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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87F5BE it is the complementary color #780A41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87F5BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87F5BE shade: #8CF5B9, #9DFFCC, #AEFFDF, #BFFFF2 and #D0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87F5BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87F5BE shade: #87F5BE, #76E3AB, #65D198, #54BF85 and #43AD72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87F5BE shade: #89F5BF, #89F5A2, #8DF589, #ABF589 and #C8F589

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87F5BE shade: #89F5BF, #89F5DC, #89F1F5, #89D4F5 and #89B7F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87F5BE shade matches the following richer shades: #89F5BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87F5BE shade: #89F5BF, #93EBBF, #9EE1BF, #A8D6BF and #B2CCBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87F5BE shade: #8DF589, #89F5A2, #89F5BF, #89F5DC and #89F2F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87F5BE shade: #3DEF96, #63F2AB, #89F5BF, #AFF9D4 and #D5FCE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87F5BE shade: #87F5BE, #89AAF5 and #F59489

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87F5BE shade: #87F5BE, #BF89F5 and #F5BF89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87F5BE shade: #87F5BE, #89AAF5, #F589BF and #F5D589

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87F5BE shade: #87F5BE, #8989F5, #F589BF and #F5F589

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 22 / 4

HEX #87F5BE

RGB 135 245 190

HSL 150, 0.85%, 0.75%

LAB 89, -43.83, 16.81

 

Complementary color

CMYK 0 / 92 / 46 / 53

HEX #780A41

RGB 120 10 65

HSL 330, 0.85%, 0.25%

LAB 25.54, 47.22, -1.97

 

CMYK 43 / 0 / 24 / 4

HEX #8CF5B9

RGB 140 245 185

HSL 145.71, 0.84%, 0.75%

LAB 89.1, -43.5, 19.55

 

CMYK 38 / 0 / 20 / 0

HEX #9DFFCC

RGB 157 255 204

HSL 148.78, 1%, 0.81%

LAB 93.04, -39.72, 15.41

 

CMYK 32 / 0 / 13 / 0

HEX #AEFFDF

RGB 174 255 223

HSL 156.3, 1%, 0.84%

LAB 94.25, -31.24, 7.47

 

CMYK 25 / 0 / 5 / 0

HEX #BFFFF2

RGB 191 255 242

HSL 167.81, 1%, 0.87%

LAB 95.58, -22.5, -0.27

 

CMYK 18 / 0 / 0 / 0

HEX #D0FFFF

RGB 208 255 255

HSL 180, 1%, 0.91%

LAB 96.88, -14.82, -4.95

 

CMYK 45 / 0 / 22 / 4

HEX #87F5BE

RGB 135 245 190

HSL 150, 0.85%, 0.75%

LAB 89, -43.83, 16.81

 

CMYK 48 / 0 / 25 / 11

HEX #76E3AB

RGB 118 227 171

HSL 149.17, 0.66%, 0.68%

LAB 82.77, -44.02, 17.85

 

CMYK 52 / 0 / 27 / 18

HEX #65D198

RGB 101 209 152

HSL 148.33, 0.54%, 0.61%

LAB 76.46, -44.16, 18.97

 

CMYK 56 / 0 / 30 / 25

HEX #54BF85

RGB 84 191 133

HSL 147.48, 0.46%, 0.54%

LAB 70.06, -44.24, 20.19

 

CMYK 61 / 0 / 34 / 32

HEX #43AD72

RGB 67 173 114

HSL 146.6, 0.44%, 0.47%

LAB 63.59, -44.19, 21.51

 

CMYK 44 / 0 / 22 / 4

HEX #89F5BF

RGB 137 245 191

HSL 150, 0.84%, 0.75%

LAB 89.1, -43.12, 16.44

 

CMYK 44 / 0 / 34 / 4

HEX #89F5A2

RGB 137 245 162

HSL 133.89, 0.84%, 0.75%

LAB 88.56, -48.43, 30.52

 

CMYK 42 / 0 / 44 / 4

HEX #8DF589

RGB 141 245 137

HSL 117.78, 0.84%, 0.75%

LAB 88.34, -51.15, 42.66

 

CMYK 30 / 0 / 44 / 4

HEX #ABF589

RGB 171 245 137

HSL 101.11, 0.84%, 0.75%

LAB 89.75, -41.81, 44.75

 

CMYK 18 / 0 / 44 / 4

HEX #C8F589

RGB 200 245 137

HSL 85, 0.84%, 0.75%

LAB 91.41, -31.72, 47.18

 

CMYK 44 / 0 / 22 / 4

HEX #89F5BF

RGB 137 245 191

HSL 150, 0.84%, 0.75%

LAB 89.1, -43.12, 16.44

 

CMYK 44 / 0 / 10 / 4

HEX #89F5DC

RGB 137 245 220

HSL 166.11, 0.84%, 0.75%

LAB 89.76, -36.99, 2.33

 

CMYK 44 / 2 / 0 / 4

HEX #89F1F5

RGB 137 241 245

HSL 182.22, 0.84%, 0.75%

LAB 89.31, -29.2, -11.37

 

CMYK 44 / 13 / 0 / 4

HEX #89D4F5

RGB 137 212 245

HSL 198.33, 0.84%, 0.75%

LAB 81.29, -14.81, -23.45

 

CMYK 44 / 25 / 0 / 4

HEX #89B7F5

RGB 137 183 245

HSL 214.44, 0.84%, 0.75%

LAB 73.4, 0.65, -35.56

 

CMYK 44 / 0 / 22 / 4

HEX #89F5BF

RGB 137 245 191

HSL 150, 0.84%, 0.75%

LAB 89.1, -43.12, 16.44

 

