HSL 314.87, 0.74%, 0.31%

LAB 31.91, 54.45, -20.96

 

CMYK 0 / 85 / 44 / 46

HEX #8A154D

RGB 138 21 77

HSL 331.28, 0.74%, 0.31%

LAB 30.58, 50.67, -2.16

 

CMYK 0 / 85 / 67 / 46

HEX #8A152E

RGB 138 21 46

HSL 347.18, 0.74%, 0.31%

LAB 29.76, 48.22, 17.32

 

CMYK 0 / 85 / 85 / 46

HEX #8A1515

RGB 138 21 21

HSL 0, 0.74%, 0.31%

LAB 29.4, 47.13, 32.64

 

CMYK 2 / 85 / 0 / 46

HEX #87158A

RGB 135 21 138

HSL 298.46, 0.74%, 0.31%

LAB 32.97, 58.22, -37.57

 

CMYK 25 / 85 / 0 / 46

HEX #67158A

RGB 103 21 138

HSL 282.05, 0.74%, 0.31%

LAB 27.45, 52.25, -46.75

 

CMYK 49 / 85 / 0 / 46

HEX #47158A

RGB 71 21 138

HSL 265.64, 0.74%, 0.31%

LAB 22.69, 47.25, -54.72

 

CMYK 71 / 85 / 0 / 46

HEX #28158A

RGB 40 21 138

HSL 249.74, 0.74%, 0.31%

LAB 19.32, 43.83, -60.4

 

CMYK 85 / 85 / 0 / 46

HEX #15158A

RGB 21 21 138

HSL 240, 0.74%, 0.31%

LAB 18.06, 42.59, -62.53

 

CMYK 2 / 85 / 0 / 46

HEX #87158A

RGB 135 21 138

HSL 298.46, 0.74%, 0.31%

LAB 32.97, 58.22, -37.57

 

CMYK 2 / 95 / 0 / 41

HEX #930896

RGB 147 8 150

HSL 298.73, 0.9%, 0.31%

LAB 35.16, 64.6, -41.33

 

CMYK 2 / 85 / 0 / 46

HEX #87158A

RGB 135 21 138

HSL 298.46, 0.74%, 0.31%

LAB 32.97, 58.22, -37.57

 

CMYK 2 / 74 / 0 / 51

HEX #7A217D

RGB 122 33 125

HSL 298.04, 0.58%, 0.31%

LAB 31.13, 49.57, -32.53

 

CMYK 2 / 59 / 0 / 56

HEX #6E2E70

RGB 110 46 112

HSL 298.18, 0.42%, 0.31%

LAB 30.49, 38.22, -25.44

 

CMYK 1 / 40 / 0 / 61

HEX #623B63

RGB 98 59 99

HSL 298.5, 0.25%, 0.31%

LAB 30.94, 24.33, -16.58

 

CMYK 0 / 16 / 0 / 66

HEX #564856

RGB 86 72 86

HSL 300, 0.09%, 0.31%

LAB 32.45, 8.78, -6.09

 

CMYK 49 / 85 / 0 / 46

HEX #47158A

RGB 71 21 138

HSL 265.64, 0.74%, 0.31%

LAB 22.69, 47.25, -54.72

 

CMYK 26 / 85 / 0 / 46

HEX #66158A

RGB 102 21 138

HSL 281.54, 0.74%, 0.31%

LAB 27.29, 52.07, -47.02

 

CMYK 3 / 85 / 0 / 46

HEX #86158A

RGB 134 21 138

HSL 297.95, 0.74%, 0.31%

LAB 32.79, 58.02, -37.87

 

CMYK 0 / 85 / 20 / 46

HEX #8A156E

RGB 138 21 110

HSL 314.36, 0.74%, 0.31%

LAB 31.96, 54.58, -21.52

 

CMYK 0 / 85 / 43 / 46

HEX #8A154F

RGB 138 21 79

HSL 330.26, 0.74%, 0.31%

LAB 30.65, 50.87, -3.38

 

