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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #880E97 it is the complementary color #77F168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #880E97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #880E97 shade: #8D0E92, #9E20A5, #AF32B8, #C044CB and #D156DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #880E97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #880E97 shade: #880E97, #770084, #660071, #55005E and #44004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #880E97 shade: #860E95, #950E80, #950E5B, #950E37 and #950E12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #880E97 shade: #860E95, #620E95, #3D0E95, #190E95 and #0E0E95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #880E97 shade matches the following richer shades: #860E95 and #9101A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #880E97 shade: #860E95, #7C1B88, #72287B, #68356E and #5D4361

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #880E97 shade: #3D0E95, #610E95, #860E95, #950E81 and #950E5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #880E97 shade: #42074A, #640A70, #860E95, #A811BB and #CA15E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #880E97 shade: #880E97, #95190E and #0E954F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #880E97 shade: #880E97, #95860E and #0E9586

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #880E97 shade: #880E97, #95190E, #1E950E and #0E8A95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #880E97 shade: #880E97, #95420E, #1E950E and #0E6195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 91 / 0 / 41

HEX #880E97

RGB 136 14 151

HSL 293.43, 0.83%, 0.32%

LAB 33.53, 62, -44.67

 

Complementary color

CMYK 51 / 0 / 57 / 5

HEX #77F168

RGB 119 241 104

HSL 113.43, 0.83%, 0.68%

LAB 85.92, -59.81, 54.92

 

CMYK 3 / 90 / 0 / 43

HEX #8D0E92

RGB 141 14 146

HSL 297.73, 0.83%, 0.31%

LAB 34.09, 62.05, -40.65

 

CMYK 4 / 81 / 0 / 35

HEX #9E20A5

RGB 158 32 165

HSL 296.84, 0.68%, 0.39%

LAB 39.61, 64.51, -43.17

 

CMYK 5 / 73 / 0 / 28

HEX #AF32B8

RGB 175 50 184

HSL 295.97, 0.57%, 0.46%

LAB 45.44, 65.78, -44.98

 

CMYK 5 / 67 / 0 / 20

HEX #C044CB

RGB 192 68 203

HSL 295.11, 0.56%, 0.53%

LAB 51.44, 66.26, -46.28

 

CMYK 6 / 61 / 0 / 13

HEX #D156DE

RGB 209 86 222

HSL 294.26, 0.67%, 0.6%

LAB 57.54, 66.26, -47.26

 

CMYK 10 / 91 / 0 / 41

HEX #880E97

RGB 136 14 151

HSL 293.43, 0.83%, 0.32%

LAB 33.53, 62, -44.67

 

CMYK 10 / 100 / 0 / 48

HEX #770084

RGB 119 0 132

HSL 294.09, 1%, 0.26%

LAB 28.35, 58.08, -41.41

 

CMYK 10 / 100 / 0 / 56

HEX #660071

RGB 102 0 113

HSL 294.16, 1%, 0.22%

LAB 23.73, 52.01, -36.94

 

CMYK 10 / 100 / 0 / 63

HEX #55005E

RGB 85 0 94

HSL 294.26, 1%, 0.18%

LAB 18.97, 45.74, -32.33

 

CMYK 9 / 100 / 0 / 71

HEX #44004B

RGB 68 0 75

HSL 294.4, 1%, 0.15%

LAB 14.04, 39.26, -27.55

 

CMYK 10 / 91 / 0 / 42

HEX #860E95

RGB 134 14 149

HSL 293.33, 0.83%, 0.32%

LAB 33.03, 61.31, -44.26

 

CMYK 0 / 91 / 14 / 42

HEX #950E80

RGB 149 14 128

HSL 309.33, 0.83%, 0.32%

LAB 34.52, 60.86, -28.72

 

CMYK 0 / 91 / 39 / 42

HEX #950E5B

RGB 149 14 91

HSL 325.78, 0.83%, 0.32%

LAB 32.83, 56.32, -7.75

 

CMYK 0 / 91 / 63 / 42

HEX #950E37

RGB 149 14 55

HSL 341.78, 0.83%, 0.32%

LAB 31.76, 53.34, 14.43

 

CMYK 0 / 91 / 88 / 42

HEX #950E12

RGB 149 14 18

HSL 358.22, 0.83%, 0.32%

LAB 31.22, 51.8, 36.82

 

CMYK 10 / 91 / 0 / 42

HEX #860E95

RGB 134 14 149

HSL 293.33, 0.83%, 0.32%

LAB 33.03, 61.31, -44.26

 

CMYK 34 / 91 / 0 / 42

HEX #620E95

RGB 98 14 149

HSL 277.33, 0.83%, 0.32%

LAB 26.96, 55.63, -54.39

 

CMYK 59 / 91 / 0 / 42

HEX #3D0E95

RGB 61 14 149

HSL 260.89, 0.83%, 0.32%

LAB 21.86, 51.34, -62.98

 

CMYK 83 / 91 / 0 / 42

HEX #190E95

RGB 25 14 149

HSL 244.89, 0.83%, 0.32%

LAB 18.76, 49.07, -68.21

 

CMYK 91 / 91 / 0 / 42

HEX #0E0E95

RGB 14 14 149

HSL 240, 0.83%, 0.32%

LAB 18.26, 48.74, -69.05

 

CMYK 10 / 91 / 0 / 42

HEX #860E95

RGB 134 14 149

HSL 293.33, 0.83%, 0.32%

LAB 33.03, 61.31, -44.26

 

CMYK 11 / 99 / 0 / 36

HEX #9101A3

RGB 145 1 163

HSL 293.33, 0.99%, 0.32%

LAB 35.37, 67.28, -48.9

 

