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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87E253 it is the complementary color #781DAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87E253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87E253 shade: #8CE24E, #9DF461, #AEFF74, #BFFF87 and #D0FF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87E253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87E253 shade: #87E253, #76D040, #65BE2D, #54AC1A and #439A07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87E253 shade: #88E255, #AEE255, #D4E255, #E2CA55 and #E2A455

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87E253 shade: #88E255, #62E255, #55E26E, #55E294 and #55E2BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87E253 shade matches the following richer shades: #88E255 and #84F245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87E253 shade: #88E255, #8DD265, #91C275, #95B285 and #9AA295

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87E253 shade: #D4E255, #AEE255, #89E255, #63E255 and #55E26C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87E253 shade: #5CC321, #70DC32, #88E255, #A1E878 and #BAEE9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87E253 shade: #87E253, #55E2CB and #E255C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87E253 shade: #87E253, #5589E2 and #E25589

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87E253 shade: #87E253, #55E2CB, #AE55E2 and #E2556C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87E253 shade: #87E253, #55CFE2, #AE55E2 and #E26855

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 63 / 11

HEX #87E253

RGB 135 226 83

HSL 98.18, 0.71%, 0.61%

LAB 81.93, -51.36, 59.58

 

Complementary color

CMYK 30 / 83 / 0 / 33

HEX #781DAC

RGB 120 29 172

HSL 278.18, 0.71%, 0.39%

LAB 33.67, 59.85, -57.27

 

CMYK 38 / 0 / 65 / 11

HEX #8CE24E

RGB 140 226 78

HSL 94.86, 0.72%, 0.6%

LAB 82.12, -50.16, 61.87

 

CMYK 36 / 0 / 60 / 4

HEX #9DF461

RGB 157 244 97

HSL 95.51, 0.87%, 0.67%

LAB 88.32, -50.34, 61.1

 

CMYK 32 / 0 / 55 / 0

HEX #AEFF74

RGB 174 255 116

HSL 94.96, 1%, 0.73%

LAB 92.48, -47.49, 57.85

 

CMYK 25 / 0 / 47 / 0

HEX #BFFF87

RGB 191 255 135

HSL 92, 1%, 0.76%

LAB 93.6, -39.67, 50.73

 

CMYK 18 / 0 / 40 / 0

HEX #D0FF9A

RGB 208 255 154

HSL 87.92, 1%, 0.8%

LAB 94.85, -31.48, 43.42

 

CMYK 40 / 0 / 63 / 11

HEX #87E253

RGB 135 226 83

HSL 98.18, 0.71%, 0.61%

LAB 81.93, -51.36, 59.58

 

CMYK 43 / 0 / 69 / 18

HEX #76D040

RGB 118 208 64

HSL 97.5, 0.61%, 0.53%

LAB 75.66, -51.08, 60.21

 

CMYK 47 / 0 / 76 / 25

HEX #65BE2D

RGB 101 190 45

HSL 96.83, 0.62%, 0.46%

LAB 69.31, -50.6, 60.35

 

CMYK 51 / 0 / 85 / 33

HEX #54AC1A

RGB 84 172 26

HSL 96.16, 0.74%, 0.39%

LAB 62.9, -49.81, 59.63

 

CMYK 56 / 0 / 95 / 40

HEX #439A07

RGB 67 154 7

HSL 95.51, 0.91%, 0.32%

LAB 56.41, -48.61, 57.47

 

CMYK 40 / 0 / 62 / 11

HEX #88E255

RGB 136 226 85

HSL 98.3, 0.71%, 0.61%

LAB 81.99, -50.87, 58.83

 

CMYK 23 / 0 / 62 / 11

HEX #AEE255

RGB 174 226 85

HSL 82.13, 0.71%, 0.61%

LAB 83.99, -37.6, 61.59

 

CMYK 6 / 0 / 62 / 11

HEX #D4E255

RGB 212 226 85

HSL 65.96, 0.71%, 0.61%

LAB 86.53, -22.79, 65.07

 

CMYK 0 / 11 / 62 / 11

HEX #E2CA55

RGB 226 202 85

HSL 49.79, 0.71%, 0.61%

LAB 81.33, -5.08, 59.81

 

CMYK 0 / 27 / 62 / 11

HEX #E2A455

RGB 226 164 85

HSL 33.62, 0.71%, 0.61%

LAB 71.81, 14.87, 49.2

 

CMYK 40 / 0 / 62 / 11

HEX #88E255

RGB 136 226 85

HSL 98.3, 0.71%, 0.61%

LAB 81.99, -50.87, 58.83

 

CMYK 57 / 0 / 62 / 11

HEX #62E255

RGB 98 226 85

HSL 114.47, 0.71%, 0.61%

LAB 80.54, -61.63, 56.82

 

CMYK 62 / 0 / 51 / 11

HEX #55E26E

RGB 85 226 110

HSL 130.64, 0.71%, 0.61%

LAB 80.43, -61.57, 45.35

 

CMYK 62 / 0 / 35 / 11

HEX #55E294

RGB 85 226 148

HSL 146.81, 0.71%, 0.61%

LAB 81, -55.36, 27.18

 

CMYK 62 / 0 / 18 / 11

HEX #55E2BA

RGB 85 226 186

HSL 162.98, 0.71%, 0.61%

LAB 81.77, -47.32, 8.41

 

CMYK 40 / 0 / 62 / 11

HEX #88E255

RGB 136 226 85

HSL 98.3, 0.71%, 0.61%

LAB 81.99, -50.87, 58.83

 

CMYK 45 / 0 / 71 / 5

HEX #84F245

RGB 132 242 69

HSL 98.15, 0.87%, 0.61%

LAB 86.42, -59.62, 69.57

 