CMYK 3 / 85 / 0 / 74

HEX #400A42

RGB 64 10 66

HSL 297.86, 0.74%, 0.15%

LAB 13.83, 32.98, -21.66

 

CMYK 3 / 85 / 0 / 60

HEX #630F66

RGB 99 15 102

HSL 297.93, 0.74%, 0.23%

LAB 23.52, 46.15, -30.16

 

CMYK 2 / 85 / 0 / 46

HEX #87158A

RGB 135 21 138

HSL 298.46, 0.74%, 0.31%

LAB 32.97, 58.22, -37.57

 

CMYK 2 / 85 / 0 / 32

HEX #AA1AAD

RGB 170 26 173

HSL 298.78, 0.74%, 0.39%

LAB 41.69, 69.49, -44.51

 

CMYK 2 / 85 / 0 / 18

HEX #CD1FD1

RGB 205 31 209

HSL 298.65, 0.74%, 0.47%

LAB 50.17, 80.44, -51.63

 

CMYK 2 / 85 / 0 / 45

HEX #88158B

RGB 136 21 139

HSL 298.47, 0.74%, 0.31%

LAB 33.21, 58.58, -37.79

 

CMYK 0 / 71 / 85 / 46

HEX #8A2815

RGB 138 40 21

HSL 9.74, 0.74%, 0.31%

LAB 31.75, 40.58, 34.85

 

CMYK 85 / 0 / 37 / 46

HEX #158A57

RGB 21 138 87

HSL 153.85, 0.74%, 0.31%

LAB 50.72, -43.04, 18.86

 

CMYK 2 / 85 / 0 / 45

HEX #88158B

RGB 136 21 139

HSL 298.47, 0.74%, 0.31%

LAB 33.21, 58.58, -37.79

 

CMYK 0 / 3 / 85 / 46

HEX #8A8615

RGB 138 134 21

HSL 57.95, 0.74%, 0.31%

LAB 54.56, -11.07, 54.92

 

CMYK 85 / 0 / 3 / 46

HEX #158A86

RGB 21 138 134

HSL 177.95, 0.74%, 0.31%

LAB 51.9, -30.52, -6.53

 

CMYK 2 / 85 / 0 / 45

HEX #88158B

RGB 136 21 139

HSL 298.47, 0.74%, 0.31%

LAB 33.21, 58.58, -37.79

 

CMYK 0 / 71 / 85 / 46

HEX #8A2815

RGB 138 40 21

HSL 9.74, 0.74%, 0.31%

LAB 31.75, 40.58, 34.85

 

CMYK 83 / 0 / 85 / 46

HEX #188A15

RGB 24 138 21

HSL 118.46, 0.74%, 0.31%

LAB 50.01, -51.66, 48.68

 

CMYK 85 / 14 / 0 / 46

HEX #15768A

RGB 21 118 138

HSL 190.26, 0.74%, 0.31%

LAB 45.57, -18.98, -18.45

 

CMYK 2 / 85 / 0 / 45

HEX #88158B

RGB 136 21 139

HSL 298.47, 0.74%, 0.31%

LAB 33.21, 58.58, -37.79

 

CMYK 0 / 46 / 85 / 46

HEX #8A4B15

RGB 138 75 21

HSL 27.69, 0.74%, 0.31%

LAB 38.71, 22.68, 41.19

 

CMYK 83 / 0 / 85 / 46

HEX #188A15

RGB 24 138 21

HSL 118.46, 0.74%, 0.31%

LAB 50.01, -51.66, 48.68

 

CMYK 85 / 40 / 0 / 46

HEX #15538A

RGB 21 83 138

HSL 208.21, 0.74%, 0.31%

LAB 34.36, 1.98, -35.98

 

Description

Color code: HEX #88158B | qconv.com Color code: HEX #88158B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 21 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 21 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 85 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 85% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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