CMYK 10 / 91 / 0 / 42

HEX #860E95

RGB 134 14 149

HSL 293.33, 0.83%, 0.32%

LAB 33.03, 61.31, -44.26

 

CMYK 9 / 80 / 0 / 47

HEX #7C1B88

RGB 124 27 136

HSL 293.39, 0.67%, 0.32%

LAB 31.45, 54.04, -38.86

 

CMYK 7 / 67 / 0 / 52

HEX #72287B

RGB 114 40 123

HSL 293.49, 0.51%, 0.32%

LAB 30.7, 44.37, -32.03

 

CMYK 5 / 52 / 0 / 57

HEX #68356E

RGB 104 53 110

HSL 293.68, 0.35%, 0.32%

LAB 30.91, 32.22, -23.57

 

CMYK 4 / 31 / 0 / 62

HEX #5D4361

RGB 93 67 97

HSL 292, 0.18%, 0.32%

LAB 32.27, 17.1, -13.31

 

CMYK 59 / 91 / 0 / 42

HEX #3D0E95

RGB 61 14 149

HSL 260.89, 0.83%, 0.32%

LAB 21.86, 51.34, -62.98

 

CMYK 35 / 91 / 0 / 42

HEX #610E95

RGB 97 14 149

HSL 276.89, 0.83%, 0.32%

LAB 26.81, 55.49, -54.65

 

CMYK 10 / 91 / 0 / 42

HEX #860E95

RGB 134 14 149

HSL 293.33, 0.83%, 0.32%

LAB 33.03, 61.31, -44.26

 

CMYK 0 / 91 / 13 / 42

HEX #950E81

RGB 149 14 129

HSL 308.89, 0.83%, 0.32%

LAB 34.58, 61, -29.26

 

CMYK 0 / 91 / 38 / 42

HEX #950E5D

RGB 149 14 93

HSL 324.89, 0.83%, 0.32%

LAB 32.91, 56.53, -8.93

 

CMYK 11 / 91 / 0 / 71

HEX #42074A

RGB 66 7 74

HSL 292.84, 0.83%, 0.16%

LAB 14.43, 36.12, -26.26

 

CMYK 11 / 91 / 0 / 56

HEX #640A70

RGB 100 10 112

HSL 292.94, 0.84%, 0.24%

LAB 23.99, 49.37, -35.89

 

CMYK 10 / 91 / 0 / 42

HEX #860E95

RGB 134 14 149

HSL 293.33, 0.83%, 0.32%

LAB 33.03, 61.31, -44.26

 

CMYK 10 / 91 / 0 / 27

HEX #A811BB

RGB 168 17 187

HSL 293.29, 0.83%, 0.4%

LAB 41.71, 72.96, -52.77

 

CMYK 10 / 91 / 0 / 12

HEX #CA15E1

RGB 202 21 225

HSL 293.24, 0.83%, 0.48%

LAB 50.13, 83.99, -60.86

 

CMYK 10 / 91 / 0 / 41

HEX #880E97

RGB 136 14 151

HSL 293.43, 0.83%, 0.32%

LAB 33.53, 62, -44.67

 

CMYK 0 / 83 / 91 / 42

HEX #95190E

RGB 149 25 14

HSL 4.89, 0.83%, 0.32%

LAB 32.07, 49.23, 39.47

 

CMYK 91 / 0 / 47 / 42

HEX #0E954F

RGB 14 149 79

HSL 148.89, 0.83%, 0.32%

LAB 54.19, -49.36, 27.8

 

CMYK 10 / 91 / 0 / 41

HEX #880E97

RGB 136 14 151

HSL 293.43, 0.83%, 0.32%

LAB 33.53, 62, -44.67

 

CMYK 0 / 10 / 91 / 42

HEX #95860E

RGB 149 134 14

HSL 53.33, 0.83%, 0.32%

LAB 55.55, -6.16, 57.79

 

CMYK 91 / 0 / 10 / 42

HEX #0E9586

RGB 14 149 134

HSL 173.33, 0.83%, 0.32%

LAB 55.39, -36.13, -1.39

 

CMYK 10 / 91 / 0 / 41

HEX #880E97

RGB 136 14 151

HSL 293.43, 0.83%, 0.32%

LAB 33.53, 62, -44.67

 

CMYK 0 / 83 / 91 / 42

HEX #95190E

RGB 149 25 14

HSL 4.89, 0.83%, 0.32%

LAB 32.07, 49.23, 39.47

 

CMYK 80 / 0 / 91 / 42

HEX #1E950E

RGB 30 149 14

HSL 112.89, 0.83%, 0.32%

LAB 53.82, -54.63, 53.75

 

CMYK 91 / 7 / 0 / 42

HEX #0E8A95

RGB 14 138 149

HSL 184.89, 0.83%, 0.32%

LAB 52.33, -26.18, -14.61

 

CMYK 10 / 91 / 0 / 41

HEX #880E97

RGB 136 14 151

HSL 293.43, 0.83%, 0.32%

LAB 33.53, 62, -44.67

 

CMYK 0 / 56 / 91 / 42

HEX #95420E

RGB 149 66 14

HSL 23.11, 0.83%, 0.32%

LAB 38.41, 32.17, 44.34

 

CMYK 80 / 0 / 91 / 42

HEX #1E950E

RGB 30 149 14

HSL 112.89, 0.83%, 0.32%

LAB 53.82, -54.63, 53.75

 

CMYK 91 / 35 / 0 / 42

HEX #0E6195

RGB 14 97 149

HSL 203.11, 0.83%, 0.32%

LAB 39.26, -3.1, -34.86

 

Description

Color code: HEX #880E97 | qconv.com Color code: HEX #880E97 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 14 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 14 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 91 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 91% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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