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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87E816 it is the complementary color #7817E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87E816. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87E816 shade: #8CE811, #9DFA24, #AEFF37, #BFFF4A and #D0FF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87E816. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87E816 shade: #87E816, #76D603, #65C400, #54B200 and #43A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87E816 shade: #88E916, #C1E916, #E9D916, #E9A016 and #E96716

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87E816 shade: #88E916, #4FE916, #16E916, #16E94F and #16E988

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87E816 shade matches the following richer shades: #88E916 and #89FE01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87E816 shade: #88E916, #86D52A, #84C03F, #83AB54 and #819768

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87E816 shade: #E9D816, #C3E916, #8AE916, #52E916 and #19E916

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87E816 shade: #5C9E0F, #72C412, #88E916, #9BED3B and #AEF061

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87E816 shade: #87E816, #16E99F and #E916DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87E816 shade: #87E816, #168AE9 and #E9168A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87E816 shade: #87E816, #16E99F, #7516E9 and #E91660

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87E816 shade: #87E816, #16E9DF, #7516E9 and #E91620

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 91 / 9

HEX #87E816

RGB 135 232 22

HSL 87.71, 0.83%, 0.5%

LAB 83.4, -56.93, 78.66

 

Complementary color

CMYK 48 / 90 / 0 / 9

HEX #7817E9

RGB 120 23 233

HSL 267.71, 0.83%, 0.5%

LAB 38.71, 74.69, -84.57

 

CMYK 40 / 0 / 93 / 9

HEX #8CE811

RGB 140 232 17

HSL 85.67, 0.86%, 0.49%

LAB 83.62, -55.39, 79.58

 

CMYK 37 / 0 / 86 / 2

HEX #9DFA24

RGB 157 250 36

HSL 86.07, 0.96%, 0.56%

LAB 89.7, -56.32, 81.97

 

CMYK 32 / 0 / 78 / 0

HEX #AEFF37

RGB 174 255 55

HSL 84.3, 1%, 0.61%

LAB 92.04, -51.82, 79.93

 

CMYK 25 / 0 / 71 / 0

HEX #BFFF4A

RGB 191 255 74

HSL 81.22, 1%, 0.65%

LAB 93.05, -44.79, 75.42

 

CMYK 18 / 0 / 64 / 0

HEX #D0FF5D

RGB 208 255 93

HSL 77.41, 1%, 0.68%

LAB 94.19, -37.3, 69.95

 

CMYK 42 / 0 / 91 / 9

HEX #87E816

RGB 135 232 22

HSL 87.71, 0.83%, 0.5%

LAB 83.4, -56.93, 78.66

 

CMYK 45 / 0 / 99 / 16

HEX #76D603

RGB 118 214 3

HSL 87.3, 0.97%, 0.43%

LAB 77.25, -55.81, 75.46

 

CMYK 48 / 0 / 100 / 23

HEX #65C400

RGB 101 196 0

HSL 89.08, 1%, 0.38%

LAB 71.04, -54.36, 70.6

 

CMYK 53 / 0 / 100 / 30

HEX #54B200

RGB 84 178 0

HSL 91.69, 1%, 0.35%

LAB 64.74, -52.75, 65.38

 

CMYK 58 / 0 / 100 / 37

HEX #43A000

RGB 67 160 0

HSL 94.88, 1%, 0.31%

LAB 58.35, -50.98, 60.1

 

CMYK 42 / 0 / 91 / 9

HEX #88E916

RGB 136 233 22

HSL 87.58, 0.83%, 0.5%

LAB 83.74, -56.99, 78.96

 

CMYK 17 / 0 / 91 / 9

HEX #C1E916

RGB 193 233 22

HSL 71.37, 0.83%, 0.5%

LAB 86.84, -36.23, 82.75

 

CMYK 0 / 7 / 91 / 9

HEX #E9D916

RGB 233 217 22

HSL 55.45, 0.83%, 0.5%

LAB 85.51, -12.07, 82.99

 

CMYK 0 / 31 / 91 / 9

HEX #E9A016

RGB 233 160 22

HSL 39.24, 0.83%, 0.5%

LAB 71.23, 17.48, 72.13

 

CMYK 0 / 56 / 91 / 9

HEX #E96716

RGB 233 103 22

HSL 23.03, 0.83%, 0.5%

LAB 59.05, 46.78, 63.18

 

CMYK 42 / 0 / 91 / 9

HEX #88E916

RGB 136 233 22

HSL 87.58, 0.83%, 0.5%

LAB 83.74, -56.99, 78.96

 

CMYK 66 / 0 / 91 / 9

HEX #4FE916

RGB 79 233 22

HSL 103.79, 0.83%, 0.5%

LAB 81.84, -72.04, 76.6

 

CMYK 91 / 0 / 91 / 9

HEX #16E916

RGB 22 233 22

HSL 120, 0.83%, 0.5%

LAB 81.02, -79.22, 75.59

 

CMYK 91 / 0 / 66 / 9

HEX #16E94F

RGB 22 233 79

HSL 136.21, 0.83%, 0.5%

LAB 81.3, -75.66, 59.72

 

CMYK 91 / 0 / 42 / 9

HEX #16E988

RGB 22 233 136

HSL 152.42, 0.83%, 0.5%

LAB 81.96, -67.61, 34.38

 

CMYK 42 / 0 / 91 / 9

HEX #88E916

RGB 136 233 22

HSL 87.58, 0.83%, 0.5%

LAB 83.74, -56.99, 78.96

 

CMYK 46 / 0 / 100 / 0

HEX #89FE01

RGB 137 254 1

HSL 87.75, 0.99%, 0.5%

LAB 89.95, -64.81, 85.93

 

