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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87FC57 it is the complementary color #7803A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87FC57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87FC57 shade: #8CFC52, #9DFF65, #AEFF78, #BFFF8B and #D0FF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87FC57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87FC57 shade: #87FC57, #76EA44, #65D831, #54C61E and #43B40B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87FC57 shade: #85FC55, #B2FC55, #DFFC55, #FCEB55 and #FCBE55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87FC57 shade: #85FC55, #59FC55, #55FC7E, #55FCAB and #55FCD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87FC57 shade matches the following richer shades: #85FC55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87FC57 shade: #85FC55, #8BEE63, #91DF71, #97D17F and #9DC38D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87FC57 shade: #E0FC55, #B3FC55, #87FC55, #5BFC55 and #55FC7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87FC57 shade: #4CF905, #69FB2D, #85FC55, #A2FC7E and #BFFDA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87FC57 shade: #87FC57, #55FCEB and #FC55CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87FC57 shade: #87FC57, #5587FC and #FC5587

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87FC57 shade: #87FC57, #55FCEB, #CA55FC and #FC5566

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87FC57 shade: #87FC57, #55DAFC, #CA55FC and #FC7655

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 65 / 1

HEX #87FC57

RGB 135 252 87

HSL 102.55, 0.96%, 0.66%

LAB 89.61, -61.16, 66.29

 

Complementary color

CMYK 29 / 98 / 0 / 34

HEX #7803A8

RGB 120 3 168

HSL 282.55, 0.96%, 0.34%

LAB 31.54, 64.34, -58.33

 

CMYK 44 / 0 / 67 / 1

HEX #8CFC52

RGB 140 252 82

HSL 99.53, 0.97%, 0.65%

LAB 89.77, -60.1, 68.43

 

CMYK 38 / 0 / 60 / 0

HEX #9DFF65

RGB 157 255 101

HSL 98.18, 1%, 0.7%

LAB 91.52, -54.46, 63

 

CMYK 32 / 0 / 53 / 0

HEX #AEFF78

RGB 174 255 120

HSL 96, 1%, 0.74%

LAB 92.52, -47.08, 56.11

 

CMYK 25 / 0 / 45 / 0

HEX #BFFF8B

RGB 191 255 139

HSL 93.1, 1%, 0.77%

LAB 93.65, -39.22, 48.9

 

CMYK 18 / 0 / 38 / 0

HEX #D0FF9E

RGB 208 255 158

HSL 89.07, 1%, 0.81%

LAB 94.91, -30.98, 41.54

 

CMYK 46 / 0 / 65 / 1

HEX #87FC57

RGB 135 252 87

HSL 102.55, 0.96%, 0.66%

LAB 89.61, -61.16, 66.29

 

CMYK 50 / 0 / 71 / 8

HEX #76EA44

RGB 118 234 68

HSL 101.93, 0.8%, 0.59%

LAB 83.5, -60.75, 66.79

 

CMYK 53 / 0 / 77 / 15

HEX #65D831

RGB 101 216 49

HSL 101.32, 0.68%, 0.52%

LAB 77.34, -60.1, 66.79

 

CMYK 58 / 0 / 85 / 22

HEX #54C61E

RGB 84 198 30

HSL 100.71, 0.74%, 0.45%

LAB 71.12, -59.13, 65.97

 

CMYK 63 / 0 / 94 / 29

HEX #43B40B

RGB 67 180 11

HSL 100.12, 0.88%, 0.37%

LAB 64.85, -57.71, 63.86

 

CMYK 47 / 0 / 66 / 1

HEX #85FC55

RGB 133 252 85

HSL 102.75, 0.97%, 0.66%

LAB 89.52, -61.9, 66.94

 

CMYK 29 / 0 / 66 / 1

HEX #B2FC55

RGB 178 252 85

HSL 86.59, 0.97%, 0.66%

LAB 91.57, -47.48, 69.73

 

CMYK 12 / 0 / 66 / 1

HEX #DFFC55

RGB 223 252 85

HSL 70.42, 0.97%, 0.66%

LAB 94.3, -30.69, 73.41

 

CMYK 0 / 7 / 66 / 1

HEX #FCEB55

RGB 252 235 85

HSL 53.89, 0.97%, 0.66%

LAB 92.03, -10.92, 71.78

 

CMYK 0 / 25 / 66 / 1

HEX #FCBE55

RGB 252 190 85

HSL 37.72, 0.97%, 0.66%

LAB 80.84, 11.99, 60.01

 

CMYK 47 / 0 / 66 / 1

HEX #85FC55

RGB 133 252 85

HSL 102.75, 0.97%, 0.66%

LAB 89.52, -61.9, 66.94

 

CMYK 65 / 0 / 66 / 1

HEX #59FC55

RGB 89 252 85

HSL 118.56, 0.97%, 0.66%

LAB 88.16, -72.5, 65.09

 

CMYK 66 / 0 / 50 / 1

HEX #55FC7E

RGB 85 252 126

HSL 134.73, 0.97%, 0.66%

LAB 88.48, -68.52, 47.7

 

CMYK 66 / 0 / 32 / 1

HEX #55FCAB

RGB 85 252 171

HSL 150.9, 0.97%, 0.66%

LAB 89.15, -60.95, 26.5

 

CMYK 66 / 0 / 14 / 1

HEX #55FCD8

RGB 85 252 216

HSL 167.07, 0.97%, 0.66%

LAB 90.1, -51.14, 4.7

 

CMYK 47 / 0 / 66 / 1

HEX #85FC55

RGB 133 252 85

HSL 102.75, 0.97%, 0.66%

LAB 89.52, -61.9, 66.94

 

CMYK 47 / 0 / 66 / 1

HEX #85FC55

RGB 133 252 85

HSL 102.75, 0.97%, 0.66%

LAB 89.52, -61.9, 66.94

 