CMYK 44 / 0 / 22 / 4

HEX #89F5BF

RGB 137 245 191

HSL 150, 0.84%, 0.75%

LAB 89.1, -43.12, 16.44

 

CMYK 37 / 0 / 19 / 8

HEX #93EBBF

RGB 147 235 191

HSL 150, 0.69%, 0.75%

LAB 86.69, -35.96, 13.1

 

CMYK 30 / 0 / 15 / 12

HEX #9EE1BF

RGB 158 225 191

HSL 149.55, 0.53%, 0.75%

LAB 84.42, -28.07, 9.95

 

CMYK 21 / 0 / 11 / 16

HEX #A8D6BF

RGB 168 214 191

HSL 150, 0.36%, 0.75%

LAB 81.94, -19.59, 6.46

 

CMYK 13 / 0 / 6 / 20

HEX #B2CCBF

RGB 178 204 191

HSL 150, 0.2%, 0.75%

LAB 79.85, -11.25, 3.52

 

CMYK 42 / 0 / 44 / 4

HEX #8DF589

RGB 141 245 137

HSL 117.78, 0.84%, 0.75%

LAB 88.34, -51.15, 42.66

 

CMYK 44 / 0 / 34 / 4

HEX #89F5A2

RGB 137 245 162

HSL 133.89, 0.84%, 0.75%

LAB 88.56, -48.43, 30.52

 

CMYK 44 / 0 / 22 / 4

HEX #89F5BF

RGB 137 245 191

HSL 150, 0.84%, 0.75%

LAB 89.1, -43.12, 16.44

 

CMYK 44 / 0 / 10 / 4

HEX #89F5DC

RGB 137 245 220

HSL 166.11, 0.84%, 0.75%

LAB 89.76, -36.99, 2.33

 

CMYK 44 / 1 / 0 / 4

HEX #89F2F5

RGB 137 242 245

HSL 181.67, 0.84%, 0.75%

LAB 89.59, -29.68, -10.96

 

CMYK 74 / 0 / 37 / 6

HEX #3DEF96

RGB 61 239 150

HSL 150, 0.85%, 0.59%

LAB 84.45, -63.66, 30.7

 

CMYK 59 / 0 / 29 / 5

HEX #63F2AB

RGB 99 242 171

HSL 150.21, 0.85%, 0.67%

LAB 86.55, -54.52, 23

 

CMYK 44 / 0 / 22 / 4

HEX #89F5BF

RGB 137 245 191

HSL 150, 0.84%, 0.75%

LAB 89.1, -43.12, 16.44

 

CMYK 30 / 0 / 15 / 2

HEX #AFF9D4

RGB 175 249 212

HSL 150, 0.86%, 0.83%

LAB 92.41, -30.31, 10.52

 

CMYK 15 / 0 / 8 / 1

HEX #D5FCE9

RGB 213 252 233

HSL 150.77, 0.87%, 0.91%

LAB 95.85, -16.09, 4.92

 

CMYK 45 / 0 / 22 / 4

HEX #87F5BE

RGB 135 245 190

HSL 150, 0.85%, 0.75%

LAB 89, -43.83, 16.81

 

CMYK 44 / 31 / 0 / 4

HEX #89AAF5

RGB 137 170 245

HSL 221.67, 0.84%, 0.75%

LAB 69.94, 7.9, -40.95

 

CMYK 0 / 40 / 44 / 4

HEX #F59489

RGB 245 148 137

HSL 6.11, 0.84%, 0.75%

LAB 71.14, 35.3, 21.47

 

CMYK 45 / 0 / 22 / 4

HEX #87F5BE

RGB 135 245 190

HSL 150, 0.85%, 0.75%

LAB 89, -43.83, 16.81

 

CMYK 22 / 44 / 0 / 4

HEX #BF89F5

RGB 191 137 245

HSL 270, 0.84%, 0.75%

LAB 66.18, 40.91, -46.54

 

CMYK 0 / 22 / 44 / 4

HEX #F5BF89

RGB 245 191 137

HSL 30, 0.84%, 0.75%

LAB 81.01, 12.7, 34.63

 

CMYK 45 / 0 / 22 / 4

HEX #87F5BE

RGB 135 245 190

HSL 150, 0.85%, 0.75%

LAB 89, -43.83, 16.81

 

CMYK 44 / 31 / 0 / 4

HEX #89AAF5

RGB 137 170 245

HSL 221.67, 0.84%, 0.75%

LAB 69.94, 7.9, -40.95

 

CMYK 0 / 44 / 22 / 4

HEX #F589BF

RGB 245 137 191

HSL 330, 0.84%, 0.75%

LAB 70.22, 47.54, -9.91

 

CMYK 0 / 13 / 44 / 4

HEX #F5D589

RGB 245 213 137

HSL 42.22, 0.84%, 0.75%

LAB 86.41, 1.27, 41.59

 

CMYK 45 / 0 / 22 / 4

HEX #87F5BE

RGB 135 245 190

HSL 150, 0.85%, 0.75%

LAB 89, -43.83, 16.81

 

CMYK 44 / 44 / 0 / 4

HEX #8989F5

RGB 137 137 245

HSL 240, 0.84%, 0.75%

LAB 61.48, 26.92, -54.28

 

CMYK 0 / 44 / 22 / 4

HEX #F589BF

RGB 245 137 191

HSL 330, 0.84%, 0.75%

LAB 70.22, 47.54, -9.91

 

CMYK 0 / 0 / 44 / 4

HEX #F5F589

RGB 245 245 137

HSL 60, 0.84%, 0.75%

LAB 94.54, -14.77, 51.74

 

Description

Color code: HEX #87F5BE | qconv.com Color code: HEX #87F5BE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 245 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 245 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 22 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 22% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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