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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87E350 it is the complementary color #781CAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87E350. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87E350 shade: #8CE34B, #9DF55E, #AEFF71, #BFFF84 and #D0FF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87E350. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87E350 shade: #87E350, #76D13D, #65BF2A, #54AD17 and #439B04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87E350 shade: #87E250, #AEE250, #D6E250, #E2C850 and #E2A050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87E350 shade: #87E250, #5FE250, #50E268, #50E28F and #50E2B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87E350 shade matches the following richer shades: #87E250 and #82F33F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87E350 shade: #87E250, #8BD260, #8FC171, #93B181 and #97A092

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87E350 shade: #D6E250, #AFE250, #88E250, #61E250 and #50E266

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87E350 shade: #5BC01F, #6EDD2C, #87E250, #9FE873 and #B7EE97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87E350 shade: #87E350, #50E2C8 and #E250C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87E350 shade: #87E350, #5088E2 and #E25088

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87E350 shade: #87E350, #50E2C8, #AA50E2 and #E2506A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87E350 shade: #87E350, #50D1E2, #AA50E2 and #E26150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 65 / 11

HEX #87E350

RGB 135 227 80

HSL 97.55, 0.72%, 0.6%

LAB 82.2, -52.02, 61.09

 

Complementary color

CMYK 31 / 84 / 0 / 31

HEX #781CAF

RGB 120 28 175

HSL 277.55, 0.72%, 0.4%

LAB 33.81, 60.78, -58.83

 

CMYK 38 / 0 / 67 / 11

HEX #8CE34B

RGB 140 227 75

HSL 94.34, 0.73%, 0.59%

LAB 82.39, -50.8, 63.33

 

CMYK 36 / 0 / 62 / 4

HEX #9DF55E

RGB 157 245 94

HSL 94.97, 0.88%, 0.66%

LAB 88.58, -51.02, 62.65

 

CMYK 32 / 0 / 56 / 0

HEX #AEFF71

RGB 174 255 113

HSL 94.23, 1%, 0.72%

LAB 92.45, -47.79, 59.14

 

CMYK 25 / 0 / 48 / 0

HEX #BFFF84

RGB 191 255 132

HSL 91.22, 1%, 0.76%

LAB 93.56, -40.01, 52.09

 

CMYK 18 / 0 / 41 / 0

HEX #D0FF97

RGB 208 255 151

HSL 87.12, 1%, 0.8%

LAB 94.81, -31.84, 44.82

 

CMYK 41 / 0 / 65 / 11

HEX #87E350

RGB 135 227 80

HSL 97.55, 0.72%, 0.6%

LAB 82.2, -52.02, 61.09

 

CMYK 44 / 0 / 71 / 18

HEX #76D13D

RGB 118 209 61

HSL 96.89, 0.62%, 0.53%

LAB 75.94, -51.7, 61.61

 

CMYK 47 / 0 / 78 / 25

HEX #65BF2A

RGB 101 191 42

HSL 96.24, 0.64%, 0.46%

LAB 69.61, -51.16, 61.58

 

CMYK 51 / 0 / 87 / 32

HEX #54AD17

RGB 84 173 23

HSL 95.6, 0.77%, 0.38%

LAB 63.21, -50.31, 60.59

 

CMYK 57 / 0 / 97 / 39

HEX #439B04

RGB 67 155 4

HSL 94.97, 0.95%, 0.31%

LAB 56.73, -49.06, 58.19

 

CMYK 40 / 0 / 65 / 11

HEX #87E250

RGB 135 226 80

HSL 97.4, 0.72%, 0.6%

LAB 81.9, -51.62, 60.77

 

CMYK 23 / 0 / 65 / 11

HEX #AEE250

RGB 174 226 80

HSL 81.37, 0.72%, 0.6%

LAB 83.95, -37.97, 63.57

 

CMYK 5 / 0 / 65 / 11

HEX #D6E250

RGB 214 226 80

HSL 64.93, 0.72%, 0.6%

LAB 86.64, -22.3, 67.22

 

CMYK 0 / 12 / 65 / 11

HEX #E2C850

RGB 226 200 80

HSL 49.32, 0.72%, 0.6%

LAB 80.77, -4.37, 61.35

 

CMYK 0 / 29 / 65 / 11

HEX #E2A050

RGB 226 160 80

HSL 32.88, 0.72%, 0.6%

LAB 70.79, 16.68, 50.45

 

CMYK 40 / 0 / 65 / 11

HEX #87E250

RGB 135 226 80

HSL 97.4, 0.72%, 0.6%

LAB 81.9, -51.62, 60.77

 

CMYK 58 / 0 / 65 / 11

HEX #5FE250

RGB 95 226 80

HSL 113.84, 0.72%, 0.6%

LAB 80.41, -62.84, 58.71

 

CMYK 65 / 0 / 54 / 11

HEX #50E268

RGB 80 226 104

HSL 129.86, 0.72%, 0.6%

LAB 80.23, -63.37, 47.89

 

CMYK 65 / 0 / 37 / 11

HEX #50E28F

RGB 80 226 143

HSL 145.89, 0.72%, 0.6%

LAB 80.78, -57.22, 29.44

 

CMYK 65 / 0 / 19 / 11

HEX #50E2B7

RGB 80 226 183

HSL 162.33, 0.72%, 0.6%

LAB 81.57, -48.87, 9.7

 

CMYK 40 / 0 / 65 / 11

HEX #87E250

RGB 135 226 80

HSL 97.4, 0.72%, 0.6%

LAB 81.9, -51.62, 60.77

 

CMYK 47 / 0 / 74 / 5

HEX #82F33F

RGB 130 243 63

HSL 97.67, 0.88%, 0.6%

LAB 86.61, -60.96, 71.72

 

