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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87FD27 it is the complementary color #7802D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87FD27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87FD27 shade: #8CFD22, #9DFF35, #AEFF48, #BFFF5B and #D0FF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87FD27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87FD27 shade: #87FD27, #76EB14, #65D901, #54C700 and #43B500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87FD27 shade: #86FD26, #C0FD26, #FAFD26, #FDC526 and #FD8B26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87FD27 shade: #86FD26, #4CFD26, #26FD39, #26FD73 and #26FDAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87FD27 shade matches the following richer shades: #86FD26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87FD27 shade: #86FD26, #88EB38, #8AD949, #8CC85B and #8EB66D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87FD27 shade: #F9FD26, #C0FD26, #87FD26, #4DFD26 and #26FD38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87FD27 shade: #5ECE02, #70F702, #86FD26, #9DFD4F and #B4FE78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87FD27 shade: #87FD27, #26FDC7 and #FD26DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87FD27 shade: #87FD27, #2687FD and #FD2687

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87FD27 shade: #87FD27, #26FDC7, #9C26FD and #FD265C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87FD27 shade: #87FD27, #26F2FD, #9C26FD and #FD3126

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 85 / 1

HEX #87FD27

RGB 135 253 39

HSL 93.08, 0.98%, 0.57%

LAB 89.65, -64.3, 80.96

 

Complementary color

CMYK 44 / 99 / 0 / 15

HEX #7802D8

RGB 120 2 216

HSL 273.08, 0.98%, 0.43%

LAB 35.97, 74.17, -79.34

 

CMYK 45 / 0 / 87 / 1

HEX #8CFD22

RGB 140 253 34

HSL 90.96, 0.98%, 0.56%

LAB 89.83, -62.96, 82.16

 

CMYK 38 / 0 / 79 / 0

HEX #9DFF35

RGB 157 255 53

HSL 89.11, 1%, 0.6%

LAB 91.21, -57.66, 79.4

 

CMYK 32 / 0 / 72 / 0

HEX #AEFF48

RGB 174 255 72

HSL 86.56, 1%, 0.64%

LAB 92.13, -50.96, 74.86

 

CMYK 25 / 0 / 64 / 0

HEX #BFFF5B

RGB 191 255 91

HSL 83.41, 1%, 0.68%

LAB 93.17, -43.71, 69.34

 

CMYK 18 / 0 / 57 / 0

HEX #D0FF6E

RGB 208 255 110

HSL 79.45, 1%, 0.72%

LAB 94.34, -36.01, 63.12

 

CMYK 47 / 0 / 85 / 1

HEX #87FD27

RGB 135 253 39

HSL 93.08, 0.98%, 0.57%

LAB 89.65, -64.3, 80.96

 

CMYK 50 / 0 / 91 / 8

HEX #76EB14

RGB 118 235 20

HSL 92.65, 0.84%, 0.5%

LAB 83.61, -63.27, 78.83

 

CMYK 53 / 0 / 100 / 15

HEX #65D901

RGB 101 217 1

HSL 92.22, 0.99%, 0.43%

LAB 77.52, -61.96, 75.59

 

CMYK 58 / 0 / 100 / 22

HEX #54C700

RGB 84 199 0

HSL 94.67, 1%, 0.39%

LAB 71.37, -60.23, 70.6

 

CMYK 63 / 0 / 100 / 29

HEX #43B500

RGB 67 181 0

HSL 97.79, 1%, 0.35%

LAB 65.15, -58.28, 65.47

 

CMYK 47 / 0 / 85 / 1

HEX #86FD26

RGB 134 253 38

HSL 93.21, 0.98%, 0.57%

LAB 89.61, -64.62, 81.11

 

CMYK 24 / 0 / 85 / 1

HEX #C0FD26

RGB 192 253 38

HSL 77.02, 0.98%, 0.57%

LAB 92.4, -45.05, 84.6

 

CMYK 1 / 0 / 85 / 1

HEX #FAFD26

RGB 250 253 38

HSL 60.84, 0.98%, 0.57%

LAB 96.29, -22.19, 89.41

 

CMYK 0 / 22 / 85 / 1

HEX #FDC526

RGB 253 197 38

HSL 44.37, 0.98%, 0.57%

LAB 82.35, 6.93, 78.17

 

CMYK 0 / 45 / 85 / 1

HEX #FD8B26

RGB 253 139 38

HSL 28.19, 0.98%, 0.57%

LAB 69.1, 37.05, 67.32

 

CMYK 47 / 0 / 85 / 1

HEX #86FD26

RGB 134 253 38

HSL 93.21, 0.98%, 0.57%

LAB 89.61, -64.62, 81.11

 

CMYK 70 / 0 / 85 / 1

HEX #4CFD26

RGB 76 253 38

HSL 109.4, 0.98%, 0.57%

LAB 87.93, -78.18, 79

 

CMYK 85 / 0 / 77 / 1

HEX #26FD39

RGB 38 253 57

HSL 125.3, 0.98%, 0.57%

LAB 87.46, -82, 73.66

 

CMYK 85 / 0 / 55 / 1

HEX #26FD73

RGB 38 253 115

HSL 141.49, 0.98%, 0.57%

LAB 87.92, -76.33, 51.93

 

CMYK 85 / 0 / 32 / 1

HEX #26FDAD

RGB 38 253 173

HSL 157.67, 0.98%, 0.57%

LAB 88.77, -66.38, 24.85

 

CMYK 47 / 0 / 85 / 1

HEX #86FD26

RGB 134 253 38

HSL 93.21, 0.98%, 0.57%

LAB 89.61, -64.62, 81.11

 

CMYK 47 / 0 / 85 / 1

HEX #86FD26

RGB 134 253 38

HSL 93.21, 0.98%, 0.57%

LAB 89.61, -64.62, 81.11

 