CMYK 42 / 0 / 58 / 7

HEX #8BEE63

RGB 139 238 99

HSL 102.73, 0.8%, 0.66%

LAB 85.78, -53.44, 57.15

 

CMYK 35 / 0 / 49 / 13

HEX #91DF71

RGB 145 223 113

HSL 102.55, 0.63%, 0.66%

LAB 81.83, -43.76, 46.14

 

CMYK 28 / 0 / 39 / 18

HEX #97D17F

RGB 151 209 127

HSL 102.44, 0.47%, 0.66%

LAB 78.29, -33.65, 34.83

 

CMYK 19 / 0 / 28 / 24

HEX #9DC38D

RGB 157 195 141

HSL 102.22, 0.31%, 0.66%

LAB 74.9, -22.74, 23.1

 

CMYK 11 / 0 / 66 / 1

HEX #E0FC55

RGB 224 252 85

HSL 70.06, 0.97%, 0.66%

LAB 94.37, -30.3, 73.5

 

CMYK 29 / 0 / 66 / 1

HEX #B3FC55

RGB 179 252 85

HSL 86.23, 0.97%, 0.66%

LAB 91.62, -47.13, 69.8

 

CMYK 46 / 0 / 66 / 1

HEX #87FC55

RGB 135 252 85

HSL 102.04, 0.97%, 0.66%

LAB 89.59, -61.33, 67.05

 

CMYK 64 / 0 / 66 / 1

HEX #5BFC55

RGB 91 252 85

HSL 117.84, 0.97%, 0.66%

LAB 88.21, -72.11, 65.15

 

CMYK 66 / 0 / 51 / 1

HEX #55FC7C

RGB 85 252 124

HSL 134.01, 0.97%, 0.66%

LAB 88.45, -68.79, 48.61

 

CMYK 69 / 0 / 98 / 2

HEX #4CF905

RGB 76 249 5

HSL 102.54, 0.96%, 0.5%

LAB 86.65, -77.77, 82.24

 

CMYK 58 / 0 / 82 / 2

HEX #69FB2D

RGB 105 251 45

HSL 102.52, 0.96%, 0.58%

LAB 88.06, -71.36, 77.83

 

CMYK 47 / 0 / 66 / 1

HEX #85FC55

RGB 133 252 85

HSL 102.75, 0.97%, 0.66%

LAB 89.52, -61.9, 66.94

 

CMYK 36 / 0 / 50 / 1

HEX #A2FC7E

RGB 162 252 126

HSL 102.86, 0.95%, 0.74%

LAB 91.15, -49.07, 51.58

 

CMYK 25 / 0 / 34 / 1

HEX #BFFDA6

RGB 191 253 166

HSL 102.76, 0.96%, 0.82%

LAB 93.49, -34.83, 35.55

 

CMYK 46 / 0 / 65 / 1

HEX #87FC57

RGB 135 252 87

HSL 102.55, 0.96%, 0.66%

LAB 89.61, -61.16, 66.29

 

CMYK 66 / 0 / 7 / 1

HEX #55FCEB

RGB 85 252 235

HSL 173.89, 0.97%, 0.66%

LAB 90.57, -46.4, -4.46

 

CMYK 0 / 66 / 20 / 1

HEX #FC55CA

RGB 252 85 202

HSL 317.96, 0.97%, 0.66%

LAB 62.89, 74.21, -27.12

 

CMYK 46 / 0 / 65 / 1

HEX #87FC57

RGB 135 252 87

HSL 102.55, 0.96%, 0.66%

LAB 89.61, -61.16, 66.29

 

CMYK 66 / 46 / 0 / 1

HEX #5587FC

RGB 85 135 252

HSL 222.04, 0.97%, 0.66%

LAB 58.31, 20.06, -63.39

 

CMYK 0 / 66 / 46 / 1

HEX #FC5587

RGB 252 85 135

HSL 342.04, 0.97%, 0.66%

LAB 60.73, 66.79, 8.23

 

CMYK 46 / 0 / 65 / 1

HEX #87FC57

RGB 135 252 87

HSL 102.55, 0.96%, 0.66%

LAB 89.61, -61.16, 66.29

 

CMYK 66 / 0 / 7 / 1

HEX #55FCEB

RGB 85 252 235

HSL 173.89, 0.97%, 0.66%

LAB 90.57, -46.4, -4.46

 

CMYK 20 / 66 / 0 / 1

HEX #CA55FC

RGB 202 85 252

HSL 282.04, 0.97%, 0.66%

LAB 58.11, 70.75, -63.16

 

CMYK 0 / 66 / 60 / 1

HEX #FC5566

RGB 252 85 102

HSL 353.89, 0.97%, 0.66%

LAB 60.03, 64.27, 26.45

 

CMYK 46 / 0 / 65 / 1

HEX #87FC57

RGB 135 252 87

HSL 102.55, 0.96%, 0.66%

LAB 89.61, -61.16, 66.29

 

CMYK 66 / 13 / 0 / 1

HEX #55DAFC

RGB 85 218 252

HSL 192.22, 0.97%, 0.66%

LAB 81.35, -25.94, -27.25

 

CMYK 20 / 66 / 0 / 1

HEX #CA55FC

RGB 202 85 252

HSL 282.04, 0.97%, 0.66%

LAB 58.11, 70.75, -63.16

 

CMYK 0 / 53 / 66 / 1

HEX #FC7655

RGB 252 118 85

HSL 11.86, 0.97%, 0.66%

LAB 65.21, 48.87, 42.36

 

Description

Color code: HEX #87FC57 | qconv.com Color code: HEX #87FC57 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 252 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 252 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 65 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 65% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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