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Color name
HEX #88108D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #88108D it is the complementary color #77EF72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #88108D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #88108D shade: #8D1088, #9E229B, #AF34AE, #C046C1 and #D158D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #88108D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #88108D shade: #88108D, #77007A, #660067, #550054 and #440041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #88108D shade: #89108E, #8E1071, #8E104F, #8E102D and #8E1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #88108D shade: #89108E, #67108E, #45108E, #23108E and #10108E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #88108D shade matches the following richer shades: #89108E and #95039B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #88108D shade: #89108E, #7D1D81, #722975, #663668 and #5A435B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #88108D shade: #45108E, #66108E, #88108E, #8E1073 and #8E1051

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #88108D shade: #420844, #650C69, #89108E, #AD14B3 and #D118D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #88108D shade: #88108D, #8E2310 and #108E55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #88108D shade: #88108D, #8E8810 and #108E88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #88108D shade: #88108D, #8E2310, #168E10 and #107B8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #88108D shade: #88108D, #8E4910, #168E10 and #10558E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 89 / 0 / 45

HEX #88108D

RGB 136 16 141

HSL 297.6, 0.8%, 0.31%

LAB 32.98, 59.96, -39.4

 

Complementary color

CMYK 50 / 0 / 52 / 6

HEX #77EF72

RGB 119 239 114

HSL 117.6, 0.8%, 0.69%

LAB 85.44, -57.88, 49.81

 

CMYK 0 / 89 / 4 / 45

HEX #8D1088

RGB 141 16 136

HSL 302.4, 0.8%, 0.31%

LAB 33.59, 60.11, -35.28

 

CMYK 0 / 78 / 2 / 38

HEX #9E229B

RGB 158 34 155

HSL 301.45, 0.65%, 0.38%

LAB 39.21, 62.33, -37.8

 

CMYK 0 / 70 / 1 / 31

HEX #AF34AE

RGB 175 52 174

HSL 300.49, 0.54%, 0.45%

LAB 45.12, 63.4, -39.6

 

CMYK 1 / 64 / 0 / 24

HEX #C046C1

RGB 192 70 193

HSL 299.51, 0.5%, 0.52%

LAB 51.19, 63.75, -40.91

 

CMYK 1 / 58 / 0 / 17

HEX #D158D4

RGB 209 88 212

HSL 298.55, 0.59%, 0.59%

LAB 57.36, 63.65, -41.9

 

CMYK 4 / 89 / 0 / 45

HEX #88108D

RGB 136 16 141

HSL 297.6, 0.8%, 0.31%

LAB 32.98, 59.96, -39.4

 

CMYK 2 / 100 / 0 / 52

HEX #77007A

RGB 119 0 122

HSL 298.52, 1%, 0.24%

LAB 27.65, 56.42, -36.22

 

CMYK 1 / 100 / 0 / 60

HEX #660067

RGB 102 0 103

HSL 299.42, 1%, 0.2%

LAB 23.01, 50.3, -31.59

 

CMYK 0 / 100 / 1 / 67

HEX #550054

RGB 85 0 84

HSL 300.71, 1%, 0.17%

LAB 18.24, 44, -26.79

 

CMYK 0 / 100 / 4 / 73

HEX #440041

RGB 68 0 65

HSL 302.65, 1%, 0.13%

LAB 13.29, 37.47, -21.76

 

CMYK 4 / 89 / 0 / 44

HEX #89108E

RGB 137 16 142

HSL 297.62, 0.8%, 0.31%

LAB 33.23, 60.31, -39.61

 

CMYK 0 / 89 / 20 / 44

HEX #8E1071

RGB 142 16 113

HSL 313.81, 0.8%, 0.31%

LAB 32.51, 56.97, -22.51

 

CMYK 0 / 89 / 44 / 44

HEX #8E104F

RGB 142 16 79

HSL 330, 0.8%, 0.31%

LAB 31.08, 53.03, -2.65

 

CMYK 0 / 89 / 68 / 44

HEX #8E102D

RGB 142 16 45

HSL 346.19, 0.8%, 0.31%

LAB 30.18, 50.47, 18.7

 

CMYK 0 / 89 / 89 / 44

HEX #8E1010

RGB 142 16 16

HSL 0, 0.8%, 0.31%

LAB 29.81, 49.37, 36.06

 

CMYK 4 / 89 / 0 / 44

HEX #89108E

RGB 137 16 142

HSL 297.62, 0.8%, 0.31%

LAB 33.23, 60.31, -39.61

 

CMYK 27 / 89 / 0 / 44

HEX #67108E

RGB 103 16 142

HSL 281.43, 0.8%, 0.31%

LAB 27.32, 54.42, -49.45

 

CMYK 51 / 89 / 0 / 44

HEX #45108E

RGB 69 16 142

HSL 265.24, 0.8%, 0.31%

LAB 22.26, 49.74, -57.93

 

CMYK 75 / 89 / 0 / 44

HEX #23108E

RGB 35 16 142

HSL 249.05, 0.8%, 0.31%

LAB 18.72, 46.76, -63.91

 

CMYK 89 / 89 / 0 / 44

HEX #10108E

RGB 16 16 142

HSL 240, 0.8%, 0.31%

LAB 17.62, 45.9, -65.77

 

CMYK 4 / 89 / 0 / 44

HEX #89108E

RGB 137 16 142

HSL 297.62, 0.8%, 0.31%

LAB 33.23, 60.31, -39.61

 

CMYK 4 / 98 / 0 / 39

HEX #95039B

RGB 149 3 155

HSL 297.63, 0.96%, 0.31%

LAB 35.64, 66.37, -43.59

 

