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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87F17B it is the complementary color #780E84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87F17B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87F17B shade: #8CF176, #9DFF89, #AEFF9C, #BFFFAF and #D0FFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87F17B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87F17B shade: #87F17B, #76DF68, #65CD55, #54BB42 and #43A92F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87F17B shade: #85F179, #A6F179, #C6F179, #E6F179 and #F1DB79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87F17B shade: #85F179, #79F18D, #79F1AE, #79F1CE and #79F1EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87F17B shade matches the following richer shades: #85F179 and #7CFD6D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87F17B shade: #85F179, #8FE585, #98D991, #A2CD9D and #ABC1A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87F17B shade: #C7F179, #A7F179, #87F179, #79F18B and #79F1AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87F17B shade: #41E92E, #63ED54, #85F179, #A7F59E and #C9F9C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87F17B shade: #87F17B, #79E7F1 and #F179B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87F17B shade: #87F17B, #7987F1 and #F17987

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87F17B shade: #87F17B, #79E7F1, #E379F1 and #F18379

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87F17B shade: #87F17B, #79C3F1, #E379F1 and #F1A779

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 49 / 5

HEX #87F17B

RGB 135 241 123

HSL 113.9, 0.81%, 0.71%

LAB 86.75, -53.11, 47.33

 

Complementary color

CMYK 9 / 89 / 0 / 48

HEX #780E84

RGB 120 14 132

HSL 293.9, 0.81%, 0.29%

LAB 29.34, 55.85, -39.79

 

CMYK 42 / 0 / 51 / 5

HEX #8CF176

RGB 140 241 118

HSL 109.27, 0.81%, 0.7%

LAB 86.9, -52.26, 49.9

 

CMYK 38 / 0 / 46 / 0

HEX #9DFF89

RGB 157 255 137

HSL 109.83, 1%, 0.77%

LAB 91.91, -50.54, 47.3

 

CMYK 32 / 0 / 39 / 0

HEX #AEFF9C

RGB 174 255 156

HSL 109.09, 1%, 0.81%

LAB 92.98, -42.69, 39.66

 

CMYK 25 / 0 / 31 / 0

HEX #BFFFAF

RGB 191 255 175

HSL 108, 1%, 0.84%

LAB 94.18, -34.44, 31.98

 

CMYK 18 / 0 / 24 / 0

HEX #D0FFC2

RGB 208 255 194

HSL 106.23, 1%, 0.88%

LAB 95.51, -25.88, 24.36

 

CMYK 44 / 0 / 49 / 5

HEX #87F17B

RGB 135 241 123

HSL 113.9, 0.81%, 0.71%

LAB 86.75, -53.11, 47.33

 

CMYK 47 / 0 / 53 / 13

HEX #76DF68

RGB 118 223 104

HSL 112.94, 0.65%, 0.64%

LAB 80.53, -53.12, 48.54

 

CMYK 51 / 0 / 59 / 20

HEX #65CD55

RGB 101 205 85

HSL 112, 0.55%, 0.57%

LAB 74.24, -53.01, 49.7

 

CMYK 55 / 0 / 65 / 27

HEX #54BB42

RGB 84 187 66

HSL 111.07, 0.48%, 0.5%

LAB 67.89, -52.69, 50.72

 

CMYK 60 / 0 / 72 / 34

HEX #43A92F

RGB 67 169 47

HSL 110.16, 0.56%, 0.42%

LAB 61.46, -52.08, 51.42

 

CMYK 45 / 0 / 50 / 5

HEX #85F179

RGB 133 241 121

HSL 114, 0.81%, 0.71%

LAB 86.64, -53.94, 48.12

 

CMYK 31 / 0 / 50 / 5

HEX #A6F179

RGB 166 241 121

HSL 97.5, 0.81%, 0.71%

LAB 88.16, -43.64, 50.33

 

CMYK 18 / 0 / 50 / 5

HEX #C6F179

RGB 198 241 121

HSL 81.5, 0.81%, 0.71%

LAB 90, -32.31, 52.98

 

CMYK 5 / 0 / 50 / 5

HEX #E6F179

RGB 230 241 121

HSL 65.5, 0.81%, 0.71%

LAB 92.18, -20.12, 56.11

 

CMYK 0 / 9 / 50 / 5

HEX #F1DB79

RGB 241 219 121

HSL 49, 0.81%, 0.71%

LAB 87.36, -4.87, 50.55

 

CMYK 45 / 0 / 50 / 5

HEX #85F179

RGB 133 241 121

HSL 114, 0.81%, 0.71%

LAB 86.64, -53.94, 48.12

 

CMYK 50 / 0 / 41 / 5

HEX #79F18D

RGB 121 241 141

HSL 130, 0.81%, 0.71%

LAB 86.45, -54.39, 38.13

 

CMYK 50 / 0 / 28 / 5

HEX #79F1AE

RGB 121 241 174

HSL 146.5, 0.81%, 0.71%

LAB 87.01, -48.69, 22.2

 

CMYK 50 / 0 / 15 / 5

HEX #79F1CE

RGB 121 241 206

HSL 162.5, 0.81%, 0.71%

LAB 87.69, -42.04, 6.57

 

CMYK 50 / 0 / 1 / 5

HEX #79F1EE

RGB 121 241 238

HSL 178.5, 0.81%, 0.71%

LAB 88.52, -34.43, -8.96

 

CMYK 45 / 0 / 50 / 5

HEX #85F179

RGB 133 241 121

HSL 114, 0.81%, 0.71%

LAB 86.64, -53.94, 48.12

 

CMYK 51 / 0 / 57 / 1

HEX #7CFD6D

RGB 124 253 109

HSL 113.75, 0.97%, 0.71%

LAB 89.69, -62.44, 57.15

 