CMYK 42 / 0 / 76 / 8

HEX #88EB38

RGB 136 235 56

HSL 93.18, 0.82%, 0.57%

LAB 84.45, -56.5, 71.92

 

CMYK 36 / 0 / 66 / 15

HEX #8AD949

RGB 138 217 73

HSL 92.92, 0.65%, 0.57%

LAB 79.33, -47.5, 60.86

 

CMYK 30 / 0 / 55 / 22

HEX #8CC85B

RGB 140 200 91

HSL 93.03, 0.5%, 0.57%

LAB 74.6, -37.82, 47.8

 

CMYK 22 / 0 / 40 / 29

HEX #8EB66D

RGB 142 182 109

HSL 92.88, 0.33%, 0.57%

LAB 69.69, -26.51, 32.86

 

CMYK 2 / 0 / 85 / 1

HEX #F9FD26

RGB 249 253 38

HSL 61.12, 0.98%, 0.57%

LAB 96.22, -22.6, 89.32

 

CMYK 24 / 0 / 85 / 1

HEX #C0FD26

RGB 192 253 38

HSL 77.02, 0.98%, 0.57%

LAB 92.4, -45.05, 84.6

 

CMYK 47 / 0 / 85 / 1

HEX #87FD26

RGB 135 253 38

HSL 92.93, 0.98%, 0.57%

LAB 89.65, -64.33, 81.16

 

CMYK 70 / 0 / 85 / 1

HEX #4DFD26

RGB 77 253 38

HSL 109.12, 0.98%, 0.57%

LAB 87.95, -78.01, 79.03

 

CMYK 85 / 0 / 78 / 1

HEX #26FD38

RGB 38 253 56

HSL 125.02, 0.98%, 0.57%

LAB 87.46, -82.06, 73.94

 

CMYK 54 / 0 / 99 / 19

HEX #5ECE02

RGB 94 206 2

HSL 92.94, 0.98%, 0.41%

LAB 73.89, -59.98, 72.52

 

CMYK 55 / 0 / 99 / 3

HEX #70F702

RGB 112 247 2

HSL 93.06, 0.98%, 0.49%

LAB 86.98, -69.34, 83.13

 

CMYK 47 / 0 / 85 / 1

HEX #86FD26

RGB 134 253 38

HSL 93.21, 0.98%, 0.57%

LAB 89.61, -64.62, 81.11

 

CMYK 38 / 0 / 69 / 1

HEX #9DFD4F

RGB 157 253 79

HSL 93.1, 0.98%, 0.65%

LAB 90.77, -55.41, 70.8

 

CMYK 29 / 0 / 53 / 0

HEX #B4FE78

RGB 180 254 120

HSL 93.13, 0.99%, 0.73%

LAB 92.55, -44.63, 56.23

 

CMYK 47 / 0 / 85 / 1

HEX #87FD27

RGB 135 253 39

HSL 93.08, 0.98%, 0.57%

LAB 89.65, -64.3, 80.96

 

CMYK 85 / 0 / 21 / 1

HEX #26FDC7

RGB 38 253 199

HSL 164.93, 0.98%, 0.57%

LAB 89.29, -60.62, 12.25

 

CMYK 0 / 85 / 13 / 1

HEX #FD26DD

RGB 253 38 221

HSL 308.93, 0.98%, 0.57%

LAB 59.42, 89.65, -43.27

 

CMYK 47 / 0 / 85 / 1

HEX #87FD27

RGB 135 253 39

HSL 93.08, 0.98%, 0.57%

LAB 89.65, -64.3, 80.96

 

CMYK 85 / 47 / 0 / 1

HEX #2687FD

RGB 38 135 253

HSL 212.93, 0.98%, 0.57%

LAB 56.91, 15.19, -66.26

 

CMYK 0 / 85 / 47 / 1

HEX #FD2687

RGB 253 38 135

HSL 332.93, 0.98%, 0.57%

LAB 56.11, 80.55, 1.6

 

CMYK 47 / 0 / 85 / 1

HEX #87FD27

RGB 135 253 39

HSL 93.08, 0.98%, 0.57%

LAB 89.65, -64.3, 80.96

 

CMYK 85 / 0 / 21 / 1

HEX #26FDC7

RGB 38 253 199

HSL 164.93, 0.98%, 0.57%

LAB 89.29, -60.62, 12.25

 

CMYK 38 / 85 / 0 / 1

HEX #9C26FD

RGB 156 38 253

HSL 272.93, 0.98%, 0.57%

LAB 46.37, 79.47, -83.06

 

CMYK 0 / 85 / 64 / 1

HEX #FD265C

RGB 253 38 92

HSL 344.93, 0.98%, 0.57%

LAB 55.12, 77.7, 25.93

 

CMYK 47 / 0 / 85 / 1

HEX #87FD27

RGB 135 253 39

HSL 93.08, 0.98%, 0.57%

LAB 89.65, -64.3, 80.96

 

CMYK 85 / 4 / 0 / 1

HEX #26F2FD

RGB 38 242 253

HSL 183.07, 0.98%, 0.57%

LAB 87.49, -41.69, -18.53

 

CMYK 38 / 85 / 0 / 1

HEX #9C26FD

RGB 156 38 253

HSL 272.93, 0.98%, 0.57%

LAB 46.37, 79.47, -83.06

 

CMYK 0 / 81 / 85 / 1

HEX #FD3126

RGB 253 49 38

HSL 3.07, 0.98%, 0.57%

LAB 55.3, 73.39, 55.87

 

Description

Color code: HEX #87FD27 | qconv.com Color code: HEX #87FD27 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 253 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 253 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 85 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 85% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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