CMYK 4 / 89 / 0 / 44

HEX #89108E

RGB 137 16 142

HSL 297.62, 0.8%, 0.31%

LAB 33.23, 60.31, -39.61

 

CMYK 3 / 78 / 0 / 49

HEX #7D1D81

RGB 125 29 129

HSL 297.6, 0.63%, 0.31%

LAB 31.4, 52.36, -34.57

 

CMYK 3 / 65 / 0 / 54

HEX #722975

RGB 114 41 117

HSL 297.63, 0.48%, 0.31%

LAB 30.51, 42.75, -28.54

 

CMYK 2 / 48 / 0 / 59

HEX #663668

RGB 102 54 104

HSL 297.6, 0.32%, 0.31%

LAB 30.55, 29.73, -20.33

 

CMYK 1 / 26 / 0 / 64

HEX #5A435B

RGB 90 67 91

HSL 297.5, 0.15%, 0.31%

LAB 31.68, 14.63, -10.41

 

CMYK 51 / 89 / 0 / 44

HEX #45108E

RGB 69 16 142

HSL 265.24, 0.8%, 0.31%

LAB 22.26, 49.74, -57.93

 

CMYK 28 / 89 / 0 / 44

HEX #66108E

RGB 102 16 142

HSL 280.95, 0.8%, 0.31%

LAB 27.15, 54.27, -49.72

 

CMYK 4 / 89 / 0 / 44

HEX #88108E

RGB 136 16 142

HSL 297.14, 0.8%, 0.31%

LAB 33.04, 60.12, -39.91

 

CMYK 0 / 89 / 19 / 44

HEX #8E1073

RGB 142 16 115

HSL 312.86, 0.8%, 0.31%

LAB 32.61, 57.24, -23.63

 

CMYK 0 / 89 / 43 / 44

HEX #8E1051

RGB 142 16 81

HSL 329.05, 0.8%, 0.31%

LAB 31.15, 53.23, -3.86

 

CMYK 3 / 88 / 0 / 73

HEX #420844

RGB 66 8 68

HSL 298, 0.79%, 0.15%

LAB 14.11, 34.58, -22.59

 

CMYK 4 / 89 / 0 / 59

HEX #650C69

RGB 101 12 105

HSL 297.42, 0.79%, 0.23%

LAB 23.83, 47.86, -31.59

 

CMYK 4 / 89 / 0 / 44

HEX #89108E

RGB 137 16 142

HSL 297.62, 0.8%, 0.31%

LAB 33.23, 60.31, -39.61

 

CMYK 3 / 89 / 0 / 30

HEX #AD14B3

RGB 173 20 179

HSL 297.74, 0.8%, 0.39%

LAB 42.21, 72.06, -47.2

 

CMYK 4 / 89 / 0 / 15

HEX #D118D9

RGB 209 24 217

HSL 297.51, 0.8%, 0.47%

LAB 50.94, 83.47, -54.94

 

CMYK 4 / 89 / 0 / 45

HEX #88108D

RGB 136 16 141

HSL 297.6, 0.8%, 0.31%

LAB 32.98, 59.96, -39.4

 

CMYK 0 / 75 / 89 / 44

HEX #8E2310

RGB 142 35 16

HSL 9.05, 0.8%, 0.31%

LAB 31.78, 43.81, 37.7

 

CMYK 89 / 0 / 40 / 44

HEX #108E55

RGB 16 142 85

HSL 152.86, 0.8%, 0.31%

LAB 51.96, -45.46, 21.64

 

CMYK 4 / 89 / 0 / 45

HEX #88108D

RGB 136 16 141

HSL 297.6, 0.8%, 0.31%

LAB 32.98, 59.96, -39.4

 

CMYK 0 / 4 / 89 / 44

HEX #8E8810

RGB 142 136 16

HSL 57.14, 0.8%, 0.31%

LAB 55.48, -10.44, 57.03

 

CMYK 89 / 0 / 4 / 44

HEX #108E88

RGB 16 142 136

HSL 177.14, 0.8%, 0.31%

LAB 53.2, -32.17, -5.77

 

CMYK 4 / 89 / 0 / 45

HEX #88108D

RGB 136 16 141

HSL 297.6, 0.8%, 0.31%

LAB 32.98, 59.96, -39.4

 

CMYK 0 / 75 / 89 / 44

HEX #8E2310

RGB 142 35 16

HSL 9.05, 0.8%, 0.31%

LAB 31.78, 43.81, 37.7

 

CMYK 85 / 0 / 89 / 44

HEX #168E10

RGB 22 142 16

HSL 117.14, 0.8%, 0.31%

LAB 51.33, -53.41, 51.12

 

CMYK 89 / 13 / 0 / 44

HEX #107B8E

RGB 16 123 142

HSL 189.05, 0.8%, 0.31%

LAB 47.27, -20.66, -18.21

 

CMYK 4 / 89 / 0 / 45

HEX #88108D

RGB 136 16 141

HSL 297.6, 0.8%, 0.31%

LAB 32.98, 59.96, -39.4

 

CMYK 0 / 49 / 89 / 44

HEX #8E4910

RGB 142 73 16

HSL 27.14, 0.8%, 0.31%

LAB 38.82, 25.44, 43.48

 

CMYK 85 / 0 / 89 / 44

HEX #168E10

RGB 22 142 16

HSL 117.14, 0.8%, 0.31%

LAB 51.33, -53.41, 51.12

 

CMYK 89 / 40 / 0 / 44

HEX #10558E

RGB 16 85 142

HSL 207.14, 0.8%, 0.31%

LAB 35.12, 1.87, -37.2

 

Description

Color code: HEX #88108D | qconv.com Color code: HEX #88108D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 16 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 16 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 89 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 89% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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