CMYK 45 / 0 / 50 / 5

HEX #85F179

RGB 133 241 121

HSL 114, 0.81%, 0.71%

LAB 86.64, -53.94, 48.12

 

CMYK 38 / 0 / 42 / 10

HEX #8FE585

RGB 143 229 133

HSL 113.75, 0.65%, 0.71%

LAB 83.74, -44.37, 38.77

 

CMYK 30 / 0 / 33 / 15

HEX #98D991

RGB 152 217 145

HSL 114.17, 0.49%, 0.71%

LAB 80.93, -34.35, 29.09

 

CMYK 21 / 0 / 23 / 20

HEX #A2CD9D

RGB 162 205 157

HSL 113.75, 0.32%, 0.71%

LAB 78.33, -23.31, 19.38

 

CMYK 11 / 0 / 12 / 24

HEX #ABC1A9

RGB 171 193 169

HSL 115, 0.16%, 0.71%

LAB 75.86, -12.04, 9.57

 

CMYK 17 / 0 / 50 / 5

HEX #C7F179

RGB 199 241 121

HSL 81, 0.81%, 0.71%

LAB 90.06, -31.94, 53.07

 

CMYK 31 / 0 / 50 / 5

HEX #A7F179

RGB 167 241 121

HSL 97, 0.81%, 0.71%

LAB 88.21, -43.31, 50.4

 

CMYK 44 / 0 / 50 / 5

HEX #87F179

RGB 135 241 121

HSL 113, 0.81%, 0.71%

LAB 86.72, -53.37, 48.24

 

CMYK 50 / 0 / 42 / 5

HEX #79F18B

RGB 121 241 139

HSL 129, 0.81%, 0.71%

LAB 86.42, -54.69, 39.08

 

CMYK 50 / 0 / 29 / 5

HEX #79F1AB

RGB 121 241 171

HSL 145, 0.81%, 0.71%

LAB 86.96, -49.25, 23.66

 

CMYK 72 / 0 / 80 / 9

HEX #41E92E

RGB 65 233 46

HSL 113.9, 0.81%, 0.55%

LAB 81.62, -73.62, 71.34

 

CMYK 58 / 0 / 65 / 7

HEX #63ED54

RGB 99 237 84

HSL 114.12, 0.81%, 0.63%

LAB 83.89, -65.39, 60.94

 

CMYK 45 / 0 / 50 / 5

HEX #85F179

RGB 133 241 121

HSL 114, 0.81%, 0.71%

LAB 86.64, -53.94, 48.12

 

CMYK 32 / 0 / 36 / 4

HEX #A7F59E

RGB 167 245 158

HSL 113.79, 0.81%, 0.79%

LAB 89.85, -40.22, 34.5

 

CMYK 19 / 0 / 21 / 2

HEX #C9F9C4

RGB 201 249 196

HSL 114.34, 0.82%, 0.87%

LAB 93.52, -25.03, 20.52

 

CMYK 44 / 0 / 49 / 5

HEX #87F17B

RGB 135 241 123

HSL 113.9, 0.81%, 0.71%

LAB 86.75, -53.11, 47.33

 

CMYK 50 / 4 / 0 / 5

HEX #79E7F1

RGB 121 231 241

HSL 185, 0.81%, 0.71%

LAB 85.79, -28.93, -14.6

 

CMYK 0 / 50 / 24 / 5

HEX #F179B7

RGB 241 121 183

HSL 329, 0.81%, 0.71%

LAB 66.36, 53.04, -11.25

 

CMYK 44 / 0 / 49 / 5

HEX #87F17B

RGB 135 241 123

HSL 113.9, 0.81%, 0.71%

LAB 86.75, -53.11, 47.33

 

CMYK 50 / 44 / 0 / 5

HEX #7987F1

RGB 121 135 241

HSL 233, 0.81%, 0.71%

LAB 59.66, 23.27, -55.05

 

CMYK 0 / 50 / 44 / 5

HEX #F17987

RGB 241 121 135

HSL 353, 0.81%, 0.71%

LAB 65.06, 47.34, 14.1

 

CMYK 44 / 0 / 49 / 5

HEX #87F17B

RGB 135 241 123

HSL 113.9, 0.81%, 0.71%

LAB 86.75, -53.11, 47.33

 

CMYK 50 / 4 / 0 / 5

HEX #79E7F1

RGB 121 231 241

HSL 185, 0.81%, 0.71%

LAB 85.79, -28.93, -14.6

 

CMYK 6 / 50 / 0 / 5

HEX #E379F1

RGB 227 121 241

HSL 293, 0.81%, 0.71%

LAB 66.79, 58.26, -43.11

 

CMYK 0 / 46 / 50 / 5

HEX #F18379

RGB 241 131 121

HSL 5, 0.81%, 0.71%

LAB 66.76, 41.02, 24.31

 

CMYK 44 / 0 / 49 / 5

HEX #87F17B

RGB 135 241 123

HSL 113.9, 0.81%, 0.71%

LAB 86.75, -53.11, 47.33

 

CMYK 50 / 19 / 0 / 5

HEX #79C3F1

RGB 121 195 241

HSL 203, 0.81%, 0.71%

LAB 75.73, -10.72, -29.88

 

CMYK 6 / 50 / 0 / 5

HEX #E379F1

RGB 227 121 241

HSL 293, 0.81%, 0.71%

LAB 66.79, 58.26, -43.11

 

CMYK 0 / 31 / 50 / 5

HEX #F1A779

RGB 241 167 121

HSL 23, 0.81%, 0.71%

LAB 74.65, 22.23, 34.68

 

Description

Color code: HEX #87F17B | qconv.com Color code: HEX #87F17B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 241 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 241 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 49 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 49% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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