CMYK 40 / 0 / 65 / 11

HEX #87E250

RGB 135 226 80

HSL 97.4, 0.72%, 0.6%

LAB 81.9, -51.62, 60.77

 

CMYK 34 / 0 / 54 / 18

HEX #8BD260

RGB 139 210 96

HSL 97.37, 0.56%, 0.6%

LAB 77.54, -42.06, 48.92

 

CMYK 26 / 0 / 41 / 24

HEX #8FC171

RGB 143 193 113

HSL 97.5, 0.39%, 0.6%

LAB 73, -30.88, 35.07

 

CMYK 17 / 0 / 27 / 31

HEX #93B181

RGB 147 177 129

HSL 97.5, 0.24%, 0.6%

LAB 68.92, -19.22, 21.28

 

CMYK 6 / 0 / 9 / 37

HEX #97A092

RGB 151 160 146

HSL 98.57, 0.07%, 0.6%

LAB 64.8, -5.88, 6.19

 

CMYK 5 / 0 / 65 / 11

HEX #D6E250

RGB 214 226 80

HSL 64.93, 0.72%, 0.6%

LAB 86.64, -22.3, 67.22

 

CMYK 23 / 0 / 65 / 11

HEX #AFE250

RGB 175 226 80

HSL 80.96, 0.72%, 0.6%

LAB 84.01, -37.6, 63.66

 

CMYK 40 / 0 / 65 / 11

HEX #88E250

RGB 136 226 80

HSL 96.99, 0.72%, 0.6%

LAB 81.95, -51.3, 60.84

 

CMYK 57 / 0 / 65 / 11

HEX #61E250

RGB 97 226 80

HSL 113.01, 0.72%, 0.6%

LAB 80.47, -62.36, 58.8

 

CMYK 65 / 0 / 55 / 11

HEX #50E266

RGB 80 226 102

HSL 129.04, 0.72%, 0.6%

LAB 80.21, -63.63, 48.79

 

CMYK 53 / 0 / 84 / 25

HEX #5BC01F

RGB 91 192 31

HSL 97.64, 0.72%, 0.44%

LAB 69.49, -55.05, 64.37

 

CMYK 50 / 0 / 80 / 13

HEX #6EDD2C

RGB 110 221 44

HSL 97.63, 0.72%, 0.52%

LAB 79.16, -59.68, 70.05

 

CMYK 40 / 0 / 65 / 11

HEX #87E250

RGB 135 226 80

HSL 97.4, 0.72%, 0.6%

LAB 81.9, -51.62, 60.77

 

CMYK 31 / 0 / 50 / 9

HEX #9FE873

RGB 159 232 115

HSL 97.44, 0.72%, 0.68%

LAB 85.16, -42.77, 49.41

 

CMYK 23 / 0 / 37 / 7

HEX #B7EE97

RGB 183 238 151

HSL 97.93, 0.72%, 0.76%

LAB 88.66, -32.74, 36.59

 

CMYK 41 / 0 / 65 / 11

HEX #87E350

RGB 135 227 80

HSL 97.55, 0.72%, 0.6%

LAB 82.2, -52.02, 61.09

 

CMYK 65 / 0 / 12 / 11

HEX #50E2C8

RGB 80 226 200

HSL 169.32, 0.72%, 0.6%

LAB 81.98, -44.77, 1.3

 

CMYK 0 / 65 / 14 / 11

HEX #E250C3

RGB 226 80 195

HSL 312.74, 0.72%, 0.6%

LAB 57.89, 68.54, -31.2

 

CMYK 41 / 0 / 65 / 11

HEX #87E350

RGB 135 227 80

HSL 97.55, 0.72%, 0.6%

LAB 82.2, -52.02, 61.09

 

CMYK 65 / 40 / 0 / 11

HEX #5088E2

RGB 80 136 226

HSL 216.99, 0.72%, 0.6%

LAB 56.88, 9.75, -51.26

 

CMYK 0 / 65 / 40 / 11

HEX #E25088

RGB 226 80 136

HSL 336.99, 0.72%, 0.6%

LAB 55.77, 61.16, -0.06

 

CMYK 41 / 0 / 65 / 11

HEX #87E350

RGB 135 227 80

HSL 97.55, 0.72%, 0.6%

LAB 82.2, -52.02, 61.09

 

CMYK 65 / 0 / 12 / 11

HEX #50E2C8

RGB 80 226 200

HSL 169.32, 0.72%, 0.6%

LAB 81.98, -44.77, 1.3

 

CMYK 25 / 65 / 0 / 11

HEX #AA50E2

RGB 170 80 226

HSL 276.99, 0.72%, 0.6%

LAB 51.58, 60.74, -59.34

 

CMYK 0 / 65 / 53 / 11

HEX #E2506A

RGB 226 80 106

HSL 349.32, 0.72%, 0.6%

LAB 55.02, 58.43, 16.63

 

CMYK 41 / 0 / 65 / 11

HEX #87E350

RGB 135 227 80

HSL 97.55, 0.72%, 0.6%

LAB 82.2, -52.02, 61.09

 

CMYK 65 / 8 / 0 / 11

HEX #50D1E2

RGB 80 209 226

HSL 186.99, 0.72%, 0.6%

LAB 77.76, -29.94, -18.86

 

CMYK 25 / 65 / 0 / 11

HEX #AA50E2

RGB 170 80 226

HSL 276.99, 0.72%, 0.6%

LAB 51.58, 60.74, -59.34

 

CMYK 0 / 57 / 65 / 11

HEX #E26150

RGB 226 97 80

HSL 6.99, 0.72%, 0.6%

LAB 57.36, 49.14, 34.72

 

Description

Color code: HEX #87E350 | qconv.com Color code: HEX #87E350 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 227 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 227 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 65 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 65% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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