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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87FB39 it is the complementary color #7804C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87FB39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87FB39 shade: #8CFB34, #9DFF47, #AEFF5A, #BFFF6D and #D0FF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87FB39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87FB39 shade: #87FB39, #76E926, #65D713, #54C500 and #43B300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87FB39 shade: #86FB37, #BBFB37, #EFFB37, #FBD237 and #FB9D37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87FB39 shade: #86FB37, #51FB37, #37FB52, #37FB87 and #37FBBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87FB39 shade matches the following richer shades: #86FB37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87FB39 shade: #86FB37, #89EA48, #8CDA58, #90C969 and #93B979

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87FB39 shade: #F1FB37, #BDFB37, #89FB37, #54FB37 and #37FB4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87FB39 shade: #5BDB04, #6DFA0F, #86FB37, #9EFC60 and #B7FD88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87FB39 shade: #87FB39, #37FBD0 and #FB37D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87FB39 shade: #87FB39, #3789FB and #FB3789

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87FB39 shade: #87FB39, #37FBD0, #A937FB and #FB3762

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87FB39 shade: #87FB39, #37EBFB, #A937FB and #FB4737

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 77 / 2

HEX #87FB39

RGB 135 251 57

HSL 95.88, 0.96%, 0.6%

LAB 89.13, -62.79, 76.04

 

Complementary color

CMYK 39 / 98 / 0 / 22

HEX #7804C6

RGB 120 4 198

HSL 275.88, 0.96%, 0.4%

LAB 34.31, 70.19, -71.62

 

CMYK 44 / 0 / 79 / 2

HEX #8CFB34

RGB 140 251 52

HSL 93.47, 0.96%, 0.59%

LAB 89.31, -61.54, 77.66

 

CMYK 38 / 0 / 72 / 0

HEX #9DFF47

RGB 157 255 71

HSL 91.96, 1%, 0.64%

LAB 91.3, -56.72, 74.11

 

CMYK 32 / 0 / 65 / 0

HEX #AEFF5A

RGB 174 255 90

HSL 89.45, 1%, 0.68%

LAB 92.25, -49.77, 68.47

 

CMYK 25 / 0 / 57 / 0

HEX #BFFF6D

RGB 191 255 109

HSL 86.3, 1%, 0.71%

LAB 93.32, -42.28, 62.12

 

CMYK 18 / 0 / 50 / 0

HEX #D0FF80

RGB 208 255 128

HSL 82.2, 1%, 0.75%

LAB 94.52, -34.36, 55.33

 

CMYK 46 / 0 / 77 / 2

HEX #87FB39

RGB 135 251 57

HSL 95.88, 0.96%, 0.6%

LAB 89.13, -62.79, 76.04

 

CMYK 49 / 0 / 84 / 9

HEX #76E926

RGB 118 233 38

HSL 95.38, 0.82%, 0.53%

LAB 83.06, -62.02, 75.15

 

CMYK 53 / 0 / 91 / 16

HEX #65D713

RGB 101 215 19

HSL 94.9, 0.84%, 0.46%

LAB 76.93, -60.94, 73.2

 

CMYK 57 / 0 / 100 / 23

HEX #54C500

RGB 84 197 0

HSL 94.42, 1%, 0.39%

LAB 70.74, -59.54, 70.11

 

CMYK 63 / 0 / 100 / 30

HEX #43B300

RGB 67 179 0

HSL 97.54, 1%, 0.35%

LAB 64.51, -57.6, 64.96

 

CMYK 47 / 0 / 78 / 2

HEX #86FB37

RGB 134 251 55

HSL 95.82, 0.96%, 0.6%

LAB 89.08, -63.19, 76.54

 

CMYK 25 / 0 / 78 / 2

HEX #BBFB37

RGB 187 251 55

HSL 79.59, 0.96%, 0.6%

LAB 91.61, -45.47, 79.8

 

CMYK 5 / 0 / 78 / 2

HEX #EFFB37

RGB 239 251 55

HSL 63.67, 0.96%, 0.6%

LAB 95, -25.24, 84.12

 

CMYK 0 / 16 / 78 / 2

HEX #FBD237

RGB 251 210 55

HSL 47.45, 0.96%, 0.6%

LAB 85.44, -0.11, 75.98

 

CMYK 0 / 37 / 78 / 2

HEX #FB9D37

RGB 251 157 55

HSL 31.22, 0.96%, 0.6%

LAB 72.83, 27.46, 64.4

 

CMYK 47 / 0 / 78 / 2

HEX #86FB37

RGB 134 251 55

HSL 95.82, 0.96%, 0.6%

LAB 89.08, -63.19, 76.54

 

CMYK 68 / 0 / 78 / 2

HEX #51FB37

RGB 81 251 55

HSL 112.04, 0.96%, 0.6%

LAB 87.49, -75.89, 74.49

 

CMYK 78 / 0 / 67 / 2

HEX #37FB52

RGB 55 251 82

HSL 128.27, 0.96%, 0.6%

LAB 87.2, -77.8, 65.02

 

CMYK 78 / 0 / 46 / 2

HEX #37FB87

RGB 55 251 135

HSL 144.49, 0.96%, 0.6%

LAB 87.75, -71.14, 42.4

 

CMYK 78 / 0 / 25 / 2

HEX #37FBBC

RGB 55 251 188

HSL 160.71, 0.96%, 0.6%

LAB 88.66, -60.97, 17.05

 

CMYK 47 / 0 / 78 / 2

HEX #86FB37

RGB 134 251 55

HSL 95.82, 0.96%, 0.6%

LAB 89.08, -63.19, 76.54

 

CMYK 47 / 0 / 78 / 2

HEX #86FB37

RGB 134 251 55

HSL 95.82, 0.96%, 0.6%

LAB 89.08, -63.19, 76.54

 