CMYK 42 / 0 / 91 / 9

HEX #88E916

RGB 136 233 22

HSL 87.58, 0.83%, 0.5%

LAB 83.74, -56.99, 78.96

 

CMYK 37 / 0 / 80 / 16

HEX #86D52A

RGB 134 213 42

HSL 87.72, 0.67%, 0.5%

LAB 77.77, -49.1, 69.69

 

CMYK 31 / 0 / 67 / 25

HEX #84C03F

RGB 132 192 63

HSL 87.91, 0.51%, 0.5%

LAB 71.53, -39.67, 56.5

 

CMYK 23 / 0 / 51 / 33

HEX #83AB54

RGB 131 171 84

HSL 87.59, 0.34%, 0.5%

LAB 65.43, -28.41, 40.13

 

CMYK 15 / 0 / 31 / 41

HEX #819768

RGB 129 151 104

HSL 88.09, 0.18%, 0.5%

LAB 59.71, -16.48, 22.27

 

CMYK 0 / 7 / 91 / 9

HEX #E9D816

RGB 233 216 22

HSL 55.17, 0.83%, 0.5%

LAB 85.25, -11.57, 82.79

 

CMYK 16 / 0 / 91 / 9

HEX #C3E916

RGB 195 233 22

HSL 70.81, 0.83%, 0.5%

LAB 86.97, -35.43, 82.91

 

CMYK 41 / 0 / 91 / 9

HEX #8AE916

RGB 138 233 22

HSL 87.01, 0.83%, 0.5%

LAB 83.83, -56.34, 79.07

 

CMYK 65 / 0 / 91 / 9

HEX #52E916

RGB 82 233 22

HSL 102.94, 0.83%, 0.5%

LAB 81.91, -71.44, 76.69

 

CMYK 89 / 0 / 91 / 9

HEX #19E916

RGB 25 233 22

HSL 119.15, 0.83%, 0.5%

LAB 81.04, -79.04, 75.61

 

CMYK 42 / 0 / 91 / 38

HEX #5C9E0F

RGB 92 158 15

HSL 87.69, 0.83%, 0.34%

LAB 58.75, -42.02, 58.55

 

CMYK 42 / 0 / 91 / 23

HEX #72C412

RGB 114 196 18

HSL 87.64, 0.83%, 0.42%

LAB 71.62, -49.86, 69.16

 

CMYK 42 / 0 / 91 / 9

HEX #88E916

RGB 136 233 22

HSL 87.58, 0.83%, 0.5%

LAB 83.74, -56.99, 78.96

 

CMYK 35 / 0 / 75 / 7

HEX #9BED3B

RGB 155 237 59

HSL 87.64, 0.83%, 0.58%

LAB 85.93, -50.85, 72.72

 

CMYK 28 / 0 / 60 / 6

HEX #AEF061

RGB 174 240 97

HSL 87.69, 0.83%, 0.66%

LAB 88.06, -42.82, 61.05

 

CMYK 42 / 0 / 91 / 9

HEX #87E816

RGB 135 232 22

HSL 87.71, 0.83%, 0.5%

LAB 83.4, -56.93, 78.66

 

CMYK 91 / 0 / 32 / 9

HEX #16E99F

RGB 22 233 159

HSL 158.96, 0.83%, 0.5%

LAB 82.35, -63.08, 23.2

 

CMYK 0 / 91 / 4 / 9

HEX #E916DF

RGB 233 22 223

HSL 302.84, 0.83%, 0.5%

LAB 55.3, 88.63, -51.15

 

CMYK 42 / 0 / 91 / 9

HEX #87E816

RGB 135 232 22

HSL 87.71, 0.83%, 0.5%

LAB 83.4, -56.93, 78.66

 

CMYK 91 / 41 / 0 / 9

HEX #168AE9

RGB 22 138 233

HSL 207.01, 0.83%, 0.5%

LAB 56.32, 4.87, -56.16

 

CMYK 0 / 91 / 41 / 9

HEX #E9168A

RGB 233 22 138

HSL 327.01, 0.83%, 0.5%

LAB 51.53, 78.79, -7.36

 

CMYK 42 / 0 / 91 / 9

HEX #87E816

RGB 135 232 22

HSL 87.71, 0.83%, 0.5%

LAB 83.4, -56.93, 78.66

 

CMYK 91 / 0 / 32 / 9

HEX #16E99F

RGB 22 233 159

HSL 158.96, 0.83%, 0.5%

LAB 82.35, -63.08, 23.2

 

CMYK 50 / 91 / 0 / 9

HEX #7516E9

RGB 117 22 233

HSL 267.01, 0.83%, 0.5%

LAB 38.27, 74.61, -85.3

 

CMYK 0 / 91 / 59 / 9

HEX #E91660

RGB 233 22 96

HSL 338.96, 0.83%, 0.5%

LAB 50.38, 75.63, 16.52

 

CMYK 42 / 0 / 91 / 9

HEX #87E816

RGB 135 232 22

HSL 87.71, 0.83%, 0.5%

LAB 83.4, -56.93, 78.66

 

CMYK 91 / 0 / 4 / 9

HEX #16E9DF

RGB 22 233 223

HSL 177.16, 0.83%, 0.5%

LAB 83.85, -47.18, -8.22

 

CMYK 50 / 91 / 0 / 9

HEX #7516E9

RGB 117 22 233

HSL 267.01, 0.83%, 0.5%

LAB 38.27, 74.61, -85.3

 

CMYK 0 / 91 / 86 / 9

HEX #E91620

RGB 233 22 32

HSL 357.16, 0.83%, 0.5%

LAB 49.5, 73.14, 52.25

 

Description

Color code: HEX #87E816 | qconv.com Color code: HEX #87E816 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 232 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 232 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 91 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 91% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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