CMYK 40 / 0 / 62 / 11

HEX #88E255

RGB 136 226 85

HSL 98.3, 0.71%, 0.61%

LAB 81.99, -50.87, 58.83

 

CMYK 33 / 0 / 52 / 18

HEX #8DD265

RGB 141 210 101

HSL 97.98, 0.55%, 0.61%

LAB 77.69, -40.83, 46.79

 

CMYK 25 / 0 / 40 / 24

HEX #91C275

RGB 145 194 117

HSL 98.18, 0.39%, 0.61%

LAB 73.47, -30.1, 33.64

 

CMYK 16 / 0 / 25 / 30

HEX #95B285

RGB 149 178 133

HSL 98.67, 0.23%, 0.61%

LAB 69.42, -18.36, 19.81

 

CMYK 5 / 0 / 8 / 36

HEX #9AA295

RGB 154 162 149

HSL 96.92, 0.07%, 0.61%

LAB 65.66, -5.32, 5.77

 

CMYK 6 / 0 / 62 / 11

HEX #D4E255

RGB 212 226 85

HSL 65.96, 0.71%, 0.61%

LAB 86.53, -22.79, 65.07

 

CMYK 23 / 0 / 62 / 11

HEX #AEE255

RGB 174 226 85

HSL 82.13, 0.71%, 0.61%

LAB 83.99, -37.6, 61.59

 

CMYK 39 / 0 / 62 / 11

HEX #89E255

RGB 137 226 85

HSL 97.87, 0.71%, 0.61%

LAB 82.04, -50.54, 58.89

 

CMYK 56 / 0 / 62 / 11

HEX #63E255

RGB 99 226 85

HSL 114.04, 0.71%, 0.61%

LAB 80.57, -61.39, 56.86

 

CMYK 62 / 0 / 52 / 11

HEX #55E26C

RGB 85 226 108

HSL 129.79, 0.71%, 0.61%

LAB 80.41, -61.84, 46.26

 

CMYK 53 / 0 / 83 / 24

HEX #5CC321

RGB 92 195 33

HSL 98.15, 0.71%, 0.45%

LAB 70.47, -55.78, 64.77

 

CMYK 49 / 0 / 77 / 14

HEX #70DC32

RGB 112 220 50

HSL 98.12, 0.71%, 0.53%

LAB 78.96, -58.42, 68.17

 

CMYK 40 / 0 / 62 / 11

HEX #88E255

RGB 136 226 85

HSL 98.3, 0.71%, 0.61%

LAB 81.99, -50.87, 58.83

 

CMYK 31 / 0 / 48 / 9

HEX #A1E878

RGB 161 232 120

HSL 98.04, 0.71%, 0.69%

LAB 85.33, -41.51, 47.27

 

CMYK 22 / 0 / 35 / 7

HEX #BAEE9B

RGB 186 238 155

HSL 97.59, 0.71%, 0.77%

LAB 88.9, -31.15, 34.94

 

CMYK 40 / 0 / 63 / 11

HEX #87E253

RGB 135 226 83

HSL 98.18, 0.71%, 0.61%

LAB 81.93, -51.36, 59.58

 

CMYK 62 / 0 / 10 / 11

HEX #55E2CB

RGB 85 226 203

HSL 170.21, 0.71%, 0.61%

LAB 82.18, -43.2, 0.01

 

CMYK 0 / 62 / 15 / 11

HEX #E255C1

RGB 226 85 193

HSL 314.04, 0.71%, 0.61%

LAB 58.52, 66.26, -29.07

 

CMYK 40 / 0 / 63 / 11

HEX #87E253

RGB 135 226 83

HSL 98.18, 0.71%, 0.61%

LAB 81.93, -51.36, 59.58

 

CMYK 62 / 39 / 0 / 11

HEX #5589E2

RGB 85 137 226

HSL 217.87, 0.71%, 0.61%

LAB 57.38, 10.02, -50.46

 

CMYK 0 / 62 / 39 / 11

HEX #E25589

RGB 226 85 137

HSL 337.87, 0.71%, 0.61%

LAB 56.56, 59.2, 0.5

 

CMYK 40 / 0 / 63 / 11

HEX #87E253

RGB 135 226 83

HSL 98.18, 0.71%, 0.61%

LAB 81.93, -51.36, 59.58

 

CMYK 62 / 0 / 10 / 11

HEX #55E2CB

RGB 85 226 203

HSL 170.21, 0.71%, 0.61%

LAB 82.18, -43.2, 0.01

 

CMYK 23 / 62 / 0 / 11

HEX #AE55E2

RGB 174 85 226

HSL 277.87, 0.71%, 0.61%

LAB 52.93, 59.3, -57.14

 

CMYK 0 / 62 / 52 / 11

HEX #E2556C

RGB 226 85 108

HSL 350.21, 0.71%, 0.61%

LAB 55.84, 56.5, 16.57

 

CMYK 40 / 0 / 63 / 11

HEX #87E253

RGB 135 226 83

HSL 98.18, 0.71%, 0.61%

LAB 81.93, -51.36, 59.58

 

CMYK 62 / 8 / 0 / 11

HEX #55CFE2

RGB 85 207 226

HSL 188.09, 0.71%, 0.61%

LAB 77.31, -28.17, -19.52

 

CMYK 23 / 62 / 0 / 11

HEX #AE55E2

RGB 174 85 226

HSL 277.87, 0.71%, 0.61%

LAB 52.93, 59.3, -57.14

 

CMYK 0 / 54 / 62 / 11

HEX #E26855

RGB 226 104 85

HSL 8.09, 0.71%, 0.61%

LAB 58.72, 46.13, 33.6

 

Description

Color code: HEX #87E253 | qconv.com Color code: HEX #87E253 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 226 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 226 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 63 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 63% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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