CMYK 41 / 0 / 69 / 8

HEX #89EA48

RGB 137 234 72

HSL 95.93, 0.79%, 0.6%

LAB 84.29, -54.79, 66.4

 

CMYK 36 / 0 / 60 / 15

HEX #8CDA58

RGB 140 218 88

HSL 96, 0.64%, 0.6%

LAB 79.85, -45.96, 55.22

 

CMYK 28 / 0 / 48 / 21

HEX #90C969

RGB 144 201 105

HSL 95.63, 0.47%, 0.6%

LAB 75.28, -35.27, 41.96

 

CMYK 21 / 0 / 35 / 27

HEX #93B979

RGB 147 185 121

HSL 95.63, 0.31%, 0.6%

LAB 71.06, -24.45, 28.43

 

CMYK 4 / 0 / 78 / 2

HEX #F1FB37

RGB 241 251 55

HSL 63.06, 0.96%, 0.6%

LAB 95.15, -24.43, 84.31

 

CMYK 25 / 0 / 78 / 2

HEX #BDFB37

RGB 189 251 55

HSL 78.98, 0.96%, 0.6%

LAB 91.72, -44.73, 79.95

 

CMYK 45 / 0 / 78 / 2

HEX #89FB37

RGB 137 251 55

HSL 94.9, 0.96%, 0.6%

LAB 89.2, -62.3, 76.7

 

CMYK 67 / 0 / 78 / 2

HEX #54FB37

RGB 84 251 55

HSL 111.12, 0.96%, 0.6%

LAB 87.56, -75.33, 74.57

 

CMYK 78 / 0 / 69 / 2

HEX #37FB4E

RGB 55 251 78

HSL 127.04, 0.96%, 0.6%

LAB 87.17, -78.15, 66.49

 

CMYK 58 / 0 / 98 / 14

HEX #5BDB04

RGB 91 219 4

HSL 95.72, 0.96%, 0.44%

LAB 77.81, -65.2, 75.4

 

CMYK 56 / 0 / 94 / 2

HEX #6DFA0F

RGB 109 250 15

HSL 96, 0.96%, 0.52%

LAB 87.8, -70.94, 82.7

 

CMYK 47 / 0 / 78 / 2

HEX #86FB37

RGB 134 251 55

HSL 95.82, 0.96%, 0.6%

LAB 89.08, -63.19, 76.54

 

CMYK 37 / 0 / 62 / 1

HEX #9EFC60

RGB 158 252 96

HSL 96.15, 0.96%, 0.68%

LAB 90.66, -53.38, 64.13

 

CMYK 28 / 0 / 46 / 1

HEX #B7FD88

RGB 183 253 136

HSL 95.9, 0.97%, 0.76%

LAB 92.62, -41.42, 48.94

 

CMYK 46 / 0 / 77 / 2

HEX #87FB39

RGB 135 251 57

HSL 95.88, 0.96%, 0.6%

LAB 89.13, -62.79, 76.04

 

CMYK 78 / 0 / 17 / 2

HEX #37FBD0

RGB 55 251 208

HSL 166.84, 0.96%, 0.6%

LAB 89.09, -56.32, 7.33

 

CMYK 0 / 78 / 14 / 2

HEX #FB37D7

RGB 251 55 215

HSL 311.02, 0.96%, 0.6%

LAB 60.02, 84.93, -38.96

 

CMYK 46 / 0 / 77 / 2

HEX #87FB39

RGB 135 251 57

HSL 95.88, 0.96%, 0.6%

LAB 89.13, -62.79, 76.04

 

CMYK 78 / 45 / 0 / 2

HEX #3789FB

RGB 55 137 251

HSL 214.9, 0.96%, 0.6%

LAB 57.72, 14.67, -63.84

 

CMYK 0 / 78 / 45 / 2

HEX #FB3789

RGB 251 55 137

HSL 334.9, 0.96%, 0.6%

LAB 57.12, 76.43, 1.84

 

CMYK 46 / 0 / 77 / 2

HEX #87FB39

RGB 135 251 57

HSL 95.88, 0.96%, 0.6%

LAB 89.13, -62.79, 76.04

 

CMYK 78 / 0 / 17 / 2

HEX #37FBD0

RGB 55 251 208

HSL 166.84, 0.96%, 0.6%

LAB 89.09, -56.32, 7.33

 

CMYK 33 / 78 / 0 / 2

HEX #A937FB

RGB 169 55 251

HSL 274.9, 0.96%, 0.6%

LAB 49.66, 75.86, -76.5

 

CMYK 0 / 78 / 61 / 2

HEX #FB3762

RGB 251 55 98

HSL 346.84, 0.96%, 0.6%

LAB 56.21, 73.63, 23.73

 

CMYK 46 / 0 / 77 / 2

HEX #87FB39

RGB 135 251 57

HSL 95.88, 0.96%, 0.6%

LAB 89.13, -62.79, 76.04

 

CMYK 78 / 6 / 0 / 2

HEX #37EBFB

RGB 55 235 251

HSL 184.9, 0.96%, 0.6%

LAB 85.6, -37.85, -20.31

 

CMYK 33 / 78 / 0 / 2

HEX #A937FB

RGB 169 55 251

HSL 274.9, 0.96%, 0.6%

LAB 49.66, 75.86, -76.5

 

CMYK 0 / 72 / 78 / 2

HEX #FB4737

RGB 251 71 55

HSL 4.9, 0.96%, 0.6%

LAB 57.36, 66.82, 49.35

 

Description

Color code: HEX #87FB39 | qconv.com Color code: HEX #87FB39 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 251 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 251 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 77 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 77% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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